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Stream It or Skip It: ‘Relationship Goals’ on Prime Video, a shameless commercial for self-help fodder passing as a romantic comedy

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Stream It or Skip It: ‘Relationship Goals’ on Prime Video, a shameless commercial for self-help fodder passing as a romantic comedy

LET IT BE KNOWN that Relationship Goals (now streaming on Amazon Prime Video) is less of a romantic comedy than it is an act of synergistic corporate-religious shamelessness. Ostensibly, it’s a lightweight love-hate Valentine’s Day-themed banterfest between musicians-turned-actors Kelly Rowland (of Destiny’s Child) and Cliff “Method Man” Smith (of the Wu-Tang Clan). But that’s a flimsy tissue-paper cover for The Truth Of The Matter: It’s a 93-minute promotional tool for Relationship Goals: How to Win at Dating, Marriage, and Sex, a faith-based self-help tome by nondenominational Christian megachurch pastor Michael Todd, and a book that the movie’s dialogue tells us can be purchased at a certain online retailer that just so happens to be producing this movie. Michael Todd, who’s prominently featured in the story, and is depicted so glowingly, the movie barely stops shy of slapping wings and a halo on him. Michael Todd, who once went viral for coughing up a loogie and wiping it on his brother’s face during a sermon, to prove a point about faith. Gross, yes – and almost as gross as this advertisement trying to pass itself off as a movie.

The Gist: “Today is the day!” declares Leah Caldwell (Rowland) as she emerges from refreshing slumber. She works as a producer at Better Day USA, a network morning show in the GMA vein, and she’s in line to be promoted to showrunner. Total slamdunk. No questions. It’s just waiting for her once her boss (Matt Walsh) finally retires. IF ONLY, RIGHT? Here’s the wrench in the works: The invisible, nameless, faceless Higher-Ups – honest-to-gum deities or just corporate boardroom chair-moisteners? We can’t be sure! – have dictated the need for competition for the position, so in comes nighttime TV vet Jarrett Roy (Smith) to nudge our protag. He’s nudged her before, too – Jarrett is her ex, and she dumped him for cheating like a dog. You’ve got to be kidding me. Leah’s rightfully flaming pissed, and her besties, makeup gal Treese (Annie Gonzalez) and show anchor Brenda (Robin Thede), support her by listening and puffing her up and insisting that “God has a plan.”

But Leah doesn’t go full atheist. Oh no. She digs in, more determined than ever. In a pitch meeting for Valentine’s Day segments, her idea gets shot down. But Jarrett’s gets greenlit, and here’s where the movie gets really icky: Do a story fluffing up Michael Todd, a megachurch pastor and author played by real-life megachurch pastor and author Michael Todd, who’s introduced as a “YouTube sensation,” although nobody mentions the viral loogie incident. Specifically, the piece will transparently promo- er, that is, delve into megachurch pastor and author Michael Todd’s book Relationship Goals, which Jarrett says changed his life. It chased that dawg right out of him, and now he’s a new and improved man. O RLY is the look on Leah’s face, which squinches up even more when the boss dictates she and Jarrett team up to work on the story, which requires a trip to Tulsa where Brenda will interview megachurch pastor and author Michael Todd, and a visit to his church, which is also the church from real life, and we therefore get to see the church’s logo many times over, but understand the urgency with which we should immediately experience his mindblowing sermons (or, in lieu of that, consume his products).

Some boilerplate romcom stuff happens – Brenda can’t get her longtime basketball player boyfriend to propose, Treese goes on too many dud first dates, Jarrett and Leah get stuck in a car together traveling cross-country and encountering sassy waitresses at podunk diners – but the real narrative emphasis is on how megachurch pastor and author (and YouTube sensation!) Michael Todd’s book Relationship Goals can solve all the characters’ problems. Granted, these are simplistic situations and megachurch pastor and author (and YouTube sensation!) Michael Todd’s book Relationship Goals offers simplistic solutions, but one assumes there’s so much more to megachurch pastor and author (and YouTube sensation!) Michael Todd’s book Relationship Goals that you should probably order it right now from a prominent online retailer so you can live your bestest life forever and ever, and by the way, here’s the cover of the book in a couple dozen scenes so you know what it looks like. Meanwhile, said prominent online retailer wouldn’t mind if you also ordered a bunch of other products from it, including a variety of snack foods and small kitchen appliances whose logos are prominently featured in nice, clean, perfectly focused closeup shots. Helluva movie you’ve got here!

