Connect with us

Business

In Britain, a Fight Over a Film Studio Becomes a Test for the Economy

Published

on

In Britain, a Fight Over a Film Studio Becomes a Test for the Economy

Andrew Rackstraw has lived in Marlow, a small, wealthy town on the River Thames about 30 miles west of London, for nearly three decades. Its main streets are dotted with luxury boutiques, high-end cafes and stores like Saddle Safari, Mr. Rackstraw’s bike shop.

With a population of about 14,000, Marlow also has a plush cinema and a rowing club that dates to the 19th century. Around the corner from Mr. Rackstraw’s shop is a Michelin-starred restaurant. Farther down the road is Britain’s only two-Michelin-starred pub.

It is the picture of an idyllic English town.

But there is a threat, as locals see it, to Marlow’s quiet charm: a proposal to build a 750-million-pound ($950 million) film and TV studio complex. Plans include 18 soundstages, workshop space, offices and outdoor filming lots across 90 acres between Marlow and the smaller village of Little Marlow.

For more than three years, many Marlow residents have opposed the project, dubious of the developers’ promises that it will bring thousands of jobs, including creative roles, and more business for the town’s economy. “It will have the biggest impact to Marlow that we’ve ever seen because of the scale of it,” Mr. Rackstraw said on a recent morning inside his store.

Advertisement

In the past few months, the battle over this studio has taken on national significance as a marker of how far the British government will go to use development as a means to revive the nation’s stagnant economy. But the proposed film studio is not crucial infrastructure or needed housing, unlike much of the other development the government has vowed to speed up.

Marlow is “already choked with traffic,” Mr. Rackstraw said. The studio would bring thousands more cars, he added, and the town would “lose the very element that draws people to Marlow — the fact that it isn’t spoiled like so many other towns.”

Opponents seemed to be victorious last May when the local council rejected the planning application. But just a few months later, a new government, led by the Labour Party, breathed new life into the studio plans.

Britain’s creative industries, including film and TV production, have been designated a central part of the government’s economic growth agenda. These industries have long been a major cultural and economic force for the country, stretching back to the early 1900s. Alfred Hitchcock helped shape the thriller genre in the 1930s in Britain. But the country also became a top destination for international productions, particularly since the 1970s when “Star Wars” filmed just outside London. More recently, blockbusters like “Wicked” and “Barbie” were filmed here. It’s the largest production hub for Netflix outside North America.

The Labour government has said economic growth is its No. 1 mission, but since the party came to power last summer, growth has been mostly elusive. Hampered by strained public finances, the government is depending on changes to the nation’s planning system as a crucial lever in generating growth. Ministers have proclaimed that they will “back the builders, not the blockers” to revitalize Britain’s economy.

Advertisement

The developers behind the project, led by Robert Laycock, the chief executive of the would-be Marlow Film Studios, appealed the council’s decision in September. A month later, Angela Rayner, the deputy prime minister and secretary of state for housing, communities and local government, stepped in and said she would decide whether to grant approval, a relatively rare intervention.

“There’s a growing consensus across the U.K. that the planning system is too restrictive and that this is causing problems,” said Anthony Breach, a researcher for Centre for Cities. “It’s too difficult to build, it’s too uncertain, it’s too judicial.”

But the Labour Party has started to loosen the rules, and there has been a “change in mood music,” he added.

Last month, the government said it supported adding a third runway to Heathrow Airport, potentially drawing an end to a two-decade debate on the subject. Ministers have also made it easier to build more houses around commuter rail stations and to speed up decisions on big infrastructure projects such as nuclear plants and wind farms. “The answer can’t always be no,” Rachel Reeves, the chancellor of the Exchequer, said recently.

The future of the Marlow film studio is in limbo. A planning inspector overseeing a five-week public inquiry, which ends Monday, will make a recommendation to Ms. Rayner. Another studio project, just seven miles from Marlow, is also hoping for Ms. Rayner’s approval to overturn a rejected application.

Advertisement

Mr. Laycock chose the land he wanted to build on about a decade ago. “It’s really tough to do anything in this country,” he said. But he said he was enthusiastic about the government’s changes to “get us out of this rut” of not wanting to do ambitious projects.

