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Column: California's most improbable water project rebrands itself as a crusader for environmental justice

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Column: California's most improbable water project rebrands itself as a crusader for environmental justice

It’s hard to think of a California company that carries more toxic baggage than Cadiz Inc.

The Los Angeles firm has been trying for more than 20 years to advance a plan to siphon water from under the Mojave Desert and pump it to users throughout Southern California. It has long been stymied by environmental objections, but kept on life support by wielding political influence and regular financings such as private stock placements and junk bond-rated debt.

Now Cadiz is trying a new tack. Under its newly installed chief executive, the veteran government aide Susan Kennedy, it has affiliated itself with the so-called human right to water movement, which ties the inaccessibility of clean water for disadvantaged communities to other social justice quests such as developing more affordable housing.

Kennedy has a long and distinguished record in government, including stints working for former Govs. Gray Davis and Arnold Schwarzenegger, and service on the state Public Utilities Commission and on the board that oversees Covered California, the state’s Affordable Care Act exchange.

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I have a long way to go to change opinions.

— Cadiz CEO Susan Kennedy

Kennedy, who joined the Cadiz board in February 2021, became its chair a year later and took over as CEO on Jan. 1, freely acknowledges that this is a heavy lift for a company with Cadiz’s lengthy and discreditable history.

“In Sacramento, the Cadiz name is a poison pill,” she told me. Upon becoming CEO, she says, “the first thing I had to do was change the company so people think about it differently.”

That approach, Kennedy says, includes dumping the company’s long-term lobbyist firm, which was closely connected with the Trump administration, and placing more community activists on its board.

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Most important, in her view, is refashioning Cadiz’s water project from one aimed at serving urban users throughout Southern California to a narrower goal of filling the admittedly serious gaps in the accessibility of clean water in San Bernardino County.

“The problem before,” she says, was that the Cadiz project involved “taking water out of the Mojave Desert and shipping it halfway across California to fill swimming pools in Los Angeles.”

That left locals in the lnland Empire with little reason to favor the company’s proposal. “This is very different,” she says. “This is keeping water local — Mojave water staying in the Mojave basin. It’s a key solution for the area,” which has limited access to water from the Colorado River or the State Water Project, two of the principal sources of water in California.

Kennedy says Cadiz’s new focus will initially be on converting an old natural gas pipeline running 86 miles between its desert acreage and Barstow to carry its water. The recipients would be “severely disadvantaged communities” currently dependent on the state water project, supplies from which are heavily impact by drought.

It’s an understatement to say that California environmentalists, who have fought the company tooth and nail for more than 20 years, are skeptical.

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“Cadiz is conducting a rebranding effort because its project has been a massive failure for decades, it carries significant financial risk, and it stands zero chance of securing numerous required federal and state permits,” says Neal Desai, senior regional program director of the National Parks Conservation Assn.

To best understand this conflict, let’s start at the beginning.

The Cadiz desert water scheme was the brainchild of its CEO Keith Brackpool, a British former stock trader with a checkered history — in 1983 he pleaded guilty to criminal charges including dealing in securities without a license, and in 1993 had been forced out of an executive role with a British food company for some dealings with a direct competitor.

Cadiz owned 35,000 acres overlying a desert aquifer. Cadiz‘s proposal to the giant Metropolitan Water District in 1997 “had a charming 25-words-or-less simplicity,” I wrote in 2006: The MWD would store its surplus water beneath Cadiz’s acreage in wet years and retrieve it during droughts, paying Cadiz a fee at both ends.”

Difficulties soon surfaced. The storage site was 35 miles from the MWD’s Colorado aqueduct, requiring a $150-million pipeline to be strung over environmentally sensitive territory.

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The proposal committed the district to buy huge quantities of groundwater from Cadiz’s aquifer, but experts disagreed about how much could be safely extracted from the site; Cadiz estimated 30,000 acre-feet a year, but the U.S. Geological Survey and other independent sources regarded the estimate as optimistic by at least a factor of 10. The persistent drought in the West raised doubts over whether there would ever be much surplus for the MWD to store.

Then there were the company’s finances. One doesn’t wish to be churlish, but if you decide to open its most recent financial statement covering the first nine months of 2023, I’d advise doing so in a well-ventilated space.

The company reported an operating loss of $24.7 million on revenue of $1.3 million for that period, compared with a loss of $17.9 million on sales of $927,000 a year earlier. All the revenue comes from a farming operation on its desert landholdings. Cadiz hasn’t reported a profit since its first public financial disclosure in 1994; its accumulated deficit reached $603.3 million in 2022.

