Movie Reviews
Movie Review: The Last Supper – OSV News
NEW YORK (OSV News) – Viewers of “The Last Supper” (Pinnacle Peak), director and co-writer Mauro Borrelli’s dramatization of events surrounding the Passion, may be able to tell that he has a strong visual background. A veteran art designer who has collaborated with such high-profile figures as Tim Burton, Borrelli gives us some warm and vivid imagery.
The tone of his film is, moreover, appropriately reverent. Yet some of the action feels forced and the mood occasionally becomes overwrought.
That problem doesn’t affect Jamie Ward’s performance as Jesus. Temple cleansing aside, his is a serene Savior. As for the Apostle Peter (James Oliver Wheatley), from whose viewpoint the story is told, his post-denial remorse flirts with excess but makes its dramatic point.
It’s mainly Robert Knepper’s twitchy Judas who comes across as emotionally overblown. And that isn’t all the actor’s fault.
Borrelli achieves some moments of genuine intensity as when Jesus washes the bewildered Peter’s feet. These come mostly when he and his script collaborator, John Collins, adhere closely to Scripture.
Their effort to flesh out the biblical account, by contrast, frequently goes awry. This is most glaring in the case of Judas’ motivation for treachery. He’s shown to be tempted by the devil, and money grubbing from the start. But his thinking is otherwise largely unintelligible. In the absence of any coherent characterization, Knepper has little with which to work.
Scenes showing Jesus being beaten bloody by his captors, while realistic, narrow the appropriate audience for “The Last Supper.” So, too, do the glimpses we’re given of the Crucifixion. Safe to say, this isn’t apt fare for those eagerly awaiting the arrival of the Easter Bunny.
For those with a more mature outlook on the meaning of the holiday, this recreation of the original events is, for the most part, theologically sound. Thus the action begins with the multiplication of the loaves and fishes as well as Jesus’ prophecy about the gift of the Eucharist as recounted in St. John’s Gospel.
Cinematic sturdiness, however, is a different question.
The film contains some harsh gory violence and a suicide. The OSV News classification is A-II — adults and adolescents. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
John Mulderig is media reviewer for OSV News. Follow him on X @JohnMulderig1.
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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