Connect with us

Movie Reviews

A Different Man Film Review: Sebastian Stan Stuns

Published

on

A Different Man Film Review: Sebastian Stan Stuns

A Different Man is a strikingly original film with a career redefining performance from Sebastian Stan that will unsettle audiences.


A Different Man is one of the darkest satires I’ve ever seen. Edward (Sebastian Stan) has a highly troubled life, not only because of his deeply disfigured face, but also due to the way he carries himself. When he participates in an experimental drug trial that drastically changes his appearance, he finally starts to live the life he’s always wanted. This dream life quickly turns into a nightmare when a play sparks Edward’s desires to change and he becomes obsessed with trying to reclaim what he’s lost.

From the very start of A Different Man, I knew that I was witnessing a totally unique artistic vision. Writer and director Aaron Schimberg has control of every frame, and even if the story isn’t for everyone, the high quality production value of this film is undeniable. The framing in particular is always fascinating, and performance driven. Schimberg always knows when to have an actor’s face fill up the whole frame and it feels as if he has control over every single emotion the audience feels during the runtime. 

The beginning of A Different Man, before Edward’s transformation, feels very different than what follows. His life is riddled with anxiety, and the audience feels every bit of that. It feels like a more toned down version of the first act of Beau is Afraid, where everything seems to be going wrong. Every sudden noise is jarring, and you feel the discomfort that Edward has because he looks different. At this time, Stan’s makeup is some of the best that will come all year. We have seen actors buried under makeup plenty of times before, but I’ve never seen makeup like this where I questioned if there were two different actors playing Edward. 

A Different Man’s satire looks at self confidence and the obsession we all have with how others perceive us. Because of Edward’s facial disfigurement, he carries himself in a victimized manner. This is completely understandable because while we never see anyone directly treat him poorly, he is clearly seen as other. Who wouldn’t want to change that if given the opportunity? The tragic and painfully funny part of this story kicks in when we get to witness how much Edward’s quality of life improves after his procedure.

Advertisement
Sebastian Stan looks scared in A Different Man by Aaron Schimberg, reviewed on Loud and Clear Reviews
Sebastian Stan in A Different Man by Aaron Schimberg, an official selection of the Premieres program at the 2024 Sundance Film Festival. A24, Courtesy of Sundance Institute.

While it’s nice to see someone who was in such emotional turmoil striving with his new life, this joy becomes a tough watch when Oswald (Adam Pearson) enters his life. Oswald also has a facial disfigurement, but is a lot more confident in his own skin. Both Edward and the audience start to realize how different society treats Oswald because of this confidence, especially compared to the way Edward was initially treated. This knowledge and unrealized potential is what starts to lead him to a downward spiral and creates a truly unpredictable ending

The main highlight of A Different Man are the three core performances. Sebastian Stan gives a performance I was unaware he was capable of, especially on a physical level. By the end of the film, Edward has to go through so much, and without an actor that is so in command of his craft. There are so big swings A Different Man takes, and with Stan didn’t make his portrayal so believable, none of the satire would pay off. Even though I saw this film at the very start of 2024, I would be shocked if he didn’t receive some accolades during the 2025 awards season. 

Supporting players Renate Reinsve and Adam Pearson are quite phenomenal here as well as Ingrid and Oswald. Reinsve feels like she is giving two different performances from where we first meet her and where her arc ends up. Ingrid is an incredibly flawed person whose morals are never known and Reinsve makes every scene she’s in a facianiting watch. Pearson is incredibly charismatic and a pure scene stealer. In the scenes that Edward and Oswald share, Edward is in a lot of emotional pain, but Pearson’s star power is so alluring that just like everyone in the film, you’re too drawn to Oswald to care. 

Almost any criticism I had with A Different Man, the film addressed in some way. For example, the way that disabled people are represented in this film could be perceived as offensive, especially since Sebastian Stan is playing a member of that community. However, Ingrid and Edward eventually have a conversation about this very topic when discussing a play she is writing. I constantly felt like this film was always one step ahead of my thoughts, and I was always impressed with everything happening on screen. 

Overall, A Different Man is an original achievement that I absolutely adored. It is certainly not for everyone, with some of the disturbing imagery, but I was always immensely entertained. The makeup work, direction and score will be some of the best works I’ll see all year and the satire brings up some interesting ideas that I can’t wait to discuss with others.  A24 has another hit on their hands with A Different Man, and hopefully a bold film like this will find its audience and become the classic I believe it is.


A Different Man premiered at the 2024 Sundance Film Festival and will be distributed by A24. Read all our Sundance reviews!

Advertisement

Fresh (Hulu) Film Review – Loud And Clear Reviews

Review: Sebastian Stan shines as a flesh-eating psychopath in Fresh (Hulu), a horror/thriller with a great premise but many familiar tropes.

Image credit for the header: Sebastian Stan’s Instagram.

Advertisement

Movie Reviews

Michael Jackson documentary set to release after massive re-write

Published

on

Michael Jackson documentary set to release after massive re-write
  • Fans reignite Drake vs Kendrick feud after album announcement

    03:35

  • Now Playing

    Michael Jackson documentary set to release after massive re-write

    02:57

  • UP NEXT

    Patrick Brammall on How He Got His Role in ‘Devil Wears Prada 2’

    05:43

  • Henry Winkler on ‘Hazardous History’ S2, Zip lining With Grandkids

    07:38

  • Did Harry Styles and Zoë Kravitz Get Engaged?

    04:05

  • Ana Gasteyer on Role in ‘Schmigadoon!’ Musical: ‘I’m Very Mean’

    06:03

  • Laufey Talks Children’s Book ‘Mei Mei the Bunny,’ Coachella, More

    05:15

  • Shania Twain to Host the 2026 Academy of Country Music Awards

    00:26

  • Colman Domingo and Nia Long Talk New Michael Jackson Biopic

    04:50

  • Charlize Theron Talks Intense Training for New Thriller, ‘Apex’

    06:30

  • Jimmy Kimmel Shares Photo of His Son to Mark His 9th Birthday

    00:39

  • Could Rocky Score an Oscar for ‘Project Hail Mary’ Movie?

    01:36

  • ‘The Pitt’ Season 2 Finale Sees Huge Surge in Streams

    01:23

  • ‘Top Gun’ Movies Are Returning to Theaters for 40th Anniversary

    01:24

  • Chicago collectible store is latest target in Pokemon card crime spree

    01:59

  • Victoria Beckham Shares Hot Takes on Chores, Nicknames, More

    07:34

  • John Legend Talks New Book, ‘The Voice’ Finale, Marriage, More

    06:37

  • Victoria Beckham Talks Family, Marriage, Navigating Tough Times

    07:58

  • Steve Schirripa Joins TODAY With Dog WillieBoy to Talk New Book

    04:32

  • Stars of ‘Running Point’ Discuss What to Expect From Season 2

    06:34

Top Story

‘Michael’ — a new movie about the King of Pop – is drumming up big buzz. The film was produced in-part by the co-executors of the late singer’s estate, and has some critics questioning whether it is too focused on sanitizing the singer’s troubled image.

Hallie Jackson NOW

Stay Tuned NOW

Top Story

Top Story

Nightly News Netcast

Play All

Continue Reading

Movie Reviews

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Published

on

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

Advertisement

“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

Advertisement

“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”