Movie Reviews

Marco Review: You Will Bathe in Blood

Published

1 year ago

December 31, 2024

Press Room

BOTTOM LINE
You Will Bathe in Blood

RATING
2.75/5

CENSOR
A, 2h 24m

What Is the Film About?

When Victor, the younger brother of a powerful mafia family is killed inhumanly by a rival family, his step-brother Marco (Unni Mukundan) promises to take revenge. The movie’s basic story is the way Marco goes about the vengeance and the setbacks he faces.

Performances

Unni Mukundan goes for a complete makeover with Marco. The character is designed as a beast-like personality who is raw and untamed and will go to any extent to protect his loved ones. The physical transformation and the attitude on display make the part believable. But, that is only half the job done as there is a lot of action to do.

Unni Mukundan does extremely well in the action blocks. The ferocity and energy needed for the part are adequately presented in the performance. Believability is the main thing here and the effort makes it convincing from the start to the end. But once he sets the tone and mood for his character, there is hardly any variation he brings.

Analysis

Haneef Adeni writes and directs Marco. It is an out-and-out action film made for genre lovers with a very thin storyline.

The Raid, followed by Hollywood flick John Wick, and series like The Punisher etc. have provided a feast for action movie lovers globally in the last decade and a half. Many have tried to replicate the formula across the industries and here we are now in the same space with Marco.

The movie’s opening segment sets the basic premise neatly without much drag. The principal characters among whom the narrative takes place are given some expository dialogues to establish the world and the editing sets up the tone perfectly.

The hero doesn’t arrive immediately and comes after a lot of buildup, the kind we see in KGF and the like. It raises the expectations and meets them comfortably. The hero’s introduction makes it clear that the movie would be a no-holds-barred action romp with lots of stomach-curdling gore, violence and blood spilling.

The film’s first half is about the build-up to the intro and then to the interval. Everything else happening in between works in tandem with taking the narrative towards those blocks.

The interval block raises the stakes further after the intro in terms of the action. It does remind one of the climax sequence of a recently released Telugu flick, though.

Again, the small twists and turns the proceedings take to reach the interval are on expected lines, and nothing is frankly surprising. These scenes additionally contain brief emotional moments between the brothers to justify all the violence that follows.

Post the bang of an interval, the expectations only increase as to what could come next to top it. However, we don’t immediately get to the ‘action’ and there is some drama. It is typical of the genre, which again feels like a set-up to the next big bang.

We get that bang, but in an unexpected fashion during the pre-climax. It justifies the promotional tagline of the film as ‘The Most Violent Flick’ of the season. It is also emotional and most importantly not for the weak-hearted. Some moments in it might be too much to take for a normal viewer.

The climax is on expected lines after that mayhem seen previously. But, it doesn’t just go through the motions, it delivers a satisfying experience after all things are done. It’s this full contentment experience after the whole ordeal is where Marco succeeds. The joy of making it seeps through amidst all the bloodshed.

Overall, Marco is a violent action thriller with slick execution. It delivers on what it promises without holding back on anything. It is a treat, for action movie lovers who don’t mind the gore. If you like the genre, go ahead.

Performances by Others Actors

We have many artists playing bits and pieces roles in the movie. To those who follow Malayalam cinema, a few faces are instantly recognisable like Siddique, Jagadish etc. They fit into any character given to them effortlessly. We see the same here as they play gangsters.

The rest of the actors are relatively unknown from an outsider’s perspective. However, it doesn’t matter as when it comes to the performances, they all do an adequate job. They generate the right emotion conveying ruthlessness or disgust. Abhimanyu Thilakan and Kabir Duhan Singh impress playing the antagonists. The latter gets a short, but powerful part sure to leave an impact.

Among the female characters, only Yukti Thareja and Durva Thaker have crucial parts. The screen time is small, but they add emotional appeal in their own way.

Music and Other Departments?

Ravi Basrur of KGF fame composes the music. The songs are serviceable to the genre, but the background score is excellent in his typical style. It leans more on the techno side and parts of it are repeated throughout, but it doesn’t get monotonous, though. Technically the movie is slick with excellent cinematography and editing. The action choreography is top-notch and a major highlight of the flick. The writing is okay.

Highlights?

Action Blocks

Unni Mukundan

Editing

Drawbacks?

Thin Storyline

Too Much Gore (Not For Everyone)

Mechanical Drama

Did I Enjoy It?

Yes

Will You Recommend It?

Yes, to those who love action movies in all its bloody glory

Marco Telugu Movie Review by M9

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Movie Reviews

‘Hoppers’ review: Pixar’s best original movie in years

Published

6 hours ago

March 3, 2026

Press Room

‘Hoppers’ review: Pixar’s best original movie in years

“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.

It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.

Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.

We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.

Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.

That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.

Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.

The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.

And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.

“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.

HOPPERS opens in theaters Friday, March 6th.

Movie Reviews

‘Hoppers’ review: Who can argue with hilarious talking animals?

Published

18 hours ago

March 3, 2026

Press Room

‘Hoppers’ review: Who can argue with hilarious talking animals?

Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.

movie review

HOPPERS

Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.

“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine.

Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”

Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”

What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence.

Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.

What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”

Bold and fiery Mabel — PETA, but palatable — sees an opportunity.

The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared.

So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.

From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out.

Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power.

Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”

That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities.

No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression.

Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it.

But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.

“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.

Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.

Movie Reviews

Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

Published

1 day ago

March 2, 2026

Press Room

4/5 stars

Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.

The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.

Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.

Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.

“This is like Avatar,” Mabel coos, and, in truth, it is. Plugged into a headset, Mabel is reborn inside a robotic beaver. She plans to recruit a real beaver to help populate the glade, which is set to be destroyed by Jerry’s proposed road.