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The Absurd Problem of New York City Trash

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The Absurd Problem of New York City Trash

In New York City, trash has no dedicated space all its own.

It fits, instead, in plastic bags squeezed into the in-between spaces of the city.

It fills the gaps between buildings, the landings of stairwells, any available turf between two fixed objects.

Say, a parked car and a dining shed.

Even towering piles of trash can be almost invisible to inured New Yorkers.

But step outside the city for a moment — or view it with a visitor’s eyes — and a sense of absurdity may set in: How can one of the world’s greatest cities handle its garbage like this?

Consider the ubiquitous New York trash bag. It tears. It leaks. It smells. It multiplies on the sidewalk, attracting carryout clamshells and still-full coffee cups tossed on top until it all melds into a sticky mess. That mess feeds rats, blocks sidewalks and spills into the street. Then it strains the sanitation workers who must move every bag by hand into a trash truck, as testy drivers honk behind them.

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Conversely, if the city could just tame all of this garbage, New York might be transformed.

The Sanitation Department has vowed to do this, shifting the bulk of New York’s waste out of sloppy sidewalk piles and into containers in a manner more closely resembling that of other American cities and global capitals. The prospect has prompted much snickering: New York’s big idea to clean up trash is to … put it in trash bins? Like other cities have done … for decades?

(It’s not lost on the Sanitation Department that the city is a punchline: “This was our moon landing,” the agency posted self-deprecatingly on X when video of its newly unveiled trash truck was shared widely last month.)

But the details of how this might be done in New York turn on a number of deeper and more difficult questions about the city itself: Where, exactly, do you carve out space for an essential city service in a place with so little space left? How should the city dole out what has become its most contested public asset, the curb space in the street? Would New Yorkers give up parking to clean up the trash?

These questions are about no less than the dilemma of a truly dense city, where anything that demands its own space means something else must give.

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To be a little less philosophical about it, the current state of trash collection in New York City seems almost preposterous:

All of the trash bags on New York’s sidewalks — and the chairs dumped there, too — are collected like this.

How we got here

And what the 1811 street grid has to do with it.

The scene in the video you just watched might equally be from the 1970s or the 1920s. Trash in New York has largely been collected the same way for generations, typically with a couple of guys in the middle of the road grinding down their knees and lower backs to thrust refuse onto a truck.

1940: Buckets containing ash were once a big part of the waste stream.

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New York City Municipal Archives

1924: Notice what’s not on the street in the background: parked cars.

The New York Times

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All that’s really changed has been the style of the vehicle and, if you go back far enough, the animal pulling it:

1920: New York’s Sanitation Department was originally the Department of Street Cleaning.

New York City Municipal Archives

1913: A century in the past, but the same problems as today.

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The New York Times

In 2024, this is not how trash is collected in most major American cities, or in comparably rich international ones.

For one thing, many American cities store and collect much of their trash out of view, in alleys instead of on the street. And they use two-wheeled bins that can be mechanically lifted by a truck. Dense European cities like Amsterdam, Barcelona and Berlin that do collect trash from the street often use large shared containers that are also mechanically emptied. Other cities even store trash underground or push it through pneumatic tubes (Roosevelt Island, an oasis of relative cleanliness in New York, has a pneumatic system).

But the idea of trash bags, just piled on the sidewalk?

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“People would not tolerate — Would. Not. Tolerate. — trash being left the way it is in New York City,” Anthony Crispino, deputy director for the District of Columbia Department of Public Works, said of Washington residents (about 65 percent of Washington’s collection happens in alleys, for one).

“I would never ever ever ever even think to try to have an opinion on what New York does,” Cole Stallard, Chicago’s streets and sanitation commissioner, said of his New York counterparts (alleys host about 90 percent of his trash collection). “They’re up against tough odds with people literally taking garbage — raw garbage, dog feces that they cleaned up — and they’re putting it in a bag and putting it out on the curb.”

No wonder New York has a rat problem (the dog feces, Mr. Stallard adds, are more delicious to rats than even the finest steak scraps).

To be fair to New York, it’s unlike other cities in some crucial ways beyond its sheer size. Many big-city sanitation departments serve only single-family houses and small multifamily buildings, requiring bigger apartment buildings to pay for private trash service. In New York, commercial businesses rely on private service. But for residences, the city collects free of charge from everyone: houses, midrises, huge apartment buildings, public housing complexes.

