Connect with us

Movie Reviews

‘The Air He Breathes’ Movie Review: A Well-Done Romantic Drama

Published

on

‘The Air He Breathes’ Movie Review: A Well-Done Romantic Drama

Grief is universal, but how we handle it is not. Everyone who has lost someone has their own story and way of dealing with it. Passionflix’s latest adaptation, The Air He Breathes, follows two people working to find their way through the grief that has taken hold of their lives.

Based on the book of the same name by author Brittainy Cherry, “The Air He Breathes follows Elizabeth (Kelcie Stranahan) and Tristan (Ryan Carnes), who find solace and healing in each other’s company after suffering devastating losses. As they navigate their grief and past traumas, they discover the power of love and second chances.”

Courtesy of Passionflix

I’ve seen many Passionflix movies over the years, but I have to say The Air He Breathes was the first one that made me cry several times from start to finish. When we’re introduced to Elizabeth and Tristan, they are both on their grief journeys. Elizabeth, who lost her husband, Steven, has decided to take her little girl Emma (The incredibly adorable Charlotte Ann Tucker) back home to Meadows Creek to try and start fresh. Meanwhile, Tristan, who lost his wife Jamie and their son Charlie, has essentially run away and gone into a sort of hiding. When the two meet, it’s not under the best circumstances because she accidentally hits his dog, Zeus, while driving. Naturally, this is not the best way to meet someone, and Tristan is rightfully upset. But Elizabeth sees something in Tristan. She sees the vulnerability under the anger and frustration, especially when he breaks down after hearing that Zeus will be fine.

Advertisement

As Elizabeth gets settled back home, she learns that Tristan is her next-door neighbor. This quickly sends us right into the good old enemies-to-lovers trope, which is one of my personal favorites. Even though almost everyone in town seems to have something negative to say about Tristan, Elizabeth sees beyond that because she senses something in him. She also appears to identify with him in many ways because she knows what it’s like to have the people in town pass judgment on her. Everyone expects her to behave a certain way since she lost her husband, which is tough enough because she’s still trying to figure out how to exist without him.

The Air He Breathes
Courtesy of Passionflix

Tristan is a bit of a recluse in some ways because he makes it a point to keep his distance from everyone, and he’s just existing and not living. That is until Elizabeth enters his life. Try as he might, he really can’t avoid her. I mean, she lives next door. And secretly, he enjoys her company. Come on, how many people do you know that would willingly cut someone’s grass? Sure, Tristan initially claimed that he did it because he didn’t want her to wake up the neighborhood, but when he learned that, like him, she had lost her spouse, his views on her changed. During this time, Elizabeth and Tristan learn that they are not so different.

Soon, Elizabeth and Tristan begin spending a lot of time together. He helps her out a lot with the maintenance of her home. As they grow closer, their relationship shifts, and they sleep together. However, the twist is that they both agree they will use each other to keep the memory of their spouses alive. What could possibly go wrong? Except, you know, both genuinely develop feelings for each other. Elizabeth and Tristan are not emotionally equipped to have relationships that do not involve real feelings. They both love hard, and that’s obvious in the way they each love their spouses, Steven and Jamie. Watching their love scene was heartbreakingly beautiful because they feel everything so deeply. To some people, it probably seemed weird that they would do this, but ultimately, we all want to be loved and seek companionship. That’s the void these two were filling.

Advertisement

The Air He Breathes
Courtesy of Passionflix

Even when they decide that sleeping together involves too much of their hearts, Tristan makes it clear he still wants Elizabeth in his life. Even if that means they can only be friends. And of course, we all know that doesn’t work either because these two have already been intimate, and now they know what it’s like, so it becomes even more difficult for them. As the saying goes, the heart wants what it wants. And Tristan and Elizabeth want each other. Unfortunately for them, there are a lot of people who don’t want them to be together. And old wounds are opened up in ways none were even prepared for. I am NOT going to go into that any further because I wouldn’t want to spoil the twist I didn’t see coming when I read Cherry’s book.

