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At Brickyard 400, restart rule leaves Ryan Blaney wondering what could've been

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At Brickyard 400, restart rule leaves Ryan Blaney wondering what could've been

SPEEDWAY, Ind. — Losing the Brickyard 400 is tough to digest regardless. When you feel like circumstances beyond your control took away a victory in what is a NASCAR crown-jewel race, it’s even more difficult.

It’s understandable then that Ryan Blaney was mad following a third-place finish in Sunday’s race at Indianapolis Motor Speedway. The defending Cup Series champion’s problem, though, was that he was uncertain where his anger should be directed.

He suffered a tough beat on a track at which every driver wants to kiss the bricks in celebration. To win here is a significant accomplishment. And Blaney had come oh so close.

“I’m ticked off, but I don’t know who to be ticked off at. Like there’s no one to be ticked off at,” Blaney said. “It’s just racing luck.

“I’m just pissed off. Just sucks, man.”

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The sequence that initiated Blaney’s frustration began when Kyle Busch spun and crashed underneath Denny Hamlin as they entered Turn 3, sending the race into overtime while also further pushing limits on fuel mileage that many were already up against.

Among those in danger of running out was leader Brad Keselowski, who opted for an improbable Hail Mary, hoping he could make it to the finish, so he opted not to pit for fuel during the caution period. Sure enough, just as Keselowski was coming to the start-finish line with the race about to resume, his fuel tank ran dry, prompting him to dart into the pits just as the field came off Turn 4.

This moved Blaney into the lead, with Kyle Larson sliding into second. But Blaney had already chosen the less favorable outside lane while Larson now was positioned on the inside. NASCAR prohibits drivers from getting a do-over on lane selection, thereby giving Larson the advantage because, had he been able to re-choose, Blaney would’ve picked the inside lane.

Instead, even though Blaney was the race leader, he felt like he was effectively a sitting duck.

“I can easily say, if the leader runs out coming to the restart, wave off the green, re-choose because you’re promoting the third-place guy now to where I get screwed,” Blaney said. “I’m the one getting screwed. So the third-place guy is benefitting, the guy behind me is benefitting.

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“If it was any other place, it’s not going to be as bad because the second lane, you can kind of at all the other places, you can maintain. Here, it’s just a death sentence. You’re not maintaining the lead from the top on the front row.”

As Blaney anticipated, Larson capitalized and got the lead as they sped into Turn 1. It was a lead he wouldn’t relinquish. Larson later noted he specifically chose to restart directly behind Keselowski with the hope that he’d move up to the front should Keselowski run out of fuel.

“We had a lot of communication on our radio about (how) Brad was going to be really close on fuel, he may run out of fuel under these cautions,” Larson said. “I was going to choose behind him no matter what lane he took just in hopes that he would run out before we got to the restart zone.

“Yeah, he just ducked off onto pit road. I was like, ‘Wow, I can’t believe this is going exactly how we had kind of hoped and had thought about.’”


Brad Keselowski, Ryan Blaney and Kyle Larson were 1-2-3 when Keselowski ran out of fuel and pitted. Larson then slid to the inside and ended up the winner. (Sean Gardner / Getty Images)

Some wondered post-race whether NASCAR should allow a re-choose in those situations. It’s not a question with a straightforward solution.

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A notable hurdle on a 2.5-mile track like Indianapolis is the amount of time it might take to permit the field to reselect which lanes. The circumstances that arose Sunday are also not common enough to necessitate NASCAR reevaluating the rule.

“I understand it being highlighted because of it being this race, the situation, because it was front row,” said Cliff Daniels, Larson’s crew chief. “There’s been so many times in Cup races where we’ve seen that from fifth, 10th, 20th. (Today is no different.) Everybody knows that’s the rule.

“Every other racing series, you fill the row, you take the green flag and move on. I just don’t see it as that big of a concern.”

On Sunday, though, Blaney was impacted to some degree. That is indisputable. Even Larson acknowledged after the race that he benefited from Keselowski’s misfortune.

“With the way the strategy was working out, Brad running out of fuel, me inheriting the front row, a lot had to fall into place,” Larson said. “Thankfully it did.”

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The victory was Larson’s first at Indianapolis, setting off a euphoric celebration that saw himself, Daniels, team owner Rick Hendrick and team executive Jeff Gordon go into the frontstretch grandstands to celebrate with fans. Larson now has won three of NASCAR’s crown-jewel races.

Meanwhile, down pit road, things were decidedly less festive. After getting out of his car, Blaney needed a moment to decompress, opting to go sit on the pit wall to gather himself.

“We should’ve won the race,” he said. “… Just disappointed. That just stinks. That’s just dumb luck. We did everything right to win and he got a break, pretty good.”

(Top photo of Kyle Larson and Ryan Blaney during Sunday’s Brickyard 400: Justin Casterline / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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