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Parvulos: Children of the Apocalypse: Mexican horror movie may be the best of the year

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Parvulos: Children of the Apocalypse: Mexican horror movie may be the best of the year

Parvulos: Children of the Apocalypse is a story about family and change in a world that has been ravaged by a deadly virus. Three brothers live alone in an isolated house deep in the woods. They live off of the land and depend on each other for survival. But in the basement they house a dark secret whose discovery can change the lives of anyone who comes in contact with it.

It may sound like a straightforward tale, but there is a lot happening here. The cold open gives an idea of the harshness of the new world. It is only one lonely part of the entire planet, but it is enough to let audiences in on how desolate things have become. There is no electricity or running water and it appears as if the siblings are the only ones to have survived. The brothers also talk about a monster that can kill them at any time.

Parvulos has three distinct acts that are tied together in a melancholic tale of kinship, trust, and coming of age. The first part includes the film’s biggest revelation and begins to shape its narrative about familial bonds. Though it is filled with darkly cute and funny moments, it is never lighthearted. Even during these happier times there is a constant sense of dread.

The importance of family continues to be an important theme during the middle portion of the movie when a stranger stumbles across the brothers’ home. It is a tense and uncomfortable night for the boys and threatens to drive a wedge between them. Again, there are touching moments that see the trio forced to face difficult decisions. Much like the earlier act, everything that happens leads to the thrilling finale.

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The final act is the most action packed while also being filled with some of the saddest moments of Parvulos. All the talk of family and each choice made earlier come to a head in the last minutes. It is in the end, that the strength of the writing is seen. There has been no wasted motion leading up the climax as even newer characters will resonate emotionally with anyone watching. A well done epilogue brings a sense of closure to it all.

Parvulos: Children of the Apocalypse is an intense watch filled with heart. After beautiful shots of forest animals, the rest of the film takes on a faded look that matches the ruined world. The gorier scenes are well spaced out and always effective. It is surprisingly relatable as its story of family and monsters deals in real life scenarios that have been ratcheted up to eleven. This is easily one of the best horror movies of the year.

Parvulos: Children of the Apocalypse comes to on demand June 17.

parvulos

Parvulos: Children of the Apocalypse: Mexican horror movie may be the best of the year

Parvulos: Children of the Apocalypse

Takes familiar genre tropes in surprising directions. An emotionally powerful story about family and change that is one of the best horror movies of the year.

Great writing that leads to emotionally impactful moments

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Easy to get invested in every character

Some good gore

Does have some graphic animal violence



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Movie Reviews

Mana Shankara Vara Prasad Garu Review: USA Premiere Report

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

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With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

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– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

 Mana Shankara Vara Prasad Garu Movie Review by M9

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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