The Air He Breathes was a well-done book-to-screen adaptation. Both Stranahan and Carnes gave powerful performances as Elizabeth and Tristan. Stranahan added such a lightness to Elizabeth; there was a quiet stillness about her approach that was also so palpable. I also have to acknowledge that she brought out Elizabeth’s fiery nature. Carnes, whose character is a man of few words at first, was able to convey Tristan’s closed-off demeanor, and I loved that we could slowly, bit by bit, begin to see him become more open again to friendship and then to loving and being loved again. As I said, quite a few tears were shed while watching this. It’s probably the same amount as I did when I read the book.

The Air He Breathes
Courtesy of Passionflix

I have to say this may be one of my new favorite films adapted by Passionflix. Director Rachel Annette Helson and Cinematographer Sean Conley created something beautiful with this film, showing a lot of care with Brittainy Cherry’s book. Her characters were indeed in great hands because it’s daunting to try and capture a story that not just the author loves but readers as well. We all know that readers are picky when we hear the words “book-to-screen adaptation,” so it’s beautiful when a director gets it right. If you’re looking for a romantic drama (believe me, The Air He Breathes has the drama) with heart and some twists that will make your jaw drop, this is the film for you.  

Advertisement

The Air He Breathes is now streaming on Passionflix.

Movie Reviews

MOVIE REVIEW: Pixar’s Hoppers is laugh-out-loud funny

Published

on

MOVIE REVIEW: Pixar’s  Hoppers  is laugh-out-loud funny

The Snapshot: Pixar comes out swinging with an energetic and cuddly comedy that pairs big laughs with an earnest message about living alongside nature.

Hoppers

9 out of 10

G, 1hr 44mins. Animated Sci-Fi Family Comedy.

Directed by Daniel Chong.

Starring Piper Curda, Bobby Moynihan, Kathy Najimy, Jon Hamm, Dave Franco and Meryl Streep.

Now Playing at Galaxy Cinemas Sault Ste. Marie.

Advertisement

True all ages fun is increasingly hard to find, and hoping for great, original works out of Hollywood is only getting rarer from the major studios. Thankfully, Disney and Pixar’s Hoppers is making the search a little easier.

Director Daniel Chong (best known for the TV series We Bare Bears) has masterfully directed a frantic masterpiece that is worthy to stand among iconic greats in Pixar’s esteemed catalogue. Filled with bustling action, a brave moral standing, and an endless parade of cuddly animal heroes, Hoppers is a dam great time.

A beaver dam great time, that is.

The story is a bit unusual, set in the northwestern town of Beaverton, Oregon, where a local University student and nature activist named Mabel (Piper Curda) is in a constant fight with the town’s development-driven mayor (Jon Hamm) over a highway expansion over a local glade and nature preserve.

Things gets wild, however, when Mabel’s consciousness gets sucked into a beaver robot through a process called “hoppers” – and suddenly becomes a literal friend of the forest, setting off a chain of events I dare not spoil.

Advertisement

One of the strongest elements in Hoppers is Jesse Andrews’ terrific screenplay, built on a story structure that has made Pixar’s work stand out among family entertainment for the last 40 years. (Part of this film’s release, co-incidentally, marks the studio’s 40th anniversary this year.)

Not only has Andrews filled the plot with multiple organic surprises that repeatedly heighten the stakes of Mabel’s quest to save the glade, but the script also balances the peacefulness of nature to – anchor the story – with the frazzled panic of modern human life to develop the humour.

Getting these juxtaposing elements to work is done swiftly by Chong, Andrews and the talented voice ensemble bringing it altogether. The actors above are all commendable, but the scene stealer is Bobby Moynihan (of SNL fame) as beaver leader King George.

Moynihan’s George is smart, sincere, and socially aware that teaches Mabel some core lessons without making it overly obvious to the audience. Still, the film as a whole effectively gets its messages across about what a realistic plan for living in harmony across species actually looks like – and how to go about trying to do the right thing.

Advertisement

Pixar’s original works have struggled for several years, mainly upended by the COVID pandemic ruining the box office prospects of multiple great movies, including Soul, Turning Red and Onward.

Get ready now for Hoppers to take the spotlight both commercially and among repeat viewings for kids – the film is laugh out loud funny and filled with heart. This is the best original film from Pixar since Coco almost a decade ago.

