Science
Funny, it isn't hard to make a comedy show that autistic adults can enjoy too
Joshua Meyrowitz stepped up to the stage at the Laugh Factory in Hollywood and announced himself to the crowd as “your fellow autistic,” spurring whoops and applause.
“One of the hardest things as an autistic person is being able to relate to people,” the comedian said, “and as a stand-up comic, you are required to relate to people.
“With an audience full of autistic people, I don’t have to relate to s— now!” Meyrowitz declared as laughter rippled through the room. “I’m in the zone, brother!”
It was a Wednesday night at the storied club on Sunset Boulevard, and in many ways, the show unspooling on its brightly lit stage sounded like any other comedic lineup in the Sunset Strip area, with punchlines about genitalia pics, politics, married life and the grosser side effects of Ozempic.
But its goal was a lofty one: Make the raucous world of stand-up comedy a welcoming place for people whose brains work differently. This show was playing out before a crowd full of autistic adults and other neurodivergent people, many joined by their neurotypical family and friends.
The tweaks to a typical show were small ones: A “chill-out space” for anyone who needed to step out for a break. Lowering the volume on the music playing inside and avoiding any sudden, noisy changes in music between acts. Letting the comedians know to lay off if someone jumped up or blurted something out.
Comedian Jeremiah Watkins performs at the Laugh Factory.
(Michael Blackshire / Los Angeles Times)
Funnily enough, making a comedy show inclusive for neurodivergent people is “not a big adjustment at all — it’s just something that no one’s thought to do,” said Rob Kutner, a comedy writer and co-producer of the Wednesday show.
“You need almost nothing, except a little bit of thoughtfulness.”
When Jeremiah Watkins heard someone in the audience interject, “What about trains?” the comedian welcomed the chance to riff.
“What about trains?” he replied enthusiastically. “Are you a fan of trains? Nice. What’s your favorite kind of train?” he asked before launching into his next bit.
At a smaller comedy show for an autistic crowd months earlier, Watkins recalled, he surprised an audience member who quoted a “Harry Potter” line at him by responding with an impression of Professor Severus Snape.
The show that Wednesday, dubbed “Let It Out,” can be a model for comedy performances around the world, Kutner and co-producer Mike Rotman said. The pair worked with advocates including Autism in Entertainment, which promotes the employment of people on the autism spectrum in the industry, to publicize and document the show.
What they want people to know is that inclusion can be easy. “This should be normalized,” Rotman said. “This should be existing weekly.”
Willie Hunter laughs while hosting “Let It Out,” a comedy show that aimed to be inclusive for neurodivergent people.
(Michael Blackshire / Los Angeles Times)
As growing numbers of Americans are diagnosed with autism — a condition that can shape how people think, relate to others and experience the world — and generations have grown up with the protections of the Americans with Disabilities Act, there has been an ongoing push for inclusion in daily life.
Many public spaces have taken steps to better accommodate neurodivergent people and their sensory needs: Some movie theaters offer “sensory friendly” screenings where lights remain on and sound is softened. Museums may have designated days and times when fewer people are admitted to limit crowds.
Even so, Maja Watkins, whose work focuses on teaching social and emotional skills, says there is still a dearth of fun, accessible options tailored for autistic adults.
“You’re in high school. You go to prom, and a lot of times the special ed department will make these fun opportunities for you. And then you graduate and slowly services and programs just start cutting away,” Watkins said.
Her husband is a comedian — the one who riffed on trains that Wednesday night — and she said that her 38-year-old brother, who has autism, loves comedy shows but has sometimes disliked the loud noise or late hours.
“How cool would it be if it was a comedy show that made everybody laugh … but maybe the seating is set up in a way where people aren’t so squished together?” Maja Watkins said. “Maybe it’s not crazy loud at the beginning? Maybe if somebody needs to take out a fidget … to be more calm, then that’s OK?”