That’s more than 800,000 residential buildings, producing about 24 million pounds of waste a day. Commercial businesses produce another 20 million pounds daily.

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History has also been unkind to New York on the trash front. If we freeze that scene from above, all the constituent parts — the bags, the street collection, the parked cars — can be traced to decisions people made decades or even centuries ago:

Let’s start with the men who drew up the iconic 1811 plan for Manhattan’s street grid north of Houston Street. They didn’t include any alleys — for no particular reason historians have discerned.

This foundational 1811 map, zoomed in to what’s now the Chelsea neighborhood, didn’t bother to include alleys.

New York Public Library

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The map’s three authors left few notes about their thinking. But two of them also happened to be working under deadline on the plans for the future Erie Canal (and they produced a voluminous report for that one).

So it’s entirely possible Manhattan has no alleys for trash collection today because the men who drew the street grid in 1811 were preoccupied by what seemed at the time like a bigger assignment.

“It isn’t because they said alleys were bad,” the historian Gerard Koeppe said. “It’s because they were thinking about the Erie Canal.”

In 1954, New York made another momentous decision that wasn’t particularly related to trash but that now looms over the city’s possible solutions. That’s when New York conceded its streets to free overnight parking for private cars. Until that point, the streets typically looked like this, with cars allowed to park for no more than an hour during the day and three hours after midnight:

This residential block in the Chelsea neighborhood, seen in 1940, is framed today by tightly parked cars.

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New York City Municipal Archives

Now New York’s streets are lined with about three million parking spaces.

Today the only plausible place to put large, sturdy, rat-proof trash containers is in the street, as many European cities do. But to do that, New York will have to claw back street space from cars. And the city will also have to do that at a time when competition for curb space is soaring from entirely new sources: bike lanes, bikeshare docks, dining sheds, rideshare pickups, Amazon deliveries, electric car charging stations, cargo bike loading zones and more.

To take one last step through history, we must also revisit the New York sanitation worker strike of 1968. Before the strike, New Yorkers were required to put their trash straight into metal cans — picture the kind Oscar the Grouch might occupy.

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Sanitation Department guidance from 1949.

New York City Municipal Archives

But those cans overflowed to horrifying effect during the 10-day strike:

When New York streets resembled landfills.

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Neal Boenzi/The New York Times

Garbage was just loose in the street.

By the end of the strike, 100,000 tons of garbage sat on the street.

Larry C. Morris/The New York Times

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At the time, the chemicals industry offered to come to the city’s rescue with a new product — the durable plastic trash bag. The industry even donated 200,000 of them to City Hall in its hour of crisis.

Plastic bags also meant no one had to hose out grimy trash cans.

Meyer Liebowitz/The New York Times

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New Yorkers were relieved to be rid of the racket that metal cans made. They believed bags might better contain the smell that attracted rats. And sanitation workers preferred slinging bags into a truck over wrestling with cans. As the city moved in 1971 to formally wipe out the rule requiring cans, a city official declared the plastic bag the most significant advance in garbage collection since trash trucks replaced the horse and wagon.

Tackling the ‘black bag problem’

Or, how the city will try to put trash in containers, which sounds easy but actually is not.

It’s hard to say why, over the last half-century, New York never seriously rethought the plastic bag until now. Critics blame inertia. And the Sanitation Department had other things to worry about, like budget cuts, route planning, run-down equipment and where to put all the trash once Mayor Rudy Giuliani promised to close Fresh Kills landfill on Staten Island.

“In my day and then in subsequent years, I don’t think it was ever thought about from the point of view of: ‘What’s the container? Is this the best container?’” said Norman Steisel, who was the sanitation commissioner from 1979 to 1986 (his big project was moving from a three-man truck to one that required only two workers).

Enter Mayor Eric Adams, who hates rats. And a new sanitation commissioner, Jessica Tisch, who had no particular background in trash and who has been prone to asking an outsider’s questions about it, like, “What if people put it out later in the day?”

“I think tackling the black bag problem,” she said, “is the single biggest thing you can do to make the city cleaner and restore dignity and order.”

