Culture
How a Super Bowl blackout in New Orleans nearly altered Ravens and 49ers history
“This is Steve Tasker, sideline reporter for the Super Bowl 47. If you’re expecting to hear our friend Jim Nantz, it may be a moment before he gets on.”
When the audio of Super Bowl XLVII between the San Francisco 49ers and Baltimore Ravens suddenly cut out early in the third quarter on Feb. 3, 2013, the millions watching the CBS broadcast might have suspected something was amiss.
When Tasker, assigned to work the 49ers sideline, was the first voice anyone heard, it was confirmed. There was no power in the broadcast booth, elevators and escalators ground to a halt and so did the game — for 34 minutes.
“Half the power in New Orleans stadium, the Superdome here, is out,” Tasker announced to the world.
For some Ravens players, the stoppage was suspicious. Jacoby Jones had returned the second-half kickoff 108 yards for a touchdown, Baltimore was leading 28-6 and the Ravens had just sacked 49ers quarterback Colin Kaepernick on second down. The Super Bowl was about to be a rout and then the lights went out? Linebacker Ray Lewis smelled a rat.
“You cannot tell me someone wasn’t sitting there, and when they say, ‘The Ravens (are) about to blow them out. Man, we better do something,’” he said in an interview for NFL Films’ “America’s Game” later that year. “That’s a huge shift in any game, in all seriousness.”
The actual explanation was more mundane. A newly installed device called a relay automatically cut power to the stadium when the amperage hit a certain level because the factory settings were too low.
Entergy, the local electric company, vows that won’t happen Sunday when the Super Bowl returns to New Orleans for the first time in 12 years. The company no longer uses the equipment responsible for the blackout, there are better redundancies for electrical flow and the stadium has hosted more than a decade of New Orleans Saints games and concerts since without incident.
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From Super Bowls to ‘last resort,’ Michael Jordan to ‘No mas,’ the Superdome has seen it all
Those concerts, significantly, have included Beyonce, whose halftime show in 2013 preceded the blackout, and Taylor Swift, who brought 200,000 fans to the Caesars Superdome over three nights in October.
“Some called that weekend the ultimate tabletop exercise,” Entergy said in a statement.
While the 49ers laugh at Lewis’ conspiracy theory — “We had the same delay they did,” offensive tackle Joe Staley said — there’s no question they benefited from the reset.
They barrelled into their locker room at halftime intent on fixing everything that had gone wrong in the first half, quickly going over the tactical changes they’d make. Then they had nowhere to go.
A Super Bowl halftime is twice as long as a regular-season version and because there was so much staging equipment, the players couldn’t get onto the field. Instead, they were cooped up in the locker room.
The 49ers note that the Ravens got away with a holding penalty against fullback Bruce Miller on Jones’ kick-return touchdown to start the third quarter. But there also was a sense that the long halftime had an effect.
“I remember coach (Jim) Harbaugh coming up and asking, ‘Were we warmed up?’” the 49ers strength coach at the time, Mark Uyeyama, recalled. “And I go, ‘Uhhh — clearly (Jones) was.’”
The 49ers then ran two plays — a 29-yard pass to Michael Crabtree and a 3-yard run by Frank Gore — before Kaepernick was sacked by Arthur Jones. Following that play, color commentator Phil Simms was in mid-sentence when the broadcast went silent at 7:37 p.m. local time.
The 49ers had the ball trailing 28-6 when the power suddenly went out in the Superdome. (Dilip Vishwanat / Getty Images)
An attack? A shooter? Those thoughts flashed through everyone’s mind. The Sandy Hook shooting had happened a month and a half earlier and the 49ers had been on hand at a game in New England where the victims were remembered.
“The first thing that went through my head is an act of terrorism,” then-49ers offensive coordinator Greg Roman said. “And what’s coming next? First, they cut the power. And now what? My whole family’s there.”
“I honestly thought it was a terrorist attack initially,” said Wink Martindale, then the Ravens’ inside linebackers coach. “You just didn’t know. Right away, you’re looking up where you know your family is sitting and everything else to make sure everyone was OK.”
After a few moments, those thoughts dissipated. There was an initial groan from the crowd, but there was no panic or commotion. The Superdome was quiet.
“To their credit, everyone remained calm,” Tasker said in a phone interview.
“Why is the clock stopped?”
Throwback to the lights going out during Ravens vs. 49ers in Super Bowl XLVII 💡😳 pic.twitter.com/BD5qbuhjmq
— NFL Films (@NFLFilms) December 25, 2023
He said everyone’s first task was to find out what happened and how long the game would be delayed. The sideline reporters had stopped using wireless microphones six years earlier during rainy Super Bowl XLI because those mics had gone out. Tasker had a cable attached to his mic in New Orleans that stretched only as far as the numbers on the field. The league officials he wanted to interview were safely huddled at midfield and didn’t want to be interviewed on camera. So he strolled to midfield, got as much information as he could, then was approached by Jim Harbaugh on his way back to the sideline.
