Culture
At a ‘crisis moment,’ women’s college basketball officiating needs a way forward
After the first quarter, both SMU and Memphis assumed everything would calm down. Nine fouls in 10 minutes was a lot. But everyone, officials included, regroups after each quarter. Surely, someone in the three-member officiating squad would say: Let’s let them play.
In the second quarter, the teams made it 90 seconds before the next whistle. The next one came 21 seconds later. And another 29 seconds after that.
“It was so hard to just play basketball, to just play free, without a ref blowing a whistle,” said Ki’Ari Cain, the only Memphis starter not to foul out of that January 2024 game.
“It just felt like — don’t touch anybody,” said former SMU guard Reagan Bradley.
From the radio booth, Tyler Springs, the voice of Memphis women’s hoops, painted the picture: Players stunned and staring off into space; others approaching the referees with varying degrees of animosity.
“At a certain point, I felt resigned to the rhythm of the night, rather than being incensed about it,” Springs said. “It just kept going and going.”
By the end of 50 minutes of play — including two overtimes — 75 fouls had been called in a game that was not unusually physical. The game took three hours and 40 minutes (typical game time: two hours). Ten players fouled out. There were 98 free throws. SMU’s bench was so depleted that it finished with just four players on the floor (and still won, 91-86).
Bradley made it to the second overtime. Then she became the fourth player on SMU to foul out.
“I’m walking down the bench, high-fiving my teammates, and as I’m passing each one, I’m like, ‘You already fouled out. You already fouled out. You already fouled out,’” Bradley said. “It was crazy.”
Five days later, on a video call with officials from across the country, Debbie Williamson — the person responsible for assigning, evaluating and developing officials in several conferences across the country, including SMU’s and Memphis’ league (the American Athletic Conference) — said she oversaw a game that week with “a lot of fouls” … but that the crew was 90 percent correct.
“It was such a proud moment for us,” Williamson said.
Though Williamson didn’t mention SMU-Memphis explicitly, multiple officials who viewed the call, who requested anonymity because they weren’t authorized to discuss it publicly, agreed she couldn’t mean any other game.
“Our expectation for you all, night to night … is that you guys (call) all the rules, all the time,” Williamson said on that call, a recording of which was viewed by The Athletic.
Williamson and the ACC, the power conference she supervises, had not commented at the time of publication. The officials who called the SMU-Memphis game declined to comment or did not respond to a request for comment.
The Memphis-SMU game drew some public criticism, but didn’t garner widespread attention like other recent high-profile officiating fracases have. Those include:
• The 2023 NCAA title game, which was so egregious it caused the NCAA to fast-track an officiating review that was meant for the following year
• A 2024 NCAA Sweet 16 game in which Notre Dame star Hannah Hidalgo was ordered mid-game to remove her nose ring (which she had worn during every game that season, including two NCAA Tournament games)
• Louisville losing a game after a foul meant to stop the clock was ruled as an intentional foul, awarding two free throws to the opposing team
• An official being pulled midgame during the NCAA Tournament’s first round last year because she held an advanced degree from one of the two schools playing. (Throughout this story, “official” is used to refer to a referee.)
“As we’ve continued to see the game grow, officiating is one of those areas that we have to continue to be very attentive to,” said NCAA VP of women’s basketball Lynn Holzman, “and make sure that, within the system that exists, we are providing the opportunities for the officials to grow and develop and get direct feedback, and then there’s accountability for that through the levers that exist for the NCAA. But it is a collaborative effort with us and the conferences.”
Officials getting ripped by coaches and fans is nothing new. But with women’s college basketball exponentially more visible and popular than it’s ever been, the issue is reaching a tipping point. With the NCAA Tournament starting this week, could we see another high-profile mess? As one longtime official said, the sport’s officiating is at a “crisis moment.”
“It was exposed,” one Division I commissioner said.
The Athletic conducted more than 50 interviews with NCAA sources, administrators, coaches, players, commissioners and more than a dozen Division I current and former women’s basketball officials, many of whom requested anonymity to speak freely. Stakeholders within the sport painted a bleak picture: Currently, three people control more than 75 percent of the regular season officiating jobs; officiating styles are inconsistent across conferences; the system lacks a formal developmental framework and security for officials; and there has been limited transparency on almost every level.
“This is a five-to-10-year fix,” said one high-ranking administrator. “And we’re nowhere close to starting that.”
