Lifestyle
Time 100 Gala Attended by Blake Lively, Demi Moore, Gayle King and Others
Nine days earlier, Gayle King had been pilloried online as a Marie Antoinette like figure for asking critics of her 11-minute spaceflight “have you been?” and suggesting they can’t have a conversation about it until they have. But on Thursday evening, she walked the red carpet at the Time 100 Gala, her head held high and her green dress shimmering.
“I can’t complain,” Ms. King said at 7:30 p.m., standing on the 16th floor of the building that was previously known as the Time Warner Center, but is now called the Deutsche Bank Center. “My life is wonderful.”
To her left was one of the night’s honorees, David Muir, an ABC News anchor whose bosses recently paid President Trump $15 million to settle a defamation suit he filed against the company.
To her right was the designer Georgina Chapman, whose ex-husband Harvey Weinstein was back on trial this week over sexual assault allegations. Ms. Chapman was attending the gala with her current boyfriend, the actor Adrien Brody, who was being honored at the event.
Ms. King turned to another celebrity on the line and moved toward her. “Hi Scarlett,” she said, speaking to the actress Scarlett Johansson, who was also on the Time 100 list.
For much of the 20th century, Time was published weekly by Time Inc. Now, the magazine is owned by the tech billionaire Marc Benioff and is published biweekly. In the company’s answer to events like the Met Gala, the Time 100 has become a petting zoo where contemporary artists get honored alongside champion athletes and take selfies together.
The artist Mickalene Thomas had never met the gymnast Simone Biles before Thursday night, but she wasn’t shy about pulling out her phone for a selfie. “She’s legendary. Why not?”
Just as attendees were being ushered toward the dining area, the actors Blake Lively and Ryan Reynolds, who are currently in the middle of a legal battle with the film director and actor Justin Baldoni, walked in.
Ms. Lively has accused Mr. Baldoni of misconduct on the set of the film “It Ends With Us.” Mr. Baldoni has denied the accusations and sued Ms. Lively, her publicist Leslie Sloane, and The New York Times, which published a story about their feud, for defamation.
Was there something in the air on Thursday? A scent being delivered to attract people connected in various ways to recent controversies?
“Who knows,” said Ali Zelenko, the former chief spokeswoman for NBC News, who was attending with her new boss, Jonathan Greenblatt, the chief executive of the Anti-Defamation League. “But it makes for good copy.”
“This is a complicated moment,” said Sam Jacobs, the editor in chief of Time. “The Time 100 reflects that.”
The tiered dining room had a large stage on the lowest level. Behind it, glass windows showed off Central Park. Waiters served a kale and dandelion Caesar salad. Cameramen darted across the room, grabbing shots of the audience for a Time 100 special that will air on ABC in May.
Here was Demi Moore on the ground level at a table with her manager, Jason Weinberg, and Ms. Johannson. There at the next table over was Ms. Biles along with Serena Williams and the actor Adam Scott. Above them were Mr. Brody and Ms. Chapman.
The program began with a short speech by Jessica Sibley, Time’s chief executive, who briefly talked about the vital role independent journalism plays in a functioning Democracy and then moved onto the longer business of thanking the evening’s numerous corporate sponsors.
Shortly after the British singer Myles Smith performed his hit song, “Stargazing,” Mr. Muir took control of the microphone to introduce another Time 100 recipient, Angeline Murimirwa, an activist from Zimbabwe who has spent decades creating educational opportunities for girls in Africa.
She was one of several speakers over the course of the evening, including Noa Argamani, an Israeli activist who was held captive by Hamas for 245 days.
To serve as comic relief, the magazine selected the rapper Snoop Dogg as the host of the program, though his appearances were somewhat sporadic.
“Man, I’m so proud of Simone Biles. Ain’t y’all?” he said at one point. “Me and Simone, we have a lot in common. She’s an expert at the balance beam vault and the uneven bars and I’m really good at high jumping. I’m also good at high sitting, high rapping, and as you’ll see for the next two hours, high hosting.” (He also suggested onstage that the only reason he was given a slot in this year’s Time 100 was because the magazine needed a famous emcee.)
Around 9:30 p.m., a grilled branzino was served as the evening’s main dish.
Ms. Biles called over a waiter to order a pair of margaritas for herself and Ms. Williams.
After that came a speech from Ms. Lively.
