Washington, D.C
National World War I monument made in Englewood is unveiled in Washington D.C.
‘A Soldier’s Journey,’ the centerpiece of the nation’s World War I monument, was five years in the making in New Jersey by artist Sabin Howard
Timelapse: National WWI Monument being made in Englewood
Timelaspe: Master Sculptor Sabin Howard and his team assemble one of the panels of the National WWI Monument which is to be unveiled in Washington DC.
Tariq Zehawi, NorthJersey.com
With candles glowing and trumpets blowing, in a ceremony that combined stirring music and somber reflection, America’s World War I memorial was officially dedicated Friday night in Washington, D.C.
“The greats of the Italian Renaissance and their lineage played forward to create excellence in this memorial, and I know they are watching tonight,” said Sabin Howard, who assembled the mammoth bronze frieze over a four-year period in a 5,000-square-foot studio in Englewood.
He was speaking to the crowd of about 1,000 military veterans, politicians and the lay public, gathered at the recently created National World War I Memorial Urban Park — formerly Pershing Park — abutting the Federal Triangle in downtown Washington.
“This memorial is like a wedding ring,” said Joseph Weishaar, the architect of the project. “It is a symbol honor and fidelity and commitment that has remained vibrant for nearly a century between the nation and the men who served in the first world war.”
“A Soldier’s Journey,” the centerpiece of the nation’s World War I monument is a sculpture that tells a story.
So it was fitting that sculptor himself should be on hand, to narrate.
“This is a story of what happens to one family and one soldier when he enters into service for his country.” Howard said in a recorded narration during the presentation. “The soldier is an allegory for the United States. It explains the hero’s journey through World War I.”
In the presentation, called “First Light,” the crowd was taken, panel by panel, left to right, through the 58-foot long, 10-foot high bronze frieze.
As first one section and then another lit up, Howard — his recorded voice — told the story. The father, being handed a helmet by his little daughter, going off to war. The soldier, now one among many, in an agonizing tableau of bayonets and bombs, with fellow doughboys screaming and nurses caring for the wounded. And finally — in the last panel — the returning civilian handing the helmet back to his little daughter.
Then, after the crowd had a good look, sequentially, at the 38 figures, all the lights went up. And there it was, all complete: “A Soldier’s Journey,” dedicated on General John J. “Black Jack” Pershing’s 164th birthday, and the new main attraction in what used to be called Pershing Park on 11th Street.
It is now the National World War I Memorial Urban Park — the $40 million project of the World War I Centennial Commission (the war ended Nov. 11, 1918) and paid for largely through donations.
An appropriate setting
The sculpture itself, the largest freestanding bronze relief in the western hemisphere according to Howard, is just part of the project.
The whole square has been re-landscaped, with fountains, a reflecting pool, and berms on three sides to dampen the traffic noise and create a quiet atmosphere for contemplation. An existing statue of General Pershing by Robert White (grandson of architect Stanford White), on site since 1983, has been worked into the new scheme.
“It’s a very serene place,” said Joseph Weishaar, the architect of the park. “Especially with the fountains going. You have the roar of the water, evocative of the sounds of war.”
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It was Weishaar, winner of a design contest by the Centennial Commission for his submission “The Weight of Sacrifice,” who brought Howard on board as his sculptor of choice.
“His accomplishment is one of amazing craft,” Weishaar said. “I don’t think it’s rivalled anywhere. My role is like a jeweler making a ring. I made the ring. But Sabin is the diamond. The sculpture is the diamond. That’s the piece that everybody is going to be wowed about.”
On the reverse side of the tableau is inscribed part of a poem by Archibald MacLeish:
“Whether our lives and our deaths were for peace and a new hope
or for nothing we cannot say; it is you who must say this.
They say: We leave you our deaths. Give them their meaning.
We were young, they say. We died. Remember us.”
Howard’s sculpture, like this verse, is not jingoistic. But neither is it cynical. It invites viewers to ponder the first modern war, the “war to end all wars” that killed 116,516 Americans (40 million worldwide) in a global cataclysm that was viewed by many afterwards as a tragic, senseless waste.
“As an artist, I’m very anti-war,” Howard said. “I didn’t make a sculpture about the glorification of war. I made a sculpture about human beings that are there in a very noble and heroic act of being in service to one’s country. This is their story. It’s to honor them. And I’ve had hundreds of letters from military families saying thank you, finally, for acknowledging us. The cool part is, they’re saying thank you for your service.”
