Culture
The case for Aaron Judge, Juan Soto as MLB’s greatest offensive duo since Ruth-Gehrig
Sometimes it takes a while before it hits us what we’re watching.
One minute, we’re just doing what we do, tuning into baseball in 2024. The next, it begins to dawn on us. We’re witnessing something special.
Then we ask: Just how special? Next thing we know, we’ve taken a trip back in time, to that place where legends dwell. And that’s where Aaron Judge and Juan Soto have taken us.
It never feels comfortable to do what we’re about to do. But we’re about to do it anyway. As they near the finish line of an astonishing season in the modern-day incarnation of Yankee Stadium, Judge and Soto are connecting the dots to a very different incarnation of Yankee Stadium.
Is it OK to argue this? That we’re watching the 21st-century version of the two most prodigious and productive teammates who ever played baseball? Can we really connect those dots, from Judge and Soto to Babe Ruth and Lou Gehrig? I think we can.
They’re not the same — in many ways. I get that. Ruth and Gehrig were all-time behemoths, cranking out seasons we’ll never see again. I get that, too. But am I crazy to make this comp? I don’t think I am. I’m not alone.
“I think you’re on firm ground,” said STATS Perform’s Steve Hirdt, one of baseball’s most prominent and all-knowing historical minds.
“Just the fact that you’re contemplating it might answer your question,” said Buck Showalter, former manager of two New York baseball teams, the Yankees and Mets. “And the fact that it’s so interesting to contemplate is the beauty of baseball. You’ve just described the beauty of baseball — that we can ask those questions and compare guys from different eras.”
We’re about to make that comparison in all sorts of ways. You’ll have fun thinking about it. I promise. But you should also know that not everyone who got dragged into this project agrees with its premise. Of course they don’t.
“Here’s where it’s crazy,” said Bob Costas, whose perspective, as baseball’s foremost broadcaster/historian/poet laureate, was invaluable, even if we didn’t find ourselves in the same lane. “Obviously, Ruth and Gehrig did it together for a sustained period of time. And for Judge and Soto, this is just the first year. It could be the only year. So right there, the whole comparison would break down.”
OK then! But I never went into this under the illusion that one year of historic 2024 domination equals the incomparable nine-season run of Ruth and Gehrig.
I just think we should recognize that what we’ve watched, over these last six months, is the two best offensive seasons, side by side, by any two teammates, in most of our lifetimes. Here’s why.
The thing that separates Judge and Soto
Aaron Judge and Juan Soto have had plenty to celebrate this season. (Wendell Cruz / USA Today / Imagn Images)
I can hear you off in the distance. You have some names for me. You have some thoughts for me. I can guess the names of other famous duos that are swirling in your head.
Roger Maris/Mickey Mantle … Henry Aaron/Eddie Mathews … Willie Mays/Willie McCovey/Orlando Cepeda … Gehrig/Joe DiMaggio … David Ortiz/Manny Ramirez … Johnny Bench/Joe Morgan … Ken Griffey Jr./A-Rod.
There are more. Shout ’em out. Drop them in the comments section. I hear you. I’m open to any and all of them. I can just assure you I checked out every one of these — and lots more.
How Judge and Soto are different from all those great duos? It’s the combination of power and on-base skills that makes them unlike any other set of teammates you can name.
I went way, way back in time. There is no other teammate tag team that has hit this many balls over the fence, done this much extra-base damage, created this many runs, walked this many times, reached base this many times or seen this many pitches … at the same time, in the same season. Other than one pair:
Babe Ruth and Lou Gehrig.
Now let’s document that for you. Facts are always good!
The homers/walks daily double
Judge and Soto rank 1-2 in all of baseball in walks. They rank first and third in the American League in homers, with Soto (40) close behind Baltimore’s Anthony Santander (43) for the No. 2 slot after Judge. Home runs and walks often go together in modern baseball. But to have two teammates overpowering the sport in both — together — is probably more rare than you think.
I asked my friends from STATS Perform to dig into this, and lots more, for this piece.
