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A Hollywood Production (Made in Liverpool)

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A Hollywood Production (Made in Liverpool)

LIVERPOOL, England — For twenty years, the Littlewoods constructing in Liverpool, a protracted, low-slung and cavernous house constructed to accommodate a betting and mail-order firm within the Nineteen Thirties, sat deserted. Nobody needed to tackle this crumbling hulk looming on the outskirts of town.

Till Lynn Saunders. She is the driving power to make it the middle of Liverpool’s first movie and TV studio advanced.

“It’s a beast of a web site,” stated Ms. Saunders, the top of the Liverpool Movie Workplace. It had been too intimidating for many potential patrons. However amid a growth in TV and movie manufacturing in Britain, Littlewoods Studios is now one in every of at the least two dozen main plans to construct or increase studio house throughout Britain.

Streaming platforms like Netflix, Disney+ and Amazon Prime Video are racing to satisfy insatiable demand for content material and have chosen Britain as their location to make it, countering the malaise of total funding within the nation because it voted to go away the European Union. In 2021, a document 5.6 billion kilos ($7.4 billion) was spent on movie and high-end TV productions in Britain, practically 30 p.c greater than the earlier excessive in 2019, in keeping with the British Movie Institute. Greater than 80 p.c of that cash was coming ashore from American studios or different international productions.

Assured that there is no such thing as a imminent finish to the need for binge-worthy exhibits and films, studios, property builders and native authorities are speeding to construct extra manufacturing house.

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Blackstone, the world’s largest personal fairness firm, and Hudson Pacific Properties, the proprietor of Sundown Studios, which embody the previous houses of Columbia Footage and Warner Bros. off Sundown Boulevard in Hollywood, have stated they’ll make investments £700 million to construct the primary Sundown Studios facility exterior Los Angeles, simply north of London. With 21 soundstages, it is going to be bigger than any of its Hollywood studios.

“There’s simply such a large want to supply content material in markets that have already got infrastructure,” stated Victor Coleman, the chairman and chief govt of Hudson Pacific Properties. “And the infrastructure isn’t essentially simply the amenities but it surely’s additionally the expertise each in entrance and behind the digicam.”

The early “Star Wars” movies and 10 years’ price of Harry Potter films helped Britain get right here. Movie productions had been attracted by skilled labor and visible results firms and, critically, beneficiant tax breaks. In 2013, the incentives had been prolonged to TV productions that price greater than £1 million per broadcast hour — so-called high-end TV sequence, like “The Crown” and “Recreation of Thrones.” In recent times, productions had been supplied a 25 p.c money rebate on qualifying expenditures, corresponding to visible results finished in Britain. Within the 2020-21 fiscal yr, tax breaks for movie, TV, video video games, kids’s tv and animation exceeded £1.2 billion.

In Britain, movie will get a degree of presidency consideration that different artistic industries, corresponding to stay theater, can solely dream of.

“I’d not prefer to ponder the lack of the tax incentive,” stated Ben Roberts, the chief govt of the British Movie Institute. With out it, Britain would grow to be instantly uncompetitive, he added.

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A lot of the progress in manufacturing in Britain comes from big-budget TV exhibits, a staple of streaming channels. Final yr, 211 high-end TV productions filmed in Britain, corresponding to “Ted Lasso” and “Good Omens,” and fewer than half of them had been produced solely by British firms, in keeping with the British Movie Institute. In contrast with 2019, the quantity spent jumped by 85 p.c to £4.1 billion.

Liverpool already claims to be the second-most-filmed-in metropolis in Britain after London. For a number of weeks in late 2020, its streets turned Gotham Metropolis for “The Batman,” and for years exhibits, together with “Peaky Blinders,” have been shot there. The native authority is courting extra TV exhibits by constructing 4 smaller studios.

Property builders introduced the plan for Littlewoods Studios in early 2018, however the grand ambitions had been pushed astray a number of months later by a hearth within the constructing. Not desirous to miss out on the rising demand, Ms. Saunders satisfied the Metropolis Council to spend £3 million constructing two soundstages adjoining to the positioning. They opened in October.