That was, in its way, heroic too.
A long term project
For five years, Howard, his assistant Charlie Mostow, and a handful of others put in long days in the Englewood studio. For hours on end, models posed, Howard sculpted, and his wife, filmmaker Traci Slatton Howard, documented.
One by one, Styrofoam “maquettes” were covered with clay to create the figures, which were then transferred through a silicon mold to wax, which in turn became the ceramic shell. These were sent over to England to be cast in bronze. For the last month, on and off, Howard has been on-site in Washington D.C., supervising as the pieces were put in place with cranes, in the setting that Weishaar created for them.
“The reassembly was incredible,” he said. “Four panels, 38 figures, and everything has to fit. If it doesn’t, what are you going to do — chop away the stone or something?”
“A Soldier’s Journey” is a monument, in more than one sense.
To all the soldiers and civilians who served and died in World War I, certainly. More, to all soldiers, in all wars (veterans of the Iraq and Afghanistan wars served as models).
But additionally, it’s a monument to an idea: Sabin Howard’s fervent belief that modern America needs a public, neo-classical art. An art that unifies rather than divides. An art that can ennoble our squares and promenades, the way Michelangelo’s and Donatello’s sculptures adorned the piazzas of Florence.
“In the Renaissance, they used to make sculptures like the David, and they would put it in the square,” said Howard, who trained in Italy and at the Philadelphia College of Art (now the University of the Arts).
Such art, he said, uplifted. “It was a symbol of rising to the occasion, as a nation, and on a citizen level,” he said. “This is the exact same damn thing. I made a sculpture with 38 figures that shows a tapestry of the United States and its variety, with women, children, Democrats, Republicans, all under one flag as Americans. We are one unified country. That’s what the sculpture is.”
African Americans, Asians and Native Americans are included among the figures (though Howard takes the liberty of showing Black soldiers fighting alongside whites; the U.S. army was then segregated).
“This is something that brings us together,” Howard said. “Most modern art brings us apart.”
Aftermath of war
Ironically, it was World War I itself, and the ensuing cynicism about war and sacrifice, that gave rise to the iconoclastic modern art movements that dominated Western culture for the last 100 years. With “A Soldier’s Journey,” Howard wants to use that same war as a jumping off place, to bring the heroic back to art. “This is an American cultural renaissance,” he said.
His next project is also in that vein: an “American Exceptionalism Arch” project in Dallas, which will probably be completed 10 years from now. It too, will uplift and ennoble. “It’s another epic sculpture, which this many figures and this amount of story,” he said.
One thing he says he learned from working with veterans during the World War I project: the notion of being “in service of.”
“I feel that my work is in service to something greater than myself,” he said. “That’s what I’m so excited about.”
Washington, D.C
US industry leaders take sport fishing issues to Washington DC – Angling International
The impact of tariffs on the US fishing tackle industry and the need for sound fisheries management were among the topics discussed by attendees of the American Sportfishing Association (ASA)’s first ever Keep America Fishing in DC Fly-In.
It included industry leaders who last week joined together in Washington DC and all walked hundreds of miles across the US Capital Complex to advocate for the interests of the US trade and the entire recreational fishing community.
The group also enjoyed conversations with National Oceanic and Atmospheric Administration (NOAA) Director, Dr Neil Jacobs, Director of the US Fish and Wildlife Service, Brian Nesvik, Senator Martin Heinrich (D-NM) and Representative Blake Moore (R-UT).
ASA President and CEO, Glenn Hughes, said: “We look forward to continuing the conversation with legislators throughout the rest of this Congress and to an even bigger Keep America Fishing Fly-In in 2027.”
Above: From left: ASA President Glenn Hughes and Vice President of Government Affairs, Mike Leonard, with Senator Martin Heinrich (centre).
Washington, D.C
Duffy touts air traffic controller applications amid push to recruit gamers
WASHINGTON — The Federal Aviation Administration received 12,000 applications in 24 hours after its annual air traffic control hiring window opened Friday, a figure Transportation Secretary Sean Duffy described as record breaking amid the agency’s new campaign to recruit video gamers to the job.
In a post on X over the weekend, Duffy said the 12,000 applications marked “the most in one day since the FAA was created 68 YEARS ago!” He told Fox News in an interview Sunday that 11,000 of those applicants were considered qualified and 8,000 have already been sent a skills test required to move forward in the process.
