San Francisco, CA
Why Dre Greenlaw left San Francisco for Denver, despite the 49ers’ best efforts
Two weeks ago, as the hours ticked away on a decision that’d shape his NFL future, Dre Greenlaw’s adopted father, Brian Early, reminded him of the first time he brought him to a water park.
It was a year or two after the Earlys took in Greenlaw from a foster home in Fayetteville, Ark., and the young man was still getting used to the concept of structure. He was wild back then, as old high school coach Daryl Patton recalled. And on that summer day, the boy climbed up to ride the slides at White Water in Branson, Mo., screaming bloody murder as the current rushed him down.
The screaming wore him out. On the two-hour drive back home, Greenlaw conked out in the backseat. Early’s kids, Avery and Cameron, fell asleep on Greenlaw’s shoulders.
And Greenlaw, dozing happily, was wearing a Denver Broncos jersey.
“Do you remember that?” Early asked him about 12 years later.
“Dude,” grown-up Greenlaw responded, “I do remember that.”
Greenlaw had called Early for advice shortly after NFL free agency erupted in March, two situations in front of him. The San Francisco 49ers wanted him to return after a standout six-year run at linebacker. General manager John Lynch and head coach Kyle Shanahan, in fact, had flown to Greenlaw’s home in Texas to check in with him, multiple sources with knowledge of the situation told The Denver Post.
San Francisco, eventually, had outbid the Broncos, who’d honed in on Greenlaw to revamp the heart of their defense. But the 49ers’ brass only flew out — and their offer only increased — after the Broncos had already come after Greenlaw, sources said.
“That was, like, a last-ditch effort,” Early told The Post.
The Earlys adopted a kid, way back when, who was slow to trust, caught in a foster system that left him in a constant state of flux. That never quite changed. Greenlaw, Early said, has always been fiercely loyal to his teammates and those loyal to him, harboring deep bonds with Shanahan and fellow linebacker Fred Warner in San Francisco.
But he was close, too, with 49ers-turned-Broncos Talanoa Hufanga and D.J. Jones. And as the 49ers parted ways with a slew of pieces in free agency, Greenlaw sensed an opportunity for a “fresh start” with a stacked defense in Denver, agent J.R. Carroll told The Post.
As Early reminded Greenlaw of that serendipitous day at the water park, torn between home in San Francisco and a future in Denver, the linebacker sent his adopted dad a picture of himself at 7 years old. His Little League team was the Broncos. And there Greenlaw was in the photo, even younger, wearing another Broncos jersey.
“He’s like, ‘Man,’” Early recalled, “‘I feel like it’s destiny.’”
•••
Football always brought release. In the days before Greenlaw moved in, Early — then a defensive coordinator at Fayetteville High — regularly picked him up from the group home and took him to Sunday church with the family. Often, when they’d return to drop Greenlaw off, police cars surrounded the facility. Someone had stolen something. Everyone was put on lockdown.
He was hyper, high school coach Patton recalled. He buzzed, with no direction. Greenlaw found it, eventually, between the hashes. He was a different cat, as Warner put it, the 27-year-old Greenlaw long maturing but always the one at the heart of the storm in the 49ers’ pregame linebacker huddle. Slapping helmets. Chanting.
Twelve plays into Super Bowl XVII, in February 2024, Greenlaw was buzzing again. He hopped on the sidelines, once, twice, preparing to take the field in the second quarter against Kansas City. He skipped forward onto turf, one step with his right leg, landing awkwardly.
And he collapsed, holding his leg, in a moment Warner will never forget.
“That was such a traumatic experience for him,” Warner recalled to The Post, “and for everybody involved in the Super Bowl.”

It was a torn Achilles tendon, a potential death knell for a young linebacker’s career. He played all of two games, and a total of 34 snaps, in 2024. Though a complete fluke, it was another strike on a rough bill of health: Greenlaw amassed back-to-back 120-tackle seasons in 2022 and 2023 but has played in just 51% of San Francisco’s possible games across the last four seasons.
Optically, then, a three-year, $31.5 million deal from the Broncos looks like a risk. But for a brief sliver in a Week 15 return against the Los Angeles Rams, before he was shut down amid a lost 49ers season, Greenlaw came out and looked like he “hadn’t lost a step,” Warner remembered. He racked up nine tackles in 30 snaps. He flew, again.
