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The Grateful Dead is honored — and rainbow grilled cheese served — at starry MusiCares gala

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The Grateful Dead is honored — and rainbow grilled cheese served — at starry MusiCares gala

Deadheads mixed with bigwigs Friday night at the annual MusiCares Persons of the Year gala, where the members of the Grateful Dead were honored by the Recording Academy for their philanthropy and cultural impact 60 years after the iconic jam band formed in 1965.

“Longevity was never a major concern of ours,” the Dead’s Bobby Weir said to laughs in the audience as he accepted the award. “Lighting folks up and spreading joy through the music was all we ever really had in mind, and we got plenty of that done.”

Held at the Los Angeles Convention Center, the Grammy-weekend charity event — dress code: “colorful black tie” — raised more than $5 million for music professionals affected by the wildfires that devastated much of L.A. last month. As guests munched rainbow grilled cheese sandwiches, host Andy Cohen roamed the well-heeled crowd looking for celebrities to chat up on camera; at one point he buttonholed his old friend John Mayer, whom he asked to name the horniest Grateful Dead song. (“Looks Like Rain,” which imagines “the sound of street cats making love,” was Mayer’s answer.)

Though it never really was in danger, the Dead’s extremely durable legacy got a major boost last year when Dead & Company — in which 77-year-old Weir and 81-year-old Mickey Hart perform music from the Dead’s catalog with Mayer, Jeff Chimenti, Jay Lane and Oteil Burbridge — set up at Sphere in Las Vegas for a hot-ticket summer residency that seemed to go viral every weekend on TikTok. Here, youngsters and oldsters alike turned up to pay tribute to the band.

Vampire Weekend offered a taut “Scarlet Begonias” and Maren Morris a stirring “They Love Each Other.” Noah Kahan and Béla Fleck were folky yet precise in “Friend of the Devil,” while Norah Jones glided smoothly through “Ripple.” The War and Treaty did a typically fiery “Samson and Delilah” with help from a pair of dueling drummers: Fleetwood Mac’s Mick Fleetwood and Stewart Copeland of the Police. Dwight Yoakam brought a hard country edge to “Truckin’”; the War on Drugs found a wistful drive for “Box of Rain.”

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Wynonna Judd performs.

(Jeff Kravitz/FilmMagic)

Wynonna Judd was the night’s musical and emotional high point: Describing Weir as her “family of choice,” she thanked the whiskery guitarist for singing at the funeral of her mother, Naomi, in 2022, then brought the audience to its feet with a rollicking “Ramble on Rose.” Other performers included Zac Brown, Billy Strings, Sammy Hagar, Bruce Hornsby, My Morning Jacket and the duo of Sierra Ferrell and Lukas Nelson, who teamed up for “It Must Have Been the Roses.”

The night’s excellent backing band was led by Don Was and featured guitarists Rick Mitarotonda (of the ascendant jam band Goose) and Grahame Lesh, son of the Dead’s founding bassist, Phil Lesh, who died last year at 84, just days after the announcement of the MusiCares honor. The Dead’s late mastermind, Jerry Garcia, was represented by his daughter Trixie; Bill Kreutzmann, the band’s founding drummer, sent a video message along with his son Justin.

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Woody Harrelson in a tie-dyed tie and black suit and Bob Weir in a black suit speak on stage while Weir points at Harrelson.

Woody Harrelson, left, and Bob Weir speak.

(Jeff Kravitz/FilmMagic)

“The road is a rough existence,” Weir said in his speech, “as plainly evidenced by the simple fact that there aren’t all that many of my old bandmates here tonight to receive this recognition.” After Weir and Hart’s remarks — actor Woody Harrelson also spoke at some length about having done a vast assortment of drugs with Garcia — the two stalwart musicians joined the rest of Dead & Company for a mini-set of classics that climaxed, warmly if inevitably, with the Dead’s improbable late-’80s pop hit, “Touch of Grey.”

“I will get by,” they sang with help from the crowd, “I will survive.”

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1986 Movie Reviews – Adventures of the American Rabbit, Adventures of Mark Twain, Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll | The Nerdy

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1986 Movie Reviews – Adventures of the American Rabbit, Adventures of Mark Twain, Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll | The Nerdy
by Sean P. Aune | January 17, 2026January 17, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 17, 1986, and we’re off to see Adventures of the American Rabbit, Adventures of Mark Twain, Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.

Adventures of the American Rabbit

I have no idea how I had never once heard of this movie in my life, but after watching it, I highly doubt I will ever hear of it again.

