MONTPELIER — In his annual address to Vermont legislators Wednesday afternoon, Gov. Phil Scott urged members of the House and Senate to move forward with the next stages of the sweeping education reform project they started last year, at his administration’s urging.
But as the 2026 legislative session got underway this week, it has seemed far from certain that the process of creating new school districts and developing a new funding model — with the goals of improving educational quality and making the system less expensive overall — will advance at the pace, or in the form, that the governor and his Republican allies want.
That’s in part because the school redistricting task force set up in last year’s education reform law, Act 73, did not recommend new proposed district maps in November ahead of the session — essentially flouting one of the law’s key directives. Any new maps would likely include far fewer school districts, with larger student populations in each, than what exists today.
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Senators listen as Gov. Phil Scott delivers his state of the state address at the Statehouse in Montpelier on Wednesday, January 7, 2026. GLENN RUSSELL / VtDigger
Speaking to a joint assembly of legislators and other officials for his State of the State address in the House chamber, Scott called education reform “our most critical challenge.”
He pointed to how Vermonters could see a nearly 12% average property tax hike this year, about half of which is due to anticipated increases in school district spending in the 2026-2027 school year, according to estimates late last year from the Vermont Tax Department.
“These are the real costs of maintaining a system designed for a Vermont that no longer exists,” the governor said. “If there’s one thing you take away from this speech today, it’s this — education transformation is not optional. It’s essential.”
In fact, there was not much else legislators could take away from the speech, as Scott’s 35-minute address focused almost entirely on that topic. Scott also took the notable step of using his speech to issue an ultimatum: If lawmakers did not make the changes to the state’s education system that he wants to see, he would not sign other key pieces of legislation they pass, such as the annual state budget or the bill that sets property tax rates, known as the yield bill.
Gov. Phil Scott, left, leaves the House of Representatives chamber after delivering his state of the state address at the Statehouse in Montpelier on Wednesday, January 7, 2026. GLENN RUSSELL / VtDigger
“From my perspective, the recent failure to produce maps was a political strategy to preserve the old system,” the governor said. “Following through is about keeping our word to students, teachers and taxpayers who all deserve better.”
Scott’s ultimatum drew criticism from the Democratic leaders of the House and Senate in remarks to reporters shortly after. House Speaker Jill Krowinski, D-Burlington, said she did not think the veto threat was productive and, in fact, could make it harder to persuade her colleagues in the chamber to move forward with the plan the governor has laid out.
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“It’s disappointing to hear,” she said. “I am 100% at the table to figure this out with the House, with the Senate and with the governor — and I think we all are coming to a place of having to reset and figure out what we do to keep education transformation going. And — what does that look like in a map?”
She added, “I think there’s concern and fear about what might happen” among House members, “but I truly believe that every member in my chamber wants to do something. It’s just how we get there — and that’s going to be the tough work ahead of us this session.”
Senate President Pro Tempore Phil Baruth, D/P-Chittenden Central, said he “would have probably preferred no threat, but a private communication of how serious (Scott) is.” Baruth called Scott’s speech “the most narrowly focused State of the State I’ve ever seen” in his 15 years in the Senate, though he understood why the governor would make that decision.
Asked about his own appetite for advancing the stipulations of Act 73, Baruth bristled slightly at a reporter’s suggestion he was “bullish” on the law.
“I would say I’m committed to it,” he said.
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In a statement issued shortly after the address, the minority leaders of the House and Senate, for their part, praised the governor’s speech. Scott “correctly identified education reform as our most urgent challenge,” said Rep. Pattie McCoy, R-Poultney, and Sen. Scott Beck, R-Caledonia.
Scott also used his speech Wednesday to foreshadow — briefly — what he called the “hard choices” his administration, together with House and Senate budget writers, will have to make in the coming months when developing the state’s spending plan for the 2027 fiscal year. That time period runs from July 2026 to June 2027.
House and Senate leaders have already said they expect some existing programs will need to be cut as support from the federal government — especially for key human services programs such as nutritional benefits, Medicaid and assistance for home heating costs — wavers.
“This year’s spending package has required difficult decisions,” Scott said of his administration’s budget proposal, which he will present in another address later this month. From there, the House and Senate will develop a budget bill, which they’ll ultimately send back to Scott for his sign-off.
The governor said Wednesday that in national politics, “conflict is chosen over cooperation, division over decency and outrage over outcomes. People lose trust.”
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He said he sees advancing the education reform plan he supports, and that legislators started last year in Act 73, as a way to set an example of how people’s “government still works for them.” Democratic leaders’ willingness to evolve the public education system in 2025 along the lines Scott proposed was, in part, a political response to voters’ outrage in 2024 over property tax increases. That spike led Democrats to lose a historic number of state House and Senate seats.
“We don’t need to be asked to do the right thing,” Scott said. “We just need to do it.”
This story was republished with permission from VtDigger, which offers its reporting at no cost to local news organizations through its Community News Sharing Project. To learn more, visit vtdigger.org/community-news-sharing-project.
SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.
That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.
“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.
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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.
“It’s very accessible work and approachable,” Bauer said.
The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.
“It feels like a homecoming in many regards,” Bauer said.
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Moving to southern VT, finding ‘the every American’
The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.
Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.
He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.
Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”
Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.
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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.
Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.
“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.
Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.
In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.
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“He was progressive,” Bauer said.
Inspired by paintings donated by Rock of Ages
“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”
Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.
Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.
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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.
“We are just eager for our visitors to see these paintings,” Bauer said.
If you go
WHAT: “Norman Rockwell: At Home in Vermont”
WHEN: June 20 through Oct. 25
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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum
INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org
Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.
The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.
A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.
The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.
If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.
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Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos
The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.
Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.
Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS
More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.
No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.
Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.
It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.