“I have so much to say about the last two years of my life, but tonight is not the forum,” she said, seemingly in reference to her experience with Mr. Baldoni.
Then, she spoke for several minutes about the pain women endure and the way they ultimately “break” the hearts of their daughters when they, “let them in the secret that we kept from them as they pranced around in princess dresses: that they are not and likely will never be safe. At work. At home. In a parking lot. In a medical office. Online. In any space they inhabit. Physically, emotionally, professionally.”
“But why does that torch have to be something we carry in private?” she asked. “How can we not all agree on that basic human right?”
In the speech, Ms. Lively also thanked her mother, Elaine Lively, for helping her acquire her voice, as well as her “sweet husband,” Mr. Reynolds, whom she described as one of the men “who are kind and good when no one is watching.”
The event ended around 11 p.m. with a performance by the singer Ed Sheeran.
He also addressed Mr. Reynolds, albeit in less reverential terms.
Mr. Sheeran has a minority stake in Ipswich Town F.C., a soccer club located in Suffolk, England. Mr. Reynolds co-owns the Welsh soccer club Wrexham A.F.C.
Mr. Sheeran said his club would mess up Wrexham, using a more colorful term than that, before launching into a rendition of his signature hit, “Shape of You.”
Lifestyle
The second life of a classic: ‘Amores Perros’ is remastered and back in theaters
First released in 2000, the acclaimed film Amores perros, which was produced and directed by Alejandro González Iñárritu and written by Guillermo Arriaga, has been remastered and is returning to theaters.
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Before Amores Perros became widely regarded as a modern classic, it belonged to Mexico. The film premiered at the 53rd Cannes Film Festival in 2000, where it won The Grand Prix, launching a run of international acclaim that has never quite ended. This month, Amores Perros is back in theaters in a fully remastered format from its original Kodak film stocks.
The film’s plot centers on three strangers whose lives intersect at the scene of a car crash. Each story wrestles with overlapping issues of social class disparities, crime and familial betrayal. The release in Mexico coincided with the end of the Institutional Revolutionary Party or PRI’s 71-year hold on power. Amores Perros was followed by a period of original, contemporary films in Latin America that would prove the region’s studios could compete with Hollywood in scope and complexity.
One of the film’s lead charachters, Octavio, is played by actor Gael García Bernal.
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The film marked the directorial debut of Alejandro González Iñárritu, who would go on to win four Academy Awards including back-to-back best director awards for Birdman (2014) and The Revenant (2015). In a recent interview with NPR, Gael García Bernal, a lead actor in Amores Perros, called the film’s launch “a new geography in cinema.”
González Iñárritu and García Bernal spoke with Morning Edition’s A Martinez about their early collaboration and the film’s continued resonance with new audiences.
Listen to the interview by clicking on the blue play button above.
The broadcast version of this story was produced by Margaux Bauerlein.
Lifestyle
What — and who — will be at the Great American State Fair? Here’s a primer
Preparations underway for the Great American State Fair, as seen on Washington, D.C.’s National Mall last week.
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A lot is changing these days in Washington, D.C., with even more on the horizon: 10 city blocks of the National Mall will soon transform into a multi-week state fair spectacle, complete with a Ferris wheel, in honor of the country’s 250th birthday.
The “Great American State Fair” will run from June 25 through July 10, promising to bring state-themed pavilions, movie screenings, musical performances, military flyovers, nostalgic snacks, a daily rodeo — and potentially scores of tourists — to the nation’s capital.
It will feature more than 150 exhibits, with full participation across the United States and several U.S. territories, as well as “businesses, innovators and civic organizations,” according to Freedom250, the White House-backed campaign that is organizing the fair in addition to other semiquincentennial events.
“A master-planned celebration will unfold along the National Mall from the Capitol to the Washington Monument, featuring vibrant pavilions representing every U.S. state and territory,” says the White House website, adding that the beaux-arts style tents will also highlight national themes like agriculture, the arts, faith and family.
Workers started setting up the fair, in view of the U.S. Capitol, in late May.
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However, not all states are sending official government delegations to the fair. Officials in more than half a dozen states — including Connecticut, Hawaii, Illinois, Maine, Massachusetts, North Carolina, Oregon, Rhode Island and Washington — confirmed to NPR that they are not participating directly. Most cited financial considerations and a desire to prioritize celebrations in their own communities, though others voiced political concerns.
