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Denver Airport CEO Faces Scrutiny Over $19,000 Business Class Flight

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Denver Airport CEO Faces Scrutiny Over ,000 Business Class Flight


DENVER- Denver International Airport (DEN) employees are questioning CEO Phil Washington over expensive business-class flights for executives. The trip to a conference in Madrid cost the airport over $165,000, with one United Airlines (UA) ticket priced at $19,194.21.

Workers expressed concerns about the ethical implications of such high spending while frontline staff face budget constraints. Washington defended the decision, calling it an investment in leadership development.

United Airlines Boeing 777
Photo: Cado Photo

Denver Airport CEO’s $19,000 Flight

At a quarterly town hall meeting for Denver International Airport (DEN) employees, an anonymous worker challenged CEO Phil Washington on the decision to approve expensive business class tickets for a three-day conference in Madrid.

The employee highlighted a $19,194.21 ticket, noting it “creates a rift in sentiment between frontline and senior leadership.”

The trip, attended by Washington and eight executive staff members, cost approximately $165,000, averaging $18,000 per person for flights, conference fees, hotels, and meals on United Airlines (UA).

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Washington defended the expenditure, emphasizing the conference’s value for professional development.

He attributed high ticket costs to late bookings, stating, “Some travel requests came in a little later,” causing prices to spike.

However, records from a CBS News investigation revealed most tickets were purchased months in advance, contradicting claims of last-minute bookings.

Travel consultant Robert Laney expressed disbelief at the costs, suggesting that waiting could have reduced fares to $8,000–$9,000 per ticket.

United Airlines Boeing 777United Airlines Boeing 777
Photo: Cado Photo

Policy Under Review

Amid the growing backlash, CEO Washington announced that Denver International Airport (DEN) is reassessing its travel policy.

“We are reviewing our policy. There are some revisions we could make to that policy,” he said, although no immediate changes have been finalized or disclosed.

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An airport spokesperson confirmed that the current review will cover the entire travel procedure, from initial requests and booking to reimbursement processes.

The aim, according to Washington, is to ensure future decisions reflect fiscal responsibility without compromising professional development goals.

Despite the controversy, Washington maintained his position, stating, “I stand by the professional development opportunity as an investment in our people that will pay off in the long run.”

Westin Denver International Airport; Photo- Colorado Homes & Lifestyle

Bottom Line

The controversy has sparked broader discussions about transparency and equity at Denver International Airport (DEN).

Frontline workers, who often face tighter budgets, expressed frustration over the perceived extravagance of executive travel.

The issue underscores the need for clear, equitable travel policies to maintain trust between staff and leadership.

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As the airport reviews its policies, stakeholders await changes to ensure responsible use of revenues derived from public-facing operations like concessions and rentals.

Stay tuned with us. Further, follow us on social media for the latest updates.

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Denver, CO

Dance Gavin Dance weighs ins on banana-suit controversy before Denver show

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Dance Gavin Dance weighs ins on banana-suit controversy before Denver show


Dance Gavin Dance believes in dressing however you want for a concert.

Courtesy Jonathan Weiner

There’s a semi-controversy brewing in the underground about whether or not banana suits are appropriated concert attire. After the Baltimore hardcore band End It recently directed its audience to rip one such costume off of a fun-loving fan, the dividing lines have been defined — hardcore isn’t so fruit friendly, while metalcore openly encourages dressing however you want for the occasion.

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Dance Gavin Dance guitarist-vocalist Andrew Wells confirmed the metalcore ethos, as the long-running band is used to seeing people in all types of garb, particularly bananas, whenever and wherever they play.

“There’s a ton of banana people in our audience,” he says, referencing the group’s recent Warped Tour DC stop that was especially yellow. “I was like, ‘Yo, banana people, you’re welcome here. You’re weird. You’re an outcast. You’re what society deems as weird because you want to dress up in a banana costume. That’s what rock is for.’

“Rock’s historically been since the dawn of time an oasis for the outcasts. You’re welcome here. Come fly your freak flag with us, and we’ll have a good time,” Wells continues. “Honestly, if I played a whole show and everyone was in a banana suit, I would be stoked. That would be sick.”

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In reiterating the stance, he calls for everyone in Denver to show up in their banana best when Dance Gavin Dance takes the Fillmore on Monday, June 22. Horse the Band, Wolf & Bear and Novelists are also on the bill.

The metalcore machine — which also includes vocalist-guitarist Will Swan, drummer Matt Mingus and harsh vocalist Jon Mess — is riding high with a twofer of fresh material in 11th studio album “Pantheon,” released in September, and last month’s “Tree City Sessions 3,” another collection of revamped takes on classics and deep cuts.

Wells, who’s been with the band in some capacity since 2015, saw the “Tree City” process as an opportunity to put his spin on some of the older tracks that vocalist Tilian Pearson first laid down, such as “Bloodsucker” from 2018.