Most of the development would be on fields of thistles near several lakes where red kites fly overhead. But the complex would also nearly envelop a small area of housing, which includes more than 50 mobile homes where many retirees live and an early-18th-century house converted into apartments.

Thorsten Polleit, an economist who lives in one of the converted apartments, testified in the inquiry that residents would be “totally surrounded, literally incarcerated” by the development.

Among the reasons the Marlow studio has been contested is that it is proposed on a so-called green belt, which is land protected from development to stop urban sprawl. Green belt makes up 13 percent of England’s land.

The government is planning to reclassify some of the poor-quality parts of the green belt as “gray belt” and thus open it up to development, a change that has been mostly welcomed because it could accommodate more housing where people most want to live and work.

Advertisement

The plans for the Marlow studio also come after a boom in studio building in Britain. In the past five years, studio space has doubled to about six million square feet as developers and local authorities have capitalized on interest from American streaming giants including Netflix, Disney+ and Amazon Prime and British government support for the sector.

But the production industry was hurt by the Hollywood strikes in 2023, because most of the spending comes from the United States. And the big streamers have also spent less on content in recent years. Last year, the industry started to recover, with £5.6 billion spent in Britain on film and high-end TV production, 86 percent of which came from abroad. That was 31 percent more than in 2023, but did not return to the highs of 2021 and 2022.

“2024 was a transition year from the worst parts of the strikes,” said Adrian Wootton, the chief executive of the British Film Commission. He’s feeling “cautiously optimistic” about this year as filming picks up again, including for “Star Wars” TV shows and Season 4 of “Bridgerton,” and the benefits of enhanced tax relief measures introduced last year.

The commission has supported the expansion of studio space, including projects still in development such as the one in Marlow, but is not “banging the drum saying we need even more than that,” Mr. Wootton said.

Despite the hurdles, Mr. Laycock, the Marlow Film Studios chief executive, is committed to having the studio near Marlow. It’s the “right and only” location, he said, in part, because it is less than 10 miles away from Pinewood Studios, where many of the James Bond movies were filmed. Mr. Laycock is a great-nephew of Ian Fleming, the author of the Bond books, a connection he emphasizes amid accusations that he and his team do not have enough experience in the film industry.

Advertisement

“Nobody is denying that the planning system needs reform,” said Anna Crabtree, a parish councilor for Little Marlow, the village bordering the studio. But, she argues, one of the problems is that the system is biased toward people with money who can push forward “unrealistic proposals that local people know are not going to work.”

The battle has been “a huge drain on the local community,” she said. “It’s really stressful for local people.”

Business

Video: Why Your Paycheck Feels Smaller

Published

on

Video: Why Your Paycheck Feels Smaller

new video loaded: Why Your Paycheck Feels Smaller

Ben Casselman, our chief economics correspondent, explains why wages are not keeping up with inflation and what that means for American workers and the economy.

By Ben Casselman, Nour Idriss, Sutton Raphael and Stephanie Swart

April 18, 2026

Continue Reading

Business

Civil case against Alec Baldwin, ‘Rust’ movie producers advances toward a trial

Published

on

Civil case against Alec Baldwin, ‘Rust’ movie producers advances toward a trial

Nearly two years after actor Alec Baldwin was cleared of criminal charges in the “Rust” movie shooting death, a long simmering civil negligence case is inching toward a trial this fall.

On Friday, a Los Angeles Superior Court judge denied a summary judgment motion requested by the film producers Rust Movie Productions LLC, as well as actor-producer Baldwin and his firm El Dorado Pictures to dismiss the case.

During a hearing, Superior Court Judge Maurice Leiter set an Oct. 12 trial date.

The negligence suit was brought more than four years ago by Serge Svetnoy, who served as the chief lighting technician on the problem-plagued western film. Svetnoy was close friends with cinematographer Halyna Hutchins and held her in his arms as she lay dying on the floor of the New Mexico movie set. Baldwin’s firearm had discharged, launching a .45 caliber bullet, which struck and killed her.

The Bonanza Creek Ranch in Santa Fe, N.M. in 2021.

Advertisement

(Jae C. Hong / Associated Press)

Svetnoy was the first crew member of the ill-fated western to bring a lawsuit against the producers, alleging they were negligent in Hutchins’ October 2021 death. He maintains he has suffered trauma in the years since. In addition to negligence, his lawsuit also accuses the producers of intentional infliction of emotional distress.

