Seattle, WA
The First Sculptor of Seattle
My first encounter with the work of James Wehn occurred in the 1980s during a family trip to the Seattle Center. At some point that day we found ourselves walking around in the nearby Belltown neighborhood when someone in the group pointed to a statue of Chief Seattle. The 400-pound bronze statue sits at Tilikum Place, the triangular plaza in front of The 5 Point Cafe, and shows Seattle with his right arm extended up, as if in greeting. I was still in high school at the time and had just learned about Chief Seattle in my Washington state history class, so the moment served as perhaps the first time that I remember having any kind of awareness or appreciation toward public art.
Several years later, as a young 20-something, I would haphazardly stumble across the famous bronze bust of Chief Seattle that sits in Pioneer Square. It wasn’t until much later that I learned both pieces were created by the same artist — a turn-of-the-century sculptor by the name of James when, who created some of the city’s first pieces of public art. In fact, he is often referred to as being “the first sculptor of Seattle,” as he created numerous plaques, statuary, and medallions that can be seen all across the city. He even designed the very first seal for the city of Seattle.
It was a real thrill, then, when I recently acquired one of Wehn’s original medallions that he designed back in 1928 after he was commissioned to create a piece of official insignia for the city’s lamp posts. Wehn cast hundreds of these, which were then used as decorative embellishments on light posts throughout the city. Many of these original medallions were later scrapped in the 1950s and ’60s, during various revitalization efforts, though a few of them managed to escape the scrap heap and will occasionally show up for sale.
I became the proud owner of mine courtesy of a local estate sale. The palm-sized medallion weighs close to a pound, and its beautiful depiction of two intertwined salmon is only enhanced by its century-old patina. When holding one in your hand, you can literally feel its industrial origins, going all the way back to when it was first cast in Wehn’s foundry. Above all, it serves as a physical testament to the artistic endowment that he first established here more than a hundred years ago.
James Wehn first arrived in Seattle as a young boy, when his family moved here in 1889. His father, John Wehn, was an ironworker and was able to find work at a local foundry. A few months after their arrival, the Great Seattle Fire of 1889 wiped out most of the city. Luckily, their house managed to avoid any significant damage and because of the elder Wehn’s profession, he took an active role in the rebuilding of Seattle. This early exposure to the art and skill of blacksmithing, and seeing the architectural beauty that it could create, obviously served as a huge influence for the young boy.
Wehn was 13 years old when he contracted diphtheria and, during a rather lengthy recovery, was given a set of watercolor paints to help him pass the time. He quickly discovered that he had a natural talent for painting and sculpture, which eventually led him to pursuing art as a career. While later attending art school, Wehn also worked with his father at Washington Iron Works, where he learned all the skills involved with foundry work. It is here that his art studies merged with his working knowledge of ironwork, setting him on course to become one of the top metal artists of his time. Wehn moved to Chicago for a couple of years, where he was mentored by a renowned sculptor who taught him how to mold and cast sculptures in bronze. Upon his return to Seattle, in 1905, he opened the city’s first studio that was dedicated to metal as an artistic medium.
For the remainder of his life, Wehn would use this studio to create some of Seattle’s most iconic public art. Much of his work features various historical settlers from the Pacific Northwest, including Henry Yesler, Capt. George Vancouver, and Ezra Meeker. Wehn was especially drawn toward local Native American culture, as seen in many of his most famous pieces. His fascination with local tribes began in his early childhood when he and his brothers would occasionally catch a glimpse of Princess Angeline — the famous daughter of Chief Seattle — walking down the street. In fact, Wehn spent a considerable amount of time visiting local Indian reservations, where he immersed himself in their history and culture, making sketches of the various inhabitants that he would later use as visual references for some of his sculptures.
1973.86_B_207, Washington State Historical Society
His first major project began in 1908, when the city commissioned him to create the statue of Chief Seattle. He spent a total of fi ve years toiling away on that project in order to make it as perfect as possible. While it was the city’s second piece of public art (the first one being the totem pole that was installed in Pioneer Square in 1899), it was the first publicly commissioned art for the city of Seattle. The 6-foot-tall statue was officially unveiled by Chief Seattle’s great-great granddaughter at a very well-attended opening ceremony on Nov. 13, 1912.