Teammates in top 3 in BB and HR in their league, AL/NL history
| YEAR | TEAMMATES |
|---|---|
|
2024 |
Judge/Soto |
|
1931 |
Ruth/Gehrig |
|
1930 |
Ruth/Gehrig |
|
1927 |
Ruth/Gehrig |
(Source: STATS Perform)
They’re 1-2 in everything!
Aaron Judge leads the majors in home runs, RBIs, walks, on-base percentage, slugging percentage and OPS. (Wendell Cruz / USA Today / Imagn Images)
OK, Bobby Witt Jr. and Shohei Ohtani also play baseball. So it’s not quite true that Judge and Soto rank first/second in MLB in every category. But it’s close.
Heading into Thursday, the day of The Ohtani Game and also the day Soto banged up his knee, Soto and Judge owned the leaderboard in a set of categories that measure greatness across a wide spectrum of skills.
1st/2nd in MLB in OBP — Ruth and Gehrig did that only once, in 1930.
1st/2nd in MLB in OPS* — Ruth and Gehrig did that three times, in 1927-30-31.
(*Update: Ohtani’s three-homer, five-extra-base-hit, 6-for-6 eruption Thursday blew up the MLB leader lists in many ways. One of those ways was, he moved past Soto to second in MLB in OPS. But Judge and Soto still rank 1-2 in the AL. Now back to our regularly scheduled programming.)
1st/2nd in MLB in times reaching base — Ruth and Gehrig did that four times, in 1927-28-30-31.
1st/2nd in MLB in walks — Ruth and Gehrig did that only once, in 1927.
1st/2nd in MLB in Win Probability Added — Ruth and Gehrig finished 1-2 in that “clutchiness” metric four times, in 1926-27-28-31. No AL teammates have done it since.
I acknowledge that other sets of teammates have finished 1-2 in some of these categories in the years since Ruth and Gehrig. Not many, but it’s happened. STATS did that math for us.
In OBP, there was Mickey Cochrane/Jimmie Foxx for the 1933 A’s, Ken Singleton/Ron Fairly for the 1973 Expos, Wade Boggs/Mike Greenwell for the 1988 Red Sox.
In walks, there was Joey Votto/Shin-Soo Choo for the 2013 Reds, Boggs/Dwight Evans for the 1986 Red Sox and Eddie Stanky/Augie Galan for the 1945 Dodgers.
There’s a slightly longer list, six duos long, in most times reaching base, with Joe Morgan/Pete Rose doing that twice.
But here’s why Judge and Soto belong in an orbit all their own: Because all those other guys showed up only on that list. Whereas Judge and Soto dominate every list. It’s just one more reason they keep pointing us back to Ruth and Gehrig. And guess what? We’re not done!
Production and patience
Have you checked out the bases on balls leaders lately? It’s unreal.
Judge — 129
Soto — 125
After them comes Kyle Schwarber … at 102! And no other player in the majors has more than 78 walks … meaning Judge and Soto both have about a 50-walk lead over the next-most-patient walk-grinders. Really?
Then there’s the RBI leaderboard, which shows Judge leading the league with 138. That’s 26 more than anyone else in the AL. Crazy. You’ll find Soto in the next group, as one of just six other AL hitters over 100, with 104. Now here’s why we mention that.
Teammates in history with 120+ BB and 100+ RBI
Judge/Soto
End of list
But what if we lower the bar to 115 walks for players in the 154-game era? That seems fair. So let’s do that — and only one other duo shows up from that era. Guess who?
Ruth/Gehrig, 1931
The OPS+ standard
Next up, it’s OPS+, Baseball Reference’s definitive metric for evaluating hitters’ seasons across all eras. If we don’t count the 60-game pandemic year, only two sets of teammates have ever had an OPS+ of 177 or better, side by side, over any full season. Yup! Those two:
Judge/Soto, 2024
Ruth/Gehrig, five times
(Source: Baseball Reference / Stathead)
The 600 Times On Base Club
With seven days left in this season, Judge and Soto have reached base a ridiculous 603 times combined — 314 by Judge, 289 by Soto. So welcome to the 600 Times on Base Club. Not surprisingly, that club has slightly fewer members than, say, your high school’s TikTok Club.
