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Vince Carter reaches the Hall of Fame, with grace alongside his jaw-dropping verticality

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Vince Carter reaches the Hall of Fame, with grace alongside his jaw-dropping verticality

“‘Zo? Yeah, I got him. (Dikembe) Mutombo? Got him twice. Got the big dude in Indiana, (Rik) Smits. Got Dale Davis, too. Haven’t gotten (Patrick) Ewing yet.” Then, he paused and smiled.

“We play them on Tuesday.”
— Vince Carter, “Fresh Vince,” Sports Illustrated, Feb. 28, 2000


Even watching it live, with his own eyes, in person, it took Shareef Abdur-Rahim a minute to comprehend what he’d just witnessed.

“The thing is, you think of any, just, miraculous play, where you’ve never seen someone do that, make a play like that,” Abdur-Rahim said, 24 years later. “(Derek) Jeter diving. It was like one of those plays. I was on the bench, and it was so quick. He just did it, and you were like, ‘Man, did he really do that?’

“And then looking around, and seeing it again. Even when we went to the locker room, you didn’t get replays that fast. There wasn’t cell phones. It took time to see that again. You’ve never seen anyone do that, do that in a game, this quick, that fast, that reactive. You almost weren’t sure what you’d seen.”

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This is what Vince Carter did, in a basketball game, where they kept score and called fouls and everything, to a man who played basketball for France named Frédéric Weis.

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And that was the miracle of Vince Carter, through two-plus decades on the stage. His level of explosive greatness was so unapproachable that it made otherwise sane men question what they’d just seen, for what they’d just seen was impossible. It is why, though his teams rarely were serious contenders for championships during his NBA-record 22 seasons, Carter was an easy selection to this year’s incoming class for the Naismith Memorial Basketball Hall of Fame, and will be inducted in Springfield, Mass., tonight.

Carter, though, often seemed uninterested in the machismo aspect of dunking that was so intoxicating to so many others in the game. (Famously, he liked being in his high school band, where he played saxophone and was a drum major.) The trappings of superstardom didn’t seem to appeal much to him, either. Part of that was just his demeanor; he rarely raised his voice on the court or called attention to himself off it.

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“My junior year in high school, I averaged 25, 26 points a game, whatever it was,” Carter said Saturday, when I asked him about his career-long demeanor of not seeking the spotlight, despite his expansive physical gifts.

“We lost in the state finals,” he continued. “My senior year, I make the McDonald’s (All-American) Game, I averaged three to four points less. (People asked), ‘What’s wrong with Vince?’ My scoring went down, but my rebounding went up, my assists when up. My other teammates’ scoring went up. And we won the state championship.

“So I understood at a young age how important your guys you have on your team (are), and how important it is to empower them. As a superstar, and becoming a role player, I understood my role as a superstar: yes, they need me to score. But I need them. I could score 50 points, and we could lose by 30. So what?”

Still, few did big moments like Carter.

Abdur-Rahim, like Carter, was an Olympian in 2000, part of the prohibitively favored U.S. men’s team, which was playing a preliminary game against France in Sydney. Weis, France’s center, stood 7-foot-2. Carter, 6-6, didn’t seem to take that into account when he jumped over Weis, and dunked on his bean.

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France went on to win the silver medal, while the U.S. team won gold. No matter. The French media dubbed Carter’s leap over Weis Le Dunk De La Mort — The Dunk of Death.

“I’d seen him since he was 15, 16 years old,” Abdur-Rahim said. “I thought, I’ve seen him do everything. In our McDonald’s All-American dunk contest, he did every single dunk that had been done in an NBA dunk contest — from the free throw line, between the legs. Seventeen years old. He did every single one of them. The part that amazed me was I thought I’d seen him do everything in a game where I’m like, oh, my goodness. It was so fast and it was something you’d never seen before.”

Carter always had those kinds of moves in his bag.

“We were in practice one day,” recalled Sam Mitchell, whose first head-coaching job in the NBA came in 2004, in Toronto.