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In February, Ms. Tisch and the mayor unveiled their revised plan for “containerizing” trash; recycling, which is not so enticing to rats, will remain on the sidewalk for now. Their plan calls for one strategy for smaller residences, another for big apartment buildings, and a third for the midsize buildings in between, which actually wind up being some of the hardest.

Any plan to deal with all these bags must solve for three things: the right kind of container for each building, where to store that container, and what kind of truck can pick it up. The city’s proposal also assumes that it will continue collecting trash two or three days per week from every residence in the city.

For buildings with fewer than 10 units, including single-family homes across the outer boroughs, the city has proposed to use standard wheelie bins, as some residents already do. Residents would store them against their buildings or in front yards and wheel them to the curb on collection days. New York’s existing trash trucks, retrofitted with a lifting arm, would pick them up and empty them.

Apartments of 31 units or more would need large, stationary containers parked on the street. They would look something like this:

Two possible examples of the kind of street container coming to New York.

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Hiroko Masuike/The New York Times

Two containers, each fitting four cubic yards of trash, would take up the space of one parked car. A specially designed side-loading trash truck would then lift those containers for dumping.

No sanitation workers were strained in the lifting of this trash container.

Hiroko Masuike/The New York Times

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The middle-density buildings — those with 10 to 30 units — are tricky because they may produce too much trash for wheelie bins, but not enough to fill a container. These buildings also tend not to have full-time superintendents or trash compactors. The Sanitation Department wants to let the managers of each midsize building decide whether to use wheelie bins or on-street containers.

For every property, the answer will probably depend on the particular dimensions of their trash rooms, elevators, front yards and sidewalk space.

To understand how this will play out in real life, let’s look at a stretch of West 21st Street in the Chelsea neighborhood of Manhattan — the same block shown in the photo above from 1940.

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An overhead satellite photograph of two Manhattan blocks, bordered by Seventh Avenue, Eighth Avenue, West 20th Street and West 22nd Street, with West 21st Street running down the middle. Upon scroll, the image is color-coded to show the sizes of the buildings on the block, and shows that there are no alleys in these blocks.

About 2,000 people live — and generate trash — on these two blocks between Seventh and Eighth Avenues.

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Each type of building the Sanitation Department is planning for exists here.

These blocks have no interior alleys. There is little space between the buildings and the street. And the buildings form a solid mass that leaves few gaps to stash trash before collection day.

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On a recent Friday morning before collection, there were 373 bags of trash and recycling sitting on this block-long stretch of West 21st Street.

The sidewalks looked like this …

… with trash bags erected in sculptural heaps …

… and lined up like little expectant soldiers.

There was a mattress. There is always a mattress.

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The city’s plan, in theory, would take most of this trash (OK, not the mattress) and move it into a container. If we zoom in on the corner at West 21st Street and Seventh Avenue, the result might look like this:

A line illustration showing three buildings along a short stretch of West 21st Street, and their garbage. Upon scrolling, the illustration also highlights parked cars and space for a fire hydrant; three on-street trash containers replace one car and shift others down the street; wheelie bins sit in front of the two smaller buildings; and an additional on-street container replaces another car. A truck appears at the end to collect the garbage.

Trash and recycling are typically piled up like this now.

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Like many residential blocks in Manhattan, the street is lined with parked cars. There are fire hydrants, streetlights, tree pits and a bike lane to keep in mind, too.

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The 130-unit building on the corner will need three on-street trash containers, probably next to the space reserved for a fire hydrant. That takes up the space of one and a half cars.

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This six-unit building needs just three wheelie bins out front. They don’t block the street, but they do block the windows of the ground-floor apartment.

This 20-unit building has a choice: either eight wheelie bins, which would line the entire front of the building …

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… or one on-street container, which would preferably not be right next to the garden box.

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One truck will come down this block collecting from wheelie bins. Another will lift and empty the street containers. Recycling, meanwhile, will still be collected from piles on the sidewalk.

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If we continue down the full block, the city’s plan could mean placing about 80 wheelie bins on the sidewalk, and 20 containers in the street, replacing 10 parking spaces. That’s the middle range of the possible scenarios.

There’s a clear trade-off between the wheelie bins and the on-street containers: Strategies that clear more of the sidewalk take up more of the street.

