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Reflections on James Baldwin's magnificent life from those who knew him

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Reflections on James Baldwin's magnificent life from those who knew him

American writer James Baldwin photographed on January 20, 1986.

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James Baldwin was born 100 years ago, on Aug. 2, 1924, in Harlem Hospital. He wrote in 1955, “I love America more than any other country in this world and exactly for this reason, I insist on the right to criticize her perpetually.” Baldwin died on Dec. 1 at the age of 63 at his home in the south of France. NPR asked four people for their reflections on the writer.

Eleanor Traylor, scholar: “There was splendor before me.”

Eleanor Traylor takes a break in the comfort of her three-story brownstone in Washington, D.C. She is a literary critic, a scholar and retired chair of English at Howard University. She has written before about Baldwin in academic journals. Her home reflects a lifetime of collecting books, art and friends. Traylor will contribute to a new book about Baldwin due later this year.

I hope that since I met him, I’ve been like him, in any way that I could be, you know, small or large.

She first met the him in the late 1970s. Traylor was visiting his sisters, Paula and Gloria, at 137 W. 71st St. on Manhattan’s Upper West Side, in an apartment building Baldwin bought for his family.

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Dr. Eleanor Traylor at her home in Washington, D.C. Traylor is a retired professor at Howard University and was friends with literary giants including James Baldwin.

Dr. Eleanor Traylor at her home in Washington, D.C. Traylor is a retired professor at Howard University and was friends with literary giants including James Baldwin.

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There was a knock at the door.”

Traylor answered and found herself face to face with James Baldwin.

“There was splendor before me,” she says. “You know, James Baldwin was not very tall, but he was tremendous looking,” she laughs.

“There was this gleaming white shirt, these eyes, who could rescue you, but who could rain and sunshine at the same time. This wonderful smile. And I just burst into tears. I just sobbed.“

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Baldwin did not miss a beat, she says. He took me up in his arms and he said to me, chuckling, ‘Now what have I done to deserve all this?’ Just magnificent,” Traylor says.

James Baldwin was not very tall, but he was tremendous looking.

Their friendship only grew from there. They would catch up at house parties and other gatherings where Baldwin showed up on his commutes from France.

Traylor retells Baldwin’s story about how his first novel got its title. Trekking the Swiss Alps, where he finished the manuscript, Baldwin took a death-defying leap above a gorge, a shortcut home before complete nightfall. She says he jumped and made it across, trembling. He said a sound came to him. And the sound was that song, “Go Tell It on the Mountain.“

Dr. Eleanor Traylor at her home in Washington, D.C. Traylor is a retired professor at Howart University and was friends with literary giants including James Baldwin.

Dr. Eleanor Traylor at her home in Washington, D.C. Traylor is a retired professor at Howart University and was friends with literary giants including James Baldwin.

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Baldwin’s family calls her Aunt Eleanor. They trusted her to arrange the funeral at Cathedral Church of the St. John the Divine in New York City. The two-hour homegoing opened with African drummers and ended with James Baldwin singing the gospel hymn “Precious Lord.”

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Today, she still misses her friend. Maya Angelou, Amiri Baraka and Toni Morrison all spoke at his funeral.

“Toni Morrison talked of him as the language that we inherited,” she says. “James Baldwin was the mentor of my generation.”

Baldwin was an inspiration to Morrison and many other writers, Traylor says. “His influence is incalculable.”

Eleanor Traylor wrote in PEN America that Baldwin’s message throughout his books is that the only safety is to dare to love. “He didn’t talk of a utopia, a perfect world,” she tells NPR. “He just said, if you love, you will create the kind of world you wish to live in.”

Cicely Tyson, James Baldwin, guest and singer Harry Belafonte attend To Be Young, Gifted And Black Gala on January 2, 1969 at the Cherry Lane Theater in New York City.

Cicely Tyson, James Baldwin, guest and singer Harry Belafonte attend To Be Young, Gifted And Black Gala on January 2, 1969 at the Cherry Lane Theater in New York City.