Rachel Reisner, a spokesperson for Freedom250, emphasized in an email that there is “a vast majority participating” among the states. Additionally, others are being represented by local businesses and organizations — such as two companies from North Carolina and a museum from Illinois.
“Whether represented by a governor’s office, a tourism board, or a beloved state company or organization, every community will be celebrated, and every American will see themselves in this once-in-a-generation event,” Reisner said.
The state fair is one in a series of patriotic anniversary events planned for D.C. this summer, including the UFC fight night outside the White House last Sunday and a fireworks-heavy July Fourth celebration that President Trump rebranded as a political rally in a Truth Social post on Monday.
In another post that day, Trump encouraged people to attend the kickoff to the fair on Wednesday — and, by extension, the “summer long Celebration of 250 years of American Independence.”
“We are going to have fun, and celebrate America!” he wrote.

That opening event was originally billed as a concert, though many of the performers originally attached to it — including Martina McBride, Bret Michaels, the Commodores and Young MC — have withdrawn in recent weeks. Organizers now say the kickoff will feature remarks by Trump and performances by Lee Greenwood and Christopher Macchio, musicians who have sung at Trump events before.
What to know about the fair
The fair is an all-day, rain-or-shine event. It is free and open to the public, though preregistration is encouraged.
Freedom250 is promising attendees an interactive experience at the state pavilions, from Michigan’s mechanical milking cow to Florida’s re-creation of a Spanish fort honoring explorer Juan Ponce de León.
There will also be activations by a wide range of companies, organizations and government agencies, from NASA and John Deere to Meta and the Washington Commanders.
Each of the fair’s 16 days has its own theme, including two “MAHA Mondays” and a military and veterans’ appreciation day. July Fourth is branded as the Independence Day Celebration, and the fair’s final day is billed as “The Next 250: Innovation.”
The extravaganza will span a wide swath of the National Mall, much of it already blocked off with fences and construction cranes. The fair may also impact air travel in the area.
In a press release this week, the Metropolitan Washington Airports Authority warned travelers at D.C.’s Reagan National Airport that their flights might be adjusted or delayed due to some of the America 250 celebrations — including the opening and closing days of the state fair.
“Many events will include downtown flyovers or other aerial displays such as fireworks or parachute jumps, which will affect flights periodically at Reagan National,” it said, adding that the most significant disruptions are expected on July 3 and 4.
Why some state governments aren’t participating
Nearly 10 states say they will not be spending funds or sending personnel to the D.C. fair. While all but one are led by Democratic governors, many told NPR the decision not to attend was a financial decision, not an overt political statement.
“The states were expected to fund and to staff a multi-week exhibit in Washington, D.C., which would entail getting staffers down to D.C., housing them, feeding them, and with the booths and everything … the estimated budget was at least $100,000,” said Cathryn Vaulman, a spokesperson for Connecticut Gov. Ned Lamont.
Vaulman said that money would have come out of the state’s budget for its own 250th celebrations — so leaders made a “resource-based decision” to focus on those instead. But she noted that plenty of other blue states, like New York, are still planning to staff the state fair.
Some other states estimated their costs as $100,000, though others were much higher: Sarah Hansen, director of the Maine Semiquincentennial Commission, told NPR that its cost estimates were “half a million dollars or more,” which she said was not feasible for the state, “given the federal government’s refusal to provide any funding.”
Washington Lt. Gov. Denny Heck’s office told NPR over email that the state opted out in large part because of confusion over costs.
The fair will span 10 city blocks on the National Mall for over two weeks.
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“We had heard participating states (whether that was state agencies, tourism authorities, etc.) were generally planning for their costs to be anywhere between $100k to nearly $1m,” Dallas Roberts, Heck’s chief of staff, said in the email.
Each state and territory gets about 600 square feet to build its exhibit, with no set dollar amount required to participate, according to Freedom250. It acknowledges that cost was a concern for many states, which is why some partnered with tourism bureaus and companies.
“Our ask was not your government entity must do this and give money; it was an invitation to the state to represent their culture, heritage, and landscape however they would like,” Reisner, the Freedom250 spokesperson, wrote in an email, adding that the event is funded by “both private and public dollars.”
Officials in a handful of states have been more outspoken in their criticism of how the event is being run.