Robert Rabbit (Barry Gordon) is visited by a mysterious old rabbit shortly after his birth that continues to show up throughout his childhood with vague references to his destiny. Eventually it is revealed Robert can turns into the roller skating hero, “American Rabbit” who is capable of heroic deeds and can stop the evil plans of a gang of jackals.

Somehow Toei Animation got dragged into this mess, and I have no clue how. The animation is sub-par. The plot is not remotely entertaining or engaging.

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if this had come out in 1976 it would make a bit more sense with how patriotic everything was, but instead we ended up with it in 1986 for no apparent reason.


The Adventures of Mark Twain

This was another film I had never heard of, but at least I enjoyed this one more. Huck Finn and Tom Sawyer sneak aboard Mark Twain’s airship as he prepares to intercept Halley’s Comet. Becky Thatcher follows the two boys on board, and all three end up on a somewhat psychedelic journey with the famous author.

A feature-length claymation movie? I’m on board just at the mention of it. It’s a rather odd concept at the heart that Tom, Huck, and Becky are real in the story, but it works and makes for an interesting retrospective on Twain’s career.

I wasn’t always in love with some of the design choices in the film, but I still enjoyed it and would give it a recommendation.


The Clan of the Cave Bear

There were multiple books in this series. After watching this one, I’m not surprised we have never seen more of them.

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Alya, a Cro-Magnon girl, loses her mother in an earthquake and is taken in as a child by a clan of Neanderthals. She is raised in their ways despite being a girl from “The Others.” She ends up breaking numerous taboos of the clan such as learning to use a weapon and disgracing the new Clan leader in combat. She eventually sets out on her own to find more of her kind, leaving her half-Neanderthal son behind.

I hated this movie. Not for Daryl Hannah, I actually thought she did a pretty good job with her role as Alya, but the story was just bonkers. I had heard for years about how ‘realistic’ it was. Oh, so Neanderthals somehow had a communication system to let each other know when a big Clan meetup was happening? And we’ll just ignore how the Clan of the Cave Bear had just moved at the start of the film to a random cave? Did they call all of the other clans and give them their new address?

One thing I have to admit is pretty specific to me. I grew up in the costume industry and was around special effects makeup artists a lot in my youth. I knew how to do things like make bullet holes look realistic by the age of 11. Some of the Cro-Magnon makeup in this film was laughable at times. Blend lines are not difficult to do. Anyone worth their salt can do them. Clearly these folks were not worth their salt.

The Clan of the Cave Bear can stay in its cave and never be seen again.


Iron Eagle

This is an awful movie. It’s just… yeah. It’s awful.

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Doug Masters (Jason Gedrick) wants to follow in his dad’s footsteps and become an Air Force pilot. He gets his wish unexpectedly when his father is shot down and taken captive. With the government unwilling to step in, Doug recruits Colonel Charles “Chappy” Sinclair (Louis Gossett Jr.) to jump in a stolen fighter jet and the two of them will go and get Doug’s dad on their own.

Look, I don’t expect movies to reflect realism at all times. But if your film is set in the real world, then you need to at least follow some sort of logic. The idea that Doug and his other teenage buddies can pull this off doesn’t come off as “cool” or like some cunning plan, it comes off that 99.99% of adults are morons and it’s super easy to steal military equipment.

From the premise to some of the action scenes, the film is laughable in scope and presentation. I remembered not being that in love with the film when I saw it back in ’86, and I like it even less now.


The Longshot

A harmless comedy that forgets to be funny for long stretches.

Dooley (Tim Conway) and his three friends are down-on-their-luck gamblers who want to score just want to score one big win. When he learns of someone willing to drug a horse, they gamblers feel they are finally in line for their score, but, of course, nothing goes quite according to plan.

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Teaming up Conway with Harvey Korman should have been a recipe for a great comedy, but what you end up with is just a middle-of-the-road one. There are some truly amusing moments (the cookout in the car scene gave me a good laugh), but then the complete implausibility of a lot of what was happening was just getting to be too much.

Conway and Korman were cornerstones of The Carol Burnett Show, but putting them in something structured like a movie was just too constraining for their talents, and it showed.


Troll

The first time the characters introduced themselves, boy did I do a double-take.

Harry Potter Sr. (Michael Moriarty) moves his family into an apartment building in San Francisco, unaware it is about to become the center of a long-standing magical war. Wendy Anne (Jenny Beck) is kidnapped by a Troll, and it ends up falling to her older brother, Harry Potter Jr. (Noah Hathaway), to team up with a fairy princess and put a stop to the evil plans.

As I said, I did a double-take at the names.

