Seattle, WA
The First Sculptor of Seattle
My first encounter with the work of James Wehn occurred in the 1980s during a family trip to the Seattle Center. At some point that day we found ourselves walking around in the nearby Belltown neighborhood when someone in the group pointed to a statue of Chief Seattle. The 400-pound bronze statue sits at Tilikum Place, the triangular plaza in front of The 5 Point Cafe, and shows Seattle with his right arm extended up, as if in greeting. I was still in high school at the time and had just learned about Chief Seattle in my Washington state history class, so the moment served as perhaps the first time that I remember having any kind of awareness or appreciation toward public art.
Several years later, as a young 20-something, I would haphazardly stumble across the famous bronze bust of Chief Seattle that sits in Pioneer Square. It wasn’t until much later that I learned both pieces were created by the same artist — a turn-of-the-century sculptor by the name of James when, who created some of the city’s first pieces of public art. In fact, he is often referred to as being “the first sculptor of Seattle,” as he created numerous plaques, statuary, and medallions that can be seen all across the city. He even designed the very first seal for the city of Seattle.
It was a real thrill, then, when I recently acquired one of Wehn’s original medallions that he designed back in 1928 after he was commissioned to create a piece of official insignia for the city’s lamp posts. Wehn cast hundreds of these, which were then used as decorative embellishments on light posts throughout the city. Many of these original medallions were later scrapped in the 1950s and ’60s, during various revitalization efforts, though a few of them managed to escape the scrap heap and will occasionally show up for sale.
I became the proud owner of mine courtesy of a local estate sale. The palm-sized medallion weighs close to a pound, and its beautiful depiction of two intertwined salmon is only enhanced by its century-old patina. When holding one in your hand, you can literally feel its industrial origins, going all the way back to when it was first cast in Wehn’s foundry. Above all, it serves as a physical testament to the artistic endowment that he first established here more than a hundred years ago.
James Wehn first arrived in Seattle as a young boy, when his family moved here in 1889. His father, John Wehn, was an ironworker and was able to find work at a local foundry. A few months after their arrival, the Great Seattle Fire of 1889 wiped out most of the city. Luckily, their house managed to avoid any significant damage and because of the elder Wehn’s profession, he took an active role in the rebuilding of Seattle. This early exposure to the art and skill of blacksmithing, and seeing the architectural beauty that it could create, obviously served as a huge influence for the young boy.
Wehn was 13 years old when he contracted diphtheria and, during a rather lengthy recovery, was given a set of watercolor paints to help him pass the time. He quickly discovered that he had a natural talent for painting and sculpture, which eventually led him to pursuing art as a career. While later attending art school, Wehn also worked with his father at Washington Iron Works, where he learned all the skills involved with foundry work. It is here that his art studies merged with his working knowledge of ironwork, setting him on course to become one of the top metal artists of his time. Wehn moved to Chicago for a couple of years, where he was mentored by a renowned sculptor who taught him how to mold and cast sculptures in bronze. Upon his return to Seattle, in 1905, he opened the city’s first studio that was dedicated to metal as an artistic medium.
For the remainder of his life, Wehn would use this studio to create some of Seattle’s most iconic public art. Much of his work features various historical settlers from the Pacific Northwest, including Henry Yesler, Capt. George Vancouver, and Ezra Meeker. Wehn was especially drawn toward local Native American culture, as seen in many of his most famous pieces. His fascination with local tribes began in his early childhood when he and his brothers would occasionally catch a glimpse of Princess Angeline — the famous daughter of Chief Seattle — walking down the street. In fact, Wehn spent a considerable amount of time visiting local Indian reservations, where he immersed himself in their history and culture, making sketches of the various inhabitants that he would later use as visual references for some of his sculptures.
1973.86_B_207, Washington State Historical Society
His first major project began in 1908, when the city commissioned him to create the statue of Chief Seattle. He spent a total of fi ve years toiling away on that project in order to make it as perfect as possible. While it was the city’s second piece of public art (the first one being the totem pole that was installed in Pioneer Square in 1899), it was the first publicly commissioned art for the city of Seattle. The 6-foot-tall statue was officially unveiled by Chief Seattle’s great-great granddaughter at a very well-attended opening ceremony on Nov. 13, 1912.