After which on the finish of final yr, £8 million in public funding was authorized for remedial work on the Littlewoods constructing to create two extra sound levels. Ms. Saunders hopes that including studios will hold productions on the town for longer — occupying lodge rooms, ordering from eating places and using native individuals. The movie workplace has additionally began investing in productions — thus far to the tune of £2 million in six TV exhibits.

Britain is already the most important manufacturing location for Netflix exterior america and Canada. Whereas a lot is filmed on location — corresponding to “Bridgerton,” in Tub, and “Intercourse Schooling,” in Wales — Netflix dedicated to a everlasting dwelling in 2019 on the Pinewood Group’s Shepperton Studios in Surrey, simply southwest of London, the place “Dr. Strangelove” and “Oliver!” had been made many years in the past. Shepperton is now increasing, aiming to double the variety of its soundstages to 31 by 2023, and Netflix plans to occupy a lot of that new house.

However the descent of American streamers on British shores has introduced its challenges, too. The business is rife with tales of manufacturing crews leaving jobs for higher-paying gigs, lengthy waits for studios and manufacturing prices that outpace inflation.

Anna Mallett, Netflix’s vice chairman of bodily manufacturing for the U.Okay., Europe, Center East and Africa, resists the concept the streamer’s voracious enlargement is squeezing others out of studio house.

“I do assume there’s sufficient for everybody,” she stated. “There’s over six million sq. ft of manufacturing house coming onto the market within the subsequent couple of years.”

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Amazon plans to maneuver in subsequent door. Final month, Prime Video agreed to lease 450,000 sq. ft within the new growth at Shepperton Studios, together with 9 soundstages. The streaming service despatched a ripple of pleasure by Britain final yr when it introduced that it could movie the second season of its “Lord of the Rings” sequence, “The Rings of Energy,” within the nation. It’ll transfer from New Zealand to the dismay of that nation’s officers, who over twenty years have supplied tons of of hundreds of thousands of {dollars} in monetary incentives to the franchise.

By 2023, Warner Bros. hopes to be underway with its plans so as to add 50 p.c extra soundstage house to its studios northwest of London.

Warner Bros. was the primary main Hollywood studio to arrange a everlasting location in Britain when it purchased in 2010 the Leavesden studios, the place it made Harry Potter.

“It was a reasonably big leap for Warners to make that funding,” stated Emily Stillman, the top of studio operations at Leavesden. After years of piecemeal enlargement, the brand new growth, if it will get planning approval, would be the studio’s largest funding on the web site.

Away from extra famend studios surrounding London, there’s hope that the manufacturing growth can convey job alternatives and funding to neglected areas in Britain. New studios are being constructed out of an previous industrial house in Dagenham, in east London, an space as soon as synonymous with the manufacture of Ford vehicles within the twentieth century. In Bristol, the native authority is investing £12 million so as to add three extra soundstages to Bottle Yard Studios in an space that’s economically struggling, stated Laura Aviles, the top of the Bristol Movie Workplace.

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“It’s been a wrestle” to regenerate the realm, she stated, “and there are numerous younger individuals there who may very well be third-generation unemployed who’ve struggled to get into work.” The enlargement will hopefully entice different companies to the realm.

There’s a threat that every one this demand for studio house may grow to be a blessing and a curse. Regardless of the expert work power within the area, there are actual considerations about whether or not Britain can prepare sufficient manufacturing crew and fill the related roles to populate all this new studio house.

The business has dedicated hundreds of thousands of kilos to fast coaching packages. Business leaders hope to convey extra individuals into the sphere and break the stereotype that the work — most of it freelance — is solely for the effectively off and effectively related. This month, Prime Video stated it could spend £10 million to fund programs in Britain targeted on growing variety within the business and positions in Prime Video-commissioned productions.

And there’s the worry that smaller unbiased productions by British filmmakers, who can’t as readily use debt to finance an enlargement, might be left behind on this growth. Simply 16 p.c of the cash spent on high-end TV exhibits in Britain final yr went to solely home productions.