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The most efficient plan — taking up the least total space — would have multiple buildings share street containers. That would solve for midsize properties that have too many wheelie bins but not enough trash to justify their own street container. But the city is worried about another problem here: Shared containers would attract illegal dumping, particularly by businesses that are supposed to pay a private hauler for trash collection. So instead the city plans to assign locked street containers to specific addresses, to be unlocked by the building super.

Citywide, this plan would require at least 800,000 wheelie bins, to be purchased by individual residents and building managers (any bin will do at first, but by 2026, the city will require a standardized one).

And the Sanitation Department estimates that this plan would take up 22,000 to 34,000 parking spaces — about 1 percent of the city’s total on-street parking — depending on what the medium-size buildings opt to do. That’s significantly less than the 150,000 parking spaces the city first estimated last year. The department has cut that number by removing recycling from the program and shifting more buildings to wheelie bins.

The apartment-dense Upper East and West Sides of Manhattan would probably lose the most parking.

Source: Sanitation Department

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Every design choice has trade-offs. The on-street containers clear the sidewalks, but they may also complicate street sweeping and plowing. The wheelie bins require no street space, but too many of them may also be a nuisance. The city’s preferred side-loading trucks lift only from one side, so the city will need two fleets of right- and left-loading vehicles. Alternative hoist trucks that lift containers 20 feet off the ground can dump from either side, but they risk whacking trees and light posts. Even overhead, New York is crowded.

“This whole program,” Ms. Tisch said, “is one big balancing act.”

Commercial businesses offer a glimpse of these trade-offs to come. Last summer the city began to require restaurants, and then chain stores, and now all businesses to keep their trash in containers before private haulers collect it. There’s already less waste on the ground than existed one year ago, but there’s also a growing number of bins chained to bike racks and sewer grates to prevent people from stealing them.

Scaling up to the whole city

What happens when ideas that make sense in other cities run into the particulars of New York.

Eventually, the city envisions deploying a fleet of bespoke trash trucks — a European truck body on an American chassis, costing about $500,000 per truck — that would mechanically do the work of two people tossing trash bags.

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“It’s a great idea,” Harry Nespoli, the head of the New York sanitation workers’ union, said (the trucks will still require two sanitation workers). “But over the years,” he added, “I’ve seen ideas come into New York City and come out of this city, and some of them just don’t work.”

The city is planning to pilot its strategy in Harlem starting in the spring of 2025, and any kinks and workarounds will no doubt become clear then. For example: What happens when snow piles up around the street containers? Can they withstand drivers smashing into them? What if sanitation workers can’t fit the wheelie bins between tightly parked cars?

Can such an ambitious project, which could run citywide to hundreds of millions of dollars, also stay on track at a time of city budget cuts?

The biggest logistical challenge will be the city’s enormous variability — that it contains our depicted Chelsea block and the suburban-style streets of Staten Island and the extreme density of the Financial District.

“It’s the central issue — creating some kind of uniformity in a place that doesn’t have uniformity,” said Martin Melosi, an environmental historian who has chronicled the history of waste in New York.

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New York must also consider really big apartment buildings: A thousand-unit complex would need about two-dozen on-street containers. And the city has many neighborhood main streets, where ground-floor stores and cafes may not welcome a wall of wheelie bins out front serving the apartments upstairs. Then add dining sheds to these scenes. They use the same street space trash containers would. But the details of how the city contains trash on the street may also affect how appealing it is to eat there.

Imagine the view from the dining shed.

Clare Miflin, an architect and the executive director of the Center for Zero Waste Design, argues that a different scheme would better address these harder cases. In denser parts of the city, she suggests all small and midsize buildings use shared on-street containers, clearing the sidewalks of wheelie bins. (With the right design choices, like a smaller opening to throw trash, Ms. Miflin says the city could still discourage illegal dumping.)

That would take up more parking, and require more frequent collection in the densest parts of the city. But Ms. Miflin suggests the biggest apartment buildings don’t need their own permanent street containers. They could use four-wheeled bins that would be stored inside, filled from trash compactors, and pushed to designated on-street spots on collection days. That same street space could then be used for recycling bins on other days, and for delivery trucks and rideshare drop-offs at other hours.

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Ms. Miflin worries the city is too focused on rats and not enough on how the challenge of trash containerization could also serve much larger goals in rethinking the city’s streetscape and reducing overall waste in the process.

