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Emily Fisher Landau, Patron of Contemporary Art, Dies at 102

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Emily Fisher Landau, Patron of Contemporary Art, Dies at 102

Emily Fisher Landau, a New Yorker who used a Lloyd’s insurance coverage settlement from a spectacular jewel heist in her residence to fund what would develop into one among America’s premier collections of latest artwork, died on March 27 in Palm Seashore, Fla. She was 102.

Her demise was confirmed by her daughter, Candia Fisher.

From 1991 to 2017, Ms. Landau opened her assortment of 1,200 artworks to the general public within the Fisher Landau Heart for Artwork, a repurposed former manufacturing facility in Lengthy Island Metropolis, Queens. In 2010, she pledged nearly 400 works, then value between $50 million and $75 million, to the Whitney Museum of American Artwork, the place she had lengthy been a trustee.

Ms. Landau’s trajectory into the artwork world started unexpectedly on a spring afternoon in 1969, whereas she was out at lunch. Armed burglars disguised as air-con repairmen broke into her residence within the Imperial Home constructing on the Higher East Facet, certain the prepare dinner in a visitor closet and opened a ground protected hidden inside one other closet.

For birthdays, anniversaries and holidays over time, her husband, Martin Fisher, an actual property developer, had given her parures — matched necklace, earring, ring and bracelet units holding emeralds, rubies, sapphires and diamonds — together with a 39-carat blue white diamond solitaire. All had been saved within the protected.

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“I used to be devastated,” Ms. Landau stated of the heist in interviews carried out for a Whitney catalog, “Legacy: The Emily Fisher Landau Assortment.” However, she added, “I made a decision that I didn’t need the jewellery any extra. I now had seed cash for a group,” due to the insurance coverage settlement.

“What I actually wished to purchase was work,” she stated, “so most likely the theft was top-of-the-line issues that ever occurred to me.” (The scene of the crime, Imperial Home, on East 69th Avenue between Lexington and Third Avenues, had been constructed by her husband’s firm, Fisher Brothers.)

Ms. Landau had aspired to develop into an artist earlier than her father, additionally a developer, despatched her to secretarial faculty. Later, with out ever having taken an artwork historical past class, she began accumulating informally. After the jewellery theft, her first main piece was a three-and-a-half foot tall Calder cellular, which she purchased in 1968 from its proprietor on Central Park West.

“I didn’t have a automobile and driver in these days, and so I got here again on the crosstown bus on West 86th Avenue and stood up and carried the Calder like a Christmas tree,” she stated. “No one requested me something.”

Ms. Landau quickly found the work of Josef Albers when, strolling alongside East 57th Avenue, she came upon a poster in a window for a present on the Tempo Gallery. “It startled my eye — so minimal,” she stated. “From the second I noticed that Albers, I knew I cherished simplicity. Albers was my starting level as a collector. I’ve by no means collected one thing as a result of it was modern. It was at all times about what I instinctively preferred.”

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Her curiosity led her upstairs to Tempo and what turned out to be an extended relationship with the gallery and its proprietor, Arne Glimcher. “Initially I purchased artwork with my husband,” she stated. Their first massive acquisition was a trio of work — by Picasso, Dubuffet and Léger — that Mr. Glimcher had proven her, all leaning towards a wall in his workplace. “Later I’d purchase alone,” she stated.

She went on to purchase works by Matisse, Mondrian, Jean Arp, Mark Rothko, Franz Kline, Paul Klee, Louise Nevelson and Lucas Samaras. “I spent all the cash on artwork,” she stated. “These had been purchase years.”

Tempo, together with the Leo Castelli Gallery in Manhattan, remained a serious supply for her rising assortment, however Mr. Glimcher’s gallery companion, Fred Mueller, proved a job mannequin for integrating artwork, artists and a New York social life. She remembers a celebration in his spare Gracie Sq. residence the place Ms. Nevelson, Robert Rauschenberg and Andy Warhol circulated amongst their very own artworks with different company. “His instance truly gave me the impetus to gather in depth,” Ms. Landau stated.

However then her husband died, in 1976. “After that there was a giant hole within the assortment,” she stated. “I finished.”

In about 1980, Ms. Landau met and employed the New York theater and restaurant designer Invoice Katz to redecorate her residence on Park Avenue, the place she had since moved. The fee morphed right into a long-term relationship through which Mr. Katz, additionally an artwork advisor, suggested her on accumulating past the core modernists she already had.