The extent of international funding “does run the chance of difficult the indigenous, unbiased sector by way of its means to retain expertise, crew up, get finance, rent house, use places,” Mr. Roberts of the British Movie Institute stated. “We’re actually alert to that not feeling like a squeeze too far.”

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Column: Most Americans have a negative view of crypto. So why are political campaigns rushing to embrace it?

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Column: Most Americans have a negative view of crypto. So why are political campaigns rushing to embrace it?

The last year hasn’t been a very happy period in the cryptocurrency world.

News about the asset class has been almost invariably dire, full of reports of the fallout from bankruptcies among crypto firms, criminal convictions and sentencings of former crypto kings and other legal setbacks.

Yet there is one bright spot for the sector: In this election year, politicians are lining up to embrace crypto.

Many people who hold crypto…probably don’t identify as crypto advocates at all.

— Crypto critic Molly White

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Some Democrats and Republicans have been long-term supporters of crypto. Among them is Rep. Ro Khanna (D-Fremont), who last month joined 13 of his Democratic colleagues in Congress to urge the Democratic National Committee to “take a forward-looking approach to digital assets and blockchain technology.”

Their letter to the DNC argued, implausibly, that these technologies will “have an outsized impact in ensuring victories up and down the ballot.”

Others are recent converts. Consider Eric Hovde of Wisconsin, who is running for the GOP nomination to challenge incumbent Democratic Sen. Tammy Baldwin this year. In 2021, when he was chairman and chief executive of Sunwest Bank, Hovde told an economic forum that the crypto market was “insanity…. There’s nothing backing it…. There’s nothing here.”

Hovde has since changed his tune. Last month he told Politico, “I support decentralized finance, and see Bitcoin as an asset for the future and fully support the community.” The industry lobbying organization Stand with Crypto designated him as “Very Pro-Crypto” on its website.

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The industry’s big catch was Donald Trump. Back in 2021, he labeled crypto “a scam” in an interview on Fox News. “Bitcoin, it just seems like a scam,” he said. “I don’t like it because it’s another currency competing against the dollar.”

But there he was last month in Nashville, delivering the keynote address at the Bitcoin 2024 industry conference. He promised to fire Securities and Exchange Commission Chair Gary Gensler, a decided critic of crypto, if he’s releected president. (Trump would have no authority to fire Gensler before the latter’s SEC term runs out in June 2026.)

And Trump vowed to commute the 2015 life sentence of Ross Ulbricht, the creator of the crypto site Silk Road, who was convicted on charges of running what federal prosecutors called a “sprawling black-market bazaar” for drugs and other illegal goods. And he pledged to create a national “strategic reserve” of bitcoin, an idea that makes no coherent economic sense.

Even the campaign of Kamala Harris is treading carefully. Harris’ aides have approached leading crypto firms in quest of a “reset” of relations with the sector, according to the Financial Times. Those relations have been soured by Gensler’s anti-crypto initiatives and a general lack of enthusiasm for crypto in the Biden White House.

These developments are the offspring of a vast political campaign by crypto advocates. The campaign has two main elements. One is that feature common to all special interest campaigns: Money, dispensed by the pantload to current or wannabe members of Congress as well as aspirants to other positions, such as the presidency.

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The other feature is deception. Crypto advocates have relentlessly flogged a claim that 52 million adult Americans are “crypto owners,” supposedly a single-issue voting bloc that politicians need to recognize.

The figure, which comes from a poll commissioned by the crypto firm Coinbase and would be equivalent to about 20% of the U.S. adult population, is manifestly absurd. As I’ve reported before, it’s flatly contradicted by a survey from the Federal Reserve System, which found that only 7% of adults had “bought or held” crypto in 2023. That would place ownership at about 18 million adults.

Moreover, the Fed found that ownership had declined sharply in recent years, down from 11% of adults in 2021. In 2023, only 1% of adults had used crypto to buy anything or make a payment (down from 2% in 2021).