“You should make the best use of space,” she said, suggesting that the sidewalk in front of a cafe or a ground-floor apartment isn’t best spent on wheelie bins. “Things should be on the street. But don’t consider the street something we can take as much of as we like.”

The city concedes that its plan won’t solve for every building or block. Neither wheelie bins nor street containers will work on about 4 percent of residential blocks, places where the buildings are just too big or the streets too small (or both, in the Financial District). The city would have to offer waivers or specialized trash plans to the residents there.

Relatedly, the sanitation workers’ union used to keep two chiropractors on call in the union hall.

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Considering the scenes of trash in the city today, the bar is set remarkably low, said Benjamin Miller, a former director of policy planning at the Sanitation Department and author of another history of New York trash (the word “remarkably” is ours; he used a synonym we can’t print).

“Almost anything we do would be good,” he said. “And getting rid of bags is the first sort of ‘duh!’ The benefits follow from there.”

The streets would be cleaner. The trash trucks wouldn’t idle as long. The sanitation workers would be healthier (half of their line-of-duty injuries now are sprains and strains).

Containers also make it easier to reduce waste. Some cities do that by billing more to the buildings that produce more trash. And research has suggested that if cities charge for the actual cost of garbage services, they wind up with less trash. But if you wanted to price trash, first you’d need to put it in containers for easier monitoring and measuring. (In New York, this would require a change from a service that’s nominally free.)

Then there are the building supers who’d surely be happier.

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All this trash — “I go to sleep thinking about it,” said Martin Robertson, the super for a 303-unit building in Brooklyn.

Trash is the bulk of his job: figuring out where to store it, how to squish it, how to keep ahead of the ever-growing mound of cardboard.

Mr. Robertson’s cardboard …

… and his recycling. The more his residents recycle, the worse his storage problem gets.

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His trash room is 163 square feet in size. But with the trash compactor, the sink and a bit of space to move around, he counts less than 42 square feet for storing the actual bags until he can take them outside on collection day.

The compactor squishes trash. But it also takes up space.

“Literally every inch is a fight,” Mr. Robertson said. “And every system to save and reduce those inches is a fight.”

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Out of space and out of better ideas, Mr. Robertson has taken to piling up his trash bags in a parking space he has claimed in front of the building with his own traffic barriers.

He has basically arrived on his own at the conclusion the city is reaching now, too: There’s nowhere left to put the trash but in the street.

At the dawn of a new day in New York trash collection.

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New York

Essential New York City Movies Picked by Ira Sachs and Blondie’s Debbie Harry and Chris Stein

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Essential New York City Movies Picked by Ira Sachs and Blondie’s Debbie Harry and Chris Stein

Film

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Leo McCarey’s “Make Way for Tomorrow” (1937). The Criterion Collection

‘Make Way for Tomorrow’ (1937), directed by Leo McCarey

The log line: After the bank forecloses on their home, an elderly couple must separate, each living with a different one of their adult children. 

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The pitch: “It’s a film that Orson Welles famously said ‘would make a stone cry,’” says Sachs, 60, about McCarey’s movie, singling out a long sequence at the end that depicts “a date through certain lobbies and bars of New York City that offers a snapshot of Midtown in the ’30s.” 

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Tippy Walker (left) and Merrie Spaeth in George Roy Hill’s “The World of Henry Orient” (1964). United Artists/Photofest

‘The World of Henry Orient’ (1964), directed by George Roy Hill

The log line: A wily 14-year-old girl and her best friend follow a ridiculous concert pianist, on whom they have a crush, around the city.

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The pitch: Hill’s 1960s romp inspired Sachs’s film “Little Men” (2016), which is about boys around the same age as these protagonists. “It’s an extraordinarily sweet film that also seems, to me, very honest,” he says. 

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Rip Torn (left) in Milton Moses Ginsberg’s “Coming Apart” (1969). Courtesy of the Everett Collection

‘Coming Apart’ (1969), directed by Milton Moses Ginsberg

The log line: Rip Torn plays an obsessive psychiatrist who secretly films all the women passing through his home office, inadvertently capturing his own mental breakdown. 

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The pitch: Shot in one room with a fixed camera, Ginsberg’s film “really feels of a time,” says Sachs. It’s also “very sexual and very free,” reminding him of what’s possible when it comes to making movies. 