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“‘Emily, if you wish to have a look at youthful individuals’s work, it could change their lives, and be an fascinating expertise for you,’” she recalled him telling her.

On studio visits in New York’s heated artwork world of the Nineteen Eighties and ’90s, Ms. Landau targeted on modern works, typically shopping for the entire room, as she did with a Rodney Graham present.

“She had the temperament to maneuver ahead with the zeitgeist,” stated the New York artwork adviser Amy Cappellazzo. “She grew to become effectively often called a serious collector, and I feel her tastes inspired that second by means of the ’80s and ’90s. Others adopted.”

By the mid-Nineteen Eighties, Ms. Landau had develop into a trustee on the Whitney, the place she sat on a succession of boards for practically 25 years. The fourth ground of the museum, then positioned on Madison Avenue on the Higher East Facet, was named in her honor in 1994, the 12 months she established an endowment for the Whitney Biennial exhibitions.

“She most likely has been probably the most essential trustees in Whitney historical past,” stated Leonard Lauder, chairman emeritus of the museum.

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By the mid-Nineteen Eighties, with the artwork market swelling in New York and museums increasing throughout the nation, Ms. Landau occupied an more and more outstanding place inside New York’s artwork ecosystem, supporting artists personally and museums institutionally.

Past the Whitney, she sat on committees on the Museum of Fashionable Artwork and on the boards of the Georgia O’Keeffe Museum and SITE Santa Fe museum, each in New Mexico. For her assist of its cultural establishments, the French authorities inducted her into the Order of Arts and Letters as a chevalier.

Outdoors the artwork world, she established the Fisher Landau Basis for analysis on dyslexia and help to dyslexic kids — she herself was dyslexic — and the Fisher Landau Heart for the Therapy of Studying Disabilities for kids, adolescents and adults on the Albert Einstein Faculty of Drugs within the Bronx. She additionally had a seat on the board of the Metropolitan Opera.

Within the late Nineteen Eighties, Ms. Landau discovered a 25,000-square-foot former parachute-harness manufacturing facility in Lengthy Island Metropolis to deal with her assortment — a non-public museum that may be open to the general public at no cost. Max Gordon, a minimalist London architect recent from his conversion of a paint manufacturing facility into the Saatchi Assortment in London, remodeled the Queens plant, a three-story concrete construction, into the Fisher Landau Heart for Artwork.

“Together with her personal museum, she was an ideal instance of the premier collectors in historical past who acquire not only for themselves however for posterity,” Mr. Lauder stated. “She was shopping for extra for tomorrow than at present.”

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Emily Lanzner was born on Aug. 23, 1920, in Glens Falls, N.Y., close to Lake George, and grew up within the Washington Heights part of Manhattan, residing in Emily Courtroom, a constructing her father, Samuel Lanzner, developed and owned, naming it after his daughter. Her mom, Cecilia Lanzner, was a homemaker.

After a quick marriage, she met and later married Mr. Fisher, on the time the younger landlord of an residence through which she was residing in Forest Hills, Queens. She had three kids with him, Richard, Anthony and Candia. In 1978, after Mr. Fisher’s demise, she married Sheldon Landau, a retired clothes producer. Her son Anthony and his spouse, Anne, died in a aircraft crash in 2003. That very same 12 months, her grandson Andrew died in an car accident. Richard, her older son, died in 2006. Mr. Landau died in 2009.

Along with her daughter, Ms. Landau is survived by 9 grandchildren and 4 great-grandchildren.

With the succession of tragedies in her instant household — all coinciding with altering markets within the artwork world within the 2000s — Ms. Landau’s curiosity in accumulating diminished.

“From about 2004 to 2008, a variety of hedge fund individuals speculated,” the New York gallerist Barbara Gladstone stated. “They had been a special breed, and Emily was completely happy to step apart. She typifies pre-2000 collectors who made an avocation out of refining their collections. She was not simply shopping for as a result of it could go up in worth. That’s a splendidly old style custom.”

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Ms. Landau’s Heart for Artwork remained open to the general public till 2017. In her final years, she struggled with Alzheimer’s illness and lived primarily in Greenwich, Ct.

“Every time she noticed a lady sporting costly jewellery,” her daughter, Candia Fisher, stated, “she used to say, ‘That could possibly be artwork on the partitions.’”