The original plan called for the $150-million cost to be shared by Cadiz and the MWD. Since Cadiz didn’t have the proverbial pot to, er, fill, it proposed that the MWD lend it the money for its share, largely through a “prepayment” for the storage of MWD water. But the company’s existing lenders had the right to demand repayment of their loans from any funds provided by MWD, so almost nothing would be available for construction.

The MWD rejected the plan in 2002. By any rational expectation, that should have killed the project for good.

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But its critics didn’t reckon with Brackpool’s ability to endow his firm with political supporters.

Although the late Sen. Dianne Feinstein (D-Calif.) was a sworn adversary, her opposition was counterbalanced at first by advocates such as former Gov. Gray Davis, whose 1998 and 2002 gubernatorial campaigns collected $235,000 in donations from Cadiz.

In return, Davis made Brackpool his advisor on water. Their relationship put pressure on the MWD to play ball with Cadiz, which may have explained why it took the water district until 2002 to put the kibosh on the plan.

Over subsequent years, Brackpool hobnobbed with former Los Angeles Mayor Antonio Villaraigosa, who landed for a time on the company’s payroll. In 2006, he persuaded then-Gov. Arnold Schwarzenegger to endorse Cadiz as “a path-breaking, new, sustainable groundwater conservation and storage project.”

The most important support may have come from Donald Trump. He appointed David Bernhardt, a former lawyer and lobbyist for Cadiz, as his Interior Secretary in 2019, giving Bernhardt authority over crucial federal approvals the company needed for its desert pipeline.

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Bernhardt came from the law firm Brownstein Hyatt Farber Schreck, which included Cadiz as a client; the company’s then-CEO, Scott Slater, was — and is — a partner in the firm. Cadiz had paid the Brownstein firm $2.75 million in lobbying fees and 200,000 shares of stock while Bernhardt was there. Bernhardt is now back at the firm, serving as a senior counsel in its Washington office. Slater, who no longer has an executive or governance role at Cadiz, is currently listed as a member of the law firm’s executive committee.

In December 2020, as the Trump administration was preparing to leave office, the Bureau of Land Management, an Interior Department subagency, abruptly approved Cadiz’s acquisition of the gas pipeline crossing the Mojave and for its conversion to carry water — ruling that the acquisition and conversion required no environmental impact studies. That was a “rushed, cursory decision,” a federal judge later found.

The Biden administration rescinded the approvals in 2021 so the BLM would have time to perform the environmental analysis required by law. Last month the agency reissued the approval for Cadiz to acquire the gas pipeline, but not to convert it for water. The latter decision, it had earlier assured Feinstein, would require “intensive environmental studies of … potential impacts,” including those caused by the extraction of water from the aquifer.

Kennedy says Cadiz no longer employs Brownstein and recognizes that the 2020 BLM ruling was vulnerable to legal challenge. Brackpool retired from the Cadiz board last year, which apparently ended his relationship with the company.

That points to perhaps the most serious obstacle to Cadiz’s project: Doubts about the environmental impact of taking water from the Mojave aquifer. Kennedy says the company has in hand technical studies indicating that it can safely extract 50,000 acre-feet of water annually for 50 years without causing environmental damage. But those studies are at odds with decades of independent and government studies placing the safe extraction level in the neighborhood of about 30,000 acre-feet and as low as 3,000. Settling this crucial technical issue could take years.

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And that brings us to a linchpin of Kennedy’s efforts to change Cadiz’s image from water profiteer to responsible steward of a precious, and increasingly scarce, natural resource. She points out, accurately, that as many as 1 million Californians lack reliable access to clean water.

The question is whether Cadiz is the answer to the problem. Kennedy says it is, for inland water users. If environmental groups would only sit down with her “and map out an optimal water strategy, we would be part of that — what we’re doing would be key for that area of the state.”

Yet established organizations that have been focused on environmental justice say they haven’t heard from Cadiz. The company has associated itself with a new group called Groundswell for Water, which appears to be a coalition of community groups, few of which few have played any prior role in water policy, but which received startup funding from Cadiz.

Among the established groups that say they haven’t received outreach from Cadiz are the Environmental Justice Coalition for Water and Clean Water Action. The Sierra Club and the Center for Biological Diversity were plaintiffs in a federal lawsuit that challenged a Trump-era decision allowing the water project to move ahead.