Iowa’s Caitlin Clark argues after receiving a technical foul during the 2023 NCAA championship game against LSU. (Maddie Meyer / Getty Images)
A concentration of power and lack of transparency at the top
While the NCAA oversees postseason tournament officiating, every conference is responsible for its own officiating during the regular season. Each has a supervisor — an independent contractor — who hires, assigns games, and evaluates and determines officials’ pay. Conference supervisors alone decide who should be considered for the NCAA Tournament.
That makes conference supervisors arguably the most powerful people in college basketball officiating. In women’s basketball, there are three main players: Williamson, Patty Broderick and Lisa Mattingly. Mattingly and Broderick had long officiating careers, while Williamson worked in college coaching and education before becoming a supervisor. All have been widely recognized for their contributions to the women’s game.
Combined, working with their teams, they lead 22 of the 31 conferences, including all power conferences. On the men’s side, only one supervisor controls more than four conferences, and 10 supervisors oversee no more than two; no supervisor handles more than one power conference.
One longtime women’s basketball coach said of the trio: “It’s such a monopoly — on controlling the entire spectrum of officiating.”
A Division I commissioner added: “They each control their own little fiefdoms.”
Concentrated power isn’t inherently concerning, but when coupled with the lack of transparency in officiating, it has led to mistrust of the system by some within the sport.
Advancing to the NCAA Tournament is seen as a career pinnacle for officials. It can also push them into higher tiers, where they earn more money. Officials who’ve advanced well into the tournament can earn roughly $4,000 per regular-season power conference game, while mid-major top tiers make around $2,000 per game. But getting to the NCAA Tournament depends on a process that happens behind closed doors.
Conference supervisors send watchlists (20 names per conference) three times during the regular season to Penny Davis, the NCAA national coordinator of officiating, and four regional advisors. The lists are private — even officials don’t know if they’re on them until they’re evaluated — and the NCAA can only evaluate officials included on them.
Multiple officials and coaches said the secrecy in this process has allowed for favoritism in the regular season — or at least the perception of it. Without a regulated and transparent system that shows why someone is receiving a certain schedule, or why an official is qualified for the postseason (or not), speculation has run rampant.
“There’s got to be more oversight of how the officiating is assigned,” said one longtime coach.
This lack of transparency in scheduling can cause particular frustration when conference supervisors select an official who is a family member, romantic partner or close friend. In the SEC, Mattingly oversees and assigns her longtime partner. The conference told The Athletic it believed those assignments were consistent with the officials’ credentials and reputation. Mattingly declined to comment.
From 2018-24 (excluding the shortened 2020-21 season), Broderick’s daughter was the only official who averaged at least 80 games a year, a lucrative schedule, a number of them in conferences ultimately run by her mother — according to PhillyRef.com, an independent website that tracks officials’ assignments — but never officiated an NCAA Tournament game, a decision made separately from her mother.
A Big Ten spokesperson and Big 12 spokesperson told The Athletic that Broderick doesn’t oversee, assign or evaluate her daughter, who instead reports to her assistant coordinator. The Big Ten lauded Broderick’s “remarkable character and leadership.” The Big 12 said, “While we are consistently working to evolve our women’s basketball officiating and ensure it is best in class, we have been pleased with the evaluation structure and assignment processes Patty Broderick and her consortium utilize.” Broderick declined to comment.
Another issue raised by officials and coaches is that coordinators’ philosophies seem to be at odds.
Mattingly is quoted in the Women’s Basketball Hall of Fame as saying: “It is a fine balance between art and science in officiating. We don’t want a game where officials call everything they see.” But Williamson said last season that officials should call “all the rules all the time.”
So, which is it?
“Some supervisors want to call it a certain way. Other supervisors don’t want you to call what you just worked the night before for another supervisor,” said one official. “It is challenging at times to adjust.”
Inconsistencies — from game-to-game, conference-to-conference and regular-season-to-postseason — were the biggest frustration for coaches interviewed by The Athletic.
That can become particularly evident in the postseason, when officials from different conferences are on the floor together.
What might you get in that scenario?
Something like a national title game between LSU and Iowa in which Caitlin Clark was called for a technical foul for delay of game while rolling the ball away on a dead ball situation and Kim Mulkey, who made contact with an official, was not.