Audience participation is encouraged.

Courtesy Dance Gavin Dance

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“That was a suggestion from me. I wanted to polish up my higher register and showcase what I could do on the Tilian stuff,” he explains. “That was a song Martin [Bianchini, touring guitarist] and I had written on the ‘Artificial Selection’ album, so we were able to play and record the song that we wrote.”

Looking back also allowed Dance Gavin Dance to forge forward with “Pantheon,” a more reflective album than recent releases, Wells admits.

“It was an opportunity for us as a band to revisit the roots of the band, when the band was playing to 100-cap clubs and it was just this alternative style of music that was very unique and different. Some people hated it, some people loved it, but it was this authentically post-hardcore sound, that come from these roots,” he shares.  

“When we were revisiting these older songs and doing ‘Tree City’ and also writing ‘Pantheon,’ it was that full-circle moment of doing what we’re passionate about again, exploring new themes and musical territory and getting back to the roots, so to speak, especially as a collaboration,” Wells continues. “It was all of us in the same mindset together working towards the same goals.”

And in Year 21, the band is the “happiest and healthiest” it’s ever been, as he sees it.

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“We’re a group of musicians who’s committed to making the best art that we possibly can,” Wells says. “There’s a perseverance to this band.”

But, he adds, they wouldn’t be anywhere if it wasn’t for the people in front of the stage, dressing up as bananas and whatever else.

“The external factor is our fans,” Wells concludes. “I think the fan’s abilities to rally and support the band and come out to shows can’t be overstated.”

Dance Gavin Dance, with Horse the Band, Wolf & Bear and Novelists, 5 p.m. Monday, June 22, Fillmore Auditorium, 1510 Clarkson St. Tickets are $60.

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Glitz and glamor take the stage in Monty Python’s “Spamalot” at the Denver Center for the Performing Arts

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Glitz and glamor take the stage in Monty Python’s “Spamalot” at the Denver Center for the Performing Arts


Audiences heading to Denver for the upcoming run of “Spamalot” will see plenty of glitz, glamour and even some costumes that have become fan favorites over the years.

Ahead of the musical’s visit to Denver from Aug. 11-23, CBS Colorado was given an exclusive behind-the-scenes tour of the production while it was playing at the Fabulous Fox Theatre in St. Louis.

“Spamalot” costumes glitter under the lights of the Fabulous Fox Theatre in St. Louis

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The tour took place backstage inside a costume gondola, where ensemble member Claire Kennard showcased some of the elaborate wardrobe pieces featured in the show.

One of the standout costumes is the production’s “Laker Girl” outfit, which Kennard said is packed with intricate details.

“This is our Laker Girl costume. As you can see, we have the nude mesh, so there’s a little bit of a nude illusion. There’s that fish net aspect in there, the ruffles to mimic the coral, the pearls. There’s just a lot of little details that our costume designer, Jen Caprio, thought very thoroughly about,” Kennard said.

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Claire Kennard highlights coral and pearl details on the “Laker Girl” costume.  

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Kennard also highlighted one of the ensemble’s showgirl costumes, noting that each performer wears a different color variation.

“So this is our showgirl costume. Each of the girls, there are four ensemble girls, we have different colors, and I am the teal. Which is my personal favorite color. We have tail feathers that are right over here, which are my second favorite part of this costume,” Kennard said.

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Claire Kennard displays her teal showgirl costume in “Spamalot”

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The costumes are designed to help bring the musical’s over-the-top comedy and spectacle to life.

“(We have) lots of glitz and glamor, and we shine on stage,” Kennard said.

Fans of the musical may also recognize some familiar pieces when the production arrives in Denver. Several of the most popular costumes from the original touring production of “Spamalot” remain on the road and will be featured during the Denver stop.

The Tony Award-winning musical, based on the comedy of Monty Python, will be performed in Denver from Aug. 11 through Aug. 23. Tickets and more information are available on the DCPA website.

CBS Colorado is a proud partner of the Denver Center for the Performing Arts.

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7 injured in 3 overnight crashes across Denver, police say

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7 injured in 3 overnight crashes across Denver, police say


At least seven people were injured in three crashes across Denver between Saturday night and Sunday morning, police said.

The Denver Police Department reported the first crash at 11:20 p.m. Saturday. Two people were injured in a two-car crash near West Colfax Avenue and Kalamath Street, on the edge of Denver’s Lincoln Park and Auraria neighborhoods, police said.

One person was injured in a separate crash involving a motorcycle in the 1200 block of Broadway in Denver’s Capitol Hill neighborhood, according to a post from the police department at 1:19 a.m. Sunday.

Paramedics then took four people to the hospital after a two-car crash near Yosemite Street and East 12th Avenue in Denver’s East Colfax neighborhood, police wrote on social media at 3:26 a.m. Sunday.

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