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The movie is silly as can be, but I actually found myself entertained by it. A lot of that is due to Moriarty’s deadpan performance as the dad who becomes increasingly befuddled by everything that is happening around his family.

The script was a bit of fun, the performances were fine, and it was just a harmless little contemporary fantasy to pass 90 minutes.

1986 Movie Reviews will continue on Jan. 24, 2026, with My Chauffeur.


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‘All That’ star Kianna Underwood killed in hit-and-run accident

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‘All That’ star Kianna Underwood killed in hit-and-run accident

Kianna Underwood, a cast member of the former Nickelodeon children’s sketch comedy series “All That,” was killed in a hit-and-run accident early Friday in Brooklyn, N.Y., authorities said. She was 33.

Anthony Underwood, a family member of the actress, confirmed the death in a social media post asking for privacy.

A report by WABC7 in New York said that Underwood was identified as the pedestrian who was crossing an intersection in the Brownsville area when she was struck by an SUV. A second car also hit and dragged her several feet, the report said.

Underwood appeared on the final season of the popular series “All That” in 2005. Her other credits include the animated series “Little Bill” as the voice of Fuchsia Glover and the animated 2001 musical “Santa Baby!” as the voice of Dakota.

She also played Little Inez in the first national tour of the musical “Hairspray.”

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‘Greenland 2: Migration’ movie review: Gerard Butler does all the heavy lifting in limp sequel

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‘Greenland 2: Migration’ movie review: Gerard Butler does all the heavy lifting in limp sequel

A still from ‘Greenland 2: Migration’.
| Photo Credit: Lionsgate Movies/YouTube

Watching Greenland 2: Migration, one almost feels as though one is in a time capsule watching all those big disaster movies from the ‘90s, in single-screen theatres that looked like palaces with velvet curtains and chandeliers.

It was the time of slides saying “chatterboxes keep quiet,” and where popcorn, cheese sandwiches or curry puffs came hot in aluminium trays at the interval.

Greenland 2: Migration (English)

Director: Ric Roman Waugh

Starring: Gerard Butler, Morena Baccarin, Roman Griffin Davis

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Runtime: 98 minutes

Storyline: Five years after the comet strikes Earth, the bunker is no longer safe, and the Garritys strike out for the crater, where life has apparently hit the reset button

It was the time of radioactive lizards with eyes as big as Gol Gumbaz, hurtling comets, rising seas and an alien susceptible to a cold. But once you realise it is 30 years on in a world that has lost its innocence to a rapacious virus, you are less willing to grant as much leeway to a lazily made sequel.

Greenland in 2020 was a critical and commercial success with Gerard Butler playing the world-weary action hero‑family man‑tech expert, John Garrity. A comet named Clarke (after the science fiction writer Arthur C Clarke) was scheduled to hit the Earth and end life as we know it.

At the end of the movie, after many trials, John, with his wife, Allison (Morena Baccarin) and insulin-dependent son Nathan (Roman Griffin Davis takes over from Roger Dale Floyd) reach a bunker in Greenland just as a large chunk of the comet hits the earth.

Five years later, the earth is still not a particularly safe space with earthquakes, radiation, tsunamis and other jolly things blighting existence. John is now a scout, while also attending to repairs in the bunkers, owing to his training as a structural engineer. At a meeting, there is discussion of food supplies running low and a decision to be taken on whether to respond to a call for help.

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While the mean army man reasonably says they cannot feed anyone more, Dr. Amina (Amber Rose Revah) asks for the matter to be put to vote and when the snowcat is sent out to get the refugees, an earthquake destroys the bunker.

Garrity and others head to the coast, fight over lifeboats, drift without food, water or fuel to England and then go on to France where the Clarke crater is a new Eden where the air is fresh and land is fertile.

ALSO READ: ‘People We Meet on Vacation’ film review: Tom Blyth and Emily Bader’s sweet rom com checks all the right boxes

Greenland 2: Migration suffers from a woeful lack of logic, even of the film kind. How is it that everyone looks well fed and groomed even as we are repeatedly told they are running out of food? How are there still bullets given the way people are shooting at each other? How are vehicles still running on fuel?

Why are robbers or insurgents fighting in an area controlled by the army? And of course, the bridge across the English channel, which is now a dry wasteland, has to collapse exactly at the moment when our heroic gang is creeping across.

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Every time there is a crisis, it is as if the makers got bored and decided to move on. So despite running out of fuel, the lifeboat drifts to Liverpool, and Nate’s diabetes is reduced to “pack all the insulin.” Still it is fun to see the ever-dependable Butler do his melancholic routine and that is about all one can say for the haphazardly conceived sequel.

Greenland 2: Migration is currently running in theatres

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