That points to a fundamental truth about crypto: No one has yet identified a serious use for it in the real world — or at least in the world of legitimate finance. Crypto remains the tender of choice for criminals, including ransomware gangs.

What the crypto camp typically fails to acknowledge is that, for Americans outside of that shrinking cadre of holders, crypto emits a foul stench. According to a survey published in March, 61% to 77% of voters in six key swing states (Arizona, Michigan, Montana, Ohio, Nevada and Pennsylvania) have a negative perception of crypto.

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(This was a survey commissioned by Digital Currency Group, a big crypto investor, which fiddled the findings by saying they showed that “more than three-in-ten [voters in those states] report positive feelings toward crypto.”)

How strongly do even pro-crypto voters feel about it as a political issue? Not very, probably. Molly White, that indispensable and indefatigable chronicler of newfangled financial technology, conjectures that “many people who hold crypto … probably don’t identify as crypto advocates at all.”

They’re more likely “worried about the climate, or their right to own firearms, or the safety and support of transgender people, … or their ability to obtain an abortion or retain access to contraceptives, or access to school vouchers, or any of the many other issues that factor in when people choose which candidates to support and oppose.”

The single-minded advocacy for crypto really comes only from a handful of financial types deeply invested in crypto for their own purposes.

There’s no doubt that they have lots of money to spend. The leading crypto campaign fund, Fairshake, has reported nearly $203 million in contributions as of June 30.

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Fairshake spent more than $10 million starting last year in opposition to Rep. Katie Porter (D-Irvine) in her race for the Democratic nomination for U.S. Senate and Rep. Jamal Bowman (D-N.Y.) in his primary race for reelection. As it happens, both lost.

Porter was associated with Sen. Elizabeth Warren (D-Mass.) as a vociferous critic of crypto. Her victorious opponent in the primary, Rep. Adam B. Schiff, had taken a much more indulgent position, listing crypto among the “new developments in technology … we need to grow” in order to keep jobs and regulatory oversight in U.S. hands. Bowman had voted against a series of anti-crypto bills in the House.

Fairshake has smiled upon lawmakers who see things through crypto-colored glasses.

Among its top recipients in the current election cycle is Rep. Patrick McHenry (R-N.C.), who as chairman of the House Financial Services Committee pushed through a bill known as FIT21 that would take crypto regulation out of SEC hands and deliver it to the Commodity Futures Trading Commission, which is chronically underfunded and understaffed. (The measure hasn’t been taken up by the Senate.)

McHenry’s campaign has received $126,626 from the fund as of July 31, even though he has announced that he is not running for reelection this year and retiring from Congress.

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Fairshake is nothing like a grassroots fundraising operation. Of its $203 million, more than $160 million has come from six major crypto firms or investors, including Coinbase ($46.5 million), Ripple ($50 million), the venture firm Andreessen Horowitz ($44 million) and the firm led by Cameron and Tyler Winklevoss ($5 million), according to Open Secrets. Marc Andreessen, his partner Ben Horowitz and the Winklevoss twins have stated publicly that they plan further contributions in support of Trump.

Crypto spending on the election needs to be watched carefully. This isn’t an industry crucial for American economic development, notwithstanding its supporters’ assertions about its importance to financial innovation. So far, crypto hasn’t advanced the cause of innovation other than giving drug lords and criminal gangs a new way to ply their trades and swindle their marks.

Trump was right when he called bitcoin a scam, and Gensler was right when he called out the sector’s “record of failures, frauds, and bankruptcies,” which occurred “because many players in the crypto industry don’t play by the rules.”

Like other businesses — legitimate and not so legitimate — that have mustered their millions in election campaigns, the crypto gang wants new rules to be written in its own interest.

The victims will be ordinary Americans who have been taken in crypto cons of one variety or another. Just because crypto users in the U.S. don’t really number 52 million, it doesn’t mean the rest of us shouldn’t be protected from a new breed of financial predator.

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Striking video game actors hit picket lines over AI: 'The human element is irreplaceable'

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Striking video game actors hit picket lines over AI: 'The human element is irreplaceable'

It was déjà vu in Burbank on Thursday as hundreds of striking video game actors carried picket signs and marched outside the Warner Bros. studio lot roughly a year after their film and TV colleagues did the same.