During these early years, Wehn developed a friendship with University of Washington professor and historian Edmond S. Meany. Wehn, himself, would subsequently teach art classes at the university and would also establish the Department of Sculpture there in 1919. Due to this work at the collegiate level, Wehn would later be named an Officer of the French Academy of Arts.
His next significant work took place in 1936 when he was commissioned to design the city of Seattle official seal. Additionally, he would prolifically create more than 300 medallions, medals, statuary, and other sculptures, which were mostly used for civic purposes throughout the local region. This includes such notable works as the first state of Washington commemorative medal, which he designed in 1953. He also served for two years on the city’s first Municipal Art Commission.
He remained active well into his twilight years, helping with a restoration of his Chief Seattle statue in preparation for the 1962 World’s Fair. Toward the very end of his life, he would bequeath his entire studio collection to the Washington State Historical Society before passing away in 1973, at the age of 91.
1973.86_B_207, Washington State Historical Society, Tacoma (Wash.)
He left behind an enormous artistic legacy that can be seen in schools, buildings, and cemeteries all throughout the local region, with his work widely celebrated for bridging Seattle’s early civic pride with the region’s Native American heritage. A collection of his work, numbering more than 200 pieces, is on permanent display at the Washington State Historical Society Museum in Tacoma.
Seattle, WA
Roster Moves: Seattle Seahawks activate Young off IR
The Seattle Seahawks activated wide receiver Dareke Young from injured reserve and elevated running back Cam Akers and offensive tackle Amari Knight off the practice squad Thursday ahead of their pivotal primetime showdown against the Los Angeles Rams at Lumen Field.
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Young, 26, has missed Seattle’s past eight games with a quadricep injury. The fourth-year pro is a key special teams member for the Seahawks and was on the field for over 50% of the team’s special teams snaps in each of the six games he’s played this season. He has seven tackles and 10 kickoff returns for 322 yards. He also has two receptions for 48 yards.
Akers, 26, would be making his Seahawks debut against his former team if he gets into Thursday’s game. He played in three games for the Minnesota Vikings earlier this season and totaled 19 yards on five carries.
A sixth-year pro, Akers spent three-plus seasons with the Rams after they selected him in the second round of the 2020 draft out of Florida State. Akers’ best season with Los Angeles came in 2022 when he rushed for career highs of 786 yards and seven touchdowns. He has 2,044 yards and 13 TDs on the ground in 56 career NFL games.
Knight, 24, provides the Seahawks with some depth at tackle with starting left tackle Charles Cross ruled out for Thursday’s game with a hamstring injury. Veteran backup Josh Jones is getting the start in place of Cross.
Knight went undrafted out of UCF and made his pro debut in Seattle’s Week 4 win over Arizona.
The Seahawks face the Rams on Thursday night at 5:15 p.m. Radio coverage begins at 2 p.m. with the pregame show on Seattle Sports 710 AM and the Seattle sports app.
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Seattle, WA
Alex Carpenter scores twice as Seattle Torrent beat Charge 4-1
SEATTLE, WASHINGTON – DECEMBER 17: Alex Carpenter #25 of the Seattle Torrent celebrates her goal during the second period against the Ottawa Charge at Climate Pledge Arena on December 17, 2025 in Seattle, Washington. (Steph Chambers / Getty Images)
SEATTLE – Alex Carpenter had two goals and an assist, and Hannah Bilka had a goal and two assists as the Seattle Torrent earned a 4-1 victory over the Ottawa Charge on Wednesday night.
Hannah Murphy was 38.1 seconds away from the first shutout in Torrent history before Ottawa finally got on the board late in the third period on a goal from Rebecca Leslie. Murphy made 24 saves on 25 shots in the victory.
Julia Gosling also added a goal on the power play as the Torrent won their second straight game.
