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California Historical Society to Dissolve and Transfer Collections to Stanford

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California Historical Society to Dissolve and Transfer Collections to Stanford

The California Historical Society, facing longstanding financial challenges exacerbated by the coronavirus pandemic, has decided to dissolve and transfer its collections to Stanford University.

The society, a private nonprofit organization established in 1871 and designated the state’s official historical society in 1979, is one of California’s oldest historical organizations. But unusually among state historical societies, its leadership said, it received no regular state funding, which left if vulnerable to the vagaries of private donations.

Tony Gonzalez, the organization’s board chair, said the decision to dissolve the organization, which is headquartered in San Francisco, was “bittersweet.” But he emphasized that the arrangement with Stanford ensured that the society’s collections, which include more than 600,000 items stretching back a century before the Gold Rush, would remain intact and accessible to the public.

“We think of it as a rebirth,” Gonzalez said. “Stanford will not be a state historical society, but the collection will be in better hands with them than it could be with us.”

The society’s treasures include the Kemble Collections on Western Printing and Publishing, which features books, pamphlets, product labels, trade catalogs and other items produced in the American West between 1802 and 2001. The society also holds the archives of many organizations, like the American Civil Liberties Union of Northern California and the California Flower Market, Inc., founded by Japanese American flower merchants in 1912.

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It is also the official repository for records relating to the People’s Temple, whose members, led by Jim Jones, drank poison in Guyana in 1978, leading to the death of more than 900 people, a third of them children.

Anh Ly, Stanford’s assistant university librarian for external relations, called the historical society’s collection a “huge addition” to its own holdings of more than 15 million items, which would help fill in some gaps, particularly relating to California’s early history.

The board’s decision to dissolve the society and transfer its collection follows a decade of failed attempts at a turnaround.

In 2016, it was tapped by the city of San Francisco as its lead partner for a potential restoration of the Old United States Mint in downtown San Francisco, one of the few structures to survive the 1906 earthquake and fire. But restoration of the building, which had been largely unused for decades, was deemed prohibitively expensive.

In early 2020, the group announced a new strategic plan that involved selling its 20,000-square-foot building near Union Square and using the proceeds to support traveling shows and partnerships with smaller organizations around the state. But that effort was thwarted by the pandemic and downturn in San Francisco’s real estate market, as well as the unexpected death in 2022 of Alicia L. Goehring, the executive director and chief executive who helped formulate the plan.

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Gonzalez, a Sacramento lawyer who joined the board in 2012, said that private philanthropic support had become unreliable over the past two decades, as many foundations and donors pivoted away from the humanities toward efforts more directly aimed at solving social problems. And unlike in other states with robust historical societies, he said, California’s legislature had never provided any regular appropriation for operational support.

In 2022, Gonzalez said, the group requested a one-time grant of $12 million to support a partnership with the University of California, Riverside, which would have involved collaborating with Native American tribes to bring historical projects to underserved parts of the state.

The request was rejected. “The legislature gave us the same answer we heard from philanthropic organizations: This sounds like something a university should be doing,” Gonzalez said.

The group took out a $5 million loan against its building, to help cover its budget, which Jen Whitley, the group’s interim executive director, said was about $3.5 million.

But finances remained unworkable, and last summer the board voted to begin the process of dissolution. Four years after it was first listed, its building — a former hardware store painted the same shade of red as the Golden Gate Bridge — was sold for nearly $6.7 million, according to The San Francisco Chronicle.

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Under terms of dissolution, which had to be approved by the state attorney general, Stanford will also receive the society’s endowment of roughly $3.2 million. While most of the staff of roughly two dozen have been let go over the past several years, Whitley said, three people will move to Stanford with the collection.

Gonzalez said it was “painful” to see history lose a footprint in San Francisco, at a moment when many of the city’s history and preservation groups are struggling to stay afloat. But Stanford’s stewardship of the collection, he said, would allow the continual discovery of new stories about the past.

He cited the example of Juana Briones, a businesswoman and healer born in 1802 in Santa Cruz who lived in California “under three flags”: Spanish, Mexican and American. In 2011, local preservationists helped save a portion of adobe wall from her home in Palo Alto, which became the centerpiece of a bilingual exhibition at the historical society.