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As job growth in California falls back, unemployment rate remains highest in the country

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As job growth in California falls back, unemployment rate remains highest in the country

California posted another month of anemic job growth in April, keeping the state’s unemployment rate the highest in the country, 5.3%, the government reported Friday.

Statewide, employers added a net of just 5,200 jobs in April, down from 18,200 in March, according to California’s Employment Development Department.

Nationwide, employers added 175,000 jobs in April and 315,000 in March. The U.S. unemployment rate in April was 3.9%.

Major sectors of California’s economy — including manufacturing, information and professional and business services — showed job losses last month, and job opportunities aren’t as plentiful as before, even as the number of unemployed workers in the state has risen by 164,000 over the last 12 months.

In California, there were 140 unemployed workers for every 100 job openings in March, according to federal statistics released Friday. Less than two years ago, there were about two openings for every jobless person.

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Carol Jackson, an unemployed worker in South Los Angeles, says she has been pounding the pavement for months, hoping to make use of her recently minted associate degree in web management and database administration. But despite sending her resume to at least 100 employers, she has not had a single interview.

“I can tell you that California is pretty brutal now,” said Jackson, 57.

Hiring in California has been lagging behind national trends, with one notable exception. The state’s healthcare and social assistance sector added 10,100 jobs last month, bringing the gains over the last 12 months to about 155,000. That’s 75% of all new jobs added since April 2023.

Hospitals and doctors’ offices have been bulking up, but the fastest growth has been at outpatient centers, home healthcare firms, nursing facilities and, especially, social assistance, which includes vocational rehabilitation and child day-care services.

“Healthcare is the big gorilla in the room; it dominates everything,” said Mark Schniepp, director of the California Economic Forecast in Santa Barbara, adding that it’s likely to keep growing robustly with new and expanded medical facilities across the state.

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Leisure and hospitality businesses added 3,100 jobs last month. The gains included employment at hotels and restaurants — despite the added stress employers are feeling from a minimum wage increase to $20 an hour for fast-food workers that went into effect April 1.

While there are fears of layoffs as the food industry adopts technology to replace workers, California’s restaurants are getting a lift from a pickup in tourism. The leisure sector overall is close to fully recovering from the deep losses caused by the COVID-19 pandemic.

Public-sector payrolls also held up well last month, increasing by 2,600. Thus far, state and local government jobs seem to be showing little effects from California’s massive budget deficits.

“But clearly that will be another factor,” said Sung Won Sohn, economics professor at Loyola Marymount University in Los Angeles.

Sohn and other economists worry that there are national, cyclical and state-specific threats to California’s employment and broader economic outlook.

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Key pillars of the state’s economy continue to struggle.

Motion picture producers and other employers in the information sector show few signs of breaking out of the hiring doldrums, despite the film industry’s resolution of labor strikes last fall. Los Angeles’ motion picture and recording studio industries were down by 13,400 employees, or 12%, in April compared with the same month a year earlier. And many workers in the industry say conditions do not appear to be improving.

Large parts of the farm economy in the Central Valley remain sluggish, in part due to rising costs, tighter financial conditions and ongoing climate challenges.

Despite strong investments in artificial intelligence, layoffs have persisted at high-tech firms in the Bay Area and elsewhere. Scientific and technical companies shed jobs last month, and employment at computer systems design work and related services has been gradually declining.

Nationally, economists expect job growth to slow in the coming months, the result of persistently high interest rates and an expected pullback from consumers. The outlook is particularly dim in California.

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“On the ground, there are several signs of even more slowdowns,” said Michael Bernick, an employment lawyer at Duane Morris in San Francisco and former director of the state’s EDD. Among them, he said, “small businesses continue to struggle statewide with higher prices and tightened consumer spending.”

He and other experts have a similar refrain about what ails the state: high costs, excessive regulation and unaffordable home prices, among other factors.

“We just have real challenges here in California that other states don’t face,” said Renee Ward, founder of Seniors4Hire.org, a Huntington Beach-based organization that helps older workers find employment.

She said the number of job seekers registered with her service has jumped 26% so far in 2024 from a year ago.

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New Mexico weighs whether to toss Alec Baldwin criminal charges in 'Rust' shooting

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New Mexico weighs whether to toss Alec Baldwin criminal charges in 'Rust' shooting

A New Mexico judge is weighing whether to dismiss involuntary manslaughter charges against Alec Baldwin for his alleged role in the 2021 shooting death of the “Rust” movie cinematographer.