TEAMMATES FINISHING 1-2 AND COMBINING FOR 600 TIMES ON BASE*
Ruth/Gehrig, four times
Ted Williams/Johnny Pesky, 1947
Pete Rose/Joe Morgan, 1975
Wade Boggs/Mike Greenwell, 1988
(Source: STATS Perform; *modern era, 1901-2024)
But if Soto reaches base only one more time, he and Judge will do more than merely join this club. They’ll also be the first set of AL teammates to reach base at least 290 times apiece since … (how’d you guess?) Ruth and Gehrig.
Hold on, though. There’s more. Remember that all those visits to the basepaths have been accompanied by many, many baseballs soaring toward the bleacher creatures. So how about this!
TEAMMATES WITH 40+ HR AND 285+ TIMES ON BASE APIECE
Judge/Soto, 2024
Ruth/Gehrig, three times
The long walks home
Juan Soto has racked up 125 walks, second only to Aaron Judge’s 129, even though he hits in front of the most dangerous hitter in baseball. (Michael Chow / The Arizona Republic / Imagn Images)
OK, just one more. Did you know Ruth and Gehrig never had a season in which they walked 120 times apiece? (Gehrig’s biggest walk years all came — here’s a shocker — when Ruth was gone or hurt.)
But here’s the Ruth/Gehrig walks tidbit that’s even more unfortunate: Because the intentional walk didn’t become an official stat until 1955, we can’t truly know how often Ruth was pitched around with Gehrig lurking behind him.
We know this, though: Nobody is pitching around Soto to get to Judge. Yet, amazingly, Soto still has piled up 125 walks — only one of them intentional. And that puts him in rare territory.
120+ walks, no more than 1 INT BB*
| YEAR | HITTER | BB | INT BB |
|---|---|---|---|
|
2024 |
Juan Soto |
125 |
1 |
|
1976 |
Jim Wynn |
127 |
1 |
|
1960 |
Eddie Yost |
125 |
1 |
|
1959 |
Eddie Yost |
135 |
1 |
(*Since 1955, when INT BB became an official stat)
(Source: Lee Sinins’ Complete Baseball Encyclopedia)
But Wynn and Yost weren’t hitting in front of anyone remotely similar to Aaron Judge. So that’s what made the one intentional walk Soto was issued — by the White Sox, on Aug. 15 — such massive news. Well, that and the fact that it led to Judge’s 300th career homer about four seconds later.
How often, I wondered, had any other hitter been intentionally walked to get to a man who would lead MLB in homers, RBIs and OPS that season? Baseball Reference’s Katie Sharp took a look.
Before Soto, only one man — in the 70 seasons where intentional walks were an official stat — ever had that happen. That was Will Clark, hitting in front of Kevin Mitchell, for the 1989 Giants. Except Mitchell was so un-Judge-like, it happened 11 times that season.
But what about the years before intentional walks were officially recorded? Baseball Reference and Retrosheet have tried to track them. So when was the last time it happened in that era? Ha. Thanks for asking. It was (who else) …
Babe Ruth … to get to Lou Gehrig … (in the first inning) … on Aug. 12, 1934. (And how’d that work out? The Red Sox got a bases-loaded double play out of it.)
I could do this all day long. But why do I have a feeling you’re catching on to where the numbers take us? So let’s do this another way. Let’s hear from the unlucky American Leaguers who have to face these dudes. Not surprisingly, they have some tales to tell.
What it’s like to manage against them
We begin with the Rays’ Kevin Cash, who got to experience this thrill ride 13 times this season.
“Discipline and damage,” Cash said. “They’re elite at both of them. I mean, Juan Soto is just not going to swing at a pitch that he doesn’t want to swing at. And Judge — anything he swings at has a chance of traveling 400 feet. They’re amazing. What they do is unbelievable.”
What it’s like to game plan against them
For this section, we spoke to an AL executive whose team ran into the Judge and Soto Show recently — and did not enjoy every minute of it.
