Culture
Mykhailo Mudryk doping test ‘a dagger to the heart of Ukrainian football’
It was only six months into Russia’s invasion of Ukraine when, on a balmy September evening in eastern Germany, I came across Mykhailo Mudryk shortly after midnight.
This was September 2022 and Mudryk was by then an emerging talent for the Ukrainian champions, Shakhtar Donetsk. He scored and was the team’s major attacking threat in a shock 4-1 victory for Shakhtar in the opening match of their Champions League campaign against German team RB Leipzig.
For Mudryk and his team-mates, the Champions League offered respite from the horrors of home. When Russian bombs landed in Ukraine in February 2022, many of Shakhtar’s foreign players took emergency refuge in a windowless room of a Kyiv hotel, before interventions from multiple national embassies, football federations and UEFA, the European football governing body, hatched an escape plan.
Shakhtar had, at that time, more than a dozen Brazilian players on their books, but many left for safer climes when the Ukrainian season ceased and did not return. Football did resume in Ukraine for the 2022-23 season and Shakhtar, who were first uprooted from their home in Donetsk in 2014 following Russian-backed incursions, were playing home matches in the relatively safer city of Lviv, in Ukraine’s west — though games were still frequently paused by air raid sirens.
Shakhtar’s squad was a shell of its former self, including only one player bought for more than £2million ($2.51m at current rates). This squad was largely comprised of young and inexperienced men. When they played against Real Madrid the following month, their starting team included 10 Ukrainian players, eight who had been produced by the club’s youth system and seven were aged 23 or below.
Mudryk, only 21, all of a sudden became the poster boy of a team whose indomitable spirit and improbable resistance appeared to encapsulate the Ukrainian struggle.
On that evening in Germany, The Athletic was embedded with the Ukrainian side to produce a documentary about their attempts to play on in the midst of war. I briefly spoke to Mudryk and his midfield team-mate and best friend Georgiy Sudakov as they headed out of their hotel in Leipzig in the early hours of the morning. Their heads were spinning after an unlikely victory, the adrenalin coursing through their veins. But, they explained, they also wanted to walk freely in the night, in a place where there were no shelters, no screams, no air raid sirens to force them rapidly underground, to remind themselves of normal life. For half an hour, they did that, before returning to their rooms.
At that point, Mudryk’s star was only just beginning to shine. He was raw, in the extreme, and had it not been for the untimely exodus of Brazilian players, it is unlikely he would have become risen to prominence so rapidly.
This was a player who only debuted for his national team in June 2022 yet by January 2023, following a handful of impressive performances in the Champions League, including against Real Madrid, Mudryk became the most expensive Ukrainian footballer in history. He signed for Premier League side Chelsea, who committed an initial £62m, plus £26.5m in potential additional payments dependent on his and Chelsea’s success.
This week’s news that Mudryk has tested positive for the banned substance meldonium is a dagger to the heart of Ukrainian football and leaves the player in a fight to salvage his career. The extent of the damage will hinge on the result of Mudryk’s ‘B’ sample, which is yet to be revealed, as the adverse finding relates to his ‘A’ sample, but he has been provisionally suspended by the English Football Association.
Ukraine’s Euro 2024 campaign turned into an emotional symbol of national pride (Andrzej Iwanczuk / NurPhoto via Getty Images)
Chelsea’s commitment to acquiring the player was significant, tying him to a seven-and-a-half-year contract, with the option of another year. Even in the middle of the invasion, Shakhtar managed to attract a bidding war, such was the interest. He had previously been pursued by Germany’s Bayer Leverkusen, as well as Newcastle United, Brentford and Everton in the Premier League, but it came down to a fight between Arsenal and Chelsea.
At the time, Shakhtar’s director of football Dario Srna told The Athletic: “If somebody wants to buy Mudryk, they must pay huge, huge, huge money. Otherwise the president of the club (Rinat Akhmetov) will not sell him. All the clubs must respect the president, respect Shakhtar and in the end they must respect Mykhaylo Mudryk, who is one of the best players I saw. The price is so big.”
Srna said he rated Mudryk as being only behind Kylian Mbappe and Vinicius Junior in his wide forward position and insisted big money would be required, considering Manchester United signed Antony from Ajax in a £86m deal and Jadon Sancho from Borussia Dortmund £73m, while Manchester City bought Jack Grealish for £100m.