“We all know about the Gold Rush,” Gonzalez said. “But there are also all these unsung heroes.”

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Video: Which Instant Coffee Is Best?

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Video: Which Instant Coffee Is Best?

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We asked some of the most caffeinated people we know — New York Times journalists — to taste-test instant coffees, and they had a lot of opinions. Watch “The Daily”’s Rachel Abrams and writer at large Jim Rutenberg as coffee-testing experts to determine which instant coffees are the best.

April 21, 2026

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A Time of Growth for Museums for Children

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A Time of Growth for Museums for Children

This article is part of our Museums special section about how institutions are commemorating the past as they move into the future.


As kidSTREAM prepares to open in Ventura County, it joins a national wave of new children’s museums, expansions of existing institutions and a broadened lineup of programming aimed at young visitors.

Originally opened in 1963 as the Junior Museum of Oneida, the institution has relocated several times and reopened last May in a 14,000-square-foot space. A two-story climber anchors the main floor, allowing children to navigate ramps, platforms and woven rope pathways. The museum houses five themed galleries, including World Market, which introduces music, art and cultural traditions from around the world, and Let’s Experiment, devoted to STEAM-based learning through prism and light exploration, an animation station and other hands-on activities.

Founded by two mothers, Erin Gallagher and Meg Hagen, the museum opened last September in a former farm and garden center. They set out to establish a dedicated children’s institution to serve as an anchor for the community. The 6,400-square-foot space includes 12 exhibit areas focused on STEM exploration, art, engineering, imaginative play and sensory activities. It also offers family and after-school programs, as well as designated sensory-friendly hours. An additional 4,000 square feet of outdoor play space is expected to open in late spring.

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In March, the 90,000-square-foot museum expanded with the Gallery of Wonder, a 9,000-square-foot early childhood space designed for children from infancy to age 5. The gallery includes five interactive environments. Into the Woods invites climbing, swinging and fort building in a forest setting, while Under the Waves offers a softly lit ocean cove with sensory-focused light and sound where children can play with puppets. Viva Village centers on community life, encouraging children to role-play everyday helpers. Tot*Spot, reimagined as an oversized garden, caters to infants and toddlers, while the outdoor Treetop Terrace is a space for active play.

The museum debuted two permanent exhibits in October as part of a broader transformation. Galactic Builders is a 1,788-square-foot space-themed environment that invites children to design rockets, engineer rovers and explore physics concepts through hands-on exploration. SKIES is a quieter, sensory-focused space featuring reading nooks, a dedicated area to rest and recharge and immersive visuals of sunrises, sunsets and drifting clouds. Together, the additions expand the museum’s interactive footprint by more than 4,500 square feet and mark the first phase of a multiyear effort to update its learning environments for young visitors.

In November, the museum unveiled a $11.6 million expansion that doubled its footprint to more than 30,000 square feet. The addition includes three galleries, two of which house permanent exhibits. The Sunflower Gallery is a hands-on environment where children can explore the prairie ecosystem and includes a two-story sunflower structure they can climb. The Hall of Bright Ideas celebrates creative Kansans with engineering-based activities. A third gallery will host traveling exhibitions, and the expansion adds three laboratory classrooms for STEAM programs and camps.

Conceived by a former preschool teacher and children’s cartoon artist, Mike Bennett, the Portland Aquarium opened last June as an animal-free, cartoon-style aquarium. Bennett said he wanted marine science to feel like “stepping inside a hand-drawn cartoon.” The 5,000-square-foot space showcases six ocean biomes, including the Wreck, focused on deep-sea carnivores and mysterious creatures, and the Open Ocean, highlighting some of the largest animals that swim in the seas. Throughout, visitors encounter illustrations of more than 100 marine species, including sea otters, jellyfish and great white sharks. Each child receives a guidebook created in collaboration with marine biologists to use throughout the galleries.

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Video: Toy Testing with a Discerning Bodega Cat

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Video: Toy Testing with a Discerning Bodega Cat

new video loaded: Toy Testing with a Discerning Bodega Cat

Cats are notoriously difficult to buy toys for, so we enlisted the help of Oreo — a lazy yet discerning bodega cat — and Michelladonna of “Shop Cats” to test a few options with pets writer Mel Plaut.

March 31, 2026

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