“You (had) three officials on two different pages,” said one official with 25 years of college officiating experience, adding: “Because we’re not trained the same … you’re going to get a different game when you have referees from different areas.”
When asked about whether officials from different conferences appear to officiate differently in the NCAA Tournament, Davis said she thought “that narrative or that line exists probably in all sports,” and that her emphasis is that officials should “enforce the rules as written.”
Notre Dame’s Hannah Hidalgo (with head coach Niele Ivey) missed more than four minutes of a 2024 Sweet 16 game when officials forced her to remove her nose ring, which she had worn without issue throughout the season. (Sarah Stier/ Getty Images)
No true development or feedback system
Officiating in that 2023 LSU-Iowa national title game didn’t just draw outrage from fans and media critiques; it also prompted the NCAA to fast-track an NCAA Tournament officiating review, known as the Pictor Report, that had been scheduled for the following year. For the report, the Pictor Group reviewed documents and conducted interviews that included Davis, conference supervisors and regional advisors, but did not interview any officials or coaches.
The Athletic viewed a copy of this six-page report, which said that the NCAA’s officiating program was “run with integrity.” The report offered six observations and identified areas to improve, including increased communication, tightening the watchlists (and urging the NCAA to “articulate clearer expectations for placing an official on the list”) and adjusting how the officiating crews were selected. Holzman said the NCAA has acted on the group’s recommendations.
In the ensuing months, the NCAA oversight committee, WBCA stewardship committee and a small group at the 2024 Final Four received briefings on the report. However, the full report was never made public or broadly shown to coaches and other key stakeholders. None of the coaches The Athletic interviewed for this story had seen a full copy of the report.
“It’s disconcerting to know that whatever information was gleaned from that (report) has been kept out of the hands of coaches, athletic directors and anyone else,” UConn coach Geno Auriemma said. “I’d be curious as to why.”
When asked why the Pictor Report was never published publicly in full, like some previous NCAA reports (including the Kaplan report and a 2020 Pictor officiating report), Holzman said, “This was something that I asked to be done for the benefit of myself as I lead and direct in these areas.”
Officials hear frustrations from coaches, fans and players. Many say they need to be provided with better tools to do their job well. Namely: More feedback and a developmental system.
“I had no idea where I stood in any of this,” said one official with NCAA Tournament experience. “Tell me where I stand, so that I can make a change. … You don’t get that.”
Currently, there is no standardized on-court training for officials, nor do they get thorough and personalized reviews of their work. Even when Davis and regional advisors return comprehensive evaluations for NCAA Tournament inclusion, officials generally do not get to see them (with the exception of those in the MEAC, run by longtime NBA official Tony Brothers). Holzman said the NCAA is seeking “greater assurances that those evaluation reports are getting into the hands of the officials themselves.” Additionally, feedback given by coaches to conference supervisors after each game doesn’t get returned to officials.
None of the officials interviewed by The Athletic had received play-call percentages from their conference or the NCAA. In-season, feedback mostly consists of time-stamped game clips, but whether or when officials receive those varies. Officials working for Williamson said they often receive clips several weeks after a game has passed.
The officials who spoke to The Athletic largely found the trainings and evaluations that are available to be insufficient, especially for mid-career officials, including a general, numbered feedback form from Broderick; crew-chief training from Mattingly (which needs to be attended only once); occasional video calls during the season with the NCAA and conference officials; and open-book quizzes during the season. To officiate in the NCAA Tournament, officials must attend a five-hour NCAA clinic (with no on-court training) and pass a 100-question, untimed, open book exam ahead of the season. In recent years, the NCAA has hosted a free clinic at the Final Four, geared toward early-career and lower-division officials, as well as an event for 100 officials at the college basketball academies.
Conference supervisors host summer camps for officials, and often market these as developmental opportunities. However, multiple officials said the feedback isn’t consistent across camps, and for many early- and mid-level officials, the camps can be barriers to advancement because of the cost (generally between $350 and $525). They fear that choosing not to go could result in a loss of assigned games and wages.
“If you don’t go to camp,” said one veteran official, “you set yourself back two years. … It’s pay to play.”
Most officials said the only way to know how they’ve performed in one season is to wait until they receive their schedule for the next season.
“Are you getting more conference games? Are you getting better matchups?” said one official with more than 20 years of college experience. “If you lose a bunch, if you’re down 10 to 15 to 20 games, you need to figure out what you’re doing wrong. Unfortunately, that’s on us to figure out. We’re not told.”