“I think what’s probably most underappreciated in this,” he said, “is that everybody agrees that Soto is an all-time talent. And he’s having one of the better seasons of his career. And Judge has an OPS 150 points higher than him! It’s something like a 1.150 OPS to 1.000. Which means the difference between Judge and Soto is roughly the difference between Soto and Frankie Lindor (who ranks 22nd).
“So the magnitude of the greatness of Judge makes it impossible to just say, ‘We’ll let somebody else beat us beside Soto.’ Because if you don’t get Soto out — and he never chases, he walks all the time, and he just runs an at-bat in a way that’s so unique to the league. It’s like he’s in control of every pitch, even though he’s the hitter. And that is a really unique thing. It feels like he has the ball when the at-bat starts.
“And knowing that Judge is on deck — and he’s just staring at you, like this cartoonish figure in the on-deck circle who is leading the free world in offense — it makes it really hard. In some ways, it’s like they’re in 1997 playing offense, and everybody else is in 2024.”
What it’s like to pitch to them
Rays starter Ryan Pepiot actually used the word, “fun.” I wasn’t expecting that one. But why the heck not tell yourself what Pepiot tells his inner self — that “it’s a fun test. Every time you go out there to face those guys, you’re facing two of the best in the league, and show if your stuff really does play, right?”
Right! Let’s go with that. Now listen to him describe his most memorable battles with both of these guys, starting with his duel with Judge in a July 9 game in Tampa Bay.
“Judge hammers any fastball you can throw,” Pepiot said. “I think I threw him one fastball in three at-bats, and he absolutely crushed it, 113 miles an hour. It was just a single to right. But as I threw it, I was like, I didn’t get that up enough. … But you don’t realize how tall he is over the box. So that pitch would be up for anybody else. Just with him, it’s hard to get it all the way up there. So I was like: That ball flew past me. By the time I could get my head around, it was already in right field.”
Soto, meanwhile, took Pepiot deep last September, when Pepiot was still a Dodger and Soto was still a Padre. But in July, Pepiot struck out Soto. And just as you’d expect, Pepiot remembered everything about that sequence.
“I got Soto this year, and he ‘shuffled’ me (with the famed Soto Shuffle) on the pitch before,” Pepiot said with a laugh. “But I got him on the next pitch. I threw him a changeup, and he swung through it. But I threw him a heater the pitch before, and he ‘shuffled’ me. Normally, most of the time, you don’t see it. You’re getting the ball back, and you don’t see it. But I saw that one, and I was like: ‘You can’t really do that.’ But he’s done it to me plenty of times.”
What it’s like to manage them
Aaron Boone didn’t quite want to go there. He knows he’s managing two guys who are unlike just about anyone who has ever played baseball together. But the best since Ruth and Gehrig? If that meant Boone was Miller Huggins, the Yankees manager made the clear decision it was time to hedge this bet — but just barely.
“Yeah, I think when you try and put into context their season … it’s a short list of historic great duos,” Boone told The Athletic’s Brandon Kuty last week. “That’s Ruth-Gehrig. That’s Mantle-Maris. That’s (Big) Papi-(Manny) Ramirez. I’m sure there’s others. But I think they’re absolutely right in that conversation. Especially in the hitting environment today — to have two guys that are just, wow.”
So what do you say? I’ve furnished you with all the numbers that got us into this discussion. I’ve delivered direct quotes from the combatants. I even punctuated them with a “wow.” I feel like I proved this case. But have I?
The jury speaks
Case closed? (Wendell Cruz / USA Today / Imagn Images)
I turned to our jury members. They were mostly with me.
Steve Hirdt had only one reservation: “Obviously, I’d have to put Gehrig and Ruth in 1927 above what Judge and Soto have done,” he said … with good reason! But I’m not arguing that this Judge/Soto Show is superior to any Ruth/Gehrig season — only that it’s fair to use the expression: best since … So he’s in.
Cash and the AL executive I spoke with had zero problem with this premise. They didn’t particularly want to compare themselves with Connie Mack, trying to outfox those Yankees behemoths. But they get where I’m going with this.
