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How Maple Leafs staff helped save a rec-leaguer from a skate cut to the throat: 'I thought I was going to die'

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How Maple Leafs staff helped save a rec-leaguer from a skate cut to the throat: 'I thought I was going to die'

It was inside the Toronto Maple Leafs dressing room that Ike Werner first allowed himself to believe he was going to survive.

After having his throat cut accidentally by a skate blade during a Sunday afternoon rec league game at the NHL team’s practice facility earlier this month, a terrifying experience turned surreal when the 37-year-old looked over and saw Maple Leafs forward Nick Robertson receiving treatment in an adjacent room.

“That was my visual,” Werner told The Athletic. “Him being worked on.”

Werner had taken note of the luxury cars behind the gated section of the parking lot when he pulled into Ford Performance Centre that afternoon. The Zamboni was resurfacing the ice earlier than usual, too, so he figured the Leafs had skated on Rink 2 before his “Prestige Worldwide” team faced off against the “Jagrbombs” in the True North Hockey League.

That fact became much more significant to him when, on his third shift of the game, he suffered a gruesome cut and was scrambling for help, only to find himself under the care of Leafs athletic therapists Paul Ayotte and Neill Davidson.

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“They were so good,” Werner said. “They were so calm and that helped kind of ground me, if you will, because I was spiraling.”

It’s not a spot any rec-leaguer could reasonably imagine finding themselves in — even after the October death of former NHLer Adam Johnson while playing professionally in England.

That tragedy cast a light on the need for more cut-resistance equipment in the sport and has seen players at all levels start wearing it. Werner recalled the topic being discussed among his men’s league team in the fall and said he even tried, unsuccessfully, to purchase a neck guard at that time.

As one of the older players in a reasonably competitive league, he was more cautious than most when it came to his gear by wearing wrist guards, cut-resistant socks and, after previously wearing a visor (pictured at top), recently moving to a full face shield.

“When Adam Johnson died, you couldn’t buy neck guards,” Werner said. “I tried. Now, that was a couple months ago, and I probably could have kept on it but didn’t.

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“One of the things I said to my wife was, ‘It’s rec league. It’s not as fast. The equipment isn’t at that level. The skates aren’t as sharp. It’s not going to happen in rec league.”’

Except when it did.


Werner has no recollection of what happened. None of his teammates were sure immediately afterward, either.

In fact, it wasn’t until the convenor of Werner’s league sent a clip taken from a 360-degree camera installed in the arena on Tuesday night that anyone had a clear picture of what transpired.

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The play looked as harmless as they come. Standing in the slot in front of his own goal, Werner poked at a loose puck as an opponent came on to it and wound up knocking him off balance. As the opponent fell to the ice, his right skate kicked up and caught Werner under the face mask.

Incredibly, the force of the impact didn’t knock Werner off his feet even though it left him significant bruising to his upper chest and neck area that remained a week after the Feb. 4 incident occurred. It also opened a cut that required 12 stitches to close.

The video clip confirmed the only aspect of the sequence Werner recalled clearly: He picked up his dropped stick after the collision and skated under his own power to the bench.

What also stood out in his memory was how little pain he felt in the immediate aftermath of the play and how little blood there seemed to be. He says it felt like a small abrasion or jersey burn. Except when he returned to the bench an official told him that he needed to leave the playing surface immediately.

Longtime teammate Jack McVeigh accompanied Werner to the dressing room after getting a brief look at what his buddy was dealing with.

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“It was quite shocking that he was alive once you saw the injury,” McVeigh said. “He took his hand off of his neck and you’re like, ‘Oooooh. Holy f—.’

“I don’t even know what went through my head other than ‘You have to go get that dealt with.’”

Werner didn’t lose his own cool until catching a glimpse of the gash in a mirror once back in the dressing room. According to McVeigh, he immediately went white.