“We were scrimmaging. Vince gets the rebound and takes off. He gets to half court and throws the ball up ahead. I said, ‘What the hell?’ The ball hits off of the backboard. He catches it and dunks it. I told everybody, go home. It was my second practice. What the f— did I just see? He throws it underhand. Next thing, I see the m—–f—– catch the ball and dunk. I said to everybody, ‘Get the f— out. I gotta go home and have a drink and process this s—.’”

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There was, of course, Carter’s bravura performance at the 2000 NBA Dunk Contest, when he overpowered a weekend-long deluge in the Bay Area to electrify the crowd at Oracle Arena with a series of dunks that may have — may have — only been topped by Michael Jordan’s battle in Chicago with Dominique Wilkins in 1987. There was a 50-burger against the 76ers in Game 3 of the Eastern Conference semifinals. There was, much later in his career, a signature game-winning shot when he played for the Mavericks, in their first-round series against San Antonio in 2014.

“The best moment was when he was with the Suns” the year before, recalled former Mavericks majority governor Mark Cuban.

“We were playing them, I think it might have been our outdoors (preseason) game. He gave me the ‘come get me’ look. That summer I called his agent, and we made it happen. Vince is a legend. I’m proud of him.”

During the 1999 lockout, recalled Jerome Williams, a teammate of Carter’s in Toronto for three-plus seasons, the two played in New York City with future Raptor teammate Mark Jackson in a charity game, the Wheelchair Classic.

“It was crazy,” Williams said. “Seeing VC jump out the gym with power and grace on his dunks was mesmerizing. I truly believed he had Jesus Christ himself touch his legs to generate that much power. I knew he was destined for the Hall of Fame from that moment.”

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Carter even held everyone’s attention when he wasn’t playing at all, setting off a firestorm when that Raptors-76ers series went to a Game 7. The game was scheduled for late Sunday afternoon. But Carter was determined to attend his graduation from North Carolina in Chapel Hill Sunday morning, when he received the degree in African-American Studies he’d earned the fall before. He got the degree, got on then-owner Larry Tanenbaum’s plane, and got to Wells Fargo Center five hours before tipoff. But Carter only shot 6 of 18 from the floor, missing the potential series-winner at the buzzer, setting off frenzied debate about whether he’d made the right decision.

Carter told me that summer that he’d do it all over again, the exact same way.

“And when I do think about it, I’m proud,” he said. “Proud of the way I was able to fight through it and just handle myself in the manner that some people wouldn’t. It was a special time for me, and I wasn’t gonna let anybody spoil it. And yes, it was spoiled by a missed shot. But you miss shots all the time. There’s gonna be times in your career when you’re gonna miss those shots again and again, and there’s gonna be times when you’re gonna make them, and you’re gonna be a hero. And nobody says nothing but ‘Hey, it was a great day.’”

There are many people who were responsible for basketball succeeding in Toronto after the birth of the expansion Raptors in 1995. There were those directly linked to the team, such as Isiah Thomas, Damon Stoudamire, Chris Bosh — and Carter’s cousin, Tracy McGrady, drafted by Toronto out of high school in 1997.

There were players from Toronto and from the nearby suburbs who helped the game gain traction in a city besotted by its beloved Maple Leafs, players such as Jamaal Magloire and Rick Fox and Leo Rautins. Steve Nash, who grew up in Victoria, British Columbia, had enormous influence nationwide, too, as he won back-to-back league MVP awards.

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But Carter’s six-plus seasons in Toronto, after a draft-night trade with Golden State in 1998, made the Raptors appointment viewing. There would be quarters, sometimes halves, where Carter did more to fit in, to be a good teammate, than put his eye-popping skills on display. And then …Vinsanity would happen.

When the Grizzlies left Vancouver for Memphis in 2001, Carter and the Raptors had Canada all to themselves.