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“He was the kind of person you wanted to emulate,” she says on a rainy afternoon. “I always had him in my mind, in my soul. I hope that since I met him, I’ve been like him, in any way that I could be, you know, small or large.”

Traylor’s eyes well up.

“I’m talking about whatever you hold to be delicious, whatever you hold to be precious,” she says. “There is such a thing as courage. There is such a thing as lovability. There is such a thing as honesty. There is such a thing as genius. All those things are for me,” she pauses, then whispers, ”James Baldwin.”

Richard Goldstein, journalist: “Go where your blood beats.

Richard Goldstein recalls the situation, more than 40 years ago, when James Baldwin did a rare kind of interview with The Village Voice.

“I had heard that he was coming to New York to see his brother.” Goldstein says.” I thought, ‘He’s never actually addressed the question of sexuality, as far as I knew, even though he was a pioneering, openly gay writer.’”

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Richard Goldstein appears in a portrait taken in his home on January 31, 2017 in New York City. Goldstein is known as a founder of Rock Music criticism and is a noted writer and journalist. (Photo by Al Pereira/Getty Images)

Richard Goldstein appears in a portrait taken in his home on January 31, 2017 in New York City.

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Goldstein is a former Village Voice executive editor. “I was putting together the annual queer life issue of the paper, which I edited for about 25 years.”

“Baldwin was an immensely prophetic figure, always, in the lives of queer people,” Goldstein says.

He called himself a witness to the gay community, not a member.

Baldwin’s novel Giovanni’s Room was controversial and influential with its publication in the 1950s. “If I hadn’t written that book,” he told Goldstein, “I would have probably had to stop writing altogether.” For Baldwin, Giovanni’s Room was an exploration of what happens when you fail to love someone.

The AIDS crisis and the 15th anniversary of the Stonewall gay rights uprising were the backdrop for their conversations. They talked over several afternoons in Greenwich Village, at some places Baldwin had frequented during his youth.

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“One of his favorites was the Café Riviera, which is almost across the street from the Stonewall (Inn).”

James Baldwin was openly homosexual, but also very private about it. Baldwin did not refer to himself as gay. “He came up before there was a strong sense of that community,” Goldstein says.

Identity for Baldwin was complicated. “It was both public and that it was political and private, and that it was personal. This was an era when feminists were also discovering that the personal is political. And I think he was aware of all of that.”

James Baldwin smiles while addressing the crowd from the speaker's platform, after participating in the march from Selma to Montgomery in support of voting rights, Alabama, March 1965.

James Baldwin smiles while addressing the crowd from the speaker’s platform, after participating in the march from Selma to Montgomery in support of voting rights, Alabama, March 1965.

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“He called himself a witness to the gay community, not a member, but a witness. And I think that distinction really describes his position.”

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Baldwin’s interview led the June 26, 1984, issue, “The Future of Gay Life.” Goldstein asked his advice to someone coming out. Baldwin didn’t know the term, but once Goldstein explained, he thought one day it would be unnecessary.

“Oh, I am working toward a New Jerusalem, “ Baldwin told Goldstein. “I won’t live to see it, but I do believe in it. I think we’re going to be better than we are.”

“Best advice I ever got,” Baldwin continued, ”was an old friend of mine, a Black friend, who said you have to go the way your blood beats. If you don’t live the only life you have, you won’t live some other life, you won’t live any life at all. That’s the only advice you can give anybody. And it’s not advice, it’s an observation.”

Goldstein says the two men shared their anxieties about the world, discussing sin, anger and rage.

“To me, that was the most memorable part of the interview,” Goldstein says. “Hearing him relate his own life to my own anxieties.”

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American author and playwright James Baldwin as he sits backstage at the American National Theater and Academy Playhouse in New York, New York, April 1964. He was there to attend the opening of his play 'Blues for Mr Charlie.'

American author and playwright James Baldwin as he sits backstage at the American National Theater and Academy Playhouse in New York, New York, April 1964. He was there to attend the opening of his play ‘Blues for Mr Charlie.’

