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Fantastic Four and Doctor Doom Coming to ‘Fortnite’ as Disney and Epic Games Reveal Details of Gaming Collaboration Plans

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Fantastic Four and Doctor Doom Coming to ‘Fortnite’ as Disney and Epic Games Reveal Details of Gaming Collaboration Plans

Disney and “Fortnite” developer Epic Games unveiled details of a broad plan to integrate Disney brands and characters into Epic’s cutting-edge game franchise during the company’s presentation Saturday at the D23 fan gathering in Anaheim, Calif.

During the Disney Experiences Showcase presentation, Josh D’Amaro, Disney’s parks and products chief, and leaders of Marvel (Kevin Feige), Pixar (Peter Docter), Lucasfilm (Dave Filoni) and Walt Disney Animation Studios (Jennifer Lee) revealed some of the early plans for the Disney-Epic Games collaboration to build new games and entertainment universes tied to its enormously popular “Fornite” gaming franchise.

“At Disney Experiences, Imagineers dream, create, design and build these stories into real places. And we have Imagineers in place right now all around the world because everything we’re going to share with you is in active development,” D’Amaro told the crowd. “Plans are drawn. Dirt is moving. I just want to be clear about this: We are doing everything you’re going to hear tonight.”

For one, on Aug. 16 fan favorite Marvel characters Doctor Doom and the Fantastic Four will be featured in the storyline for Fornite’s Battle Royale’s Chapter 5, Season 4: Absolute Doom. The significance is that fans will be able to pick up clues and hints as to the storylines for upcoming Marvel films featuring those characters. That connects the game to Marvel storytelling in an deeper way than before — a move with significance to Marvel’s most dedicated fans.

Feige, Marvel Studios’ president, explained to fans that Chapter 5 marks the conclusion of Battle Royale, and he revealed the world premiere of a cinematic and gameplay trailer revealing the origins of a new upcoming Marvel-themed season. The new season will allow players from around the world to continue the Fortnite and Marvel story with new gameplay and locations to explore.

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The gaming portion of Saturday’s D23 presentation was available for streaming within Epic’s “Fortnite,” marking a first for Disney, which has not previously livestreamed the ticketed fan event. But the event at the D23 Expo, the three-day Disney fan gathering that began Friday in Anaheim, Calif., was a natural fit and way for Disney to show off the possibilities of its partnership with the company whose proprietary Unreal Editor for Fornite tech platform is on the leading edge of creating immersive live-stream events. Disney described the live stream as “an interactive social watch party [that] enabled players to engage with the showcase through cheers, mini games and spectacular visual effects.” It will remain available for viewing until Aug. 16.

The Epic/Disney announcements made out of D23 mark the first big reveals regarding the partnership since Disney CEO Bob Iger announced in February that Disney had invested $1.5 billion in Epic Games. Iger billed it as the company’s “biggest foray into the game space ever.”

Lee, chief creative officer of Walt Disney Animation Studios, disclosed that three beloved Disney villains will be the first full-fledged Disney characters to enter the world of “Fortnite”: Maleficent, Cruella de Vil and Captain Hook will become the first Disney Animation characters to join Fortnite in the fall.

From the Pixar canon, the Incredibles will be the first to debut in “Fortnite” later this year, Docter, Pixar’s chief creative officer, told fans. He also said Pixar animators plan to experiment with original ideas in new formats.

Starting next week, Lucasfilm will contribute Star Wars characters IG-11 and Moff Gideon and items for sale including “all-new Grogu dynamic Back Bling.” Filoni noted that the Unreal tech was used to help envision the universe of Lucasfilm’s Disney+ hit “The Mandalorian” and other series. Filoni and “Mandalorian” chief Jon Favreau are considering ways to harness “Fortnite’s” power to allow fans to step into the show by allowing them to walk through “Mandalorian” sets brought to life by Unreal.

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At that time, the two companies teased a Disney universe interoperating inside of “Fortnite” that will “offer a multitude of opportunities for consumers to play, watch, shop and engage with content, characters and stories from Disney, Pixar, Marvel, ‘Star Wars,’ ‘Avatar’ and more.

Iger said upon his return as Disney CEO in November 2022, he met with Disney experiences boss D’Amaro and gaming chief Sean Shoptaw to talk about Disney’s gaming business and “the first thing they showed me were demographic trends.” “And when I saw Gen Z and Gen Alpha and even Millennials, I saw the amount of time they were spending in terms of their total media screen time on video games, it was stunning to me, equal to what they spend on TV and movies,” Iger said. “And the conclusion I reached was we have to be there and we have to be there as soon as we possibly can in a very compelling way.”

The three-day D23 event kicked off Friday with a slew of news about movies, TV shows and live events coming from the Mouse House. On Sunday, the event will wrap with the presentation of its Disney Legends honors to such recipients as Miley Cyrus, Harrison Ford, Angela Bassett and Jamie Lee Curtis.