Duffy specifically credited the Transportation Department’s fresh effort announced earlier this month — just a week ahead of the opening of its hiring window at midnight April 17 — to seek out those who play video games to apply.
“To reach the next generation of air traffic controllers, we need to adapt,” Duffy said in a press release on the new campaign at the time. “This campaign’s innovative communication style and focus on gaming taps into a growing demographic of young adults who have many of the hard skills it takes to be a successful controller.”
The transportation chief told Fox News on Sunday that the idea was sparked by a poll the agency took of students at an FAA academy in Oklahoma City in which all but three of the 250 people randomly surveyed said they were gamers.
“And so we thought, listen, there’s a connection here,” Duffy said. “They problem solve, they are spatially aware, they do multiple things at the same time. It is very reminiscent of what air traffic controllers do.”
Since then, Duffy said the agency has reached out to the community, including with a video appearing to target gamers he posted earlier this month. He called the response the agency has received “remarkable.”
“YOU can be the future of air traffic control,” Duffy said in a post on X earlier this month that included the video ad. “It’s not a GAME, its a CAREER.”
The push comes as the FAA has been plagued with air traffic controller staffing issues for years, a reality that has been amplified amid recent government shutdowns, which leave them working without pay until the matter is resolved.
During the government shutdown last fall, Duffy told CNN in an interview that the FAA was seeing 15 to 20 air traffic controllers retiring a day, up from four before the lapse in funding. He added at the time that the FAA was short “about 1,000 to 2,000” air traffic controllers in general and noted he had embarked on an effort to pay experienced people in the position to stay on the job and not retire.
A report by the U.S. Government Accountability Office released earlier this year found that the number of air traffic controllers in the country has declined by about 6% over the last 10 years. The GAO cited government shutdowns in 2013 and 2018-2019, as well as the COVID-19 pandemic, as contributing factors in the decline, noting both disrupted training.
In the report, the GAO also noted that there has been a 10% increase in the number of flights that rely on the air traffic control system over the same period, exacerbating the issue.
President Donald Trump’s 2027 budget proposal to Congress includes a request of a $481 million increase to “continue to support the Administration’s air traffic controller hiring surge, as well as enhancements to aviation safety, commercial space operations, and updates to FAA’s outdated telecommunications systems,” according to a fact sheet from the White House.
There are a number of prerequisites to qualify to be an air traffic controller, including being under 31 years old and being able to “Speak English clearly enough to be understood over communications equipment,” according to the FAA website.
Those interested must also pass a medical exam, as well as the agency’s air traffic pre-employment tests. The FAA notes that less than 10% of all applicants meet all of the requirements and are accepted into the training program.
Washington, D.C
The director of the Congressional Budget Office—known for its gloomy national debt data—is very optimistic that a crisis will be avoided entirely | Fortune
Dr Phillip Swagel is an optimist, both by nature and when he looks at the U.S. economy.
This fact is perhaps at odds with what one might assume: Swagel is the director of the Congressional Budget Office (CBO), the nonpartisan agency that offers independent budgetary and economic analysis to Congress.
Very often—an inevitable occupational hazard—the subject of national debt and the interest the U.S. Treasury pays to maintain is its central focus. The numbers are eye-watering: Public debt stands at more than $39 trillion. The interest expense on that borrowing now exceeds $1 trillion a year. Indeed, the latest budget update from the CBO highlights that the government—according to preliminary estimates—paid out nearly $530 billion between October 2025, when the fiscal year starts, and March 2026. This equates to more than $88 billion in interest payments a month, or more than $22 billion a week.
The CBO’s figures are routinely cited by policymakers, think tanks, and lobbyists as alarming evidence that the U.S. needs to find a more sustainable fiscal path or risk dire straits.
Swagel doesn’t subscribe to the notion that the U.S. will face a crisis of its own making. His justification is simple: He was at the Treasury during the 2008 financial crisis, and joined the CBO months before the COVID pandemic began. He has watched as the U.S. economy, seemingly against all odds, has clawed its way out of economic crises before.
That’s not to say Swagel isn’t a staunch advocate of setting the U.S. on a more sustainable fiscal path—rather, he trusts the people in power to do so when the time comes.
Why the optimism?