RELATIONSHIP GOALS AMAZON PRIME VIDEO MOVIE REVIEW
Photo: ©Amazon/Courtesy Everett Collection

What Movies Will It Remind You Of? Think Like a Man and What to Expect When You’re Expecting became lousy movies too, but they weren’t so egregiously promotional. In the meantime, I’ll very impatiently wait for the movie Peacock Presents Flo From Progressive Insurance Insists You Should Bundle And Save On Home And Auto

Performance Worth Watching: I’ve heard it’s tough to play yourself in a movie, but megachurch pastor and author (and YouTube sensation!) Michael Todd proves just how easy it is to play himself in an infomercial.

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Sex And Skin: Megachurch pastor and au- OK, I’ll stop already. Anyway. The guy who wants you to buy his book says he’ll inform you how to “win at sex” – whatever the hell that means – although the movie never shows us or even talks about it. I call hypocrisy!

Our Take: I’d say Relationship Goals is as subtle as a fart in church, but in this case, Michael Todd’s mega-decibel rock-concert presentation would drown out even the most elephantine flatulence. And once we see Michael Todd spew his catchphrase-laden spiel – “You can’t Facebook faithfulness or Instagram integrity” couldn’t possibly be whipped cream coiled atop a steaming-hot cup of snake oil, could it? – for a Better Day USA interview, and witness his EARTHSHAKING sermon buffered by billowing clouds from the smoke machine, even the most hardcore agnostic will be coughing up a loogie of a prayer to save them from this junk. 

I will hereby curb my cynicism for self-help philosophies and products under the assumption that some folks are empowered by them, whether it’s from motivational types like Michael Todd, Brene Brown or Matt Foley. You do you. We’re all doing our best to get through the day whether we’re reading the bible, speaking affirmations into the mirror or blasting Slayer while on the stationary bike. But this quasi-movie is pathetic in its attempt to paper over an advertisement with romcom tropes: quasi-clever banter, cutesy girl-bonding dance sequences, the love/hate dynamic between the leads, etc. And even without the relentless promotional considerations, the movie shows no interest in anything but featherweight cliches.

Granted, there’s no room for narrative innovation when you have content to push, be it via printed materials, live events or YouTube videos. Relationship Goals – the movie, not the book, although they blur together so thoroughly you’d think someone purchased a multi-speed immersion blender from a certain online retailer to guarantee a smooth mixture – features the Better Day USA segment on Michael Todd multiple times, with people in lobbies and offices stopping what they’re doing to watch, instantly converted, wide-eyed and nodding in agreement. Leah, forever steadfast in her dislike of her cheatin’ ex Jarrett, might even be swayed by the Power Of Michael Todd’s Word. Like I said, shameless. I’d be lying if the movie never made me laugh, however – there’s a moment where Leah and Jarrett high-five over having made a “well-rounded story” about our man-of-the-hour subject here, and one assumes if it wasn’t the luminous glow-up we see, it would’ve been a straight-up hardcore blowjob video. 

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Our Call: Um. No. SKIP IT.

John Serba is a freelance film critic from Grand Rapids, Michigan. Werner Herzog hugged him once.

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Movie Reviews

Movie Review – Desert Warrior (2026)

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Movie Review – Desert Warrior (2026)

Desert Warrior, 2026.

Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.

SYNOPSIS:

An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.

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With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.

The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.

Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.

As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.

That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.