Read more here: You can’t miss Pixar’s Coco (2017 review)

The only small critiques, in fact, is that the main conflict doesn’t fully emerge or develop until halfway through the film, and the pacing is a bit slow until we get to the actual animal “hopping” that comes at the end of the first act. What’s also missing is the ethereal discovery of poignancy that made Pixar’s earliest filmography seem truly special.

Still, don’t let these small quips deter you. Hoppers is the first great film of 2026 and an absolute blast watching at the cinema.

Advertisement

Children, parents, grandparents, neighbours, your mailman – everyone should see it this weekend. And seeing it sooner is a great way to encourage the development of more original, thoughtful and fun movies like this to be made.

Hop to it, beavers!

Advertisement
Continue Reading

Movie Reviews

‘Jab Khuli Kitaab’ movie review: A heartfelt exploration of love’s endurance

Published

on

‘Jab Khuli Kitaab’ movie review: A heartfelt exploration of love’s endurance

Pankaj Kapur in ‘Jab Khuli Kitaab’
| Photo Credit: ZEE5

Cracks in conjugality constitute a common conflict device in Hindi cinema. Usually, the male commits the bhool and expects forgiveness. Most fissures appear early, but what if a grandmother reveals a long-buried truth? Can the man accept it as easily as he expects forgiveness? Seasoned actor and theatre practitioner Saurabh Shukla gives new meaning to a prescribed book, making us both chuckle and reflect.

Being a cinematic adaptation of his play, the constraints of the medium are not completely erased, but it shines as a heartfelt exploration of love’s endurance.

The film’s core premise revolves around a decades-old secret — Anusuya’s (Dimple Kapadia) confession of an indiscretion early in their marriage — that surfaces after she awakens from a coma. This revelation forces Gopal (Pankaj Kapur) to re-examine 50 years of trust through the lens of this buried truth as a forgotten ad hoc presence in his life threatens to become a permanent peeve. Enter Negi (Aparshakti Khurana), a young client-chasing lawyer who becomes an unlikely facilitator of tough conversations, legal proceedings, and emotional confrontations.

A still from the film

A still from the film
| Photo Credit:
ZEE5

Jab Khuli Kitaab (Hindi)

Director: Saurabh Shukla

Advertisement

Duration: 115 minutes

Cast: Pankaj Kapur, Dimple Kapadia, Aparshakti Khurana, Sameer Soni, Nauheed Cyrusi, Manasi Parekh

Synopsis: Gopal and Anusuya’s decades-long marriage is shaken by a revelation.

Though the transgression is a distant memory, its emergence shatters Gopal’s sense of shared space with Anusuya. He questions whether the life he built was an illusion. The woman he cared for seems suddenly unfamiliar. The film asks questions that may seem flimsy but persist in memory. For instance, Anusuya’s love for poetry that Gopal never really discovers, or the concept of marzi (inclination) in relationships.

Meanwhile, the revelation shakes the family unit. The parents initially try to shield the children from the truth, but the tension inevitably seeps in. Initially, it seems the son and son-in-law are bitten by the Baghban bug, but as the film progresses, the writing provides space for a dialogue on how companionship extends beyond the couple.

The film quietly reflects on the role of memory in a marriage, treating it as a central force that both sustains and disrupts long-term bonds. Gopal’s growing dementia suddenly seems like a cure for his marital problem. Without underlining, Shukla also explores the impact of the revelation on Gopal’s social psyche. Suddenly, a seemingly progressive man starts behaving like a parochial uncle, as we find dozens of them around us these days. Is it always the personal that shapes the political socialisation? Another uncle reminds us that laughing too much leads to days of sorrow, as if the Almighty has assigned us a quota of happiness.

Advertisement
A still from the film

A still from the film
| Photo Credit:
ZEE5

Kapur’s masterful control shines through in Gopal’s progression from bewilderment and stubborn pride to vulnerability and, eventually, the rediscovery of love. Over the years, Kapur has shone in the estuary of comedy that holds a tragedy in its fold. He lives the script’s shifting tones. From the tender caregiving scenes in the beginning to the profound internal shift in demeanour and body language toward the film’s resolution— the transformation feels earned and believable.

It is hard to believe Dimple as a wilting wife, but soon we realise it’s the gravitas in her voice and personality that makes Anusuya a believable picture of regret and resilience.