Free-agent suitors were curious, Greenlaw’s agent Carroll recalled, as to why he wasn’t doing offseason rehab. He’d already completed it. And the Broncos did “one of the most extensive medicals a team can do” on Greenlaw before signing him, Carroll asserted.
“In my opinion, he’s just getting started,” Warner told The Post. “He’s still so young in this game. And unfortunately for us (the Broncos) got him at the perfect time, man, where you can expect a lot of great things from him going forward in Denver.”
The odds were stacked firmly against him, back at Arkansas. Before Greenlaw’s freshman season, head coach Bret Bielema told Patton the Razorbacks would probably redshirt him. They didn’t. He had 95 tackles his freshman year.
The odds were stacked firmly against him, back in his first year in San Francisco. The 49ers had just signed linebacker Kwon Alexander to a four-year, $54 million contract. But Alexander endured a rash of injuries, and Greenlaw had 92 tackles his rookie year.
The odds were stacked firmly against him, since nights in that foster home in Fayetteville. The odds have never won, so far.
“You tell him he can’t do it,” Patton said, “you better put money on the opposite.”
•••
At some point, before Greenlaw put pen to paper with the Broncos, Warner called him to talk.
Selfishly, Warner admits, he wanted Greenlaw to stay in the Bay. They’d formed one of the best linebacker duos in the NFL since Greenlaw’s arrival in 2019, a natural complement to four-time All-Pro Warner. They both loved the hunt, Warner emphasized. And they were connected deeper than ball, Warner repeatedly referring to Greenlaw as a “brother of mine.”
“It just looked different when him and I were going after other teams from the second level, and just trying to erase space on the middle of the field,” Warner reminisced to The Post. “He’s, by far, one of the greatest athletes and football players I’ve ever played with, and it was truly an honor to play alongside him.

“I even told him, and I always say, that I would not be the player that I am today without playing alongside Dre Greenlaw.”
Still, Warner didn’t quite oversell Greenlaw on staying. He told him he wanted the best for him, and he had to make his own decision for he and his family — whatever that meant.
“We’ll always be brothers, man,” Warner said. “And I love him to death, and I know he’s going to ball out in Denver for sure.”
San Francisco was home. Greenlaw had spent six years there. Had spent six years with Warner, wreaking havoc.
But he wanted to be a captain, as Early said. And Early, the man who’d watched a wild 15-year-old boy grow into a self-assured man, encouraged Greenlaw to spread his wings.
“Hey, man, you stay in San Francisco, you’re Scottie Pippen,” Early recalled telling Greenlaw. “And Fred Warner is MJ.”
“Go be frickin’ MJ.”
San Francisco, CA
Iran conflict disrupts flights out of SFO
San Francisco, CA
Hundreds Rally in San Francisco Against U.S.-Israel Strikes on Iran | KQED
She acknowledged that Iranian Americans hold a range of political views, including some who support U.S. intervention, but said she believes the future of Iran should be determined by its people.
“The Iranian people in Iran can decide the future of their country,” she said. “War, I don’t think, is going to help.”
Speaking to the crowd, Mortazavi challenged what she described as a narrative that Iranians broadly support U.S. and Israeli military action.
“They want you to believe that every Iranian … is cheering on the United States and Israel,” she said. “That is unequivocally false.”
She urged attendees to continue organizing beyond the rally and announced plans for additional demonstrations.
Dina Saadeh, an organizer with the Palestinian Youth Movement, said multiple groups mobilized quickly in response to the strikes.
“I’m angered today,” Saadeh told KQED. “People here don’t want to see our country engaged in more endless war.”
Saadeh described the protest as part of a broader effort to oppose sanctions, military escalation and what she called U.S. imperialism. She said participants were calling on elected officials to redirect public funds toward domestic needs.
“People want money for jobs and education, not for war and occupation,” she said.
KQED’s María Fernanda Bernal contributed to this story.
San Francisco, CA
Sam Smith’s San Francisco Residency Charts New Course for the Castro
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Sam Smith has kicked off his residency at the Castro Theatre in San Francisco, with the singer’s 20-date stint helping to officially usher in a new era for the historic landmark.
First erected in 1922, the Castro closed in 2024 for a reported $41 million renovation project. But the century-old Spanish-style Baroque theatre is open for business — and music — once again, with its gilded ceiling and ornamental walls restored to its original design, while seating is now reconfigurable for different events, including 650 seats that can be removed to create more standing room space (like for Smith’s concert). More importantly, city officials hope the re-opening of the Castro Theatre will also help revive the predominantly queer neighborhood it sits in, which shares a name with the venerable venue.
