Connect with us

Culture

Kepner: With new uniforms, MLB makes another fashion flop

Published

on

Kepner: With new uniforms, MLB makes another fashion flop

Twenty years ago, after blowing the lead in a critical playoff game for the Minnesota Twins, Juan Rincón described the feeling with an all-time baseball malaprop: “Nobody wants to be in my pants right now.”

These days, it seems, nobody wants to be in any pair of baseball pants. Major leaguers reported to spring training this week to find that they cannot customize their pants anymore, and that their new style of jerseys – designed by Nike, manufactured by Fanatics – is not up to big league standards.

As The Athletic’s Stephen J. Nesbitt wrote, players around the league “criticized the jerseys’ poor fit, cheap look, inconsistent quality and small lettering.”

Sigh. Major League Baseball just can’t help itself, and it keeps getting worse.

In 2019, for the cringy “Players Weekend,” they staged an all-white vs. all-black uniform series that evoked “Spy vs. Spy” from the old Mad Magazine. The next year, as part of a 10-year deal with Nike worth more than $1 billion, they let Nike slap its logo on the front of every jersey.

Advertisement

Then came “City Connect” uniforms, in case you ever wondered how your favorite player would look as a blueberry, a cloud or a license plate. The All-Star Game, always a cavalcade of colors with players wearing their regular uniforms, became a three-hour ad for generic Nike jerseys.

Now this.

Baseball’s relationship with Nike is like the “Seinfeld” episode when George tries to be friends with Elaine’s cool boyfriend. He wears his hat backwards and goes rock climbing, unable to hide his infatuation. He’s desperate to be a dude, but he’s still a Costanza.

That’s not to say baseball should be stuffy. Last season’s rule changes made the product more dynamic and appealing. Plenty of other initiatives – the annual Little League Classic, the DREAM Series, the “MLB The Show” video game, the comprehensive, user-friendly MLB app – also help grow the game.

But baseball doesn’t seem to understand its own visual appeal. Let the other leagues cheapen their jerseys with advertisements. Baseball should be above that, but the last collective bargaining agreement allows teams to sell ad space on uniforms. So now the Atlanta Braves wear a sleeve patch depicting a yellow bag of concrete mix, the Toronto Blue Jays come at you with a neon green square for a bank, and the Houston Astros sport a garish patch for Oxy – the energy producer, not the drug.

Advertisement

When Rob Manfred became commissioner in 2015, he said he had no interest in allowing ads on jerseys. That changed, of course, and Manfred was at least honest about the reversal in 2022: “It’s a revenue source that is significant enough that it’s really impossible for a sport to ignore over the long haul. I think that’s the truth.”

It’s a business, of course. But just because you can make money by selling something doesn’t mean you should. Several teams will not sell naming rights to their ballparks because there’s more value in continuity and tradition. It’s still Dodger Stadium, not Guggenheim Field. It’s still Yankee Stadium, not Starr Insurance Park.

Manfred’s approach to the All-Star uniforms reflected a belief that Nike can do no wrong.

“I never thought that a baseball team wearing different jerseys in a game was a particularly appealing look for us,” he said in 2022. “I understand that people can have different views on that topic, but it is part of a larger program designed to market the game in a non-traditional way.”

Fine, but why obscure the identity of your players? The All-Star Game should be a showcase, and a regular-season uniform gives an easy clue: “Oh, right, he’s that guy on the Marlins who’s been doing so well….” If everyone looks the same, you miss that connection.

Manfred reiterated his faith in Nike on Thursday at Grapefruit League media day.

Advertisement

“I think you know, in baseball, with any new initiative, there’s going to be some negative feedback. First and most important, these are Nike jerseys,” Manfred said. “We entered this partnership with Nike. Just who they are and the kind of products they produce, everything they’ve done for us so far has been absolutely 100 percent successful across the board.

“The jerseys are different. They’re designed to be performance wear as opposed to what has traditionally been worn. So they are going to be different. But they have been tested more extensively than any jersey in any sport. The feedback from the All-Star Game last year was uniformly positive from the players. I think after people wear them for a little bit, they’re going to be really popular.”

The 2024 uniforms have a markedly smaller typeface for the player’s name. This, quite obviously, will only make it harder to know who we’re watching. How is that a possibly good thing?

“Look at the last names, bro,” Angels reliever Carlos Estévez said. “I’m 6-foot-6. This is going to look tiny on me.”

Hey, maybe the players – many with Nike sponsorship deals – will change their minds once they play a few games. Maybe, in time, the jerseys won’t look like the replica you buy when you’re trying to save money but still want to kinda look authentic.

But the underlying concept persists. Baseball, guided by Nike, is trying to force-feed all these stylistic changes instead of just letting them happen organically. Consider the last few decades of uniforms trends, and how they reflected the times:

In the 1970s, color TVs gave rise to bright, gaudy uniforms. By the late 1980s and early 1990s, things were more conservative – button-down jerseys, belts, whites at home, grays on the road, a nostalgic turn also reflected in the retro ballpark boom.

Advertisement

The Marlins won the 1997 World Series while wearing their sleeveless white jerseys. (AP Photo/Eric Draper)

Four expansion teams joined MLB in the 1990s, and two, the Florida Marlins and Arizona Diamondbacks, would soon win a World Series while wearing sleeveless jerseys in Game 7. All of the expansion teams wore black – with some combination of purple and/or teal – and black became the popular color, with the Mets, Blue Jays, Royals, A’s and others diving in.

In the 2010s, teams increasingly pivoted to alternate jerseys, which often became their de facto primary look. Four seasons in a row ended with the World Series winner wearing a colored jersey: the 2016 Cubs, 2017 Astros, 2018 Red Sox and 2019 Nationals.

The pants, thankfully, were still white or gray. Then City Connect came along, and now we’re seeing the White Sox, Pirates, Mariners, Reds, Rangers and Orioles in black pants. The Astros and Cubs have all-navy getups, and the Diamondbacks sometimes wear all-yellow. We’re reverting to the worst of the ’70s.

Some teams have made sharp updates to classic looks. In the last decade or so, the Orioles, Brewers, Blue Jays, Padres, Astros and Rangers have streamlined the vintage styles of their glory years, honoring their traditions in a fashion-forward way.

But when the league gets involved, it’s too much, too fast – an assault on the eyes for a sport that can, and should, be a visual delight.

Advertisement

(Top photo of Giants pitcher Juan Sanchez: AP Photo/Ross D. Franklin)

Culture

Try This Quiz and See How Much You Know About Jane Austen

Published

on

Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

Continue Reading

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading

Culture

I Think This Poem Is Kind of Into You

Published

on

I Think This Poem Is Kind of Into You

Advertisement

A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

Advertisement

“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

Advertisement

We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

Advertisement

Louise Glück in 1975.

Gerard Malanga

Advertisement

But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

Advertisement

“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

Advertisement

Continue Reading
Advertisement

Trending