Or being able to get up and take a break without facing a barb from someone onstage — “that’s what my brother would have needed to stay through the whole show,” she said.
Kole Spickler gives an interview backstage at the Laugh Factory.
(Michael Blackshire / Los Angeles Times)
The Wednesday crowd included young adults taking a class at the Miracle Project, an organization based in Los Angeles, that teaches social skills through improv. Teacher Sandy Abramson said for her students, “going to a place like this can be overwhelming because you have to adapt to the social norm, which is, ‘Don’t talk. You can’t take breaks.’ Things like that.”
At this show, she said, “they don’t have to feel nervous or anxious about how they will be perceived.”
Kole Spickler, 23, was excited for the show to start. “I just like being out in public,” said Spickler, who is autistic and counts Jim Gaffigan and Brian Regan among his favorite comedians.
Like many autistic people, he can be frank, sometimes humorously so. Asked about what he was learning in social skills class — a Miracle Project staffer at his side — he said, “I’m not sure if I really learned anything.”
Had he enjoyed it?
“Yes. Sort of,” he said. “Some of my peers can be really annoying.”
During the show, the crowd relished jokes about autism. “I was born with autism, but everything else is my parents’ fault,” Meyrowitz quipped. Kruger Dunn told the audience he had been diagnosed on the spectrum late in life.
Bryan Miguel attends a comedy show at the Laugh Factory.
(Michael Blackshire / Los Angeles Times)
Doctors had told him, “You don’t lie. You like to memorize a lot of facts, and you won’t go for help even if there’s trouble,” Dunn said. “I’m like, ‘So what you’re saying is, I’m trustworthy, smart, and I ain’t no snitch?’”
“You use the word ‘disability’ a lot, but those sound like abilities to me, Doc,” Dunn said to laughter and applause.
But Maja Watkins and others involved in organizing the show at the Laugh Factory stressed that accommodating the crowd didn’t mean doing a comedy show all about autism, nor discarding their usual jokes. Rotman said some comics had asked him, “Are you looking for me to do neurodivergent material?”
“No, not at all,” he told them. “Do your set … Do your seven minutes.”
Laugh Factory hostess Carmella Rogers said she insisted on working that Wednesday night after finding out about the show, because “I wouldn’t have to mask as I normally would” to appear neurotypical to showgoers.
In her line of work, you have to “show a lot of emotions, be really happy all the time,” which can sometimes be difficult for Rogers, who is autistic and has attention-deficit/hyperactivity disorder. In a break between shows that night, she said was gratified that the comedians hadn’t infantilized the neurodivergent crowd.
“People tend to think if you’re autistic, you need to be treated like a child,” she said. “I’m just like a regular adult — there’s just certain things about me that make me different from the average person.”
Comedian Laurie Kilmartin performs during “Let It Out” at the Laugh Factory.
(Michael Blackshire / Los Angeles Times)
Ahead of her set, comedian Laurie Kilmartin said she was “mostly just doing a regular show,” but not reacting the way she might otherwise if someone piped up in the crowd.
“I’ve done every hell gig possible in the world so I’m not easily thrown,” said Kilmartin, before hastening to add, “Not that I am implying this is a hell gig — I’m just saying!”
Stand-up might seem, at first glance, like an unexpected place for autistic people, who may miss social cues or communicate in ways that typical people struggle to understand. But it has often been a haven for people who don’t fit the norm.
Meyrowitz, who has been performing for more than a decade and a half, said his anxiety made it hard from him to work “normal jobs,” but in comedy, “we’re all a bunch of weirdos.” He once thought he would live with his parents his whole life. Now he shares an apartment with other comics.
Comedy, Meyrowitz said, “gives me a community of friends I never had before.”
Science
Video: NASA Announces Artemis III Crew
new video loaded: NASA Announces Artemis III Crew
transcript
transcript
NASA Announces Artemis III Crew
NASA announced the crew of Artemis III mission, which will fly to low-Earth orbit to test rendezvous and docking maneuvers with one or two lunar landers.