Seattle took the lead on Gosling’s power play goal late in the first period with Rory Guilday in the box for a hooking penalty. Ottawa looked like they were going to get the game into the intermission scoreless after clearing the zone in the final 20 seconds of the period, but Carpenter and Bilka combined to find Gosling driving the back post for a finish past Sanni Ahola for a 1-0 lead.
Another power play chance off a Mannon McMahon tripping penalty allowed Carpenter to strike for a 2-0 lead.
A shot from the right circle from Bilka deflected off a skate to Carpenter at the front of the net as she back-handed the puck into the net for a two-goal advantage.
The Charge then lost track of Carpenter in the offensive zone as she found space directly in front of Ahola, beating the goaltender for a 3-0 lead off a pass from Megan Carter off the left boards.
Murphy was sharp in net for Seattle, turning aside 13 shots in the first period alone as Ottawa had the upper hand early. She’d face just 12 more shots over the final two periods combined, with only Leslie’s goal finding a way through.
After Bilka’s empty-net goal made it 4-0, Leslie outflanked Carter and the Seattle defense to get a near breakaway look in on Murphy that she finished to avoid the shutout for Ottawa.
Murphy has been the goaltender for both of the Torrent’s victories this season as the rookie out of Colgate University has been terrific early in the season for Seattle.
The Source: Information in this story came from FOX 13 Seattle reporting.
MORE TORRENT NEWS FROM FOX 13 SEATTLE
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Seattle Torrent set PWHL attendance record in inaugural home-opener
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Torrent set record for highest-attended U.S. women’s hockey game, lose 3-0 to Minnesota Frost
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Seattle, WA
Jorge Polanco sends message to Seattle Mariners fans
Jorge Polanco won’t be back with the Seattle Mariners next season, but he left the club and its fan base heartfelt message after his signing with the New York Mets became official on Tuesday.
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Polanco, who signed a two-year, $40 million deal with the Mets, posted the following to his Instagram page.
#Godfirst. I cannot express with words how grateful me and my family are for the belief YOU had in me. First you traded for me and then you signed me when everyone else doubted me after surgery. YOU made me feel wanted and loved and I will be forever grateful for that. I became a better player and person because of YOU. YOU embraced my wife, kids, and me as one of your own…again, I will be forever grateful for that. YOU were an inspiration for me every night and I just wish we could have delivered you the trophy YOU deserve. I will always cherish my time with YOU…I will never forget these last two years because of YOU.
YOU= Seattle Fans, Teammates, Trainers, Coaching Staff, Front Office, and Owner.
I will always smile thinking of YOU all.
Tridents UP!
Polanco was hindered by a knee issue and had a disappointing first season with the Mariners in 2024 after he was acquired in a trade that sent four players to Minnesota. But after coming back to the M’s on a one-year deal before the start of 2025, he had a resurgent campaign that helped key the club’s run its first American League West title and AL Championship Series appearance since 2001.
After posting career worsts with a .213 average and 29.2% strikeout rate in 2024, the 32-year-old second baseman and designated hitter batted .265 with an .821 OPS, 30 doubles, 26 home runs and 78 RBIs over 138 games in 2025. His strikeout rate dropped to 15.6%, marking the largest year-to-year dip in strikeout percentage in MLB history (minimum 450 plate appearances), per MLB.com’s Mike Petriello.
Polanco was extremely clutch for the Mariners all season long. He led the league with a 1.284 OPS and 259 wRC+ in high-leverage situations, and his .438 batting average was second.
That clutch hitting showed up in the postseason as well. Polanco homered twice off two-time reigning AL Cy Young-winner Tarik Skubal during Game 2 of the AL Division Series and delivered one of the biggest hits in Mariners history with a walk-off single in the 15th inning of their series-clinching Game 5 win. He also hit the go-ahead three-run homer in Seattle’s Game 2 ALCS win.
Polanco triggered a $6 million player option for 2026 by reaching 450 plate appearances in the regular season, but he declined the option to become a free agent. He was a top offseason target for Seattle before signing with New York.
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