Through its spokesman Ed Sanders, Groundswell says it’s doesn’t represent Cadiz but aims to represent “the one million Californians, primarily people of color, who don’t have access to clean water. “

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The group’s major misstep may have been to imply an association with Dolores Huerta, who was a top associate of Cesar Chavez in the United Farm Workers movement and remains, at 93, an icon of progressive community activism.

Having discovered that it was posting photographs of her and using her name as though she was a member, an infuriated Huerta issued a public letter crisply condemning Groundswell as “an astroturf group … co-opting the language of environmental justice” and that “seeks to pit organizations of color against environmental groups.”

Can Cadiz succeed in its new guise? In her favor, Kennedy can cite the undeniably intensifying water crisis, not merely in the Inland Empire but statewide. This will dial up the pressure to exploit new water sources of all varieties.

Cadiz’s ambitions have distinctly shrunk since it first sprung from Brackpool’s imagination. Kennedy says that the firm’s plan today is to turn a profit entirely from the sale of water to Inland Empire water districts. They, not Cadiz, would be the applicants for state and federal permits, which she hopes might make it harder for regulatory agencies to ignore their interests.

On the other side is a very suspect corporate history. That’s the hill Kennedy still must still climb. She says outreach to environmental and community groups is high on her agenda, but their resistance to anything labeled “Cadiz” is potent indeed. “I have a long way to go to change to change opinions,” she says.

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Disney to cut hundreds of employees in latest round of layoffs

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Disney to cut hundreds of employees in latest round of layoffs

Walt Disney Co. launched another deep round of layoffs on Monday, notifying several hundred Disney employees in the U.S. and abroad that their jobs were being eliminated amid an increasingly difficult economic environment for traditional television.

People close to the Burbank entertainment giant confirmed the cuts, which are hitting film and television marketing teams, television publicity, casting and development as well as corporate financial operations.

The move comes just three months after the company axed 200 workers, including at ABC News in New York and Disney-owned entertainment networks. At the time, the division said it was trimming its staff by 6% amid shrinking TV ratings and revenue.

Disney declined to specify how many workers were losing their jobs. The cutbacks — the fourth round of layoffs in less than a year — come after Disney Chief Executive Bob Iger acknowledged to Wall Street that Disney had been pumping out too many shows and movies to compete against Netflix.

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The programming buildup accelerated as the company prepared to launch Disney+ in late 2019, and it bulked up its staff to handle the more robust pipeline.

But the company has since retrenched, recognizing the need to focus on creating high-quality originals that meet Disney’s once lofty standards.

Disney has faced significant budget pressures after promising investors that its direct-to-consumer services — Disney+, Hulu and ESPN+ — would achieve profitability last year. The company lost billions of dollars over several years in its strategic shift to streaming, but it reached its goal to make money on streaming last fall.

Still, streaming subscribers can be fickle, creating a daunting new reality for the company that could long count on cable TV subscriptions as one of its most reliable economic pillars. Cord-cutting has taken a heavy toll.

The entertainment giant — one of Southern California’s largest private sector employers — has eliminated more than 7,000 jobs since 2023.

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The traditional TV and film units felt the brunt of the downsizing during the last year. In July, the company slashed about 140 workers, primarily in its Disney entertainment unit. The company’s TV stations also lost staff members and ABC News shed about 40 employees last October.

ABC News largely escaped this week’s cuts, according to one knowledgeable person who was not authorized to discuss the internal moves.

ABC News still boasts healthy audiences for its newscasts, but the ABC television network and Disney-owned entertainment channels have seen dramatic viewer defections as consumers switch to streaming services, including Netflix, Paramount+ and Disney+.

ABC’s prime-time schedule has lost considerable steam. For the just-ended broadcast television season, ABC mustered only three shows in Nielsen’s top 20 rankings. “Monday Night Football on ABC” ranked seventh by averaging more than 10 million viewers, “Saturday Night Football” ranked 18th with 7.4 million viewers and freshman drama “High Potential” made the cut at 20th with an average audience of 7.1 million, according to Nielsen.

Monday’s eliminations come three weeks after Disney presented its fall lineup to advertisers, leaning heavily on its sports stars including Peyton and Eli Manning rather than actors from its entertainment programming.

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ESPN was spared the ax as the sports unit is preparing for its high-stakes launch this fall of a stand-alone ESPN streaming service, the knowledgeable person said.

The move comes amid a strong run for Disney’s film studio, which has celebrated blockbuster box office results from its live-action “Lilo & Stitch,” which has earned $610 million in ticket sales globally, according to Box Office Mojo.