Baldwin’s attorneys argued during a court hearing Friday that special prosecutor Kari T. Morrissey had abused her power by allegedly withholding “significant evidence,” including witnesses favorable to Baldwin, during a January grand jury proceeding.

The 66-year-old actor‘s lawyers said he was a victim of an “overzealous prosecutor” who steered grand jury proceedings in an effort to win an indictment in the high-profile case. At issue is whether the grand jury had been fully advised that they could hear from Baldwin’s witnesses during the proceedings. The grand jurors spent a day and a half questioning witnesses who were introduced by the prosecutors.

“The fix was in,” Baldwin attorney Alex Spiro told the judge Friday.

The grand jury indicted Baldwin on an involuntary manslaughter charge in the shooting death of Halyna Hutchins, the 42-year-old cinematographer, who was rehearsing a scene with Baldwin on Oct. 21, 2021. Baldwin has pleaded not guilty.

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At the conclusion of Friday’s hearing, New Mexico First Judicial District Judge Mary Marlowe Sommer said she would issue her ruling next week. Should she dismiss the case, it would mark the second time that the felony charges against Baldwin were dropped.

Marlowe Sommer’s decision is expected less than two months before Baldwin is scheduled to go on trial in a Santa Fe courtroom.

During the hearing, which was conducted virtually, Morrissey denied that she had acted in bad faith. She said she didn’t prevent jurors from getting answers to their questions or from seeking additional information. She told the judge that grand jurors had been given written instructions that outlined their ability to quiz other witnesses, including those favorable to the defense.

But because the jurors didn’t ask to hear from the witnesses who were on a list supplied by Baldwin’s lawyers, several key figures in the tragedy, including film director Joel Souza, property master Sarah Zachry and assistant director David Halls, were not called to testify. Instead, jurors heard from police officers, a crew member who was in the church and expert witnesses hired by prosecutors.

On the day of the shooting, Hutchins, Baldwin, Souza and about a dozen other crew members were gathered in an old wooden church at Bonanza Creek Ranch, south of Santa Fe, preparing for a scene. Hutchins, according to the actor, told him to pull his Colt .45 revolver from his holster and point it at the camera for an extreme close-up view. That’s when the gun went off.

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Hutchins died from her wounds. Souza was injured and recovered.

Last month, Marlowe Sommer sentenced the film’s armorer, Hannah Gutierrez, to 18 months in a New Mexico women’s prison for her role in the shooting. Morrissey argued that Gutierrez was criminally negligent by allegedly bringing the live ammunition to the movie production and unwittingly loading one of the lead bullets into Baldwin’s gun. Gutierrez denies bringing the ammunition on set.

Baldwin’s prosecution has long been fraught.

Morrissey and her law partner Jason J. Lewis joined the case last year after the first team of prosecutors was forced to step down due to missteps, including trying to charge Baldwin on a penalty enhancement that wasn’t in effect at the time of the tragedy.

“The government looked a little sophomoric and unprofessional when they charged him for a crime that wasn’t a crime at the time,” said Los Angeles litigator Tre Lovell, who is not involved in the “Rust” shooting matter. “That was embarrassing.”

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The original prosecutors also displayed bluster in media interviews, making statements about the need to hold Baldwin responsible for his actions. Defense attorneys have argued that such commentary was out of line and prejudicial against the actor.

Shortly after Morrissey and Lewis joined the case, they dropped the charges against Baldwin. At the time, they said they needed more time to review evidence and address issues raised by Baldwin’s team. Morrissey and Lewis reserved the right to refile the charges.

Immediately after the charges were dropped, Baldwin traveled to Montana to finish the filming of “Rust.”

On Friday, Morrissey said last year’s decision to drop the charges was made at the request of Baldwin’s lead attorney, Luke Nikas, who had presented evidence that the gun Baldwin was using had been modified. Subsequent tests showed the gun was functional that day, but during FBI testing in 2022, the gun was broken by forensic analysts who wanted to see how much pressure needed to be applied for the hammer to drop.

The damaged gun is one of several complications that prosecutors are facing. Legal experts have said that winning a conviction in Baldwin’s case is expected to be more difficult than in the trial of Gutierrez, whose job was to make sure the weapons were safe.

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Baldwin was handed the prop gun that day and was told that it was “cold,” meaning there was no ammunition inside. In reality, the chamber of the revolver contained six rounds — five so-called dummies and the lead bullet that killed Hutchins.