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“He really influenced my gay politics. And one of the things that really was kind of a revelation to me was when I asked why it is that white gay men are so enraged and that Black gay men, in my experience, didn’t have quite the same degree of rage. And he answered that it’s because Black people, from the moment of their birth, are in danger, whereas white people, especially white males, grew up thinking that they were safe. And then, when they came out, they were deprived of that safety.”

Goldstein considers his interview with Baldwin the most meaningful of his career, and he says it guided his later thinking and writing as an activist for a certain kind of gay politics.

“I began to think, what would Baldwin say about this? What contradictions can I find in this book that he would have found?”

Suzan-Lori Parks, writer: “… To walk in his company”

Suzan-Lori Parks is the first Black woman to win the Pulitzer Prize for drama for her play Topdog-Underdog. She was a fourth-grader, singing songs and playing with words who announced one day to her parents, “I want to be a writer.”

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“They gave me The Fire Next Time for Valentine’s Day,” she says, cracking up. “I’m sure it was their way of saying, You know, ‘So you want to be a writer? So, here’s a writer we admire quite a bit. You got to step up. Here you go.’ ”

Suzan-Lori Parks attends 76th Annual Tony Awards - Arrivals on June 11, 2023 at United Palace Theater in New York City.

Suzan-Lori Parks attends 76th Annual Tony Awards – Arrivals on June 11, 2023 at United Palace Theater in New York City.

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Baldwin’s 1963 book bears witness to how racism ravaged America. It was a lot for an 11-year-old Black girl living in rural Vermont in 1973. More than his words, Baldwin’s face on the dust jacket was a potent message for her at the time.

And I would look at it often,” she says. “You know, his beautiful eyes, his gaze, how handsome he was. And I thought, OK, this is what a writer looks like.”

For me, to see them interact with the great writer, to see them hang out with Mr. Baldwin gave me such joy.

A decade later, Parks was selected to take a creative writing class with Baldwin.

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Mr. Baldwin was in the room. I should have been cooler or more chill, but I was just thrilled that I had an opportunity. And so I was very performative in my delivery of my stories.”

She says she was very over the top in her readings.

At the end of the semester, he said, “Miss Parks? Have you ever considered writing for the theater?’ in that beautiful voice he had.”

Parks feared her fiction disappointed Baldwin.

She knew and loved Greek plays, Shakespeare, Edward Albee. Ntokzake Shange, Adrienne Kennedy and Amiri Baraka were great writers, she says, but back then, she didn’t think of herself as a theater kid.

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James Baldwin in Paris on April 27, 1972.

James Baldwin in Paris on April 27, 1972.

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“I got over it quick,” she laughs. Parks began writing her first play on the bus back to her dorm. That same semester, Baldwin invited each student separately for dinner, a meal he would prepare. When it was her turn, she brought her parents.

“And the three of us had dinner with Mr. Baldwin. For me, to see them interact with the great writer, to see them hang out with Mr. Baldwin gave me such joy. I can still see it in my mind’s eye.”

She still calls him Mr. Baldwin, and points to her upbringing. Her mom is from Texas, and her dad was a career Army officer. “It’s a respectful thing, and it’s a sign of love. It’s a gentle bow of the head.”

“Every day, I really work to walk in his company,” Parks says. “And in gratitude for the ways he demonstrated how an artist can show up for the world.”

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Karim Karefa-Smart, nephew : “… Continue to read your Baldwin.”

Karim Karefa-Smart says James Baldwin has always been a presence and a special part of the family, a public figure who lived in the south of France.

“We have a saying, ‘Uncle Jimmy is ours, but he also belongs to the world.’ ”

“Before everything, he was Uncle Jimmy.”

Karim Karefa-Smart poses for a portrait in Meridian Hill Park in Washington, D.C. on July 31, 2024.

Karim Karefa-Smart poses for a portrait in Meridian Hill Park in Washington, D.C. on July 31, 2024.

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Karefa-Smart grew up with siblings, cousins, his Aunt Paula and grandmother Emma Berdis Jones in the four-story apartment building that his Uncle Jimmy bought with profits from his books during the 1960s. Reportedly, Baldwin’s family helped support him in Paris when he struggled to become a writer.