During these early years, Wehn developed a friendship with University of Washington professor and historian Edmond S. Meany. Wehn, himself, would subsequently teach art classes at the university and would also establish the Department of Sculpture there in 1919. Due to this work at the collegiate level, Wehn would later be named an Officer of the French Academy of Arts.
His next significant work took place in 1936 when he was commissioned to design the city of Seattle official seal. Additionally, he would prolifically create more than 300 medallions, medals, statuary, and other sculptures, which were mostly used for civic purposes throughout the local region. This includes such notable works as the first state of Washington commemorative medal, which he designed in 1953. He also served for two years on the city’s first Municipal Art Commission.
He remained active well into his twilight years, helping with a restoration of his Chief Seattle statue in preparation for the 1962 World’s Fair. Toward the very end of his life, he would bequeath his entire studio collection to the Washington State Historical Society before passing away in 1973, at the age of 91.
1973.86_B_207, Washington State Historical Society, Tacoma (Wash.)
He left behind an enormous artistic legacy that can be seen in schools, buildings, and cemeteries all throughout the local region, with his work widely celebrated for bridging Seattle’s early civic pride with the region’s Native American heritage. A collection of his work, numbering more than 200 pieces, is on permanent display at the Washington State Historical Society Museum in Tacoma.
Seattle, WA
Seattle Seahawks land 2 players on list of potential salary cap cuts in 2026
No matter how the playoffs go for the Seatte Seahawks, general manager John Schneider and his team are looking at a very busy offseason ahead.
In addition to their usual preparations for the 2026 NFL draft, Seattle has a ton of important players who are about to become unrestricted free agents. That list includes special teams superstar Rashid Shaheed, running back Ken Walker and defensive standouts Boye Mafe, Riq Woolen and Coby Bryant.
It’s going to be really difficult to keep that entire group together, even with a lot of cap space projected to be open in 2026. The Seahawks may have to create room with some salary cap casualties after the season is over.
On that note, Over the Cap has listed a pair of Seattle players as potential cap casualties. Let’s review both of them.
OLB Uchenna Nwosu
Coming in at No. 46 on OTC’s list is veteran edge rusher Uchenna Nwosu, who has one year remaining on his contract with a cap hit just over $20 million. Nwosu has been valuable when he’s on the field but he’s also missed a ton of time due to injuries and it will be difficult to justify his cap hit with so many other players to pay.
Seattle can save a little over $11.5 million if they cut Nwosu, before June 1 or after. However, they would also take on a dead money hit north of $8.5 million, which takes a lot of the flavor out of those cap savings.
In 45 games with the Seahawks, Nwosu has tallied 19.5 sacks, 52 QB hits, 24 tackles for a loss, five forced fumbles and eight pass breakups.
That’s a lot of good production across the board as an all-around defender, but he’ll turn 30 years old before next season is over and there are a lot of mouths to feed for Mike Macdonald’s defense.
Over the Cap projects there’s a 58.5% chance that the Seahawks will wind up cutting him. Our best guess is that will be the case, especially if they want to pursue someone like Maxx Crosby on the trade market.
K Jason Myers
The only other Seahawks player who made the list (at No. 77) was placekicker Jason Myers, where the team has an interesting choice to make.
Myers has been around since the 2019 season and he’s come through for them more often than not. In 117 games he’s converted 200 of 232 field goal attempts, coming out to 86.2%. On extra point attempts he’s gone 292/307 for 95.1%.
Those are very solid numbers for an NFL kicker, and when you have a solid option at this position you don’t mess with it.
Another factor working in Myers’ favor is that Seattle really can’t save all that much money by cutting him. According to OTC’s numbers the Seahawks would create $5.1 million in cap room by cutting him, with a dead money hit of $1,875,000.
Five million might get Seattle a decent backup for their interior offensive line, or another contributor to Mike Macdonald’s defense. It’s not enough to really move the needle for this roster, though.
OTC gives it a 52.5% chance that Myers will get cut, but we don’t see that happening. If they want to lower his cap hit, the Seahawks can create a little over $3 million for 2026 with an extension. That’s the only move they should be looking to make at this spot.
