Washington
Why I got arrested in Washington | Anabaptist World
“If you’ve never been there, why do you care?” Anna Johnson asked Kelsey Cramer (my sister-in-law) and me on our way from South Bend to Goshen, Ind., in a 12-passenger van to pick up the rest of our carpool heading to Washington, D.C., on a subzero January morning.
Anna is a Ph.D. candidate in peace studies and sociology, researching the possibilities of peace-and-justice tourism in Palestine. Having grown up Lutheran, she became Mennonite after encountering Mennonite Central Committee workers in Palestine, where she lived for seven years.
For Anna, the atrocities in Palestine are personal. But why, she wondered out loud, were we joining her in an act of civil disobedience?
Kesley described how her heart broke for Palestinians as she watched the atrocities on social media. I stumbled through a response, but the question haunted me throughout the whirlwind of the next two days.
We drove 11 hours through snow to a church in Washington, where Mennonites from across the country were gathered. The next morning, we gathered at another downtown church. The mood was both festive and tense as we ate breakfast. Participants had already decided whether to join an outdoor service or enter the congressional building for civil disobedience.
After prayers and instructions, we were off in groups, adrenaline rushing. I partnered up with Ana Neufeld Weaver, a music education major who had been tapped as a song leader. “Have you ever done anything like this before?” I asked. “I’ve led music plenty of times,” she responded, “but never like this!”
We passed through security checks and wandered the halls like tourists. Then our group leader signaled for us to enter the rotunda, merging into a stream of Mennonites. We unrolled banners, opened song books, sat in a circle and began singing, “Lord, listen to your children praying” — all before the police knew what was happening.
They soon learned, as we transitioned to chanting, “Let Gaza live!” They surrounded us, one warning us to disperse over a megaphone, drowned out by our singing, “We are marching in the light of God!”
After a final warning, they moved in, grabbing banners and going for song leaders. We tried to tighten the circle, but they threatened to increase charges if we resisted. As they removed song leaders, new ones kept emerging.
I was nearly unable to sing, filled with a surge of solidarity and joy. Tears in our eyes, we sang “The world is about to turn!” in harmony unbroken by the removal of friends.
An officer tapped me on the shoulder and zip tied my wrists behind me. We continued to sing as we were invasively patted down. “This will be uncomfortable for both of us,” an officer said before feeling my crotch.
Still singing, we were taken down an elevator to await transportation. On the ground level, an officer commanded, “Stop singing!” We complied.
Loaded into a windowless police vehicle on a bench with barely enough room for our knees, we craned our necks to introduce ourselves and encourage each other through the claustrophobia and increasing wrist and shoulder pain.
After what felt like an hour, the back door opened, and we were led into a warehouse to be patted down again before having zip ties removed, only to be zip tied again from the front. “You’re on my time now,” an officer taunted.
Seeing others from our group already sitting in rows of plastic chairs, I was heartened. We sat and talked as names were called to come forward for a mugshot and processing.
My seminary dean, Bev Lapp, called to me, “If I wasn’t on sabbatical, I would let you cancel your Thursday class!”
An officer began calling out names of those processed. When my name was called, I got zip ties removed, received personal items, paid a fine, signed and received a release form and was sent out alone through a back door.
As I exited the warehouse, familiar faces greeted me with cheers, snacks and a ride back to the church, where others greeted us with applause and hugs. We shared stories over pizza until everyone was released.
Driving home the next day, the answer to Anna’s question hit me. It’s Anna.
At a local Mennonite action in December, Anna had shared about the suffering of her friends in Palestine. Here before me was a Mennonite sibling asking for her pain to be acknowledged. How could I keep from acting?
Mennonites often talk about unity, which can’t be forged by talking about it. When Paul writes of unity, he makes it tangible: “Rejoice with those who rejoice; weep with those who weep” (Romans 12:15).
I participated to weep with Mennonite siblings who weep for Gaza. What I discovered was this: The Spirit binds us together when together we are bound — in zip ties and in love.