A month ago, Disney issued strong fiscal second-quarter earnings. The company reported $23.6 billion in revenue for the three months that ended March 29, a 7% increase compared with the same quarter a year earlier. Earnings before taxes totaled $3.1 billion, up $2.4 billion from last year.

Hollywood trade site Deadline first reported the news of the latest Disney cuts.

The landscape has been increasingly challenging for traditional companies. In addition to Disney, Warner Bros. Discovery, Paramount Global and even such tech companies as Amazon and Apple have fired workers.

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In late May, NBCUniversal cut 54 jobs in Los Angeles, according to state employment records. Six Flags Entertainment Corp. laid off 140 workers.

Disney shares closed down 9 cents to $112.95.

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The Imports the U.S. Relies On Most From 140 Nations, From Albania to Zimbabwe

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The Imports the U.S. Relies On Most From 140 Nations, From Albania to Zimbabwe

President Trump’s on-and-off tariffs have created deep uncertainty about the cost of imported goods — and it’s not always clear what goods will be most affected with any given country.

The largest U.S. imports from many countries are oil and gas, electronics, cars and pharmaceuticals. But there’s another way to look at what Americans import: trying to measure a country’s distinct contribution to the U.S.’s total needs.

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For example, China’s largest exports to the U.S. — by dollar value — are electronics. But the U.S. also imports large quantities of electronics from elsewhere. Nearly 100 percent of imported baby carriages, however, come from China.

Switzerland, meanwhile, is responsible for nearly all of America’s imported precious metal watches. Ethiopia, on the other hand, sends the U.S. around 2 percent of its imported knit babies’ clothes — but that’s a larger share than for any other item it exports to the U.S.

The table below shows the item the U.S. relies on most from each of 140 trading partners. (We took out items that the U.S. also exports in large quantities, such as petroleum.)

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What the U.S. is most reliant on from each country

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COUNTRY ITEM
Canada Live pigs
Peru Calcium phosphates
South Africa Chromium ore
Switzerland Precious metal watches
China Baby carriages
Mexico Self-propelled rail transport
Portugal Natural cork articles
India Synthetic reconstructed jewelry stones
Italy Vermouth
Indonesia Palm oil
Madagascar Vanilla
Turkey Retail artificial filament yarn
Brazil Semi-finished iron
Vietnam Coconuts, brazil nuts, and cashews
Australia Sheep and goat meat
New Zealand Misc. animal fats
Gabon Manganese ore
Chile Refined copper
Netherlands Bulbs and roots
Spain Olive oil
Taiwan Tapioca
Argentina Groundnut oil
Colombia Cut flowers
Bolivia Tungsten ore
Dominican Republic Rolled tobacco
Cote d’Ivoire Cocoa paste
Germany Felt machinery
Finland Cobalt oxides and hydroxides
Japan Pianos
Israel Phosphatic fertilizers
Philippines Coconut oil
France Insect resins
Thailand Sugar preserved foods
Malaysia Rubber apparel
Ireland Sulfonamides
Pakistan Light mixed woven cotton
Singapore Glass with edge workings
Guatemala Bananas
Ecuador Cocoa beans
South Korea Rubber inner tubes
Jamaica Aluminum ore
Bangladesh Non-knit babies’ garments
Austria Handguns
United Kingdom Antiques
Cambodia Gum coated textile fabric
Nicaragua Rolled tobacco
Guyana Aluminum ore
Ukraine Seed oils
Belgium Flax woven fabric
Bahrain Stranded aluminum wire
Sri Lanka Coconut and other vegetable fibers
Morocco Barium sulphate
Romania Steel ingots
Norway Carbides
Sweden Stainless steel ingots
Costa Rica Bananas
Honduras Molasses
Paraguay Wood charcoal
Denmark Casein
Tunisia Pure olive oil
Russia Phosphatic fertilizers
Fiji Water
Hong Kong Pearls
Nepal Knotted carpets
Poland Processed mushrooms
Lebanon Phosphatic fertilizers
Croatia Handguns
Bulgaria Non-retail combed wool yarn
Laos Barium sulphate
Mozambique Titanium ore
Ghana Cocoa beans
Bahamas Gravel and crushed stone
Greece Dried, salted, smoked or brined fish
Jordan Knit men’s coats
Czech Republic Rolling machines
El Salvador Molasses
Egypt Spice seeds
United Arab Emirates Raw aluminum
Uganda Vanilla
Nigeria Raw lead
Uruguay Bovine, sheep, and goat fat
Latvia Book-binding machines
Kazakhstan Ironmaking alloys
Cameroon Cocoa paste
Lithuania Wheat gluten
Oman Metal office supplies
Hungary Seed oils
Belize Molasses
Faroe Islands Non-fillet fresh fish
Qatar Pearls
Myanmar Misc. knit clothing accessories
Zambia Precious stones
Slovenia Packaged medications
Senegal Titanium ore
Algeria Cement
Haiti Knit T-shirts
Kenya Titanium ore
Liechtenstein Iron nails
Georgia Ironmaking alloys
Liberia Rubber
Serbia Rubber inner tubes
Iceland Fish fillets
Democratic Republic of the Congo Refined copper
Botswana Diamonds
Chad Insect resins
Zimbabwe Leather further prepared after tanning or crusting
Luxembourg Polyamide fabric
Panama Non-fillet fresh fish
Albania Ironmaking alloys
Estonia Fishing and hunting equipment
Ethiopia Knit babies’ garments
Namibia Wood charcoal
Venezuela Processed crustaceans
Slovakia Rubber tires
Lesotho Knit men’s shirts
Tanzania Precious stones
Papua New Guinea Vanilla
Mauritius Processed fish
Saudi Arabia Iron nails
Moldova Wine
Suriname Non-fillet fresh fish
Angola Pig iron
Armenia Diamonds
Trinidad and Tobago Non-fillet fresh fish
Macau Knitted hats
North Macedonia Curbstones
Togo Fake hair
Bosnia and Herzegovina Non-knit women’s coats
Republic of the Congo Antiques
Azerbaijan Ironmaking alloys
Iraq Antiques
Libya Misc. vegetable products
Cyprus Olive oil
Kuwait Ironmaking alloys
Malta Air conditioners
British Virgin Islands Diamonds
Brunei Knit T-shirts
Cayman Islands Phones
Equatorial Guinea Knitted hats
Sint Maarten Hard liquor

