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Pope Places Antoni Gaudí, ‘God’s Architect,’ on Path to Sainthood

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Pope Places Antoni Gaudí, ‘God’s Architect,’ on Path to Sainthood

Pope Francis on Monday placed Antoni Gaudí, the Catalan modernist once called “God’s architect” for his work on the Sagrada Familia, Barcelona’s world-famous basilica, on the path to sainthood.

Francis recognized his “heroic virtues” and authorized a decree declaring him “venerable,” a move toward sainthood, the Vatican said in a statement. For the next step, beatification, a miracle attributed to him would have to be verified. After that, a confirmation of yet another miracle would be required for Gaudí to be declared a saint in the Roman Catholic Church. The process can take years, even centuries.

The basilica marked the pope’s decision by noting on its website that after Gaudí died at 73, a leading prelate at the time called him God’s architect, and that the Sagrada Familia “opens hearts to beauty with its beauty.”

Antoni Gaudí i Cornet was born on June 25, 1852, most likely in Reus, Spain. He moved years later to Barcelona, where he studied architecture, earning his degree in 1878. After working on some small projects, according to the basilica’s website, “he soon became one of the most sought-after architects and began taking on larger commissions.”

The Gaudi Foundation notes that his association with the architect Joan Martorell i Montells brought Gaudí into contact with the rich industrialist and prominent Barcelona figure Eusebio Güell, which “helped to engender many of the imperishable works” still admired today.

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Construction of the Sagrada Familia began in 1882, and Gaudí took over the project a year later, when he was 31. He worked on the basilica for more than four decades, the last 12 years of his life exclusively. It remains unfinished.

Gaudí was hit by a tram in Barcelona on June 7, 1926, and taken to the city’s hospital for the poor because he was not recognized. He died three days later.

In 2010, the basilica was consecrated by Pope Benedict XVI, who described Gaudí as “a creative architect and a practising Christian who kept the torch of his faith alight to the end of his life, a life lived in dignity and absolute austerity.”

“Gaudí, by opening his spirit to God, was capable of creating in this city a space of beauty, faith and hope, which leads man to an encounter with him who is truth and beauty itself,” Benedict said in 2010.

In announcing the decree, the Vatican’s Dicastery for the Causes of Saints, which oversees the canonization process, described Gaudí as a faithful layman who, “moved by the yearning for union with the Lord,” led a “good spiritual and moral life above the ordinary.”

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It added that Gaudí “offered to God the fruits of his own labor understood as a mission to make the people know and draw them closer to God, and made art a hymn of praise to the Lord.”

Cardinal Juan José Omella, the archbishop of Barcelona, said in a video statement on Monday that “it was a joy to receive the news” that Gaudí had been declared “venerable.” It was a recognition, he said, “not only of his architectural work, but of something more important than his holiness, that he is a man who was good.”

An association to promote Gaudí’s beatification was established in 1992, with the aim of achieving that goal “through the organization of lectures, exhibitions and publications; and to collect testimonies of favors granted by his intercession,” according to a book published by the association.

In 2023, the cause was submitted to the Vatican, and the Archdiocese of Barcelona became officially involved.

Not many artists have achieved saintly status. Some are prelates who also wrote poetry. One is an abbess who wrote musical compositions.

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Fra Angelico, the Renaissance artist and Dominican friar who was beatified by Pope John Paul II in 1982, may be the best known. A major Fra Angelico exhibition opens in Florence, Italy, on Sept. 26 and looks set to be one of the major European art shows of the fall.

As Gaudí inches toward sainthood, so, too, is the Sagrada Familia creeping toward completion. Two towers were finished in 2023, and the Sagrada Familia Foundation has said it hopes that the central, and tallest, tower will be finished by 2026 — the centennial of Gaudí’s death.

“He was a visionary, and a Christian visionary, so the cause for beatification is more than merited,” said the Italian historian Giovanni Maria Vian, who called the Sagrada Familia “the last great church” in the long history of ecclesiastical architecture in Europe.

Gaudí had conceived the basilica “as a religious monument to give praise and praise God,” he said, much like the craftsmen who worked on the great cathedrals of the Middle Ages.

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Analysis: Trump’s policies set to widen EU-US innovation gap

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Analysis: Trump’s policies set to widen EU-US innovation gap

As the curtain falls on 2025, policymakers in Brussels have yet to decisively counter the negative economic impacts of two major developments: the trade deal struck between the European Union and the United States this summer, and President Trump’s so-called “Big Beautiful Bill”, a mammoth piece of domestic legislation with global economic implications.

The EU’s slow progress toward improving relative business conditions at such a volatile moment has left investors frustrated and looking elsewhere.

According to a report published this week by the European Round Table for Industry, the leaders of the bloc’s industrial giants are “alarmed at the lack of urgency in delivering on Draghi and Letta’s bold reforms to restore the business case for investing in Europe.”

The report also points to a survey of CEOs conducted in October, which shows that only 55% expect to stick to their investment plans. Even worse, a mere 8% intend to invest more in Europe than they planned to six months prior, in contrast with the 38% who will either invest less than previously intended or have put decisions on hold.