David C. Cramer is pastor of Keller Park Church, a Mennonite Church USA congregation in South Bend, Ind., and managing editor at the Institute of Mennonite Studies at Anabaptist Mennonite Biblical Seminary.
Washington
HIGHLIGHT | Lawrence Dots a Pass to Washington for a 6-Yard TD
DE Dawuane Smoot, LB Foyesade Oluokun, TE Brenton Strange, S Eric Murray, and S Antonio Johnson speak with the media after practice on Thursday ahead of the Wild Card Matchup vs. Bills.
0:00 – 2:28 – DE Dawuane Smoot
2:29 – 6:24 – LB Foyesade Oluokun
6:25 – 9:25 – TE Brenton Strange
9:26 – 11:32 – S Eric Murray
11:33 – 13:46 – S Antonio Johnson
Washington
Iran warns Washington it will retaliate against any attack
DUBAI, Jan 11 (Reuters) – Iran warned President Donald Trump on Sunday that any U.S. attack would lead to Tehran striking back against Israel and regional U.S. military bases as “legitimate targets”, Parliament Speaker Mohammad Baqer Qalibaf told parliament.
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Reporting by Dubai Newsroom; Editing by William Mallard
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Washington
Washington National Opera cuts ties with the Kennedy Center after longstanding partnership | CNN Politics
The Washington National Opera on Friday announced it is parting ways with the Kennedy Center after more than a decade with the arts institution.
“Today, the Washington National Opera announced its decision to seek an amicable early termination of its affiliation agreement with the Kennedy Center and resume operations as a fully independent nonprofit entity,” the opera said in a statement.
The decoupling marks another high-profile withdrawal since President Donald Trump and his newly installed board of trustees instituted broad thematic and cosmetic changes to the building, including renaming the facility “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.”
The opera said it plans to “reduce its spring season and relocate performances to new venues.”
A source familiar with the dynamic told CNN the decision to part ways was made by the opera’s board and its leadership, and that the decision was not mutual.
A spokesperson for the Kennedy Center said in a statement, “After careful consideration, we have made the difficult decision to part ways with the WNO due to a financially challenging relationship. We believe this represents the best path forward for both organizations and enables us to make responsible choices that support the financial stability and long-term future of the Trump Kennedy Center.”
Kennedy Center president Richard Grenell, who was appointed by Trump’s hand-picked board, said on X, “Having an exclusive relationship has been extremely expensive and limiting in choice and variety.”
Grenell added, “Having an exclusive Opera was just not financially smart. And our patrons clearly wanted a refresh.”
Since taking the reins at the center, Grenell has cut existing staff, hired political allies and mandated a “break-even policy” for every performance.
The opera said the new policy was a factor in its decision to leave the center.
“The Center’s new business model requires productions to be fully funded in advance—a requirement incompatible with opera operations,” the opera said.
Francesca Zambello, the opera’s artistic director, said she is “deeply saddened to leave The Kennedy Center.”
“In the coming years, as we explore new venues and new ways of performing, WNO remains committed to its mission and artistic vision,” she said.
The New York Times first reported the opera’s departure.
Founded in 1956 as the “Opera Society of Washington,” the group has performed across the district, taking permanent residency in the Kennedy Center in 2011.
The performing arts center has been hit with a string of abrupt cancellations from artists in recent weeks including the jazz group The Cookers and New York City-based dance company Doug Varone and Dancers who canceled their performances after Trump’s name was added to the center – a living memorial for assassinated President John F. Kennedy.
The American College Theater Festival voted to suspend its relationship with the Kennedy Center, calling the affiliation “no longer viable” and citing concerns over a misalignment of the group’s values.
American banjo player Béla Fleck withdrew his upcoming performance with the National Symphony Orchestra, saying that performing at the center has become “charged and political.”
The Brentano String Quartet, who canceled their February 1 performance at the Kennedy Center, said they will “regretfully forego performing there.”
CNN has reached out to the Kennedy Center on the additional cancellations.
The opera said, “The Board and management of the company wish the Center well in its own future endeavors.”
CNN’s Betsy Klein and Nicky Robertson contributed to this report.
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