The Screen Actors Guild-American Federation of Television and Radio Artists held its first picket this week since calling a strike on behalf of some 2,600 performers doing voice acting and motion-capture work in the video game industry.

The walkout began Friday after negotiations between the union and the video game companies broke down over concerns about artificial intelligence.

The companies “come to us to ask how heroes sound and what they look like and what they do, and we’re gonna show them,” Sarah Elmaleh, chair of the union’s negotiating committee, said at the demonstration.

In a statement provided last week to The Times, video game company spokesperson Audrey Cooling said, “We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations.”

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SAG-AFTRA has been bargaining with the video game companies for a new agreement covering interactive media since the contract expired in 2022. Game actors have demanded AI regulations, wage increases to keep up with inflation, more rest time and medical attention for hazardous jobs.

Nearly two years later, the remaining issue at the heart of the strike is AI.

The performers are seeking a deal that will require video game producers to notify them when planning to replicate their voices, movements or likenesses with AI, inform them about how their work will be used, obtain their consent before moving forward and compensate them accordingly.

“As long as AI is used as a tool and not a replacement, that’s fine,” said Chris Jai Alex, a striking video game actor known for portraying Tusk in “Killer Instinct” and Strife in “Darksiders Genesis.”

“I’m all about being efficient, but … the human element is irreplaceable.”

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SAG-AFTRA leaders Sarah Elmaleh and Duncan Crabtree-Ireland, center, march outside the Warner Bros. studio lot in Burbank.

(Myung J. Chun/Los Angeles Times)

LeQuan Bennett, a striking video game actor known for voicing Captain Trent in “Return to Monkey Island,” said he believes that a performer’s likeness, movements and voice should be regarded as their intellectual property in business negotiations with video game producers.

“Being technically minded, I understand that there’s no stopping AI,” Bennett added. “We are fighting to put guardrails that protect our rights.”

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Video game actors argue that they are especially vulnerable to AI because of the invisible nature of voice acting and motion-capture work. They worry that if a company uses AI to replicate their voices or movements without permission or compensation, they will have a hard time proving it.

“Studios and [developers are] trying to make the argument that if it’s recognizable as you and your natural speaking voice, then we can talk about protections,” said Alejandra Reynoso, an actor known for voicing characters in “Dota 2” and “Stranger of Paradise: Final Fantasy Origin.”

“But I think we all know that you love what video game performers and actors do because they can become so many characters.”

A major concern for actor Seth Allyn Austin — who has worked on “The Last of Us Part II,” “Star Wars Jedi: Fallen Order” and Insomniac’s “Spider-Man” series — is being sufficiently informed about how his performances will be used. He and other performers want to make sure game developers’ plans align with their values before giving them permission to replicate performers’ work.

“This is one of the first strikes where I’ve seen movements, stunts, voice and actors all really come together as one,” Austin said. “We’re all taking up different burdens on the same fight.”

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A person in a Spider-Man mask marching in a group and carrying a picket sign that reads "SAG-AFTRA video game strike"

Actor Zachary Luna marches outside the Warner Bros. studio lot in Burbank.

(Myung J. Chun / Los Angeles Times)

AI was also a key sticking point during the film and TV actors’ strike, which ended with contract terms requiring studios to obtain performers’ consent and compensate them when replicating their work with AI. Some actors were critical of that agreement, arguing that the AI protections weren’t strong enough.

“We’ve been continuing to evolve our AI provisions since the … strike last year,” said Duncan Crabtree-Ireland, SAG-AFTRA national executive director and chief negotiator. “There will always be SAG-AFTRA members who want there to be no AI. I get it. I understand it. I even sympathize with it. That’s not a reality that we can create.”

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Los Angeles County agrees to buy downtown skyscraper

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Los Angeles County agrees to buy downtown skyscraper

The county of Los Angeles has tentatively agreed to buy the Gas Company Tower, a prominent office skyscraper in downtown Los Angeles, for $215 million in a foreclosure sale.