“He wanted to know what they told me,” Tasker said.
The 49ers had an advantage in that they’d gone through something similar the year before when a transformer blew outside of Candlestick Park, causing two delays during a “Monday Night Football” game against the Pittsburgh Steelers. Uyeyama said he reminded players how well they’d handled that wait on the sideline.
“We were better prepared than we were against Pittsburgh,” Uyeyama said. “And we’d put (Ben) Roethlisberger on his back all game. So we were walking around and communicating with the guys, ‘Remember, Pittsburgh.’”
The teams initially were told the game would resume in about 15 minutes and that everyone should remain on the field. They heard the same refrain — 15 minutes — when they checked in later.
“The longer it went, you had to get yourself back in coaching mode,” Martindale said. “It was like, ‘Holy s—, we have to start stretching.’ We knew we were in trouble. I know analytics say there’s no such thing as momentum, but that’s bulls—. The lights going out changed the momentum of the game. We were killing them when the lights went out. We had an older team than them and it really took us a while to get loose again and get going.”
Said 49ers safety Donte Whitner: “Football is a game based on momentum. And whenever you have a lull like that, it’s a good opportunity for the team that’s not playing well to regroup and recover.”
He said linebackers Patrick Willis and NaVorro Bowman discussed strategy. Justin Smith, the elder statesman of the defense, made sure everyone stayed focused and calm.
“I remember vividly hearing Dashon Goldson continue to say, ‘Not today. Not today. We’re too good. We’re too great of a defense,’” Whitner recalled. “And what he was referring to was, ‘Let’s not make the simple mistakes that will beat us.’”
The blackout officially last 34 minutes and seemed to lead to a huge momentum swing for the 49ers. (Jamie Squire / Getty Images)
On offense, Roman made only a quick visit to the locker room at halftime. The 49ers had scored only two field goals at that point and he needed to rework the entire game plan. Roman spoke briefly to the players, then approached Harbaugh.
“I just said, ‘Hey, Jim, I’ve gotta get upstairs and get things figured out,’” Roman said.
He was back in the coach’s booth before Beyonce began her show and felt good about the alterations he’d made.
“Then they returned the kickoff and it was like the price of poker has changed even greater,” Roman said. “It was like, ‘Oh my God. Now we’re in quite a hole.’”
He made even more adjustments after the stadium lost power. The radio headsets connecting him and defensive coordinator Vic Fangio to the sideline didn’t work and in fact were one of the last things to come online before the game resumed.
So Roman bounced plays and ideas off of receivers coach John Morton. The 49ers would run the ball occasionally to keep Lewis and the Ravens defense honest. Otherwise, they’d attack through the air.
“We were gonna be ultra-aggressive,” Roman said. “We had so much talent on the team, it was only a matter of time.”
He was right. The 49ers punted immediately after play resumed but scored on a 31-yard Kaepernick-to-Crabtree pass when they got the ball back. Then they scored on their next three possessions, cutting Baltimore’s lead to 31-29 with just under 10 minutes to play. It was as if the blackout had created two distinct games.
“It was like a track meet from that point forward,” Roman said.
But while the Ravens scored once more — on a Justin Tucker 38-yard field goal — the 49ers offense got bogged down deep in the red zone in the final minutes.
San Francisco seemed to have a great shot for a go-ahead touchdown after Gore’s 33-yard run to the 7-yard line with 2:39 to go. That carry, however, left Gore — one of the best short-yardage runners in the NFL — winded and his replacement, LaMichael James, was stopped for a 2-yard gain on first down.
A quarterback keeper that likely would have scored a touchdown was wiped out when Jim Harbaugh called a timeout to avoid a play-clock violation. When the last of three throws to Crabtree in the corner of the end zone sailed over the receiver’s head, the Ravens knew they had finally halted San Francisco’s momentum and hung on for the win.
“If we would have lost that game, I would have walked away saying, ‘It was because the power went out and the long delay,’” Martindale said. “We were just killing them otherwise.”
Said Roman: “Unfortunately, it just wasn’t enough. That was a bizarre day in our lives, for sure.”
Despite being the lone face and the voice for the Super Bowl broadcast for a few uncertain minutes, Tasker said he didn’t receive much attention following the game. Instead, his phone started blowing up six days later when “Saturday Night Live” — with Taran Killam playing Tasker — spoofed the blackout with a cold open.
“That’s when I knew I’d finally made it,” Tasker said with a laugh.
(Top photo: Dilip Vishwanat / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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