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Wafa Al-Udaini, Palestinian Journalist, Told Story of Gaza That Was Full of Life

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Wafa Al-Udaini, Palestinian Journalist, Told Story of Gaza That Was Full of Life

Before the answers to life’s questions fit in our pocket, you used to have to turn a dial. If you were lucky, Phil Donahue would be on, ready to guide you toward enlightenment. In a stroke of deluxe good fortune, Dr. Ruth Westheimer might have stopped by to be the enlightenment. He was the search engine. She was a trusted result.

Donahue hailed from Cleveland. The windshield glasses, increasingly snowy thatch of hair, marble eyes, occasional pair of suspenders and obvious geniality said “card catalog,” “manager of the ’79 Reds,” “Stage Manager in a Chevy Motors production of ‘Our Town.’” Dr. Ruth was Donahue’s antonym, a step stool to his straight ladder. She kept her hair in a butterscotch helmet, fancied a uniform of jacket-blouse-skirt and came to our aid, via Germany, with a voice of crinkled tissue paper. Not even eight years separated them, yet so boyish was he and so seasoned was she that he read as her grandson. (She maybe reached his armpit.) Together and apart, they were public servants, American utilities.

Donahue was a journalist. His forum was the talk show, but some new strain in which the main attraction bypassed celebrities. People — every kind of them — lined up to witness other people being human, to experience Donahue’s radical conduit of edification, identification, curiosity, shock, wonder, outrage, surprise and dispute, all visible in the show’s televisual jackpot: cutaways to us, reacting, taking it all in, nodding, gasping. When a celebrity made it to the “Donahue” stage — Bill Clinton, say, La Toya Jackson, the Judds — they were expected to be human, too, to be accountable for their own humanity. From 1967 to 1996, for more than 6,000 episodes, he permitted us to be accountable to ourselves. 

What Donahue knew was that we — women especially — were eager, desperate, to be understood, to learn and learn and learn. We call his job “host” when, really, the way he did it, running that microphone throughout the audience, racing up, down, around, sticking it here then here then over here, was closer to “switchboard operator.” It was “hot dog vendor at Madison Square Garden.” The man got his steps in. He let us do more of the questioning than he did — he would just edit, interpret, clarify. Egalitarianism ruled. Articulation, too. And anybody who needed the mic usually got it.

The show was about both what was on our mind and what had never once crossed it. Atheism. Naziism. Colorism. Childbirth. Prison. Rapists. AIDS. Chippendales, Chernobyl, Cher. Name a fetish, Phil Donahue tried to get to its bottom, sometimes by trying it himself. (Let us never forget the episode when he made his entrance in a long skirt, blouse and pussy bow for one of the show’s many cross-dressing studies.) Now’s the time to add that “Donahue” was a morning talk show. In Philadelphia, he arrived every weekday at 9 a.m., which meant that, in the summers, I could learn about compulsive shopping or shifting gender roles from the same kitchen TV set as my grandmother.

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Sex and sexuality were the show’s prime subjects. There was so much that needed confessing, correction, corroboration, an ear lent. For that, Donahue needed an expert. Many times, the expert was Dr. Ruth, a godsend who didn’t land in this country until she was in her late 20s and didn’t land on television until she was in her 50s. Ruth Westheimer arrived to us from Germany, where she started as Karola Ruth Siegel and strapped in as her life corkscrewed, as it mocked fiction. Her family most likely perished in the Auschwitz death camps after she was whisked to the safety of a Swiss children’s home, where she was expected to clean. The twists include sniper training for one of the military outfits that would become the Israel Defense Forces, maiming by cannonball on her 20th birthday, doing research at a Planned Parenthood in Harlem, single motherhood and three husbands. She earned her doctorate from Columbia University, in education, and spent her postdoc researching human sexuality. And because her timing was perfect, she emerged at the dawn of the 1980s, an affable vector of an era’s craze for gnomic sages (Zelda Rubinstein, Linda Hunt, Yoda), masterpiece branding and the nasty.

Hers was the age of Mapplethorpe and Madonna, of Prince, Skinemax and 2 Live Crew. On her radio and television shows, in a raft of books and a Playgirl column and through her promiscuous approach to talk-show appearances, she aimed to purge sex of shame, to promote sexual literacy. Her feline accent and jolly innuendo pitched, among other stuff, the Honda Prelude, Pepsi, Sling TV and Herbal Essences. (“Hey!” she offers to a young elevator passenger. “This is where we get off.”) The instructions for Dr. Ruth’s Game of Good Sex says it can be played by up to four couples; the board is vulval and includes stops at “Yeast Infection,” “Chauvinism” and “Goose Him.”