“In any era that you put these guys in, they would stand out as generationally talented,” the exec said, “both in what they’re doing today and the track record. So when you talk about comparing them with Ruth and Gehrig, you could roll your eyes if it was somebody who was a flash in the pan, that we didn’t know.
“But these guys already have the credentials. They were on Hall of Fame tracks before. And now they’ve converged — to hit second and third for the New York Yankees.”
Bingo. So I only had to convince one holdout — Bob Costas.
I chipped away. I asked: What about the Yankee Factor? How can you not at least compare them when they’re all Yankees? He was good with that comp (mostly).
“Well, the Yankee factor is inevitable,” he conceded, “because it’s still called Yankee Stadium. And the monuments to Ruth and Gehrig are within sight. Judge is standing right in front of them.”
Except there’s a hole in that Yankee Factor argument. And Costas, naturally, didn’t miss it.
“But even though Judge is well on his way,” he said, “to being a truly historic player … it’s very, very difficult to compare anyone’s aura and impact in legend to Ruth, because he reinvented the game.”
Once again, though, I’m not arguing that! Have I said once that Judge is better — or projects a more sweeping aura — than Babe Ruth? Never!
I’d be happy to suggest that Judge is “Ruthian” — especially by 2024 standards. He has reached 60 homers once. He is chasing it again. He wears pinstripes. He’s larger than life. Sounds pretty Ruthian to me. I thought I could sense Costas beginning to come around.
“The very fact,” he said, “that these comparisons come up — that it occurs to us, and that you’ve got the backdrop of Yankee Stadium, the pinstripes, Yankees history, Judge’s standing already. … He’s the comp to Ruth. It may be a bit of a reach for Soto to be the comp to Gehrig. But for one year, this year? Maybe. And if Soto stays and they sustain it, maybe the comparison becomes valid, difficult as it is to compare across the years.”
The Judge-Soto comp with Ruth and Gehrig? Not everyone was completely convinced. (MPI / Getty Images)
I should have rested my case right there. Oops. Costas kept going — and that didn’t turn out well for my presentation to the jury.
“But what we know for a fact,” he continued, “is that Ruth and Gehrig are firmly set in baseball legend — not because of one year or even two or three years, but because of a sustained run where they defined what it is to have a murderers’ row. …
“So if you look at this as like 1927, (Ruth and Gehrig) are in the midst of a legendary, sustained run — that literally, they are part of baseball lore, to the point where someone who doesn’t follow baseball knows who Babe Ruth and Lou Gehrig are. There’s a movie that your grandmother liked about Lou Gehrig and the luckiest-man speech.”
Oh yeah. I know all about it. And with Judge and Soto — all right, I get it. No major motion pictures. Not even a “30 for 30” (yet). They’re not legends. They’re not part of a legendary team. There has been no legendary, sustained run — not by them or a franchise that hasn’t played a World Series game for 15 years. Good points!
However … have I ever tried to argue they were legends? No. Have I ever talked about sustained runs? No! Heck, I conceded many paragraphs ago that I was talking only about what Judge and Soto have done this year. And if we just stick to that one-year stuff, we haven’t seen anything like this since … well, you know.
So ultimately, Costas was willing to nudge himself about half an inch in my direction. I’ll take it.
“I certainly feel comfortable,” he said, “if I were writing the story, with saying they’ve put themselves in the discussion with such legendary duos. And if they sustain this for a few more years, then we’re looking at Ruth/Gehrig territory.”
All right then. Now … I’m resting my case. They’re in the discussion. We’ve had that discussion. And the evidence is overwhelming. I don’t know what the future of Judge and Soto looks like. I just know what 2024 looks like.
I think it looks kind of like two pinstriped mashers from nine decades ago.
Maybe you’re with me. Maybe you’re not. But just think about it — because that, as Buck Showalter said, is the beauty of baseball.
(Top image: Meech Robinson / The Athletic. Ruth and Gehrig: Bettmann / Contributor / Getty Images; Judge and Soto, center: Julio Aguilar / Getty Images; Judge and Soto, right: Rob Tringali / MLB Photos via Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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