“The state has not even alleged that Baldwin had a subjective awareness of a substantial risk that the firearm held live ammunition,” Nikas argued in the motion to dismiss the charges. “Without a subjective awareness, he could not have committed the crime of involuntary manslaughter, which requires that the defendant consciously disregarded a substantial and unjustifiable risk that his actions could cause another person’s death.”

Baldwin has argued, with support from Hollywood’s performers’ union SAG-AFTRA, that it wasn’t his job to be the gun safety officer on set.

The actor has said he was relying on other professionals to do their jobs to ensure a safe production.

Prosecutors have an obligation to present evidence in a “fair and impartial manner,” Baldwin’s attorneys said.

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The judge grilled Morrissey on her thinking at the time, including an instance when she had interrupted a sheriff’s deputy and prevented her from answering a question about gun safety measures on set. Morrissey said that deputy was not an expert in film set protocols and that she instead wanted jurors to get “the most accurate information,” which would come from a veteran film crew member who was an expert witness.

Baldwin’s attorneys were also sharply critical of Morrissey for divulging during a media interview the date the grand jury was expected to meet. Morrissey said she took responsibility for providing to a reporter the initial date, which had been scheduled for mid-November. However, the matter was postponed, and the case wasn’t brought before the grand jury until two months later, in mid-January.

Lovell, the L.A. entertainment attorney, said he believes the case will go to trial and that efforts to throw out the indictment will be unsuccessful.

“Courts are really reluctant to dismiss cases brought by a grand jury,” Lovell said. “Courts have limited ability to review what goes to a grand jury unless it was provided in bad faith.”

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Troubled EV maker Fisker closing Manhattan Beach headquarters

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Troubled EV maker Fisker closing Manhattan Beach headquarters

In an effort to stave off bankruptcy, electric-vehicle maker Fisker Inc. is closing its Manhattan Beach headquarters and has secured a $3.5-million lifeline as it continues to explore an acquisition or other strategic alternative.

The troubled company, which had about 300 employees in the 72,000-square-foot offices at the end of March, is moving its remaining workers to an engineering and distribution facility in La Palma in Orange County, said a person familiar with Fisker’s operations who was not authorized to comment.

In all, the company had roughly 1,135 employees as of mid-April, following an announced 15% cut to its workforce.

Fisker has been attempting to avoid bankruptcy since March, when it announced that talks over a strategic alliance with a major automaker had ended, squelching a deal that would have given it $150 million in new financing.

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That caused its shares to collapse to pennies, prompting the New York Stock Exchange to delist the stock, which violated another debt agreement the company struck with an investor last year, according to a regulatory filing.

A major automaker, said to be Nissan, was reportedly in talks to invest in Fisker. Nissan was considering making the Fisker Alaska truck at a U.S. plant — a deal that would come with a $400-million investment, Reuters first reported. Fisker did not confirm the reports.

Fisker announced this week that it secured a $3.5 million short-term loan, as it continues to operate and sell its midsize Ocean SUV. The note is due June 24 and has the potential to increase to $7.5 million.

The Ocean, a competitor to Tesla’s Model Y, was released last year to mixed reviews; some praised its build and styling, but the car has been plagued by software glitches.

The National Highway Traffic Safety Administration has four investigations into the vehicle, including one opened this month after complaints that the SUV’s automatic emergency braking system randomly triggered.

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Other probes are looking into reports that a door on the Ocean will not open and complaints about a loss of braking performance. The company has said it is working with the regulator.

Fisker said this week that it had added three dealers to its networks in California and New Jersey, which it began building after a plan to sell direct to consumers — like Tesla does — didn’t pan out. It also announced additional price cuts on some Ocean models.

In March, Fisker slashed the price on its entire lineup of 2023 Oceans by more than 30%. The company also said that it had paused production at its contract manufacturing plant in Austria, which produced about 10,200 Oceans last year.

Fisker was founded in 2016 by noted car designer Henrik Fisker, who has said the Ocean was inspired by California. The SUV features a full-length solar roof, an interior composed of “vegan” recycled plastic and a drop-down rear window that can fit a surf board.

Fisker is not the only startup that has been struggling amid a slowdown in the domestic market for electric vehicles and a rise in interest rates.

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Rivian Automotive, an Irvine maker of electric trucks, has informed state officials it will lay off more than 120 employees beginning in June. In February, the company announced it was cutting 10% of its workforce. The company’s shares have lost more than half of their value since last year.

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