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Music therapy research program helps Indiana residents recovering from opioid use disorder

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Music therapy research program helps Indiana residents recovering from opioid use disorder


A team of music therapy researchers at IU Indianapolis is partnering with Hoosier communities to help residents recover from chronic opioid use. The team is, from left, SJ Stuckenchneider, undergraduate research assistant; Kate Myers-Coffman, principal investigator; Caitlin Krater, co-investigator and study music therapist; and Shelby Schuller-Hsu, study project manager. Photo by Liz Kaye, Indiana University

A team of music therapy researchers at Indiana University Indianapolis is partnering with Hoosier communities to help residents recover from chronic opioid use. The team was recently awarded $310,000 through a State Opioid Response Grant from the Indiana Division of Mental Health and Addictions. The funds will help the program expand, demonstrating IU’s leadership in finding innovative, effective solutions for addiction recovery and mental health across the Hoosier state.

In Marion County, the team led by Kate Myers-Coffman, visiting assistant professor of music therapy in the Herron School of Art and Design, has been building a music therapy protocol through a partnership with the Indianapolis Comprehensive Treatment Center, a state-funded outpatient opioid treatment facility.

The sessions are designed to train the brain to restore impulse control and reconnect with healthy sources of pleasure, like music and meditation, instead of relying on opioids. The Herron team’s research is the first in the U.S. to focus on how music therapy, paired with medication-assisted recovery, can help people who engage with recovery via outpatient clinics.

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IU music therapy researcher Caitlin Krater plays the guitar during a music therapy session. The sessions are designed to train the brain ...IU researcher Caitlin Krater plays the guitar during a music therapy session. Photo by Liz Kaye, Indiana University

Supporting Indiana communities

During the pilot phase of the study, 19 participants attended drop-in music therapy sessions at the Indianapolis Comprehensive Treatment Center over two eight-week periods. They later reported significant improvements in calmness, self-kindness, hopefulness and readiness to cope with stress.

“It gives me the opportunity to relax and focus on what I’m trying to do in my day,” said Ed Robinson, an Indianapolis resident who has regularly attended the center’s music therapy sessions for the past year and a half. “I never thought about music being a way for me to do that until now.”

Caitlin Krater leads a music therapy session at the Indianapolis Comprehensive Treatment Center, which specializes in outpatient opioid r...Caitlin Krater leads a music therapy session at the Indianapolis Comprehensive Treatment Center, which specializes in outpatient opioid recovery. Photo by Liz Kaye, Indiana University

The new funding will help the current program expand, offering three 90-minute sessions per week rather than one 60-minute session. It will also help the program build relationships with additional clinics in high-need Indiana communities, including Kokomo and Charlestown, and pilot a program for Dove Recovery House, a residential recovery center for women.

“We partner with community clinics to find out how we could uniquely support the needs of the people who go there for care, and then we develop programming that’s tailored to them,” Myers-Coffman said.

Caitlin Krater, a board-certified music therapist and Ph.D. student, has been working on the research team since the study began. Krater is developing a separate protocol designed for pregnant or postpartum women in recovery, in addition to leading the music therapy sessions at the Indianapolis Comprehensive Treatment Center.

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“There has historically been very limited research on music therapy embedded in outpatient opioid treatment programs, particularly in methadone clinic settings,” Krater said. “Most of the existing literature focuses on in-patient or residential contexts, so we are helping to fill an important gap.”

Participants improvise music during a music therapy session. Each instrument is tuned to the C pentatonic scale, which allows everyone to...Participants improvise music during a music therapy session. Each instrument is tuned to allows everyone to play without worrying about the notes. Photo by Liz Kaye, Indiana University

Medication assisted recovery is often necessary for chronic opioid users since they must wean themselves off of their body’s chemical dependence. Krater said medication assisted treatment is evidence-based and lifesaving, and for many people it is an essential part of stability, not a failure of recovery.

“This year, the state of Indiana passed legislation that increases access to medication assisted recovery,” Krater said. “Indiana has really been targeting the opioid epidemic, and the numbers are improving.”

Staying engaged in recovery is highly important for those struggling with opioid dependence. Krater said that finding coping mechanisms and systems of support outside of a clinical setting are essential for helping people stay engaged, which is what the team strives to provide.

Finding peace, practicing patience

“I find peace when I’m here,” Robinson said of the music therapy sessions. “I didn’t know what to expect, but this is one of the things that has kept me coming back, and it’s helped me not feel so ashamed.”

