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These fans have sung their way to the National Women’s Soccer League finals

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These fans have sung their way to the National Women’s Soccer League finals

The Washington Spirit and Gotham FC face off in the National Women’s Soccer League finals on Saturday in San Jose. Left: Marge Liguori and Nat Lazo cheer on Gotham FC. Right: The crowd cheers at the Washington Spirit’s semifinal match last weekend.

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As the National Women’s Soccer League finals kick off on Saturday in San Jose, Calif., fans of the Washington Spirit and Gotham FC are bringing more than jerseys and banners. They’re bringing an entire culture of singing and chanting that has become central to the league’s game-day experience.

For supporters of the Washington D.C. team, that energy has been building all season. The Spirit Squadron, one of the club’s major fan groups, has spent months preparing the repertoire they’ll unleash from the stands on Saturday.

“We have a chant just for when we score,” said Squadron president Meredith Bartley, of a raucous, snare drum-laced chant celebrating getting the ball into the back of the net. It’s set to the nursery song “The Animals Went in Two by Two.” There’s a chant (with the endearing refrain “You’re my favorite soccer team!”) for when fans are simply having a blast.

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And there’s one rooted in local politics. “This season, we’ve started in the 51st minute a ‘Free D.C.’ chant,” Bartley said. The chant nods to the long-standing push for D.C. home rule and statehood, and grew out of heightened tensions earlier this year, when the Trump administration took control of the district’s police force and deployed National Guard troops to the city.

Borrowing from the global soccer canon

Spirit supporters also borrow from the global soccer canon. When the energy in the stadium dips, they’ll sometimes launch into a playful chant appropriated from English Premier League crowds. “Let’s pretend we scored a goal,” they repeat.

New York and New Jersey-based Gotham FC supporters — who will be cheering on the Spirit’s opponents in the championship match — have similarly embraced U.K. soccer songs. One in particular has become an anthem.

John Denver’s “Take Me Home, Country Roads,” famously sung by Manchester United fans at their stadium, Old Trafford, has taken on a new life in the tri-state area. In 2023, Gotham FC fans reworked the song into “Gotham Roads,” a tribute to the team and the region.

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“To use ‘Country Roads’ was actually my idea,” said Marge Liguori, who leads Cloud 9, a big Gotham FC supporters group. “I do also happen to be a Manchester United fan. So I kind of borrowed that, but worked with other fans to adapt the lyrics.”

All in it together

For Liguori, the song resonates because it evokes a sense of home. “I think that’s what we find in our arena and in our community with our team,” she said.

This feeling of belonging is paramount to understanding why singing and chanting are such an integral part of sports events.

“Really, the team is more of just a metaphor for the community,” said Max Jack, an ethnomusicologist and anthropologist at Indiana University who has studied the intersection of sports and music. He said singing and chanting allow fans to go through the emotional journey that is a soccer game together.

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“It creates a sense of stranger intimacy that is incredibly deep and fulfilling,” Jack said. “It offers something that most people won’t access in their day-to-day life.”

That intimacy extends beyond fan-to-fan relationships. Chants also help build bonds between supporters and the players they root for. After Gotham FC’s 2023 NWSL championship, fans serenaded defender Mandy Freeman as she approached the stands. Freeman wiped away tears as she hugged fans across the railings.

Those interactions — along with the fans’ overall enthusiasm — matter to the team, Jeff Greer, Gotham FC’s vice president of communications, told NPR. “When we hear them chanting, we know that they are at our backs pushing us to victory,” he said.

The Spirit feel the same way. Their home matches at Audi Field in Washington D.C. are known for their high-octane atmosphere. “Our players regularly credit ‘Rowdy Audi’ for being the 12th player on the field,” said Spirit director of communications Ben Kessler. “And a lot of that is because of how creative their chants and cheers are.”

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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.

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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.

Scenes from the new installment feel almost too recognizable to many doctors.

The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.

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Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.

Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.

So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.

That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.

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To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?

I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.

OK, but is every shift really that chaotic?

I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”

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As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?

There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.

Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?

I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.

If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.

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As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.

Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.

The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.

2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?

I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.

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There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.

In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?

The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.

The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.

A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?

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Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?

Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.

But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”

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The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.

Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.

In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.

There are so many more themes explored this season. What else should viewers look forward to?

I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.

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I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.

But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.

Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.

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