Speaking to GBH News’ Boston Public Radio earlier this month, Massachusetts Gov. Maura Healey, who also opted out, said Trump “invited all the states to participate and wants to charge us to go down and put something on his exhibit.”
“It’s just ridiculous,” she added. “This is taxpayer money.”
Luke Harkins, a spokesperson for Oregon Gov. Tina Kotek, told Oregon Public Broadcasting that the state is not participating “due to both the cost of participating in the Fair and growing concerns that the event in Washington, D.C. is shaping up to be a more partisan affair than originally presented.”
Officials from different states told NPR they had different understandings of how representation from their state would work.
Jayette Bolinski, a spokesperson for the Illinois Department of Natural Resources, said the Peoria Riverfront Museum volunteered to represent the state with an “Illinois-centric pavilion” featuring a hologram of stories from over 50 residents — none of which was paid for by state funds, she stressed. Vaulman, of Connecticut, said she believes its booth will have photos and posters of some sort, while Hansen of Maine said their inquiries to Freedom250 about this “have gone unanswered.”
What else is on the anniversary agenda — and who’s planning it
Planning for national 250th anniversary events mainly falls to two main groups, which have become increasingly politicized.
In 2015, looking ahead, Congress created a nonpartisan commission to orchestrate anniversary celebrations, which in turn created a nonprofit called America250. It’s composed mostly of private citizens, along with several members of Congress and representatives from federal agencies.
America250 appears to focus mainly on getting Americans involved in celebrations at the local level, such as attending synchronized nationwide block parties. It has gathered — and recently sealed — a time capsule with contributions from every state and is hosting a July Fourth concert in Los Angeles, with tickets selling for $17.76, featuring the Smashing Pumpkins, Chris Stapleton and Queen Latifah.
Freedom250, on the other hand, emerged from a Trump 2025 executive order establishing a task force for celebrating the milestone. Critics — including progressive consumer advocacy group Public Citizen — see this group as Trump’s attempt to bypass America250 after trying unsuccessfully to pack it with loyalists.
Freedom250 describes itself as “the national, non-partisan organization leading the celebration of our Nation’s 250th birthday.” Another sign of its standing in the administration: The official White House webpage for the 250th links out to Freedom250, not America250.
The group has organized many other high-profile anniversary events, including the White House UFC event, the July Fourth rally on the Mall, a July Fourth tall ship event on the East Coast and the Freedom 250 Grand Prix of Washington, D.C., an Indycar event scheduled for the National Mall in August.
Trump’s executive order says the 250th task force must disband at the end of the year, unless he extends it. And many of the beautification projects his administration is undertaking in D.C. — from restoring fountains to installing statues to repainting the Lincoln Memorial Reflecting Pool — are tied to the anniversary but could shape the city far beyond it.
Lifestyle
Greetings from Maputo, Mozambique’s capital, shaped by a modernist architecture
I took a ride on a tuk-tuk motorcycle taxi around Maputo, Mozambique, with my buddy and fellow All Things Considered producer, Vincent Acovino. We were in the country reporting on changes to U.S. funding for AIDS in Africa.
Vinny noticed it first: There was something magical about a number of the concrete apartment blocks and government offices here. With half a day off and a little googling, we gave ourselves an impromptu tour of the architecture of Amâncio “Pancho” Guedes. The late Portuguese-born architect designed some pretty cool buildings here in the 1950s and ’60s. They include the Prédio Abreu, Santos e Rocha pictured above, and other structures with evocative names like The Smiling Lion apartment block and the Lemon Squeezer church. Step into a small interior stairwell of The Dragon House, and you see a mural in sparkling black and white stone of a spiky dragon with a toothy grin. It transforms what would otherwise be a dim stairwell.
Guedes designed more than 500 buildings in the city, from churches to bakeries. I don’t have the language to capture it: the use of heavy materials, combined with the playful use of shapes and murals. “Eclectic Modernist,” I later learned, is how his work is described. One critic wrote that his work brilliantly mixes the “sculptural and figurative with practical requirements and traditional local identity.”
Maputo will change and I have to imagine not all of his work will survive. But stumbling into a town with a visual landscape that still shows Guedes’ thumbprint was a delight. For an afternoon, riding through the city streets in the open-air tuk-tuk, looking for what might have been his handiwork was a good time. Like an Easter egg hunt in concrete.
For more Far-Flung Postcards, click here.
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