There was a brief discussion about calling an ambulance and getting to the arena lobby until Werner remembered the Leafs were in the building. He got the attention of Armando Cavalheiro, who works as a cameraman for Maple Leaf Sports and Entertainment and was standing nearby after covering practice. Cavalheiro started banging on a back door to the dressing room until it was opened and Werner was let in.

He was immediately tended to by Davidson and Ayotte, the Leafs medical staffers, who applied pressure to the neck area and examined the injury. They ultimately closed it with Steri Strips and bandaged Werner up after determining that he needed to go to the hospital for further testing before stitches were put in.

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Just as importantly, they provided reassurance that everything was going to be OK.

“They were so good,” Werner said. “Asking me some questions: ‘Can you breathe OK?’ ‘Can you swallow OK?’ Like those types of things to just rule out any severe, severe things.

“They’re like ‘You’re lucky to be alive.’”

Under normal circumstances, they might not have been around to help someone injured during a 4 p.m. rec league game.

The Leafs typically practice at noon but didn’t skate that day until 2:45 p.m., because the team was returning from the All-Star break and league rules dictated that no mandatory activities were scheduled before mid-afternoon.

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A father to a 3-month-old, Werner went alone to St. Joseph’s Hospital with only a quick message sent to his wife that he’d been cut and was going to be OK. He was admitted immediately to a hospital bed and received his stitches by 5:15 p.m. — only an hour after leaving the ice.

Because the skate that grazed him was so sharp, the cut was clean and easily stitched closed. A local anesthesia was applied and Werner began bleeding heavily while doctors examined how deep the wound was. He had to throw out the shirt he was wearing in favor of one McVeigh dropped off for him at the hospital.

However, it was a good-news scene. A CT Scan showed that the skate had cut into muscle but not through it, making surgery unnecessary.

One of the emergency room doctors told Werner she plays hockey at a high level recreationally and vowed not to return to the ice without first getting a neck guard of her own.

“It missed my vocal cords, my esophagus, arteries, veins, everything,” Werner said. “I’m just lucky. I’m just lucky.”

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He didn’t even spend the night in hospital.


Ike Werner has upgraded to a full face shield since this photo was taken. He couldn’t find a neck guard, though.

Werner’s brush with death brought him in contact with five different highly-trained medical professionals between the time he was cut by the skate and when he eventually returned home to a long embrace from his wife.

Each of them told him he was lucky to be walking out the door.

That’s left him reflecting on all of the what-ifs from a day that will almost certainly stick with him for the rest of his life.

For starters, the weather had been unseasonably nice on that Sunday, and during a walk with his newborn, he thought about skipping the hockey game altogether. What if he chose to stay home?

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What if his team wasn’t short a defenseman for that game and he was playing his normal position at forward instead?

What if he’d gotten up and tried to rejoin the play rather than skating to the bench after being cut? Would his body have been able to handle the continued exertion?

What if the cut was just a little bit deeper or angled a centimeter or two in another direction?

What if the Leafs were operating on their normal schedule that afternoon and the medical staff wasn’t still in the building to answer his call for help?

“I thought I was going to die and they said, ‘You’re not going to die. You’re very lucky.’ And they patched me up,” Werner said. “I credit them with just making sure I was OK. At that point, I wasn’t bleeding that much, but if I had just taken myself to the hospital who knows what would have happened?

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“It ended up being a lot of blood.”

He doesn’t consider himself a religious or spiritual person, but he’s certainly got family and friends who believe some greater power was looking out for him that day.

It wasn’t easy to calm his mind long enough to get a restful sleep in the immediate aftermath of a situation where Werner himself notes: “I almost orphaned my kid and my wife was going to be a widower.”

About the last place he expected to find himself when showing up for a Sunday rec league game was inside the Maple Leafs dressing room.

He’s lucky he did.

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“I’m not a Leaf fan — I’m a Calgary fan — but I’ve just been joking, ‘I might be a Leafs fan now,’” Werner said. “Not from a team perspective, but a behind-the-scenes perspective.”

(Photos courtesy of Ike Werner)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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