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Don Murray and Diahn Williams in Ivan Nagy’s “Deadly Hero” (1975). Courtesy of the Everett Collection

‘Deadly Hero’ (1975), directed by Ivan Nagy

The log line: A disturbed, racist cop saves a cellist from a crook, only to become her tormentor. 

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The pitch: Harry, 80, and Stein, 76, were extras in Nagy’s film, which stars Don Murray, Diahn Williams and James Earl Jones as the cop, the cellist and the crook, respectively. The pair call the movie “[expletive] weird,” but also say that their day rate — $300 — “was the most money we’d ever made on anything” up to that point.

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Chantal Akerman’s “News From Home” (1976). Collections Cinematek © Fondation Chantal Akerman

‘News From Home’ (1976), directed by Chantal Akerman

The log line: An experimental documentary by Akerman, a Belgian filmmaker who moved to New York in her early 20s, the film features long takes of the city and voice-over in which the director reads letters from her mother. 

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The pitch: “I’m intrigued by how beauty contains sadness in the city,” says Sachs. Not only is her film a “beautiful record of the city” but it captures “what it is to be alone here, to have left some sort of community and, in particular for Chantal, separated from her mother.”

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Michael Wadleigh’s “Wolfen” (1981). Orion/Courtesy of the Everett Collection

‘Wolfen’ (1981), directed by Michael Wadleigh

The log line: Albert Finney stars as a former N.Y.P.D. detective who returns to the job to solve a violent and bizarre string of murders. 

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The pitch: Wadleigh’s film is not only a vehicle for Finney, says Stein, it also “has a lot of footage from the South Bronx when it was still completely destroyed” by widespread arson in the 1970s.

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Seret Scott in Kathleen Collins’s “Losing Ground” (1982).

‘Losing Ground’ (1982), directed by Kathleen Collins

The log line: Collins’s film — the first feature-length drama for a major studio directed by an African American woman — observes a rocky relationship between a college professor and her painter husband.

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The pitch: Sachs calls “Losing Ground” “a revelation.” The characters are “so human and fascinating and extremely modern,” he says, adding that he loves a movie that “exists in some very complete version of the local.”

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Griffin Dunne in Martin Scorsese’s “After Hours” (1985). Mary Evans/Ronald Grant/Everett Collection

‘After Hours’ (1985), directed by Martin Scorsese

The log line: In Scorsese’s black comedy, an office worker (Griffin Dunne) has a surreal and bizarre evening of misadventure while trying to get back uptown from a woman’s apartment in SoHo. 

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The pitch: Harry and Stein recommend this zany tale and borderline “nightmare” for the way it captures a bygone era of New York. “It’s this great image of [Lower Manhattan] when it was still raw, you know, Wild West territory,” Stein says. 

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A scene from Edo Bertoglio’s “Downtown 81” (1980-81/2000). Courtesy of Metrograph Pictures

‘Downtown 81’ (shot in 1980-81, released in 2000), directed by Edo Bertoglio

The log line: Bertoglio’s film is a striking portrait of a young artist who needs to raise money so he can return to the apartment from which he’s been evicted. 

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The pitch: Jean-Michel Basquiat stars as the artist in this snapshot of life in New York during the ’80s. Despite all the drama surrounding it — postproduction wasn’t completed until 20 years after filming, and for many years the movie was considered lost — the film is notable, says Stein, because “it’s got all the characters and all our buddies in it.”

These interviews have been edited and condensed.

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New York

13 Actors You Should Never Miss on the New York Stage

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13 Actors You Should Never Miss on the New York Stage

Theater

Quincy Tyler Bernstine

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A master of active stillness, the 52-year-old Bernstine (imposing in the 2024 revival of John Patrick Shanley’s “Doubt,” above) has that great actorly gift of making thought visible. A natural leader onstage, she compels audiences to follow her.

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Victoria Clark

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One of the theater’s best singing actors, with Tonys for Adam Guettel and Craig Lucas’s “The Light in the Piazza” (2005) and David Lindsay-Abaire and Jeanine Tesori’s “Kimberly Akimbo” (above, 2022), Clark, 66, performs not on top of the notes but through them, delivering complicated characterization and gorgeous sound in each breath.