And most tellingly, the US now attracts more investment than originally planned by 45% of respondents.

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The ‘carrot-and-stick’ approach

The Trump administration’s combination of supply-side economics and protectionism has converted the necessity of avoiding US tariffs into a massive financial incentive for foreign companies and multinationals to invest in the United States directly.

The Big Beautiful Bill, which Trump signed into law in July, formalised huge tax breaks and effectively guaranteed incentives to shift investments across the Atlantic. Namely, the 100% bonus depreciation for new machinery and factories, as well as the 100% immediate expensing of domestic research and development (R&D) costs, mitigating the expenses of moving production and innovation to the US.

Companies have until 1 January 2026 to finalize their decisions and collect retroactive benefits for capital deployed in 2025, but the conditions will remain the same next year.

To compound the EU’s growing inability to compete, the heavily criticised EU-US trade deal was agreed in the same month. The agreement de-escalated the transatlantic trade war of 2025 but it levied a 15% tariff on the vast majority of the EU’s industrial exports to the US, with an exemption from duties for most US-made goods bound for the EU market.

In addition, the EU committed to spending over €640 billion in US energy, investing more than €500 billion in the US economy and buying around €35 billion worth of US-made AI chips, until the end of President Trump’s mandate. Meanwhile, the United States made no similar pledges.

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As for corporations, the choice became simple: relocate investment to the US, avoid the tariff and claim massive tax deductions.

The innovation gap in numbers

The R&D siphon is the most critical threat to Europe’s future competitiveness, as the Trump administration’s new incentives pull core innovation to the US.

In the most innovative industries, such as the AI and healthcare sectors, the numbers for 2025 already demonstrate the chasm between the EU and the US.

In the first three quarters of this year, private investment flowing into US AI companies exceeded €100 billion, with the US capturing over 80% of global AI funding. In contrast, the entire EU attracted just shy of €7 billion, according to the widely read State of AI Report 2025.

This severe 15-to-1 funding deficit means the technological future is being built and scaled primarily outside the EU, something that has been recognised by the European Parliament.

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Likewise, the EU is aiming to achieve 20% market share in semiconductor manufacturing by 2030, as outlined in the Chips Act, but experts say such a goal is unlikely given that Europe is among the slowest growers in the sector year-on-year.

Furthermore, the EU is even falling behind on AI adoption among young users, according to a new survey by the Organisation for Economic Cooperation and Development.

As for the pharmaceutical industry, CEOs sent a stark warning to President von der Leyen back in April that “unless Europe delivers rapid, radical policy change then pharmaceutical research, development and manufacturing is increasingly likely to be directed towards the US.”

In the following weeks, fuelled by the fear of the ongoing transatlantic trade war at the time and frustration with the European regulatory scene, the third largest company in Europe by market capitalization, the Swiss-based Roche, committed over €40 billion in US investment over the next five years. Likewise, the French multinational Sanofi announced an investment of €17 billion to expand manufacturing in the US through 2030.

In July, as the Big Beautiful Bill and the EU-US trade deal were being agreed, the British-Swedish company AstraZeneca also declared investing over €40 billion in the US over the next five years, including the construction of a chronic disease research centre in the state of Virginia, the company’s largest single investment in a facility to date.

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In November, the White House announced a large-scale agreement between two pharmaceutical rivals, the American manufacturer Eli Lilly, and the Danish corporation Novo Nordisk, known for pioneering the prescription drug for type 2 diabetes, Ozempic, which has also been widely used off-label for weight loss.

The two companies agreed a strategy to reduce the prices of several medications for Americans and announced new investments in the US, with Novo Nordisk committing roughly €8.5 billion to expand US manufacturing capacity. In exchange, the Danish company is expected to receive a three-year exemption from US tariffs, among other benefits.

In total, the European pharmaceutical industry has pledged more than €100 billion for US expansion in 2025 alone with multi-year commitments.

The scramble to deregulate

The pressure applied by the US is evident as this year has seen the European Commission pivot to an aggressive deregulation agenda.

In response to a request from the European Council, six simplification proposals, referred to as “omnibuses”, have been presented since February covering energy, finance, agriculture, technology, defence and chemicals.

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Notably, the so-called Digital Omnibus was introduced in November, and it includes delays to provisions of the AI Act and modifications to the GDPR.

These initiatives aim to rapidly cut red tape and reduce bureaucratic costs for European businesses in an attempt to stem the outflow of talent and capital. However, the proposed measures are still facing legislative scrutiny, as well as administrative oversight and political backlash from privacy and climate advocates, among others.

It was only this week that an agreement was finally reached on the first omnibus, another sign that the EU is still far from offering the immediate financial certainty of minimising or avoiding US tariffs while benefiting from President Trump’s policies where possible.

The numbers reveal the plain economic truth: while the EU debates the fine print of deregulation, the investment in innovation is already being decisively relocated.

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Dakota Johnson Joins Lily Allen to Play ‘Madeline’ on ‘SNL’

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Dakota Johnson Joins Lily Allen to Play ‘Madeline’ on ‘SNL’

Star Dakota Johnson made a surprise appearance on “Saturday Night Live” this week, playing the mysterious “Madeline” during Lily Allen‘s performance of that track. The song was Allen’s second of the night.

