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Amateur Dunlap wins on PGA Tour, first since '91

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Amateur Dunlap wins on PGA Tour, first since '91

Nick Dunlap made PGA Tour history Sunday, becoming the first amateur in 33 years to win on tour by claiming The American Express in La Quinta, Calif. He trailed five-time tour winner and Ryder Cup vet Sam Burns on the back nine before rallying over the final three holes to finish 29-under. Here’s what you need to know:

  • Dunlap, 20, is a sophomore at Alabama. By becoming the first player since Phil Mickelson in 1991 to win on the PGA Tour before turning professional Dunlap has a two-year exemption into the tour’s biggest events when he does decide to leave college golf. After winning the U.S. Amateur last year he is already eligible for all four majors in 2024.
  • Dunlap and Burns were tied going to the par-3 17th, but Dunlap put his tee shot on the green and watched as Burns found water and ended up with double bogey.
  • Dunlap shot a third-round 60 on Saturday to take a three-shot lead over Burns and four over Justin Thomas going into Sunday, then shot a 70 on Sunday to win the tournament.

What happened

Dunlap had a three-stroke lead stepping to the par-4 7th hole, which features a forced carry off the tee. Unfortunately, the amateur found water with his first tee shot — he knew it instantly, letting the club go in his backswing. He had to drop, lay up and had a 15-footer for bogey that he could not scare the cup on. When Burns birdied the same hole it created a tie and allowed most of the rest of the top 10 to feel like they were back in this thing. Burns took the lead with birdies on 10 and 11.

So for most of the back nine Sunday it seemed like Dunlap’s story was going to be of a young player with tremendous promise coming up just a bit short against a certified star like Burns. But Dunlap’s father told Golf Channel in an on-course interview that his son may just have enough in him to get the lead back, and he was right. A birdie on the par-5 16th got Dunlap to 29-under and a tie with Burns, sending the duo (Thomas had fallen off the pace) to No. 17 for a two-hole shootout. It didn’t take long to find a victor.

Burns, who had zero bogeys in his last 24 holes, missed the island green on Pete Dye’s Stadium Course right, splashing into the water. He had to take a drop, then two-putted to fall two off the lead. Meanwhile, Dunlap looked like the vet in finding the green and two-putting for par.

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Burns then put his tee shot on 18 into the water left of the fairway and doubled the hole, finishing tied for sixth.

Dunlap missed the fairway (a frequent occurrence Sunday) but his approach play was again top-notch, staying right and away from water. His second shot got him green-side, and his third rolled to within six feet of the hole. He dropped the putt into the cup, let go with a fist pump, then hugged his caddy, family and girlfriend.

Christian Bezuidenhout finished second at 28-under after shooting a final-round 65.

What this means for Dunlap

Here’s the history part: In addition to the tie with Mickelson, Dunlap is also the second-youngest person to win on the PGA Tour since World War II (Jordan Spieth is the first) and the first reigning U.S. Amateur champion since Tiger Woods in 1996 to win on the PGA Tour. Mickelson, Spieth and Tiger? Pretty good company.

Dunlap, who is 20 years and 29 days old, does not have to turn pro automatically to maintain the privileges of his win — though under his amateur status, he has lost out on the $1.51 million earmarked for the winner of The American Express.

Regardless of when he removes the (a) from his name on leaderboards, Dunlap is a very big deal who cemented his status as a rising star in professional golf this weekend. It was one thing to shoot 64-65-60 over the first three days of the tournament, playing with a very small gallery following him. On Sunday he was with Burns and Thomas in the final group, with all that entails. Even when he wasn’t making putts and settling for pars over the first 15 holes, he never looked rattled, focusing on the self-belief techniques he has made a priority in his round preparation.

“Hitting that ball in the water on 7 tested everything I had,” Dunlap told The Golf Channel.

Required reading

(Top photo of Nick Dunlap: Sean M. Haffey / Getty Images)

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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Summer’s Best Beach Reads

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Summer’s Best Beach Reads

Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.

The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)

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