Susannah Flood

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Flood, 43, is a true expert at confusion, a good thing because she often plays characters like the twisted-in-knots Lizzie in Bess Wohl’s “Liberation” (above, 2025). What makes that confusion thrilling is how she grounds it not in a lack of information or purpose but, just like real life, in an excess of both.

Jonathan Groff

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The rare musical theater man with the unstoppable drive of a diva, Groff, 41, sweats charisma, as audience members in ringside seats at Warren Leight and Isaac Oliver’s Broadway musical “Just in Time” (above, 2025) recently discovered. Giving you everything, he makes you want more.

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William Jackson Harper

Sara Krulwich/The New York Times

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Unmoored characters are often unsympathetic. But whether playing a confused doctor in the 2024 revival of Anton Chekhov’s “Uncle Vanya” or a delusional bookstore clerk in Eboni Booth’s “Primary Trust” (above, 2023), Harper, 46, makes vulnerability look easy, and hurt hard.

Joshua Henry

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There are singers who blow the roof off theaters, but the 41-year-old Henry’s voice is so huge and deeply connected to universal feelings that he seems to be singing inside you. Currently starring in the Broadway revival of “Ragtime” (above, by Lynn Ahrens, Stephen Flaherty and Terrence McNally), he blows the roof off your head.

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Mia Katigbak

Superb and acidic in almost any role — in distress (Annie Baker’s 2023 “Infinite Life,” above) or in command (2024’s “Uncle Vanya”) — Katigbak, 71, finds the sweet spot in even the sourest truths of the human condition.

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Judy Kuhn

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Sara Krulwich/The New York Times

With detailed intelligence and specific intention informing everything she sings, Kuhn, 67, is (among other things) a Stephen Sondheim specialist — her take on Fosca in “Passion” (above, 2012) was almost literally wrenching. It requires intellectual stamina to keep up with the master word for word.

Laurie Metcalf

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The fierce, sharp persona you may know from her years on “Roseanne” (1988-97) is about a tenth of the blistering commitment Metcalf, 70, offers onstage in works like Samuel D. Hunter’s “Little Bear Ridge Road” (above, 2025). She goes there, no matter the destination.

Deirdre O’Connell

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For 40 years an Off Broadway treasure, O’Connell, 72, handles the most daring, out-there material — including, recently, a 12-minute monologue of cataclysmic gibberish in Caryl Churchill’s “Kill” (above, 2025) — as if it were as ordinary as barroom gossip.

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Conrad Ricamora

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Revealing the Buddy Holly in Benigno Aquino Jr. (in the 2023 Broadway production of David Byrne and Fatboy Slim’s “Here Lies Love”) or the queer wolf in Abraham Lincoln (in Cole Escola’s “Oh, Mary!,” above, last year), Ricamora, 47, is uniquely capable of great dignity and great silliness — and, wonderfully, both together.

Andrew Scott

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It’s a tough competition, but Scott, 49, may have the thinnest skin of any actor. Whether he’s onstage (playing all the characters in Simon Stephens’s Off Broadway “Vanya,” above, in 2025) or on film, every emotion — especially rue — reads right through his translucence.

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Michael Patrick Thornton

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Sara Krulwich/The New York Times

Some actors are hedgehogs, projecting one idea blazingly. Thornton, 47, is a fox, carefully hoarding ideas and motivations. Keeping you guessing as Jessica Chastain’s benefactor in the 2023 revival of Henrik Ibsen’s “A Doll’s House” or as a pathetic lackey in last year’s production of Samuel Beckett’s “Waiting for Godot” (above, center), he holds you in his thrall.

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How a Geologist Lives on $200,000 in Bushwick, Brooklyn

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How a Geologist Lives on 0,000 in Bushwick, Brooklyn

How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.

We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?

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Here’s one way to make New York more affordable: triple your income. After moving from Baton Rouge, La., in 2016 to attend graduate school, Daniel Babin lived mostly on red beans and rice or homemade “slop pots,” renting rooms in what he called a “cult house” and a building on a block his girlfriend was afraid to visit.

Then, in January, he got a job as a geologist with a mineral exploration company, with a salary of $200,000, plus a $15,000 signing bonus. A new city suddenly opened up to him. “I can take a woman out on a $300 dinner date and not look at the check and not feel bad about it,” he said. He also now has health insurance.