Shakhtar, conscious of the power of sport in steering the narrative around the war, also announced upon completion of the transfer that their own owner, Rinat Akhmetov, would donate $25m to the war effort, to support in particular the defence of Mariupol and the families of those who have lost loved ones. The agreement with Chelsea also included a clause that said Shakhtar would play a future friendly against Chelsea in Donetsk, when and if that area of Ukraine is no longer occupied by Russian forces.
“It is written into the contract,” Sergei Palkin, the Shakhtar chief executive, told The Athletic in January 2023. “But actually, we did not even need to read it in the contract because Behdad Eghbali (the Chelsea co-owner) spoke with our president. Behdad supports Ukraine a lot because he is American and it is an English club, so this is a positive triangle. When you say England and Ukraine, it is important for our war support.
“It was Behdad who proposed (the friendly), because he said he wanted to help Ukraine, to help Ukrainian refugees and to support Ukrainian people. This match (in Donetsk) would be like a miracle (having not played in their home city since 2014). We would have this match every weekend if we could.”
When Mudryk was unveiled at Stamford Bridge, he did so wrapped in a flag of Ukraine. The player was born and raised in the city of Krasnohrad, close to Kharkiv, one of the most brutally hit areas of the country. “Since the the beginning of the full-scale war, my city has been bombarded with missiles day and night,” Mudryk said, speaking in a powerful video of 13 Ukrainian players talking about the impact of the war on their hometowns, released by the Ukrainian Football Association before the European Championship in the summer of 2024.
Mudryk (left) competes with Arsenal’s Martin Odegaard last month (Ryan Pierse / Getty Images)
He is a more reserved figure than his Ukrainian compatriot Oleksandr Zinchenko, who has been at the forefront of media initiatives to promote solidarity with Ukraine. He appears to be a devoutly religious figure, a follower of the orthodox Christian faith, who carries religious icons with him to games. On his chest, he has a tattoo that reads: “Dear god — if today I lose my hope, please remind me that your plans are better than my dreams”.
For his national team, the speaking has more often been done on the field, most notably when he scored the winner in a victory over Iceland to take his country to Euro 2024. Ukraine exited that tournament at the group stage and Mudryk did not score, although his nation went out only on goal difference with all four teams in Group E tied on four points after three games.
For club and country, he is yet to fulfil his potential. He has scored only five goals and recorded four assists in 53 Premier League appearances for Chelsea. This week’s sample revelation cast doubt on his ability to play at all, meldonium being a drug that previously saw the tennis star Maria Sharapova barred from competing.
GO DEEPER
Explaining Mudryk’s drugs ban: What is meldonium – and possible punishments
The adverse test was reported during a routine urine test, according to a Chelsea statement. The club added that Mudryk “has confirmed categorically that he has never knowingly used any banned substances”.
Writing on Instagram, Mudryk said the result “has come as a complete shock as I have never knowingly used any banned substances or broken any rules”.
He added: “I am working closely with my team to investigate how this could have happened.
“I know that I have not done anything wrong and remain hopeful that I will be back on the pitch soon. I cannot say any more now due to the confidentiality of the process, but I will as soon as I can.”
The English Football Association’s (FA) anti-doping regulations state that any breaches will be dealt with as strict liability violations. For example, a player will be found guilty of a violation if a prohibited substance is found in that player’s body. It is not necessary to demonstrate intent. A player’s alleged lack of intent or knowledge is not a valid defence to a charge.
A violation of the FA’s anti-doping regulations carries a maximum penalty of a four-year suspension, although mitigating factors can reduce that from anywhere from two years to just a month. The B sample will be key.
Shakhtar’s Georgiy Sudakov voiced support for his friend Mudryk (Christof Koepsel / Getty Images)
As Mudryk’s career hangs in the balance, the Ukrainian football establishment appears to be rallying behind him. Multiple sources in Ukraine, who remain anonymous because they did not have permission to speak, have indicated to The Athletic that the player suspects he may have been sabotaged while he was away with his country’s national team this season — a claim we have seen no evidence to support — but which is being taken seriously in his own country.
On Instagram, the Shakhtar midfielder Sudakov posted a message of support, urging his friend to “stay strong”.
The Shakhtar CEO Palkin, meanwhile, wrote that Mudryk is a “high-profile professional athlete”, adding that he has complete trust that the player “did not use any banned substance”.
Palkin said: “I am confident that he will prove his innocence.” Time will tell whether their faith is warranted.
(Top photo: Etsuo Hara/Getty Images; design: Dan Goldfarb)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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