On “Donahue,” she is direct, explicit, dispelling, humorous, clear, common-sensical, serious, vivid. A professional therapist. It was Donahue who handled the comedy. On one visit in 1987, a caller needs advice about a husband who cheats because he wants to have sex more often than she does. Dr. Ruth tells Donahue that if the caller wants to keep the marriage, and her husband wants to do it all the time, “then what she should do is to masturbate him. And it’s all right for him to masturbate himself also a few times.” The audience is hear-a-pin-drop rapt or maybe just squirmy. So Donahue reaches into his parochial-school-student war chest and pulls out the joke about the teacher who tells third-grade boys, “Don’t play with yourself, or you’ll go blind.” And Donahue raises his hand like a kid at the back of the classroom and asks, “Can I do it till I need glasses?” Westheimer giggles, maybe noticing the large pair on Donahue’s face. This was that day’s cold open.

They were children of salesmen, these two; his father was in the furniture business, hers sold what people in the garment industry call notions. They inherited a salesman’s facility for people and packaging. When a “Donahue” audience member asks Westheimer whether her own husband believes she practices what she preaches, she says this is why she never brings him anywhere. “He would tell you and Phil: ‘Do not listen to her. It’s all talk,’” which cracks the audience up.

But consider what she talked about — and consider how she said it. My favorite Dr. Ruth word was “pleasure.” From a German mouth, the word conveys what it lacks with an American tongue: sensual unfurling. She vowed to speak about sex to mass audiences using the proper terminology. Damn the euphemisms. People waited as long as a year and a half for tickets to “Donahue” so they could damn them, too. But of everything Westheimer pitched, of all the terms she precisely used, pleasure was her most cogent product, a gift she believed we could give to others, a gift she swore we owed ourselves.

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I miss the talk show that Donahue reinvented. I miss the way Dr. Ruth talked about sex. It’s fitting somehow that this antidogmatic-yet-priestly Irish Catholic man would, on occasion, join forces with a carnal, lucky-to-be-alive Jew to urge the exploration of our bodies while demonstrating respect, civility, reciprocation. They believed in us, that we were all interesting, that we could be trustworthy panelists in the discourse of being alive. Trauma, triviality, tubal ligation: Let’s talk about it! Fear doesn’t seem to have occurred to them. Or if it did, it was never a deterrent. Boldly they went. — And with her encouragement, boldly we came.

Wesley Morris is a critic at large for The New York Times and a staff writer for the magazine.

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Projectile from Yemen strikes near Tel Aviv, injuring more than a dozen: officials

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Projectile from Yemen strikes near Tel Aviv, injuring more than a dozen: officials

A projectile launched into Israel from Yemen overnight into Saturday struck Tel Aviv, resulting in mild injuries to 16 people, according to Israeli officials.

Israel’s military said after sirens sounded in central Israel that the projectile landed in Tel Aviv’s southern Jaffa area following failed attempts to intercept.

“Following the sirens that sounded a short while ago in central Israel, one projectile launched from Yemen was identified and unsuccessful interception attempts were made,” the military said on Telegram.

ISRAELI AIRSTRIKES TARGET YEMEN’S HOUTHI-CONTROLLED CAPITAL OF SANAA, PORT CITY OF HODEIDA

Israeli emergency services work at the scene of a missile strike that, according to Israel’s military, was launched from Yemen and landed in Jaffa, south of Tel Aviv, Israel, December 21, 2024. (Reuters)

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Iranian-backed Houthi rebels have repeatedly launched missile attacks from Yemen against Israel since the war in Gaza began in October of last year, but the incident overnight represents a rare instance in which Israel failed to intercept.

Israel has retaliated by striking multiple targets in areas in Yemen controlled by the Houthis.

HAMAS’ GAZA DEATH TOLL QUESTIONED AS NEW REPORT SAYS ITS LED TO ‘WIDESPREAD INACCURACIES AND DISTORTION’

People gather at the scene of a missile strike

People gather at the scene of a missile strike that, according to Israel’s military, was launched from Yemen and landed in Jaffa, south of Tel Aviv, Israel, December 21, 2024. (Reuters)

“A short time ago, reports were received of a weapon falling in one of the settlements within the Tel Aviv district,” Israeli police said Saturday.

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On Thursday, the Israeli military said it intercepted a missile launched from Yemen, with shrapnel resulting in extensive damage to a school near Tel Aviv.

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Scholz confirms 5 dead at Magdeburg Christmas market attack

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Scholz confirms 5 dead at Magdeburg Christmas market attack

A 50-year-old man was arrested at the scene of the attack in Magdeburg on Friday evening, but as of Saturday, the reason behind his actions remained unclear.

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At least five people, including a toddler, have been killed and dozens injured after a car ploughed into a crowd at a busy outdoor Christmas market in Magdeburg, a city in eastern Germany.

Authorities are describing the incident as a “deliberate attack.”

German Chancellor Olaf Scholz and Federal Interior Minister Nancy Faeser are at the scene of the attack in Magdeburg. Faeser has confirmed that federal police are actively supporting the investigation into the tragedy.

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