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“I am excited to welcome you as the next crew in the Artemis journey to successfully return to the moon — this time to stay.” “I’m honored by the role that I’ve been given. I’m also very humbled by the task in front of us. But first and foremost, I’m grateful.” “So with that, the Artemis II crew, comrade, hands you the baton. You got the controls.” “As you know, we had a significant anomaly at our Launch Complex 36A on May 28. We’ve redoubled our efforts and are moving forward.”
By Alisa Shodiyev Kaff
June 9, 2026
Science
Santa Monica Mountains’ last steelhead trout survived the Palisades fire — and even had babies
Scientists feared the Santa Monica Mountains’ last remaining steelhead trout were dead, smothered by debris flows unleashed by the Palisades fire.
But the endangered fish surprised them: A team of biologists recently spotted 30 of the rare trout — and 21 babies — in Topanga Creek.
“There was a lot of happy dancing in the creek,” said Rosi Dagit, principal conservation biologist for the Resource Conservation District of the Santa Monica Mountains, which works with public and private landowners to conserve natural resources.
That’s because the steelhead here are endangered, at both the state and federal levels. Once, they swam in most streams of the Santa Monicas, but their numbers plummeted amid overfishing and coastal development. Increasingly frequent wildfire has further stressed their habitat. Topanga Creek, a biodiversity hot spot, is home to their last known population in the mountains that stretch from the Hollywood Hills to Point Mugu in Ventura County.
The trout that were spotted, including this one, are part of a distinct Southern California population that’s listed as endangered at the state and federal levels.
(RCDSMM Stream Team)
The California Department of Fish and Wildlife spearheaded a complex mission to rescue trout threatened by the Palisades fire that sparked in January 2025.
Time was of the essence. The fire hadn’t yet been fully contained. But rain was on the way, which would sweep massive amounts of sediment from the denuded hillsides into the water. Fish are often killed this way.
Crews stunned the fish with electricity, scooped them up in buckets, trucked them to a hatchery and ultimately moved them to Arroyo Hondo Creek in Santa Barbara County.
Within days, Topanga Creek was choked with mud. Some assumed the fish left behind were goners.
But in March, the conservation district’s team found four. The following month, when water conditions were clearer, they saw more.
“These fish continue to amaze me,” said Kyle Evans, environmental program manager for the state Department of Fish and Wildlife, who had seen the damage to the creek. “I had seen populations get wiped out in similar situations. So when I heard, I was thrilled.”
Evans surmises the fish that survived were in an area of the creek where less charred material and sediment were swept in.
“These fish likely hunkered down, were hiding under some rocks or places to try to get away from the main concentration of flow,” he said. “And luckily they weren’t buried.”
The ones that were spotted were fairly small, around 6 to 14 inches. Rainbow trout and steelhead trout are the same species, but with different lifestyles. If the fish remain in freshwater, they’ll be considered rainbows. However, they can migrate to the ocean and become steelhead, where they typically grow larger before returning to their natal waters to spawn.
Topanga Creek hasn’t fully recovered from the damage it sustained, but scientists say it’s looking better. Surveys last year were “so depressing,” Dagit said, with very few animals, and stretches that were essentially transformed into flat roads from all the sediment buildup. Some of the riparian canopy burned right down to the creek.
Then came 32 inches of rain over the last nine months, scouring out and moving sediment, creating deeper pools. Dagit said they recently found newt egg masses for the first time in years, as well as a few adult newts and many frogs. Plants that provide cover are starting to recover.
She provided photos comparing certain pools last year and this year, some dramatically transformed. In September 2025, the Shrine Pool could have been an overgrown hiking trail. This April, it was filled with shallow water.
The Shrine Pool in September 2025, left, and the same location in April 2026, right, with RCDSMM’s Isaac Yelchin donning a wetsuit.