“When Charles Oakley joined the team (in 1998), there was one game,” recalled Walker Russell, an assistant coach for the Raptors early in Carter’s career. “He (Carter) was shooting jumpers, wasn’t hitting them, Finally, they called timeout. Oak said, ‘Man, ‘Take one more m—-f—– jump shot. One more. You take one more m—–f—— jump shot!’ Vince walked to the bench, didn’t know what to do.

“After the timeout, he went back in, they went back to playing. He went to the hole, dunked on two dudes. Came back, got another one. Boom. Dunk. Then, came back, got fouled, tried to do this other dunk. Turned the whole game around. The other team called timeout. Oak grabbed him and said, ‘See? Can’t nobody can guard your m—–f—— ass if you go to the hole!’ That’s when ‘Half Man, Half Amazing’ came into effect, that day.”

During his time with the Raptors, Carter won Rookie of the Year in 1999, made six of his eight All-Star teams, averaging 23.4 points and 5.2 rebounds.

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“He had a six- or seven-year run in Toronto where, ultimately, Kobe became the guy” in the league, Abdur-Rahim said. “But he was right there as far as the best perimeter player in the league.”

But Carter wanted to make the game easier for others as much as he sought the spotlight.

Part of it was playing for Dean Smith at North Carolina. But, Michael Jordan played at Chapel Hill, and for Smith, too. Both had sick hops; both were grounded in Smith’s fundamentals. But where Jordan embraced the Alpha Male aspect of dominating through verticality, Carter seemed more reluctant to stand out, buying fully into the Carolina Way.

“It was one way,” Carter said on the “Knuckleheads” podcast in 2022 with Quentin Richardson and Darius Miles.

“We’re playing for the regular-season championship, ACC championship, deep in the (NCAA) tournament,” Carter said. “That’s just what it was. It was bigger than you, the individual, (was) what you had to understand. They always talk about the Carolina system, but you learn how to play the game. That’s what kept me around for 20-some years, honestly, learning how to play the game.”

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With an assist from Tracy McGrady on one attempt, Carter put on one of the greatest dunk contest performances in the event’s history at the 2000 All-Star Game. (Andrew D. Bernstein / NBAE via Getty Images)

That would help explain why Carter does not dominate the NBA’s all-time leaders’ lists. Some of his highest marks in the stats reflect … attendance.

He’s third all-time in games played, at 1,541, trailing only Robert Parish (1,611) and Kareem Abdul-Jabbar (1,560). He’s 15th all-time in minutes played (46,367). But he’s just 21st all-time in points scored, at 25,728. He only had five career triple-doubles, though he was a willing and quite good passer.

He was a very good shooter from deep during his career, but his best days as an offensive force were well before the NBA’s 3-point revolution, so he was far from a volume shooter; he took more than five per game in only three of his 22 seasons. His career PER of 18.63, according to basketball-reference.com, is only 136th-best in NBA history.

But, here’s the rub. Carter’s 18.63 is the same as Scottie Pippen’s. And no one would question Pippen’s place in the Hall.

Why? Because Pippen has six rings.

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“A lot of people think he didn’t work because he was so gifted,” Russell said. “What they don’t know is that every night during the season, we’d be in the gym about 11:30 at night until about 1, 1:15. Every night. And he worked on everything: post ups, running hooks, right hand, left hand. That’s why he could do everything. I think the last part of his career, the last six years, he depended strictly on the fundamentals. Because he had all of that. Didn’t nobody know that. He’d be at the gym. And he liked to come at night, him and his little security guard, Peanut.”

Sean Marks, now the Brooklyn Nets’ general manager, had played against Carter in college, at Cal-Berkeley, in 1998. Taken in the second round of the ’98 draft by the Knicks, Marks went to Toronto along with Oakley in the trade with Toronto for Marcus Camby.

“He did stuff in practice that would be incredible,” Marks said. “It wasn’t just the dunks. It was how fluid he moved, how easily the game came to him. I mean, he worked at it. But the God-given talent. To this day, I don’t think I’ve seen anything like it. The stuff we were privy to in practice, games would stop, because it was so awe-inspiring.