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We owned the building, so we weren’t paying rent to anybody. And we didn’t have to worry about getting put out,” Karefa-Smart says. “And then we had tenants. God bless them, because they had to live through a lot of very noisy and raucous family celebrations.”

I remember him speaking to you directly. You knew that he loved you.

Baldwin was often around at the holidays, which was a special time because of his grandmother’s birthday. Uncle Jimmy’s mom’s birthday fell on Christmas Day.

The nieces and nephews were “very much the apples of his eye,” Karefa-Smart says. His Uncle Jimmy did not have children of his own and loved seeing his nieces and nephews whenever he came to town. “I remember him speaking to you directly. You knew that he loved you, you know, and that was very, very important.”

His mother, Gloria Karefa-Smart, handles matters for the Baldwin estate, ensuring his books remain published worldwide, She used to manage their apartment house on West 71 Street, which they no longer own. He lives in Washington, D.C., where his work involves music concerts and other events.

James Baldwin signing books in a crowded book store in 1980.

James Baldwin signing books in a crowded book store, 1980. (Photo by Afro American Newspapers/Gado/Getty Images)

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Karefa-Smart will be 50 next year. He still talks about Baldwin’s books with his cousins and siblings.

Sometimes, I read his work and I find that I have to put it down. Every other word is a bomb — and a sentence, it’s like a booming cannon. It resonates with you,” he says. “I believe a lot of people who read his work have the same exact reaction.”

He’s currently reading Baldwin’s 1985 book, The Evidence of Things Not Seen, which considers the Atlanta child murders. “But he also uses it as an examination of how America treats its children and how people are treated in society,” he says. “And it’s just one of those books where you just have to read it more than once.”

On the 100-year anniversary of his uncle’s birth, Karefa-Smart offers a suggestion. “I would just say to people to continue to read your Baldwin. Connect with his work and the work of other notable authors who, you know, want a change in the world that is better for our children and our children’s children.”

“If you have, you know, oxygen in your lungs, and you’re above ground and you’re moving? You have an opportunity to make a difference, a positive difference and have a positive impact, you know, in someone’s life.”

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American author James Baldwin at Hampshire College, Amherst, Massachusetts in 1985.

American author James Baldwin at Hampshire College, Amherst, Massachusetts in 1985.

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Best Christmas gift I ever received : Pop Culture Happy Hour

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Best Christmas gift I ever received : Pop Culture Happy Hour
What’s the best Christmas gift you ever received? You probably didn’t have to think about it; you knew it in your bones. Today, in this encore episode, we’re talking about the actual, tangible gift you found waiting for you under the tree and still think about it from time to time.
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L.A.’s latest viral party spot is … Seafood City. Yes, you read that right

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L.A.’s latest viral party spot is … Seafood City. Yes, you read that right

Under the glow of fluorescent lights at Seafood City market in North Hills, packages of pre-made adobo, salted shrimp fry and and dried anchovies glisten in meat coolers.

A DJ, dressed in a traditional barong, blasts a dance remix of Whitney Houston’s “I Wanna Dance with Somebody” as a crowd gathers to take a shot of fish sauce together.

“That was disgusting!” a man shouts into the mic, flashing a grimacing expression.

Two men smiling gather behind a man in front of a laptop.

At Seafood City, DJs 1OAK, left, EVER ED-E and AYMO spin in barongs, the Philippines’ national formal shirt.

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The smells of lechon and lumpia float through the air. Smiling children munch on halo-halo (a Philippine dessert made with ube ice cream, leche flan and shaved ice). Flags of the Philippines wave in the air as a man in UCLA Health scrubs hops into the center of an energetic dance circle. Employees shoot store coupons out of a money gun and toss bags of Leslie’s Clover Chips into the crowd. Fathers hold their children on their shoulders as a group of college students perform a Tinikling routine, a traditional Philippine dance in which performers step and hop over and between bamboo poles.

“This is so Filipino,” a woman says, in awe of the scene.

Two women dance in the middle of a circle.