Among those concerned about national debt are notable names: JPMorgan Chase CEO Jamie Dimon, Federal Reserve Chairman Jerome Powell, and Bridgewater Associates founder Ray Dalio. Tesla CEO Elon Musk is also worried about federal spending and has endorsed a plan floated by Berkshire Hathaway founder Warren Buffett that would render members of Congress ineligible for reelection if they allow deficits to exceed 3% of GDP.
On the other hand, optimistic economists suggest that, despite the value of the debt, it’s not actually an issue: the bond market is holding steady, indicating a reliable market of buyers. Likewise, the U.S.’s own central bank buys huge swaths of the debt, meaning, in the simplest of layman’s terms, the economy can essentially print its own money. There are holes in this argument, not least the fact that Fed chairman nominee Kevin Warsh has suggested he would like to reduce the Fed’s balance sheet and may therefore be less inclined to finance borrowing.
Swagel’s positive outlook doesn’t rely on the argument that a crisis hasn’t happened yet, so therefore it never will: “[My optimism] is rooted in my experience,” Swagel tells Fortune in an exclusive interview in Washington D.C. “First being at Treasury during the financial crisis and seeing very difficult times and the country coming together with an effective response—not saying it’s perfect, lots of controversy—but it was effective.”
“The second thing is policymakers are smart, they’re thoughtful. Interacting with members of Congress makes me optimistic. I know you read about all the squabbles … I’m completely aware of this, but the policymakers that are thinking about these things are thoughtful and effective. Not necessarily always effective at passing legislation, but that’s part of our political system, it was set up to make it difficult ot pass legislation.”
Decisions on the horizon
Swagel’s optimism that Congress will be pushed into action will be tested sooner rather than later, likely at some point in the next six years, he told Fortune. This is partly due to the fact that, according to the Committee for a Responsible Federal Budget (CRFB) both Social Security and Medicare will become insolvent within that time period.
“Making progress to address the fiscal trajectory would be a positive for the U.S. economy,” Swagel said. “Credible steps would lead to lower interest rates that would make the subsequent adjustment easier, there is a reward to virtue. It’s a positive thing, we can’t go on [with] the scolding narrative. My sense is that members of Congress understand the fiscal situation, it’s not that everyone single one has looked at our one-pager of numbers and understands the debt to the third decimal point, but they understand something needs to be done.”
“It doesn’t have to be done immediately, but at some point reasonably soon.”
Swagel is of the opinion that bond investors haven’t increased risk premiums not because they’re not worried about a fiscal crisis, but because they have priced in preventative action from Congress—in his mind “a vote of confidence that my optimism is not misplaced.”
“As a country, we face up to these problems. It’s not happening now, I’m not sure it’s going to happen in the rest of this year or even the next year, or the next two years. But we will face up to it, and the market in some sense expects us to, because otherwise interest rates would be higher,” he explained.
The Cheesecake Factory
The role of the CBO, to some extent, is to provide policymakers with their options if and when they do choose to take action on federal deficits. It’s a menu not unlike the Cheesecake Factory, Swagel says: Large, inclusive of a range of modifications and options, and delivered without judgement.
“Right now it’s maybe a pick three, and you’re looking at a six or seven course menu,” joked Caleb Quakenbush, director of fiscal policy at the Bipartisan Policy Center, in an interview with Fortune. “The longer you delay, the more you’re gonna have to add to your tab, and those options become more expensive.”
Indeed, economists and analysts aren’t necessarily worried about the absolute level of government debt, rather the debt-to-GDP ratio. Depending on whom you ask, the debt-to-GDP ratio stands at around 122% of GDP at present. This measure demonstrates an economy’s spending versus its growth, and the risk associated with lending to a nation that isn’t growing fast enough to handle its spending. To rebalance that ratio, an economy could either cut spending or increase growth—the latter being by far the less painful option.
The growth option is becoming less feasible, Michael Peterson, CEO of fiscal think tank the Peter G. Peterson Foundation, told Fortune in an exclusive interview: “I think it requires government action because we’ve waited so long. We’ve added so many trillions, and the current deficit is so big at 6% that the level of growth you would need really exceeds what is feasible.
“Growth needs to be a part of it, but it’s sort of a vicious cycle. The longer we delay, the more debt we have, the slower growth is going to be. The more we get this under control, I think the greater optimism there is, interest rates go down, more growth comes from that. It’s sort of a virtuous or vicious cycle depending on your policy response.”
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