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Robinson is a mechanic who recently took a leave of absence to undergo heart surgery. He said one of his favorite parts of music therapy is when Krater plays the monochord, an ancient string instrument that, when played in person, produces a deep, resonant tone that vibrates throughout the body.

Caitlin Krater, a music therapy researcher at IU Indianapolis, plays a monochord, an ancient string instrument that, when played in perso...Caitlin Krater, a music therapy researcher at IU Indianapolis, plays a monochord, an ancient string instrument. Photo by Liz Kaye, Indiana University

Robinson said he has even started meditating in the mornings when he’s at home, humming or playing music to replicate the effects of the monochord.

After the hypnotic monochord session, Krater asks participants to choose from an assortment of instruments, including small tin drums, tambourines, maracas and wooden xylophones. Together, they play improvisationally as Krater strums a guitar. Each instrument is tuned to the C pentatonic scale, which allows everyone to play without worrying they will hit a “wrong” note.

Sometimes Krater will ask the group to share a word to guide their improvisational music session.

It gives me the opportunity to relax and focus on what I'm trying to do in my day, said Ed Robinson, an Indianapolis resident who ha...“It gives me the opportunity to relax and focus on what I’m trying to do in my day,” said Ed Robinson of Indianapolis, who has attended music therapy sessions for the past year and a half. Photo by Liz Kaye, Indiana University

“I heard patience,” Krater said during one session. “That’s a great one. Let’s start a little slow to be patient and then build it up.”

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Several of the participants gathered to talk about patience after they played their instruments. They agreed that practicing patience is important for recovery, since opioid use hijacks the brain, diminishing impulse control. They said taking time to pause and reflect can often be the difference between using and not using opioids.

“For me, it gave me an opportunity to look inside and ask myself some questions because in the hustle and bustle of life, you don’t always get a chance to do that, and that’s how I found myself in this situation in the first place,” Robinson said.

He said he hopes that music therapy of this nature will become more widely available to those in recovery because it has helped him a great deal.

“I’ve never once felt judged coming to this whole entire program, but especially this music aspect,” Robinson said. “It’s made a big difference for me, and I appreciate it. I’d like to see it go on forever.”

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Indiana Pacers To Add Wing Jalen Slawson Via A Two-Way Contract

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Indiana Pacers To Add Wing Jalen Slawson Via A Two-Way Contract


INDIANAPOLIS – The Indiana Pacers plan to sign wing Jalen Slawson to a two-way contract. The 26-year old forward has spent the ongoing campaign with the Pacers G League affiliate franchise, the Noblesville Boom. It’s a one-year pact covering the rest of the 2025-26 season.

Slawson was a second-round pick back in 2023 and spent his rookie season with the Sacramento Kings. That campaign, the Furman product appeared in 12 games and averaged 0.7 points and 0.6 rebounds per game. Since then, he has bounced around between the Orlando Magic and Pacers organizations.

Most of Slawson’s time in the pros has come via the G League. With the Kings and Magic affiliate teams, the forward averaged between 12 and 13 points per game while being a solid passer and rebounder for his position.

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That got him a training camp invite with Indiana last fall. Slawson spent all of the 2025 preseason on an Exhibit 10 deal with the Pacers, and he appeared in all four of the team’s tune-up games ahead of the regular season. He averaged 2.8 points and 3.5 rebounds per game.

Slawson was waived just before the regular season, but the Pacers affiliate team owned his G League rights, and he’s spent the entire season with the Noblesville Boom. That’s where the 6-foot-7 forward has popped – he’s averaging G League career highs of 19.2 points and 5.4 assists per game for the Boom this season, including an improved 34.7% three-point percentage.

He’s been among Noblesville’s best players this year, and with the team losing many players to injury or overseas opportunities, he has recently become the G League’ club’s top option. Even with more responsibility and attention, Slawson has continued to produce.

Now, he gets a call up to the Pacers via a two-way contract. He’s eligible to be active for 13 of the Pacers final 22 games – two-way contract players are only able to appear in a maximum of 50 games in a league year, and that ratio of games gets prorated if they are signed mid-season.

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Pacers head coach Rick Carlisle had good memories of Slawson’s play for Indiana during the preseason. “ I think he’s an NBA player,” Carlisle said. “He’s had a good year with the Boom and this will be a great opportunity for him to play some games.”