During the performance, Johnson was mostly hidden behind a screen through the song, as Allen sang about the mistress. But Johnson performed the spoken word portion of the song, which appears on Allen’s album “West End Girl.” In the track, Allen notes that she and her signficant other “had an arrangement: Be discreet and don’t be blatant. And there had to be payment. It had to be with strangers. But you’re not a stranger, Madeline.”

Later in the song, “Madeline” explains her side of the story via texts to Allen: “I hate that you’re in so much pain right now. I really don’t wanna be the cause of any upset. He told me that you were aware this was going on and that he had your full consent. If he’s lying about that, then please let me know. Because I have my own feelings about dishonesty. Lies are not something that I wanna get caught up in. You can reach out to me any time, by the way. If you need any more details or you just need to vent or anything. Love and light, Madeline.”

After reading those lines, Johnson came out from behind the curtain and walked up to Allen — and gave her a quick kiss.

“Madeline” is one of the standout tracks from Allen’s new album “West End Girl,” and has led to much speculation over who the mysterious pseudonym is (or might be a composite of). At least one person has told the press that she is “Madeline,” although Allen has said that it’s actually a composite of several women.

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For her first “SNL” number, Allen performed “Sleepwalking” from “West End Girl,” in a bedroom set under a neon sign. Given the saucy lyrics, Allen did have to censor herself, omitting the lyric, “Why aren’t we fucking, baby?” (She did the same thing with “Madeline,” avoiding part of the line “I’m not convinced that he didn’t fuck you in our house.”)

Allen appeared on “Saturday Night Live” to promote “West End Girl,” which has been met with wide acclaim for its brutal honesty and craftsmanship. The album addresses her split from “Stranger Things” star David Harbour, without ever mentioning him by name. (As characterized through scathing lyrics on songs such as “Pussy Palace,” “Sleepwalking” and “Madeline.”)

In his Variety review, Chris Willman called “West End Girl” a contender for album of the year. He wrote of “savoring every confessional line and wondering what the hell she was going to tell us in the next one to top it. It’s the pleasure of listening to a master storyteller who makes your jaw drop by seeming to have spilled all the tea almost at the outset, and then the tea just keeps on coming. Not since Boston in 1773, maybe, has anyone dumped it this massively, or this fulfillingly.”

“West End Girl” repped Allen’s first album release since 2018. Allen has announced a tour next March to support the album, which marks Allen’s first time touring since 2019.

This is Allen’s second time on “Saturday Night Live,” following an appearance on the Feb. 3, 2007 episode hosted by Drew Barrymore. During that episode, Allen performed the tracks “Smile” and “LDN” from her debut album “Alright, Still.”

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Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’

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Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’

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A mass shooting during a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Sunday evening left at least 12 people dead and 29 people hospitalized, authorities say.

The annual celebration, known as “Chanukah By The Sea,” was scheduled to kick off at 5 p.m. to celebrate the first day of the Jewish holiday by lighting the first candle on the Menorah. Police say the attack “targeted” the Jewish community and is being investigated as an act of terrorism.

The New South Wales Police Force (NSWPF) said officers responded to reports of shots fired at about 6:45 p.m. on Sunday. Police say there were at least two gunmen involved in the attack, and they are investigating the possibility of a third. Twelve people were killed in the shooting, including one of the two suspected gunmen, police said. The second alleged shooter is in critical condition.

At least 29 others were hospitalized after the shooting, including two police officers, the agency confirmed. The shooting is the worst attack against Jews since the Oct. 7, 2023, Hamas terror attacks.

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ANTISEMITIC ATTACKERS VIOLENTLY TARGET SYNAGOGUE, ISRAELI RESTAURANT IN AUSTRALIA

An investigation is underway after a deadly attack on a Hanukkah event at Bondi Beach in Sydney, Australia, on Sunday.  (David Gray/AFP via Getty Images)

Police added that they found evidence of multiple improvised explosive devices in a vehicle near the scene of the attack.

“We have our rescue bomb disposal unit there at the moment working on that,” he said. 

Israeli President Isaac Herzog acknowledged the attack while speaking at an event in Jerusalem recognizing immigrants’ extraordinary achievements on Sunday.

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“At these very moments, our sisters and brothers in Sydney, Australia, have been attacked by vile terrorists in a very cruel attack on Jews who went to light the first candle of Chanukah on Bondi Beach,” Herzog said. “Our hearts go out to them. The heart of the entire nation of Israel misses a beat at this very moment, as we pray for the recovery of the wounded, we pray for them and we pray for those who lost their lives.”

AUSTRALIA’S JEWISH COMMUNITY ALARMED BY RISING ANTISEMITISM: ‘FEAR AND ANXIETY’

A health worker moves a stretcher after a shooting incident at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. (Saeed Khan/AFP via Getty Images)

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Herzog also called on the Australian government to “seek action and fight against the enormous wave of antisemitism which is plaguing Australian society.”

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