“One practice, he and Tracy gave us a little demonstration of what they were going to do in the dunk contest. And we’d seen some things. And then, when these two (started), they were like kids in a candy store. What were they, 20 years old? You’d finish a two-hour practice, and these guys would put on a dunk show for the next 45 minutes. … It was like me playing on a Nerf hoop at home with my 5-year-old.”

Carter seemed to like the challenge of testing his limits, to see what was physically possible, as much as the games themselves.

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“One time we were playing and I drew up a play for him at the end of a game,” Mitchell said. “And Vince did some crazy, stepback fadeaway shot, instead of just a 1-2, pullup jumper, go straight up. And afterward, I said, ‘Vince, what the hell? Why’d you take that shot?’ He said, ‘Coach, the 1-2 was too easy.’ The game was too easy for him.

“I think he got bored sometimes. I think by the time he got to his sixth year in the league, he knew that.”

Said Marks: “He genuinely loved being a showman. I think sometimes he enjoyed surprising himself. He was that good. He told us (before a game), ‘Today, I’m going to catch Dikembe.’ And he did it, it wasn’t in an arrogant sort of way. It was like, I want to see if I can do this. Like, let’s go to the park and see if I can pull off this move. But he was doing it in front of 20,000 people.”

“What ifs” followed Carter throughout his Toronto tenure. What if McGrady had stayed with his cousin, rather than going to Orlando to team with Grant Hill in 2000? What if Carter hadn’t become disillusioned with the Raptors’ ownership and front office by the time Toronto took Bosh in the ’03 draft? Who knows what could have been? Infamously, of course, Carter forced his way out of town in 2004 via a trade to the Nets that led to a decade of recriminations and hurt feelings, with Carter getting lustily booed every time he returned to Air Canada Centre.

“That was my first year being a head coach, being a young coach,” Mitchell recalled. “The team flew me down to Florida to see him. He said, ‘Coach, I hate this is happening to you. I have no issue with you. I’ll give you the opportunity. But my unhappiness is with the organization, and they know what it is.’

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“He hated that I was getting caught in the middle of it. He said, ‘I will never ask you to compromise your beliefs for me.’ And he didn’t. He wasn’t a distraction. He didn’t disrespect me. He didn’t do anything. I hated it was like that, because one of the things that you loved about the job was you were getting to coach Vince Carter.”

Carter had occasional big moments in Jersey, and in Dallas. As ever, given his personal equilibrium, he willingly became a sixth man for the Mavericks and Grizzlies later in his career. He kept feeling good, so he kept playing, year after year, for Orlando and Phoenix and Sacramento and Atlanta. He only retired after the 2019-20 season because COVID-19 shut down the league’s non-playoff teams for nine months, including Carter’s Hawks, something from which a 43-year-old couldn’t bounce back.

But the body of work, and the work of Carter’s body, had already made his Springfield case open and shut. The bad times in Toronto have been overcome; the Raptors announced last month that they’ll be retiring Carter’s number 15 on Nov. 2.

“I loved playing the game,” Carter said Saturday. “It wasn’t about the numbers. I read all the time, ‘If he had just …’ I can’t imagine not playing 22 years, and looking at Year 17, and how miserable I probably would have been (not playing). Because I still had the love for the game. And it wasn’t about numbers. If they called me to come play for a team and sit for a championship, I’d chase one now. But it wasn’t about that. Because I still felt that I was going to put the work in at 42, 43 years old to go play. And it felt good to go on the court, and a 19- 21-, 25-year-old comes in there. And they’re like, ‘he’s old.’

“And I’d be like, let’s line it up. Let’s see if I still have it.”

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(Illustration: Meech Robinson / The Athletic; Photos: Carmen Mandato / Getty; Sam Forencich / NBAE; Ned Dishman / NBAE via Getty Images)

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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