Two-way contracts provide a salary that is half of the NBA’s rookie minimum, which would equate to $636k over the course of a full season. Prorated for the current day on the calendar, that means Slawson will make about $161k on his two-way with Indiana the rest of the season.

Two-way deals have no impact on a team’s salary cap, so the Pacers have no changes to their spending reality. They opened up a two-way spot by converting the contract of Quenton Jackson earlier this weekend.



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Highlights: Beech Grove at Whiteland; February 27, 2026

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Highlights: Beech Grove at Whiteland; February 27, 2026


WHITELAND, Ind. (WISH) — “The Zone” featured highlights from eight high school boys basketball games from across central Indiana on Friday.

Watch highlights of Beech Grove at Whiteland above.

Final Score: Whiteland 89 Beech Grove 61

“The Zone” airs each Friday at 11:08 p.m. Click here to watch ‘The Zone’ for basketball highlights on February 27, 2026.

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Is Darryn Peterson Trying to Avoid Indiana?

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Is Darryn Peterson Trying to Avoid Indiana?


The Indiana Pacers are hoping to retain their 2026 first-round pick, which is protected 1-4 and 10-30. If the selection lands between 5 and 9, it conveys to the Los Angeles Clippers as part of the Ivica Zubac–Bennedict Mathurin trade.

At the top of the 2026 NBA Draft class, three names are consistently labeled as generational talents: AJ Dybantsa, Cameron Boozer and Darryn Peterson.

Indiana would welcome any of the three. The bigger question is whether that feeling would be mutual.

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On a recent episode of The Bill Simmons Podcast, Simmons was joined by draft analysts Tate Frazier and J. Kyle Mann. During the discussion, Mann shared an interesting note about Peterson.

“I’ve gotten the impression from talking to people close to Darryn,” Mann said, “that Darryn is more likely to say, I’m interested in being the full on brain of this team. I don’t really want to play with another superstar, I want to be the center of the universe.”

J. Kyle Mann on The Bill Simmons Podcast

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If that perception holds weight, it creates an intriguing dynamic.

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The Pacers were one game away from an NBA championship last season and already feature two established stars in Tyrese Haliburton and Pascal Siakam. Indiana is not a franchise searching for a singular identity, it already has one.

To be clear, Mann’s comments reflect conversations and impressions, not a public statement from Peterson himself. Still, the fit is worth examining. Indiana’s backcourt rotation already includes Haliburton, Andrew Nembhard, Aaron Nesmith and T.J. McConnell. If Peterson were the pick, the Pacers would find ways to get him on the floor. He is that talented. But Indiana could not offer him an immediate “face of the franchise” role the way a Brooklyn, Sacramento or Washington might.

Mann also offered insight into how Dybantsa may view a situation like Indiana’s.

“AJ, people that know them both have told me that AJ is probably more likely to fit in with an Indiana,” Mann said. “Which is interesting because AJ likes to have the ball. Is he willing to be quick off of the ball with Haliburton? I just think that’s an interesting wrinkle in this.”

J. Kyle Mann on The Bill Simmons Podcast

The contrast is fascinating.

Hearing that Dybantsa would fit in more than Peterson is intriguing. Play style wise, I would lean more towards Peterson’s fitting how Indiana likes to play, especially with how Dybantsa has been utilized at BYU.

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Jan 24, 2026; Columbia, Missouri, USA; Kansas Jayhawks guard Darryn Peterson (22) looks to pass against BYU Cougars forward AJ Dybantsa (3) during the first half at Mizzou Arena. Mandatory Credit: Jay Biggerstaff-Imagn Images | Jay Biggerstaff-Imagn Images

If we’re talking locker room fit, I think Dybantsa would embody what a Pacer is all about. Comes from a small market. Wants to win and doesn’t need the big city to do it in. He’s confident but won’t let his ego interfere with the success of the team. Just a levelheaded kid with a desire to be great, and would have one of the best playmaking point guards alongside him to help maximize his talent. 

These two are the most polarizing and often mentioned names amongst NBA draft circles when looking at the top two in the class. If the comments made by Mann come to be true, the Pacers would be better off drafting the uber talented 6-9 forward, Dybantsa, than drafting a 6-6 elite shooting guard who would rather be “the guy” than a guy. 

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You can follow me on X @AlexGoldenNBA and listen to my daily podcast, Setting The Pace, wherever you get your podcasts.



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