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Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★

Robert Kojder

https://www.youtube.com/watch?v=embed/playlist

 

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Movie Reviews

Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind

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Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind
Director: Giulio BertelliWriters: Giulio Bertelli, Pietro Caracciolo, Pietro CaraccioloStars: Yile Vianello, Alice Bellandi, Michela Cescon Synopsis: As the fictional Olympic Games of Ludoj 2024 approaches, Agon shows the stories of three athletes as they prepare and then compete in rifle shooting, fencing and judo. In his contemplative and visually rigorous film Agon, director Giulio Bertelli
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Movie Reviews

FILM REVIEW: ROSE OF NEVADA – Joyzine

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FILM REVIEW: ROSE OF NEVADA – Joyzine

‘4’, the opening track on Richard D James’ (Aphex Twin) self titled 1996 album is a piece of music that beautifully balances the chaotic with the serene, the oppressive and the freeing. It’s a trick that James has pulled off multiple times throughout his career and it is a huge part of what makes him such an iconic and influential artist. Many people have laid the “next Aphex Twin” label on musicians who do things slightly different and when you actually hear their music you realise that, once again, the label is flawed and applied with a lazy attitude. Why mention this? Well, it turns out we’ve been looking for James’ heir apparent in the wrong artform. We’ve so zoned in on music that we’ve not noticed that another Celtic son of Cornwall is rewriting an art form with that highwire balancing act between chaos and beauty. That artist is writer, director and composer Mark Jenkin who over his last two feature films has announced himself as an idiosyncratic voice who is creating his very own language within the world of cinema. Jenkin’s films are often centred around coastal towns or islands and whilst they are experimental or even unsettling, there is always a big heart at the centre of the narrative. A heart that cares about family, tradition, culture, and the pull of ‘home’. Even during the horror of 2022’s brilliant Enys Men you were anchored by the vulnerability and determination of its main protagonist. 

This month sees the release of Jenkin’s latest feature film, Rose of Nevada, which is set in a fractured and diminished Cornish coastal town. One day the fishing boat of the film’s title arrives back in harbour after being missing for thirty years. The boat is unoccupied. And frankly that is all the information you are going to get because to discuss any more plot would be unfair on you and disrespectful to Jenkin and the team behind the film.  You the viewer should be the one who decides what it is about because thematically there are so many wonderful threads to pull on. This writer’s opinions on what it is about have ranged from a theme of sacrifice for the good of a community to the conflict within when part of you wants to run away from your roots whilst the other half longs to stay and be a lifelong part of its tapestry. Is it about Brexit? Could be. Is it about our own relationships with time and our curation of memory? Could be. Is it about both the positives and negatives of nostalgia? Could be. As a side note, anyone in their mid-40s, like me, who came of age in the 1990s will certainly find moments of warm recognition. Is the film about ghosts and how they haunt families? Could be…I think you get the point. 

The elements that make the film so well balanced between chaos and calm are many. It is there in the differing performances between the brilliant two lead actors George MacKay and Callum Turner. It is there in the sound design which fluctuates from being unbearably harsh and metallic, to lulling and warm. It is there in the editing where short, sharp close ups on seemingly unimportant factors are counterbalanced with shots that are held for just that little bit too long. For a film set around the sea, it is apt that it can make you feel like you’re rolling on a stomach churning storm one minute, or a calming low tide the next. Dialogue can be front and centre or blurred and buried under static. One shot is bathed in harsh sunlight whilst the next can be drowned in interior shadows. 

Rose of Nevada is Mark Jenkin’s most ambitious film to date yet he has not lost a single iota of innovation, singularity of vision or his gift for telling the most human of stories. It is a film that will tell you different things each time you see it and whilst there are moments that can confuse or beguile, there is so much empathy and love that it can leave you crying tears of emotional understanding. It is chaotic. It is beautiful. It is life……

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Rose of Nevada is released on the 24th April. 

Mark Jenkin Instagram | Threads 

Released through the BFI – Instagram | Facebook

Review by Simon Tucker

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