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Seattle, WA
Kraken Extend Streak In Comeback OT Loss | Seattle Kraken
And while Dunn’s head coach insisted afterwards he doesn’t believe in “measuring stick games” the Kraken measured up fairly well in this one considering they played a pretty poor first period and needed half of the second frame to get any type of offense going against the league’s No. 2 defensive unit.
But they eventually got it going and the salvaged point, as Dunn mentioned, was huge in that it allowed the Kraken to remain in third place in the Pacific Division – just two points behind leaders Vegas and Edmonton – as they now embark on a five-city road trip. They extended their points streak to 10 games in the process, going 8-0-2 that stretch to transform a season hinging on the brink.
Mats Zuccarello got the overtime winner for Minnesota, converting a Kirill Kaprizov pass off a 2-on-1 break after the Kraken had been foiled just moments prior on their own odd-man rush. That foiled an outstanding night for Kraken goalie Philipp Grubauer, who’d made several huge stops in both overtime and the third period to keep things tied, as well as prior to that frame to give his team the shot at a comeback.
The Kraken had spent the past week filling opposition nets with pucks but waited until the final 17 minutes to score their first goal of this game. By that point, they’d been trailing 2-0 since a pair of 42-foot wrist shot goals by Ryan Hartman and Brock Faber in the first period silenced the home crowd.
“The first period was awful, and our execution was probably the biggest part of that,” Dunn said. “It’s just tough when you’re chasing the game a little bit to start the game. So, we kind of set ourselves up for the second period to come out and play the right way and I thought as the game went on, we got a lot better.
“And I thought it was a pretty competitive game both ways. A lot of chances both ways.”
Grubauer kept things close from there, stopping 31 of 34 shots on the night to give his team a chance to get back in it.
Adam Larsson then got the Kraken on the board three minutes into the final period with a slap shot goal from the right circle after Dunn had rung one off the post on a prior blast seconds earlier. And the Kraken weren’t done yet.
The Wild ran into penalty trouble not long after and the Kraken capitalized on the power play with Matty Beniers banging home a net front rebound off a Jared McCann shot that lifted the home side into a 2-2 tie and sent the Climate Pledge Arena crowd into a frenzy.
Seattle, WA
Valter Walker vs. Marcin Tybura booked for UFC Seattle
Heavyweights will collide in “Rain City.”
MMAmania.com confirmed with multiple sources today (Thurs., Jan. 8, 2026) that No. 10-ranked Ultimate Fighting Championship (UFC) Heavyweight Marcin Tybura will take on surging Brazilian prospect Valter Walker at UFC Seattle on Sat., March 28, 2026, inside Climate Pledge Arena in Seattle, Washington.
Walker (15-1) stumbled out of the gate in his UFC debut, suffering a loss to Lukasz Brzeski in 2024. Since then, however, “Clean Monster” has completely rewritten the narrative — and the UFC record books.
Walker opened 2025 by submitting Don’Tale Mayes with a heel hook (watch highlights), his second straight victory via the technique. Five months later, he followed it up with another first-round heel hook against Kennedy Nzechukwu (watch highlights), setting a new UFC record for most consecutive heel hook submission wins with three.
But he wasn’t finished.
At UFC 321 in Oct. 2025, Walker once again locked in a first-round heel hook — this time against Louie Sutherland — tying Rousimar Palhares for the most heel hook submissions (four) in UFC history while extending his own record for consecutive heel hook finishes (watch it).
A win in Seattle would almost certainly vault Walker into the Top 10 of the Heavyweight rankings.
Tybura (27-10), meanwhile, will be defending his No. 10 spot when he steps into the cage. The Polish veteran went 1-1 in 2025, handing highly touted U.K. prospect Mick Parkin his first professional loss at UFC London before suffering a quick knockout loss to debuting Ante Delija at UFC Paris (watch highlights), snapping a two-fight win streak.
Now 40 years old, Tybura is 5-3 over his last eight appearances.
Here are some other bouts currently scheduled for UFC Seattle:
Casey O’Neill vs. Gabriella Fernandes
Alexa Grasso vs. Maycee Barber
Nicolle Caliari vs. Carol Fiori
To checkout UFC’s upcoming schedule of events click here.
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