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Mr. Babin, 32, a marine geologist who also leads an acoustic string band, now navigates two economic worlds, one shaped to his postdoctoral income of $70,000 a year — when his idea of a date was a walk in Central Park — and the other reflecting his new income. In this world, he is shopping for a vintage Martin Dreadnought guitar, for which he will gladly drop $4,000.

Finding a New Base Line

On a recent morning at Mr. Babin’s home in Bushwick, Brooklyn, where he shares a 6,800-square-foot cohousing space with 17 roommates, he was still figuring out how to manage this split.

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Daniel Babin lives in a cohousing space modeled on the ethos of Burning Man, the annual arts festival in Nevada.

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“I’m feeling less inclined to just let it rip than I was a few months ago,” he said of his spending habits. He socks away $1,500 from each paycheck, and has not moved to replace his 2003 Toyota Corolla, an “absolute dump” given to him by his father. “Hopefully, I’m returning a little bit to some kind of base-line lifestyle that I’ve established for myself over the last five years,” he continued. “Because the fear is lifestyle inflation. You don’t want to just make more money to spend more money. That’s not the point, right?”

Lightning Lofts, the cohousing space where Mr. Babin has lived since January 2024, bills itself as part of a “social wellness movement” and seeks to continue the ethos of Burning Man, the annual communal art and cultural festival in the Nevada desert.

For a room with an elevated loft bed and use of common areas, Mr. Babin pays $1,400 a month in rent, plus another $250 for utilities and weekly housecleaning.

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He was first drawn to the organization through its events, including open mic “salons” where he played music or read from his science fiction writings. These were free or very cheap nights out, unpredictable and fascinating.

“You would see dance and tonal singing, and some dude wrote an algorithm that can auto-generate A.I. video based on what you’re saying — beautiful storytelling,” he said.

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“So I just showed up every month, basically, until they let me live here.”

The room was a good deal. He had looked at a nearby building where the rent was $1,900 for a room in a basement apartment that flooded once a month. “Ridiculous,” he said.

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But beyond its financial appeal, Mr. Babin liked the loft’s social life. “I used to be chronically lonely, and I just don’t feel lonely anymore,” he said. “Which is fantastic in a crazy place like New York. It’s so alive and it’s so isolating at the same time.”

Splurging on Ski Trips

Before Mr. Babin got his new job, he used to go to restaurants with friends and not eat, trying to save up $35 for a “burner” party — in the spirit of Burning Man — or Ecstatic Dance, a recurring substance-free dance party. He loved to ski but could not afford a hotel, so he would carry his old skis and beat-up boots to southern Vermont and back on the same day.

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“Going on a hike is a pretty cheap hobby,” he said, recalling his money-saving measures. “Living without health insurance is a good one.”

He still appreciates a good hike, he said. But on a recent ski trip, he splurged on new $700 boots and another $300 worth of gear. “I’m like, this is something I’ve wanted for 10 years, so I deserve it,” he said.

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He bought a $600 drone to take pictures for his social media accounts, and then promptly crashed it into the Caribbean (he’s now replacing the rotors in hopes of returning it to health).

He cut out the red beans and rice, he said, but his usual meal is still a modest $13 sandwich from the nearby bodega or $10 for pizza. “If I’m getting takeout and it’s less than $17, I don’t feel too bad about it,” he said.

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A Future After Cohousing

A big change is that dating is much more comfortable now, and he feels more attractive as a marriage prospect. “It turns out that a lot more people pay attention to you if you offer them dinner instead of a walk in the park,” he said.

He is now thinking of leaving the cohousing space — not just because he can afford to, but because his work has kept him from joining house events, like the regular potluck dinners. “I sometimes feel like a bad roommate, because part of being here is participating,” he said. “I feel like there might be someone who would enjoy the community aspect more than I’m capable of contributing right now.”

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He sounds almost wistful in discussing his former economizing. If it weren’t for the dating issue, he said, he would not need the higher income or lifestyle upgrades. “I never really felt like I was compromising on what I wanted to do,” he said.

He paused. “It’s just that what I was comfortable with has changed a little bit.”

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We are talking to New Yorkers about how they spend, splurge and save.

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