Lifestyle
Burning Man contends with unusually slow ticket sales
Attendees dance during the annual Burning Man Festival in the early morning of Sept. 5, 2023. Thousands of revelers were stuck in the mud for days last year.
Julie Jammot/AFP via Getty Images
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Julie Jammot/AFP via Getty Images
The Burning Man festival typically draws a sellout crowd of at least 70,000 revelers. But this year, the sprawling cultural event, which takes place over a week starting in late August, is facing an unusual drop in demand.
For the first time since the festival started selling out in 2011, the organizers are offering tickets to last-minute buyers without requiring preregistration. Also, the resale market is flooded. On sites like StubHub and SeatGeek, customers can currently get their hands on a ticket for less than half of the regular price.
Festival organizers are saying the “spontaneous” ticket offering is intentional.
In an email to NPR, Burning Man spokesperson Dominique Debucquoy-Dodley said the festival came up with the instant gratification option in response to the global trend for last-minute ticket buying, adding that this “encourages immediacy and makes it easy for more people to immerse themselves at the heart of the global Burning Man cultural movement.”
Blame the weather and the economy
Members of the Burning Man community said the slowdown is happening for a couple of reasons, including severe and unpredictable weather.
Hudson Valley, New York-based Burner Jaky Levy blames the record-breaking heat of 2022 followed by the mud-bath-inducing rains of 2023 for putting people off in 2024.
“It takes so much work to already get there, that after all your things get drenched and ruined, a lot of people just don’t want to put themselves through that again,” Levy told NPR.
Other festivals like Coachella and Lollapalooza have also been struggling with ticket sales lately. One of the main reasons could be the economy. And Burning Man’s sluggish sales may equally be a result of potential attendees feeling like they can’t afford to attend.
Attendees look at a rainbow over flooding on a desert plain on Sept. 1, 2023, after heavy rains turned the annual Burning Man festival site in Nevada’s Black Rock desert into a mud pit.
Julie Jammot/AFP via Getty Images
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Julie Jammot/AFP via Getty Images
Festival demographic data shows a big increase over the past decade in attendees with personal incomes of $100,000 to $300,000, and a steep decrease in those who earn less than $50,000. Many of those high-earning Burners work in tech — an industry which has been beset with layoffs lately, which could partly explain the drop in ticket sales.
The event is expensive: A standard ticket in 2024 costs $575. And there are plenty of additional expenses, ranging from parking and camp fees to RV rental and flights. A 2023 BBC report included attendees who said they spent up to $8,000 to attend Burning Man.
A changing culture
The Burning Man festival has evolved a great deal since its scrappy beginnings in San Francisco in the 1980s.
Beyond the escalating costs and bad weather, longtime attendees said the vibe of the event has changed over the past decade or so — and not necessarily for the better.
“We’ve definitely seen a tendency toward these huge expensive camps, almost concierge camping — what are called ‘plug-and-plays’ — where people pay to attend,” said Marisa Lenhart of Alameda, Calif., who has been a festival attendee since 1999.
Instead of contributing a skill, service or product to Burning Man’s community-minded gift economy, Lenhart said the plug-and-players are paying others to haul in their lavish accommodations and clean up after them. Even though the festival organizers have been trying to tamp down this behavior, it’s causing some die-hard Burners to stay away.
Vehicles seen departing the Burning Man festival in Black Rock City, Nev., in September 2023.
Matt Mills McKnight/Reuters
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Vehicles seen departing the Burning Man festival in Black Rock City, Nev., in September 2023.
Matt Mills McKnight/Reuters
Lenhart herself isn’t among them, though. She said she still plans to lead Death Guild Thunderdome, the big camp she’s been running at Burning Man for years.
“What keeps me going back is Thunderdome,” she said. “The community around this group of people who are my absolute friends and family in every way that matters.”
Though, Lenhart added, her group will have fewer members this year.
A silver lining?
The slump in ticket sales isn’t all bad news for those who return year after year.
Oakland, Calif.-based Burning Man attendee and artist Tim Bremner said it might signal an end to the jet-setting plug-and-play crowd.
“With this turn of maybe not selling out, I think people are hoping, like, ‘Oh, they got bored of it,’ ” he said.
Bremner added the instant gratification ticket sales also potentially mean an influx of new people who might otherwise not be able to go. He said buying a last-minute ticket was what made it possible for him to attend his first Burn, back in 2001. (The festival stopped allowing people to buy tickets without preregistering when the event started to sell out in 2011.)
“They’ll probably get a new generation of interested folks, which is pretty cool,” Bremner said.
Members of this “new generation” have been posting comments and questions on the Burning Man 2024 Facebook group about the upcoming event. Some shared their excitement.
“I’m a newbie,” posted Katie Kritzell. “Happy to share laughs, great vibes, the cost of gas, and snackaroonies!”
Other self-described first-timers, like Mike Morrow, took a more cynical approach, prompting questions from members of the community about whether Morrow was indeed a Burning Man virgin.
“Looking at the mild weather forecast and the high probability of a low turnout with shorter lines, smaller crowds, and maybe even a decent exodus,” Morrow wrote, “I’m wondering if I should skip this year and try again another year when the weather or crowds might be bad so I can get the ‘true’ Burner experience.”
Lifestyle
In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings
The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.
Anh Nguyen for NPR
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Anh Nguyen for NPR
Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.
Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.
The Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.
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A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.
Anh Nguyen for NPR
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Anh Nguyen for NPR
For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.
Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”
Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.
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Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.
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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.
Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.
Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”
Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.
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Anh Nguyen for NPR
Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.
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Anh Nguyen for NPR
Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.
Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”
Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.
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Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.
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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.
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Anh Nguyen for NPR
Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”
Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.
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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.
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