Sabria Joaquin, 26, of Los Angeles, left, and Kayla Covington, 19, of Rancho Cucamonga hit the dance floor at “Late Night Madness” in North Hills.

“I came here for groceries,” explains an elderly man, adding that he decided to stay for the party.

Seafood City, the largest Philippine grocery store chain in North America, typically closes at 9 p.m. But on certain Friday and Saturday nights, its produce or seafood aisle turns into a lively dance floor for “Late Night Madness.” On social media, where the gathering has exploded, it looks like a multigenerational nightclub that could use dimmer lighting. But for attendees who frequent the store, it’s more than that. It’s a space for them to celebrate their Filipino heritage through food, music and dance in a familiar setting.

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“This is something that you would never expect to happen — it’s a grocery store,” says Renson Blanco, one of five DJs spinning that night. He grew up going to the store with his family. “My mom would [put] us all in the minivan and come here, and she’d let us run free,” he adds. “It’s comfortable here. It’s safe here.”

1 A woman in a night dress walks behind a lady pushing a cart.

2 Two women in front of bananas eat late night snacks.

3 Two people dance in a grocery aisle.

1. Rhianne Alimboyoguen, 23, of Los Angeles follows an employee through the produce section. 2. Allison Dove, 29, left, and Andrea Edoria, 33, both of Pasadena, enjoy Philippine street food. 3. Katie Nacino, 20, left, Daniel Adrayan, 21, and Sean Espiritu, 21, of the Filipino American Student Assn. at Cal State Northridge, practice tinikling, a traditional Philippine folk dance, in an aisle.

The first Seafood City location opened in 1989 in National City, a suburb of San Diego, which has a nearly 20% Asian population including a rich Filipino community. For its founders, the Go family, the mission was simple: to provide a market where Filipinos and people within the diaspora could comfortably speak their native language and buy familiar products. It’s since become a community anchor. Of the nearly 40 locations in Northern America, at least half of them are based in California, which has the highest population of Asian Americans in the United States.

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The first “Late Night Madness” event happened in September in Daly City, Seafood City’s newest location. The company wanted to launch a street food program at the store’s food hall in a fun and creative way.

The DJ played a selection of hip-hop, pop, soul and classic Pinoy records like VST & Company’s “Awitin Mo, Isasayaw Ko.” Hundreds of people showed up, and videos of people of all ages turning up in the popular supermarket spread like wildfire. So the company decided to continue hosting the event in October during Filipino American History Month and for the rest of the year. It’s since expanded to more locations around the country and in L.A., including Eagle Rock.

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By 10 p.m. at the Seafood City in North Hills, at least 500 people are dancing in the produce section, next to rows of saba bananas, fresh taro leaves and bok choy. The lively crowd forms dance circles throughout the night, taking turns jumping in the center to show off their moves to songs like Earth, Wind & Fire’s “Let’s Groove,” “Nokia” by Drake and Justin Bieber’s “I Just Need Somebody to Love.” At one point, TikToker and artist Adamn Killa hops on the mic and says “If you a Filipino baddie, this is for you,” before doing his viral dance.

Trays of street food for sale.

Among the Philippine street food offerings were pandesal sliders, lumpia-style nachos, lobster balls and various skewers.

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A group of employees dance behind the counter as they serve hungry patrons who fill their trays with various Filipino street food including pandesal sliders (soft Philippine bread filled with adobo, lechon or longganisa) and Lumpia Overload (think nachos, but a bed of lumpia instead of tortilla chips), lobster balls and barbecue chicken skewers. (No alcohol is served.) Meanwhile, a few lone shoppers sprinkle into the store to get their weekly groceries as music blasts through the speakers.

First-generation Filipino American Andrea Edoria of Pasadena says “Late Night Madness” reminded her of the family parties she attended as a child in L.A. and in Manila, where her parents are from.

“Growing up as a child of immigrants, I was kind of self conscious about displaying too much of my culture,” she says between bites of spiral fried potato. She went to the Eagle Rock event with her mother last month as well. “So it kind of fed my inner child to see so many people celebrating this shared culture and experience that we each grew up [with].”