We know the coma is more like a metaphor, but the medical aspect is treated with a heavy hand. The plot unfolds in a somewhat linear and foreseeable way, with the revelation and its consequences following expected beats. The contrivances, the dot-to-dot mechanics of storytelling, surface in the second half as if the director is keen on arriving at the crux without peeling the layers properly. But it is the chemistry between Shukla and Kapur that prevents this bittersweet dramedy from becoming schmaltzy. 

Jab Khuli Kitaab is streaming currently on ZEE5

Continue Reading

Movie Reviews

‘Hoppers’ movie review: Big ideas and smart emotional beats fuel a great adventure

Published

on

‘Hoppers’ movie review: Big ideas and smart emotional beats fuel a great adventure

In cinema logic, sharks, especially great whites, make excellent characters in animation. From Bruce in Finding Nemo to Mr Shark, the master of disguise in The Bad Guys, these apex predators turn their great gummy mouths with many pointy teeth into jolly good fellows.

In Hoppers, the 30th animation film from Pixar, there is a great white called Diane (Vanessa Bayer), who, despite being a scary assassin, has such sweet, shining eyes and a warm smile that one cannot help but grinning back.

Hoppers (English)

Director: Daniel Chong

Voice cast: Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, Dave Franco

Storyline: A fierce animal lover uses a new technology to converse with animals and save their habitat from greedy, self-serving humans

Advertisement

Runtime: 104 minutes

We first meet Mabel (Piper Curda) as a little girl trying to set all the animals in school free and being sent home for her pains (and also because she bites one of the teachers trying to stop her). Her busy mother drops Mabel with her grandmother (Karen Huie) who shows her the peace and quiet that can be hers if she only stops to listen.

The glade where grandmother Tanaka teaches her this valuable life lesson becomes a special place for Mabel. Years later, after her grandmother has passed, 19-year-old Mabel is a college student and still fighting for animal rights.

Matters come to a head when the mayor of Beaverton, Jerry Generazzo (Jon Hamm) plans to blow up the glade to build a freeway. Mabel tries to get signatures from the citizenry to stop the freeway plans, but that comes to naught as people quickly turn away from the zealous Mabel.

Frustrated, with no recourse in sight, Mabel chances upon a beaver making its way to her university’s biology lab. First worried that her biology professor Sam (Kathy Najimy) is doing some unspeakable animal experiments, Mabel is nonplussed to find that Sam, with her colleague Nisha (Aparna Nancherla) and graduate student Conner (Sam Richardson), have developed a revolutionary technology to transfer human consciousness to robot animal.

Advertisement

Mabel uploads her consciousness into a robot beaver and sets off to thwart the mayor. Seeing the world from the animals’ perspective gives Mabel a unique point of view. Hoppers has jokes, chases, largeness of heart and solid science — not consciousness-switching with robot animals or flying shark assassins but the fact that beavers are the environmental engineers of the natural world.

The voice cast is wonderful, from Bobby Moynihan as the beaver king, George to Dave Franco as Titus, the prickly butterfly who becomes the insect king after Mabel accidentally kills his mum — the Insect Queen, played with terrifying grandeur by Meryl Streep.

The animals are delightfully delineated, from the spaced-out beaver, Loaf (Eduardo Franco) to Ellen (Melissa Villaseñor) the grumpy bear. The animation is lovely, with each of the animal and human characteristics clearly outlined. From the mayor’s grasping to Sam’s brilliance, Mabel’s fervour to Loaf’s stillness, and the different animal monarchs’ regality, it is all given marvellous life.

ALSO READ: ‘The Bride!’ movie review: Maggie Gyllenhaal’s glam-goth Frankenstein can’t hold its stitches

The “pond rules” ensure that the animals are not completely anthropomorphised — a sticky point in animation films where carnivores and herbivores hang together without even a sneaky licking of lips!

Advertisement

Smart, funny, exciting, honest, and touching, Hoppers is the kind of film you can watch with the bachcha party and elders alike, with a happy grin. And then there is Diane of the red, red lips and sparkly white rotating teeth — yes, Hoppers boasts that level of detailing.

Hoppers is currently running in theatres

Published – March 06, 2026 07:08 pm IST

Advertisement
Continue Reading

Trending