(RCDSMM Stream Team)
Topanga Creek is home to another endangered fish, the small but hardy northern tidewater goby, often described as cute. Not long before the trout operation, Dagit led a rescue of hundreds of these fish too. Many were repatriated to the lagoon at the mouth of the creek in a moving ceremony last June.
There’s still the matter of what to do with the trout that were moved to Santa Barbara County last year. Evans would like to bring them home to the Santa Monicas at some point, but isn’t sure if it will happen. On one hand, they could bolster the small, genetically isolated surviving population. On the other, they might inadvertently bring in a disease or bacteria. There is some time to decide. Evans estimates the creek still needs to recover for two to three more years.
For now, the fish are functioning fine in their adopted creek. Experts worried the trauma wrought by the move would disrupt their spawning process, but they had babies that spring. This year, they spawned again.
Science
Pacifica pier cracks, another coastal casualty as seas continue to rise
The Pacifica Municipal Pier was shut down and taped off Thursday after city workers noticed cracks running through the landmark structure and concrete chunks falling into the ocean.
It’s just one of many coastal California structures that have recently crumbled under pressure from a rising and relentless ocean.
Officials from the small, beach city south of San Francisco said the pier was closed due to “cracking, separation, and displacement of the concrete walkway and structural elements.”
It will stay closed while structural engineers asses its safety.
Photos taken by city employees show a wide crack that runs from top to bottom and across the structure as well. Other photos show a large horizontal crack under the foundation of a small restaurant on the pier, the Chit Chat Cafe.
The cafe was also shut down.
This is not the first time the 53-year-old pier has shown signs of stress. In 2021, part of it was shut down after handrails along the edge collapsed. And in 2023, after a series of storms pummeled the Central California coast, damaging parts of the pier, the structure was partially closed for more than year.
Those same storms caused extensive damage in Aptos and Capitola, 70 miles south, where piers and waterfront infrastructure were swept away or damaged.
In 2024, a 150- to 180- foot section of the Santa Cruz wharf was ripped off by powerful waves.
At least 10 of the state’s dozens of coastal public piers were closed for part or all of 2024 due to structural damage sustained in winter storms since 2022. At least five others have longer-term upgrades planned to address structural issues.
“These things are costly to maintain,” said Zach Plopper, senior environmental director at Surfrider. “They are a part of our California coastal culture in many ways, but we’re going to need to reckon with, one, the state that they’re in, and two, the continuous and worsening threats they’re going to experience,”
He said most of the piers were constructed in the early 1900s, and they weren’t built to withstand decades of rough seas, storms and rising sea level.
“With this incoming El Niño, which is forecasted to be significant, and this marine heat wave we’re in the midst of, we’re kind of in uncharted waters as far as what this winter could bring in terms of storms and swells to the California coast, and we’re likely going to see a lot more damage,” he said. “Not just piers, but roads and other coastal infrastructure up and down the state.”
There was no storm in Pacifica earlier this week, so no single event could be blamed for the destruction.
However, a 2025 report from an outside engineering firm, GHD, found that several sections of the pier were in “poor” or “serious” condition, and they recommended closure before anticipated storms or events that could “subject the piles to high winds, swells and large waves.”
The firm found several areas of the pier where concrete was missing and rebar was exposed and corroding.
“The pier has continued to experience high winds and large waves in a harsh marine environment,” the engineers wrote in the report, noting that continuous exposure to seawater or marine spray was “detrimental” to the structure.
A 2023 city report estimated it would cost $19 million to repair.
That same year, a state law was enacted to require local governments along the California coast to plan for sea level rise in the coming decades.
Sea level has risen some 8 inches, on average, along the coast in the past 150 years, Plopper said, and researchers anticipate another foot in the next 25 years.
“We’re going to see profound shifts on our coastline, none that we have ever experienced before, and building static structures on the coast just doesn’t work all that well,” he said. “We’re going to have to make some really hard decisions.”
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