UConn head coach Geno Auriemma argues a call during the 2022 NCAA Tournament. (Sean Elliot / NCAA Photos via Getty Images)
An uncertain path for officials
The NCAA has acknowledged it needs a larger pool of officials, but many officials say that uncertainty and inequities in salary and scheduling can make it a less appealing career.
In 2022, the NCAA began to pay officials the same amount for tournament games, but not all conferences pay women’s and men’s officials equally.
The Athletic asked all 31 conferences about officials’ pay equity. Nine conferences said they paid their men’s and women’s officials the same, five said they didn’t, six declined to disclose and the others didn’t respond to multiple requests. Of those offering equal pay, more than half said they had only started doing so in the past few years; the SEC, ACC, Big 12 and Big Ten pay their officials equally, but none would say how long that’s been the case.
Even with pay disparities, officiating can be a lucrative career for those with the busiest schedules. The most-used officials can earn more than $250,000 before expenses during the season, though many make significantly less (and work other jobs to supplement incomes).
But as seasonal independent contractors, officials also accept uncertainty.
In September, officials rank the conferences that have hired them in order of which they most want to work for — but without knowing how many games they might receive or how much they’ll make per game in that conference. Ultimately, they don’t know their schedules, or how much they’ll earn that season, until a few weeks before tipoff.
Officials are paid a lump sum per game — all expenses come out of that. So, if an official is assigned to games within driving distance of their home, they’ll earn more than an official who has to travel and pay for flights, hotels, rental cars and meals.
Another scheduling frustration officials raised: more assignments for younger, less experienced officials. This season, one official with no Division I basketball experience got their first two DI games in the ACC, an unusually prominent assignment for an official at that level. Another inexperienced official’s games more than doubled recently from 27 to 66, going from no power conference games to 15. One official’s games jumped from two in their first season to 38 in their third season.
“The problem now is we are advancing young officials at way too quick of a rate,” said one veteran official of regular season officiating jobs. “And it’s not their fault.”
Broderick, Mattingly and Williamson did not comment on less-experienced officials receiving heavier schedules.
In these scenarios, it’s often the more experienced officials who end up shouldering far more responsibility in games, which can tax their bandwidth and can lead to missed calls and lower morale.
“Then we start missing plays and the inconsistency begins,” said one former official. “It’s one thing to mentor officials who are moving into new levels, but mentoring is very different from teaching on the job — which is what is happening, and is very evident.”
Where does the sport go from here?
Through the embarrassments and frustrations, administrators, coaches and officials ask: Where does the buck stop?
The Pictor Report calls for greater communication and transparency in different systems, and many in the sport — coaches, officials, administrators — agree more clarity and communication is needed. The NCAA may have implemented the report’s recommendations, but that hasn’t included a consistent public response to officiating blunders the past few seasons, or ensuring that the broader basketball community is aware of steps taken to eliminate these errors.
In 2016, after an incorrect call in the Sweet 16 kept Gonzaga’s men’s team from advancing, the NCAA called coach Mark Few to apologize for the mistake. Not so on the women’s side. A source close to Iowa confirmed that Davis never reached out to discuss the officiating in the 2023 NCAA title game. Auriemma said that he had never heard from anyone at the NCAA after a tournament game, including the divisive screen call at the end of the 2024 Final Four game against Iowa.
Coaches have made suggestions for improvement. Some mentioned adopting “two-minute reports,” similar to the NBA, which releases detailed reports on every call made in the final two minutes of games that were within three points (the WNBA does not do this). Others wanted to see transparency around play-calling percentages and how that corresponds to assignments.
Officials and conference sources said they’d like to regularly see game call percentages, ensure NCAA’s officiating evaluations get to officials, have more consistency across leagues and see more transparency in scheduling.
Davis said she also has suggested that conferences provide free summer training for staff officials. “As we’re investing in the game and investing in all parts of it, officiating shouldn’t be overlooked,” she said.
At a time when the game is better than ever, with television audiences hitting record viewership and attendance up across the country, getting officiating up to speed with the game should be the NCAA’s highest priority.
“(Good reffing) is everything,” said one ACC coach. “To me, it’s the integrity of the game.”
(Illustration: Kelsea Petersen / The Athletic; Top photo: Jay LaPrete / Getty Images
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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