The price is a deep discount from its appraised value of $632 million in 2020, underscoring how much downtown office values have fallen in recent years.

The Board of Supervisors must still approve the deal, which county real estate officials quietly but aggressively negotiated. If completed, the purchase could move workers and public services out of existing county offices, including the well-known Kenneth Hahn Hall of Administration, which dates to 1960, according to multiple people familiar with the transaction who requested they not be named in order to discuss the confidential negotiations.

The county has begun the due diligence process of examining the property for possible structural problems or other issues before finalizing the transaction, which could take two to three months to complete, the sources said.

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In a statement to The Times, the county said that it had submitted a nonbinding “letter of interest” for the tower.

“Because we are seeing once-in-a-generation price reductions for commercial real estate in the downtown area, as responsible stewards of public funds, the County is doing its due diligence and evaluating the possibility of acquiring property in the Civic Center area, such as the Gas Company Tower,” the statement said.

Supervisor Janice Hahn, who is the daughter of longtime supervisor Kenneth Hahn, said in a separate statement to The Times that she is not fully on board with the acquisition.

“I am uncomfortable with the County moving forward purchasing this skyscraper until I understand the CEO’s full plan which I have yet to see. I am definitely against moving County services away from Los Angeles’ only Civic Center,” she said.

The Gas Company Tower represents “a generational investment opportunity to acquire a trophy asset at an exceptional basis,” Andrew Harper, a broker with the real estate firm JLL, said in May when JLL was hired to market the property. JLL declined to comment Tuesday on the pending sale.

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The 52-story tower at 555 W. 5th St. was widely considered one of the city’s most prestigious office buildings when it was completed in 1991. It has about 1.4 million square feet of space on a 1.4-acre site at the base of Bunker Hill.

In recent years the downtown office market has turned against landlords as many tenants reduced their office footprint in response to the COVID-19 pandemic, when it became more common for employees to work remotely.

Last year, the owner of the Gas Company Tower, an affiliate of Brookfield Asset Management Ltd., defaulted on its debt and the property was put in receivership, in which a court-appointed representative took custody of the building to help creditors recover funds they lent to Brookfield. The building has roughly $465 million in outstanding loans.

Elevated interest rates have weighed on prices by making it difficult for building owners to refinance debt and pushing them into quick sales or foreclosures. Some downtown L.A. office tenants have expressed concern in recent years that the streets feel less safe than they did before the pandemic and have left for other local office centers including Century City.

The Gas Company Tower was renovated in 2023 and the tower currently is more than half leased to tenants including Southern California Gas Co., financial consulting firm Deloitte and law firm Latham & Watkins, according to real estate data provider CoStar.

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Office vacancy in downtown Los Angeles was more than 30% in the second quarter, real estate brokerage CBRE said, more than triple the level typically considered to be a healthy balance between tenant and landlord interests.

Falling office values downtown are catching the attention of buyers seeking to grab property at a low point in the market, said Petra Durnin, a real estate analyst at Raise Commercial Real Estate who is not involved in the deal.

“Unfortunate situations can create opportunities for others with the cash,” Durnin said. “Downtown has been through boom and bust cycles before and always reinvented itself.”

A nearby 52-story office tower formerly owned by Brookfield at 777 S. Figueroa St. is set to be sold at the significantly discounted price of $120 million, or $117 a square foot, the Commercial Observer reported. It came close to selling for about $145 million a few months ago but the deal fell apart.

In its statement to The Times, the county said it was eyeing the Gas Company Tower as an alternative to seismically retrofitting its downtown properties. The county owns 33 facilities that engineers say are vulnerable to collapse during a major earthquake, including the Kenneth Hahn Hall of Administration, which has been the headquarters of Los Angeles County government for six decades, home to the offices of hundreds of employees and the five county supervisors.

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Last year, the county pledged to upgrade all 33 vulnerable buildings within the decade, an ambitious undertaking that experts say would cost hundreds of millions of dollars.

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