Prosecutors dropped criminal charges against Baldwin, who has long maintained he was not responsible for Hutchins’ death.

“We are pleased with the Court’s decision denying the motions for summary judgment filed by Rust Movie Productions and Mr. Baldwin,” lawyers Gary Dordick and John Upton, who represent Svetnoy, said in a statement following the hearing. “He looks forward to finally having his day in court on this long-pending matter.”

Advertisement

The judge denied the defendants’ request to dismiss the negligence, emotional distress and punitive damages claims. One count directed at Baldwin, alleging assault, was dropped.

Svetnoy has said the bullet whizzed past his head and “narrowly missed him,” according to the gaffer’s suit.

Attorneys representing Baldwin and the producers were not immediately available for comment.

Svetnoy and Hutchins had been friends for more than five years and worked together on nine film productions. Both were immigrants from Ukraine, and they spent holidays together with their families.

On Oct. 21, 2021, he was helping prepare for an afternoon of filming in a wooden church on Bonanza Creek Ranch. Hutchins was conversing with Baldwin to set up a camera angle that Hutchins wanted to depict: a close-up image of the barrel of Baldwin’s revolver.

Advertisement

The day had been chaotic because Hutchins’ union camera crew had walked off the set to protest the lack of nearby housing and previous alleged safety violations with the firearms on the set.

Instead of postponing filming to resolve the labor dispute, producers pushed forward, crew members alleged.

New Mexico prosecutors prevailed in a criminal case against the armorer, Hannah Gutierrez, in March 2024. She served more than a year in a state women’s prison for her involuntary manslaughter conviction before being released last year.

Baldwin faced a similar charge, but the case against him unraveled spectacularly.

On the second day of his July 2024 trial, his criminal defense attorneys — Luke Nikas and Alex Spiro — presented evidence that prosecutors and sheriff’s deputies withheld evidence that may have helped his defense . The judge was furious, setting Baldwin free.

Advertisement

Variety first reported on Friday’s court action.

Continue Reading

Business

California’s gas prices push Uber and Lyft drivers off the road

Published

on

California’s gas prices push Uber and Lyft drivers off the road

The highest gas prices in the country are making it tougher for some gig drivers to make a living.

Gas prices have shot up amid the war in the Middle East. On average, California gas prices are the most expensive in the United States, according to data from the American Automobile Assn. The average price of regular gas in California is almost $6. The national average is a little above $4.

While Uber and Lyft drivers have concocted clever ways to cut gas consumption, they say that without some relief they will be forced to leave the ride-hailing business.

John Mejia was already struggling to make money as a part-time Lyft driver when soaring gas prices made his side hustle even harder.

“Unfortunately, it’s the economics of paying less to drivers and gas prices,” he said. “It actually is pulling people out of the business.”

Advertisement

Guests at The Westin St. Francis hotel get into an Uber.

(Jess Lynn Goss / For The Times)

Gig work offers drivers the freedom to work for themselves and more flexibility, but being independent contractors also means they must shoulder unexpected costs.

Ride-sharing companies say they’re trying to help, but drivers say the gas relief comes with caveats. For now, drivers say they’re being pickier about what rides they accept, cutting hours and are looking at other ways to make money.

Advertisement

Mejia, who started driving for Lyft more than a decade ago, said in his early days, he would sometimes make $400 in three hours. Now it takes 12 hours to rake in $200.

The San Francisco Bay Area consultant is an active member of the California Gig Workers Union, so he knows he isn’t alone. California has more than 800,000 gig rideshare drivers, according to the group, which is affiliated with the Service Employees International Union.

On social media sites such as Reddit and Facebook, gig workers have posted about how the higher gas prices are eating into their earnings. Among the tricks they are suggesting: reducing the number of times the ignition is turned on or off, avoiding traffic, working in specific neighborhoods and at times with high demand and switching to electric vehicles.

Gig drivers usually have only seconds to decide whether to accept a ride on the app, but they have become more strategic about which rides and deliveries they accept.

That means they are more likely to sit back in their cars and wait for higher fares for quick pick-up and drop-off.