Curious where the U.S. imports a particular item from? You can look it up below.

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Searchable table

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About the data

We analyzed U.S. International Trade Commission data on goods imported for consumption in 2024. We used product descriptions from the Observatory of Economic Complexity to label the goods, and edited these descriptions lightly.

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We grouped goods using the first four digits of their code in the Harmonized Tariff Schedule, which lists categories of products.

We excluded goods that are widely produced in the U.S., using export data to remove goods where the U.S. exports at least 25 percent of what it imports by value.

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We included only trading partners that export at least $50 million of goods each year to the U.S.

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From 'Squid Game' to 'Frankenstein,' Netflix takes brand promotion to a new level at Tudum

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From 'Squid Game' to 'Frankenstein,' Netflix takes brand promotion to a new level at Tudum

Vanessa Agabo-Davalos has spent hours watching the dystopian drama “Squid Game” on Netflix. But nothing could prepare the 21-year-old college student for seeing one of the show’s actors walk the red carpet a few feet in front of her.

She found herself starstruck in the presence of Kang Ae-sim, who portrays Geum-ja (Player 149) on the South Korean thriller. All the more so when they snapped a photo together.

“You forget everything. You forget how to talk — it’s just like ‘Wow, I saw you on TV,’” said Agabo-Davalos, who traveled an hour from the Inland Empire and can’t wait to see the final season this month. “I feel like it’s a dream come true for the ones that really enjoyed these shows.”

She was among the more than 9,500 Netflix fans who gathered Saturday at the Kia Forum in Inglewood for Netflix‘s Tudum live event, an hours-long extravaganza meant to hype up audiences for upcoming series, movies and returning franchises.

People traveled from all over the world to celebrate their love for shows including “Squid Game,” Addams Family series “Wednesday” and sci-fi show “Stranger Things.”

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During Netflix’s variety-show like program onstage at the famed venue, the company showed off how its computer animated version of Tony Tony Chopper, a toddler-sized reindeer-boy character in the live action pirate series “One Piece,” would appear in the upcoming season.

Oscar-winning director Guillermo del Toro unveiled a new teaser trailer for his November Netflix movie, “Frankenstein,” starring Oscar Isaac and Mia Goth, who both appeared onstage with the filmmaker. Fans also saw the first six minutes of the first episode of Season 2 of “Wednesday,” which will be released in August.

The event, named after the sound that plays before a Netflix program begins (“tuh-dum”), was part of Netflix’s ongoing effort to harness the enthusiasm its viewers have for its most popular programs and inspire them to keep streaming.

“It is about celebrating fans and giving something back to them,” Netflix’s Chief Marketing Officer Marian Lee told The Times after the event. “Of course it is also about promoting … we have a huge slate coming up.”