Children and adults dance in a circle.

A multi-generational crowd is drawn to the dance floor. At center is Jade Cavan, 44, of Chatsworth.

Dancers perform between bamboo staffs.

Members of the Filipino American Student Assn. at Cal State Northridge perform a tinikling performance.

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She adds, “I think it’s so important especially now at a time where our country is so divisive and culture is kind of being weaponized, I think it’s a beautiful reminder that we can come together and find something that unites us.”

About 10 minutes before midnight, the grocery store is still bustling with activity. A dance battle breaks out and people begin hyping up the young women. The DJ transitions into slower tracks like Beyoncé’s “Love on Top” and Mariah Carey’s “All I Want for Christmas is You.” The remaining folks sing along loudly as they walk toward the exit, smiles imprinted on their faces. Staff rush to clean up, then huddle together for group photos to memorialize the evening.

Employees clean up a grocery store.

After the final song is played, employees rush to clean up the supermarket.

Patrick Bernardo, 34, of Van Nuys looks at the counter, where a man had been chopping lechon, before stepping outside.

“There’s barely anything left on that pig,” he says, pointing to it as proof that the night was a success.

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10 books to help you understand America as its 250th birthday approaches

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10 books to help you understand America as its 250th birthday approaches

With the nation’s big 2-5-0 coming up next year, NPR staff and critics recommended a lot of U.S.-focused titles for Books We Love, our annual year-end reading guide. Below you’ll find 10 favorites — perfect for the history buff on your gift list, or anyone looking to learn more about how the U.S got to where it is today. Read on, or check out our full 2025 list here.

American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens

American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens

In this deeply researched book, Harvard University professor of education and African American studies Jarvis R. Givens locates 1819 as a “crossroads” in the history of education in the United States. That year, Congress passed the Civilization Fund Act, providing funding for assimilative boarding schools for Native American children, and the governor of Virginia signed an anti-literacy law that made it a crime to teach enslaved people to read and write in schools. Amid the Trump administration’s effort to dismantle the Department of Education, Givens’ clear-eyed assessment of American education offers an opportunity to reflect on the long-standing relationships among race, power and schooling in the U.S. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson

The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson

I’ve been eagerly waiting years for this book! This is the second volume of Rick Atkinson’s trilogy on the American Revolution. Atkinson makes good use of letters and diaries. You feel like you’re in the middle of a battle, with all the sights, sounds and tragedy. Harrowing tales of hand-to-hand fighting, scalping and desperate evacuations. Fine detail: the waxed mustaches of the Hessian forces, the number of rum barrels distributed to weary and ill-clad troops, the dull thud of cannonballs smacking into ships. The stench of makeshift hospitals, with piles of limbs stacked outside. He carefully lays out how the battles began, and the successes, mistakes and missed opportunities – on both sides. — Tom Bowman, Pentagon reporter

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History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)

History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)

If history can be a comfort read, this is it. David McCullough’s daughter Dorie McCullough Lawson and his longtime researcher, Michael Hill, assembled this posthumous collection over two years. Some of the historian’s old manuscripts and files were kept in a New England barn, so the occasional acorn and nest turned up along with the historian’s glorious observations about Americans and their history. The essay subjects are diverse – painter Thomas Eakins, Harriet Beecher Stowe in Paris, “A Book on Every Bed” (it will melt your heart). One theme emerges that you might find reassuring in its own way: There was no “simpler time.” — Shannon Rhoades, supervising senior editor, Weekend Edition

Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg

Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg

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In 2017, historian Judith Giesberg and her team of graduate student researchers launched a website called the “Last Seen” project. It now contains over 5,000 ads placed in newspapers by formerly enslaved people hoping to find family members separated by slavery. The ads span the 1830s to the 1920s and serve as portals “into the lived experience of slavery.” In Last Seen, her book drawn from that monumental website, Giesberg closely reads 10 of those ads placed in search of lost children, mothers, wives, siblings and comrades who served in the United States Colored Troops during the Civil War. — Maureen Corrigan, book critic, Fresh Air

Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember

Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember

Mary Annette Pember, a citizen of the Red Cliff Band of Wisconsin Ojibwe and a national correspondent at ICT News, grew up in the 1950s and 1960s as her mother’s “secret confessor,” listening to fairy-tale-like stories of the horrors she endured at an assimilative boarding school. In Medicine River, Pember traces the repercussions of her mother’s maltreatment, situating her family’s story within the United States’ systemic use of education to eradicate Native cultures. Through an approach that is “part journalistic research, part spiritual pilgrimage,” Pember provides a cuttingly personal account of the history of federally funded Indian boarding schools and a moving look at how Indigenous traditions and rituals can light the path for healing. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack

Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack

There was great symbolism when a white supremacist targeted Charleston’s Mother Emanuel African Methodist Episcopal Church, killing nine Black worshippers as a means to ignite a race war. As we learn in this deeply researched history, the congregation has been involved in the struggle for racial justice ever since it was founded in an “act of bold subversion” by enslaved and free African Americans in the 1800s. I am struck by the stories of clergy and members who fought against seemingly insurmountable odds at nearly every turn of history, truly living out their faith and believing in a better America. — Debbie Elliott, correspondent, National Desk

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There Is No Place for Us: Working and Homeless in America, by Brian Goldstone

There Is No Place for Us: Working and Homeless in America, by Brian Goldstone

In this paradigm-shifting, immersive book, journalist and anthropologist Brian Goldstone follows five families in Atlanta who, despite working full time, struggle to stay housed amid gentrification, a lack of tenants’ rights and low wages. These families, all Black, fall into a “shadow realm” – they are not considered officially homeless by the federal government, but lack a fixed living place as they double up with friends and family, sleep in their cars, or pay exorbitant rates at extended-stay hotels. Woven throughout their stories is a trenchant exploration of how America’s disinvestment in public housing and relentless pursuit of free-market growth have fueled housing insecurity for poor working families. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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The War of Art: A History of Artists' Protest In America, by Lauren O'Neill-Butler

The War of Art: A History of Artists’ Protest In America, by Lauren O’Neill-Butler

This book is about the creative – if often short-lived and not always successful – ways in which artists have fought for social change in the U.S. since the 1960s. Personal favorite: a chapter on how the scrappy video collective, Top Value Television (TVTV), changed the public’s view of political conventions. With artist-led protests once again becoming a thing – from the thousands of actors and filmmakers who recently pledged to boycott the Israeli movie industry in response to the humanitarian crisis in Gaza, to the presence of a 12-foot statue depicting President Trump and the late sex offender Jeffrey Epstein frolicking on the National Mall, this book about the past provides a powerful frame for thinking about artist-led actions today. — Chloe Veltman, correspondent, Culture Desk

We the People: A History of the U.S. Constitution, by Jill Lepore

We the People: A History of the U.S. Constitution, by Jill Lepore

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As the U.S. approaches the 250th anniversary of its founding, it feels like an appropriate time to reflect on where we’re at as a country and how we got here. We the People, by Jill Lepore, a history and law professor at Harvard University, helps satisfy that impulse. It tells the story of the U.S. Constitution, which is among the world’s oldest constitutions. Lepore focuses on battles over amendments, which were fought not just by politicians but by ordinary Americans. The founders designed the Constitution to be amended, but it has become much more difficult to do so over the years. As the Constitution becomes harder to amend, Lepore writes, the risk of political violence becomes greater. — Milton Guevara, producer, Morning Edition and Up First

Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)

Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)

Thousands of unsung heroes in the government are making life better for Americans. But because of bureaucracies being made up of bureaucrats, we rarely hear those stories. This book showcases them. Like a coal-mining safety official who helped the U.S. reach zero mine-collapse deaths. Or the man who has led the National Cemetery Administration to the top of the American Customer Satisfaction Index. As the federal government is in its biggest shake-up in a generation, it’s worth learning about where the bright spots are. — Darian Woods, host, The Indicator from Planet Money

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This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.

An assortment of book covers from the 2025 edition of Books We Love.
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