Advertisement

“I highly recommend the ‘decline and recline’ strategy, rejecting unprofitable rides until a better one appears,” wrote Sergio Avedian, a driver, in the popular blog the Rideshare Guy.

Pedestrians cross the street in front of a Lyft and Uber driver.

Pedestrians cross the street in front of a Lyft and Uber driver on Wednesday. High gas prices have made it hard for gig drivers to make a living, cutting into their profits.

(Jess Lynn Goss / For The Times)

Uber, Lyft and other companies have unveiled several ways to help drivers save on gas.

Uber said drivers can get up to 15% cash back through May 26 with the Uber Pro card, a business debit Mastercard for drivers and couriers. Based on a worker’s tier, they can get up to $1 off per gallon of gas through Upside — an app that offers cash rewards — and up to 21 cents off per gallon of gas with Shell Fuel Rewards. The company also offers incentives for drivers who want to switch to electric vehicles.

Advertisement

“We know the price of gas is top of mind for many rideshare and delivery drivers across the country right now,” Uber said in a blog post about its gas savings efforts.

Lyft also said it’s expanding gas relief through May 26 because the company knows that the extra cost “hits hardest for drivers who depend on driving for their income.”

The company is offering more cash back, depending on the driver’s tier, for drivers who use a Lyft Direct business debit card to pay for gas at eligible gas stations. They can get an additional 14 cents per gallon off through Upside.

Drivers say the fine print on the offers dictates which card they use and where they fill up gas, making it difficult for them to save money.

“If I do the math, it’s ridiculous,” Mejia said. “They’re offering us nothing.”

Advertisement

Uber declined to comment, but pointed to its blog post about the gas relief efforts. Lyft also referenced the blog post and said “the gas savings were structured through rewards to maximize stackable opportunities.”

Guests at The Westin St. Francis hotel get into an Uber.

Guests at The Westin St. Francis hotel get into an Uber.

(Jess Lynn Goss / For The Times)

Gig workers have struggled with rising gas prices in the past.

In 2022, Lyft and Uber temporarily added a surcharge to their fares amid record-high gas prices following Russia’s invasion of Ukraine. This year, Uber is adding a fuel charge to its fares in Australia for roughly two months to offset the high cost of gas for drivers. Lyft said it hasn’t added a fuel charge in the U.S. or elsewhere.

Advertisement

Margarita Penalosa, who drives full time for Uber and Lyft in Los Angeles, started as a rideshare driver in 2017. Back then, gas was cheaper. She would easily hit her goal of making $300 in eight hours. Now she’s making just $250 after working as much as 14 hours.

Gas prices, she said, used to be less than $3 per gallon. Now some gas stations are charging more than $8 per gallon.

“Take out the gas. Take out the mileage from my car and maintenance. How much [do] I really make? Probably I get $11 for an hour,” she said.

Jonathan Tipton Meyers wants to spend fewer hours as a rideshare driver.

He already juggles multiple gigs even while driving for Uber and Lyft in Los Angeles. He’s a mobile notary and loan signing agent, a writer and performer.

Advertisement

Driving is “a very challenging, full-time job,” he said. “It’s very taxing and, of course, wages were just continually decreasing.”

A man stands for a portrait in a white button up shirt

John Mejia, a longtime Lyft and Uber driver, poses for a portrait before attending a meeting about unionizing gig drivers.

(Jess Lynn Goss / For The Times)

Even if oil continues to flow through the Strait of Hormuz, which Iran reopened Friday, it could take a while for gas prices to come down to earth, said Mark Zandi, the chief economist at Moody’s Analytics.

“There’s an old adage that prices rise like a rocket and fall like a feather,” he said. “I think that’ll apply.”

Advertisement

In the meantime, it will be survival of the fittest drivers. If enough of them decide to leave the apps, the ride-hailing companies could be forced to raise fares further to attract some back.

“Those who approach rideshare driving strategically, tracking expenses, choosing trips carefully, and optimizing efficiency are far more likely to weather periods of high gas prices,” wrote Avedian in the Rideshare Guy blog. “For everyone else, a spike at the pump can quickly turn rideshare driving from a side hustle into a money-losing venture.”

Continue Reading
Advertisement

Trending