Netflix hosted the first Tudum event in 2020 in São Paulo, which came from the company’s Brazil team, which had an idea for an event that rewarded the streamer’s fans of young adult shows. That later led to Tudum evolving into different formats including festivals and livestreams, events that were more like a fan convention.

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In 2023, Netflix held Tudum again in São Paulo, drawing more than 35,000 attendees and more than 78 million views through Netflix’s social channels.

But Saturday’s festivities in Inglewood took Netflix brand promotion to a new level.

It was the first time Tudum was livestreamed directly on Netflix, rather than on YouTube or social media outlets. The event played like a roughly two-hour live variety show, featuring “ask me anything” segments, as well as performances from music artists including Lady Gaga, who appears in the next season of “Wednesday.”

Xavier Woods, left, and Kofi Kingston attend Netflix Tudum 2025: The Live Event at the Kia Forum on Saturday in Inglewood.

(Emma McIntyre/Getty Images for Netflix)

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There was plenty of cross promotion of Netflix content during the show, as WWE wrestlers talked about why people should tune into their weekly live show on the platform, while also speaking about their love for “One Piece,” based on manga.

Tudum host Sofia Carson touted her upcoming Netflix movie, “My Oxford Year,” which also stars Corey Mylchreest, known for portraying King George III in Georgian era romance series “Queen Charlotte” from the “Bridgerton” universe. Sesame Street‘s Cookie Monster also made an appearance with actors Ben Affleck and Matt Damon, who star in the new Netflix movie “The RIP.”

“I don’t think another studio can pull this off in the way that we did,” Lee said. “Fandoms can be unique and distinct. They’re putting all those fans in a room together, WWE fans next to [mystery movie] ‘Knives Out’ fans next to Lady Gaga fans for ‘Wednesday.’ That’s an incredible achievement. That is something only Netflix can do.”

To some people, Tudum is a page borrowed from Walt Disney Co., which hosts the biennial D23 fan convention in Anaheim, pulling together disparate fandoms (Disney princesses, Marvel, Pixar, Star Wars) to converge in the same place. It raises the question: Does Netflix, a streaming service that produces shows from just about every genre for just about every kind of audience, have fans in the same way that Disney does?

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Over the years, Netflix has expanded its live events and in-person experiences to keep viewers engaged. Those have included “Bridgerton” balls, Netflix-themed eateries and retail stores selling merch based on “Stranger Things” and other shows.

Lee declined to say how much Netflix spent on the event. Some fans bought tickets, ranging from $25 to $75, while others said they scored free tickets. Netflix said tickets sold out in about a week.

Netflix doesn’t have iconic animated characters like Mickey Mouse or storied franchises like “Star Wars” or Marvel. But Netflix’s strategy is to have something for everyone, and because of that, people are reluctant to quit it, industry observers say, even as economic anxieties run rampant.

“That is the competitive advantage of Netflix,” said Larry Vincent, a marketing professor at USC Marshall School of Business. “It really has become the big tent of streaming. They’ve invested pretty significantly to develop a stockpile of content.”

The streamer said last year it had more than 301 million subscribers globally. On Saturday, the attendees reflected that expansive audience.

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Fans at Netflix Tudum 2025: The Live Event at the Kia Forum on Saturday in Inglewood.

Netflix Tudum 2025: The Live Event at the Kia Forum on Saturday in Inglewood.

(Adam Rose/Netflix)

Fans dressed up as their favorite characters from Netflix shows. People wore black dresses similar to Wednesday’s attire, straw hats in support of “One Piece” and green tracksuits like the ones players wear in the deadly “Squid Game.”

When Cookie Monster appeared behind a DJ booth on the “N” shaped red carpet to sing “‘C’ is for Cookie,” adults in “Squid Game” tracksuits joined in the chorus.

“It’s all-encompassing and global and passionate,” Tudum host Carson, known for starring in Netflix movies including “Carry-On” and “Purple Hearts,” said in an interview after the event ended. “It is truly extraordinary to feel the love from every single part of the world — it crosses languages, it crosses cultures.”

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Shaheidi Jimenez, 21, came to the Netflix event as a fan of “Wednesday” and “Squid Game.” She hadn’t watched “Stranger Things,” but seeing the screaming fans for the show’s actors on the red carpet made her more curious about the sci-fi series.

“When I see the cast, it makes me want to watch it now,” Jimenez said. “I’m familiar with them more. It makes me want to watch the show and probably get into it.”

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