“Do you guys realize how special this street is?” Smith asked the sold-out crowd, during night two of their residency last week. “I grew up in a village in the middle of f-ckin’ nowhere,” they shared. “I was the only gay in the village and yes I was very dramatic about it as well,” they added with a laugh.
“There is nothing like this street and nothing like the Castro and the community here,” Smith said. “I’ll never forget coming here when I was 20 years old, so reopening this theater now is such an honor.”
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Sam Smith Tickets on StubHub
Tickets to Smith’s Castro residency quickly sold out when the shows were first announced but you can still find stubs on sites like StubHub, Vivid Seats and SeatGeek. New users can use the promo code THR30 to save $30 on orders of $300 and up at VividSeats.com. SeatGeek customers can use promo code HOLLYWOOD10 to save $10 at SeatGeek.com.
Smith’s San Francisco stint follows their “To Be Free: New York City,” residency which took place last fall at Brooklyn’s historic Warsaw club. Other artists set to play at the Castro this spring include Father John Misty, José González, Santigold and Lucy Dacus. The Castro will also help celebrate the 50th anniversary of the LGBTQ-themed Frameline Film Festival this June.
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Castro Theatre Tickets on Vivid Seats
Smith’s residency runs until March 14.
According to tourism officials and local businesses, Smith’s new Castro residency and the reopening of the theatre has already helped to bring in a number of new visitors to the area. Mat Schuster, the executive chef and owner of long-time neighborhood fixture, Canela, says business has been “very busy” in the last few weeks, crediting Smith’s show with bringing out new diners to the Spanish restaurant, which has been on Market Street since 2011. Other local hotspots like wine bar Bar49, the San Francisco outpost of Hi Tops, and the women’s sports bar, Rikki’s (named after Gay Games Federation founder Rikki Streicher), were all packed on a recent evening following Smith’s Castro concert.
According to San Francisco Tourism, the reopening of The Castro Theatre is poised to deliver “meaningful economic gains” to the surrounding neighborhood, which some stats estimating that the venue will draw more than 200,000 visitors annually.
With the Castro Theatre now open again, local officials are looking ahead to other upcoming celebrations, including a planned reimagining of the Castro and Market Street intersection into The Memorial at Harvey Milk Plaza, honoring the first openly gay elected official in California (and the inspiration for the 2009 Sean Penn film). Milk’s legacy is already enshrined at the San Francisco airport of course, with terminal 1 at SFO renamed as the “Harvey Milk Terminal;” the new memorial is scheduled to be completed by 2028. The annual Castro Street Fair, meantime, a community street celebration founded by Harvey Milk in 1974, will take place on the first weekend of October.
The reopening of the Castro comes amidst a busy few months for San Francisco, which recently saw a number of athletes and celebrities in town for the Super Bowl. Steph Curry’s new speakeasy, The Eighth Rule, was among the hotspots over the big game weekend and the basketball star’s bourbon-forward bar continues to be a hot reservation in the city. Opened in the fall, the bar is tucked away in a nondescript hallway inside the Westin St. Francis hotel in Union Square, offering an intimate and exclusive setting for the Golden State Warriors point guard’s Gentleman’s Cut Bourbon, which can be ordered on its own or as part of a six-course omakase-style cocktail tasting (we loved the clarified coconut milk punch and the truffle-vanilla whiskey sour). Of course, guests can also order cocktails a la carte, choosing from different bourbons and whiskeys, plus a full selection of other spirits.
Next door to The Eighth Rule is Bourbon Steak San Francisco, the latest outpost of Chef Michael Mina’s award-winning steakhouse. The restaurant marks the celebrity chef’s return to the Westin St. Francis, where he opened his first eponymous restaurant in 2004. In addition to its selection of steaks, seafood and caviar offerings (like Mina’s famous “caviar twinkee”), this Bourbon Steak outpost offers a family-style dining experience for six people, available through advance reservations. This is the only Bourbon Steak location to offer this communal table format.
New this month is the highly-anticipated opening of JouJou, an elevated French brasserie concept from the owners of the two Michelin-starred Lazy Bear. Located in the city’s Design District, JouJou is poised to be the next celebrity hangout, with its ornate dining room and marble-topped counters setting the scene for steak frites and star sightings alike. As chef David Barzelay told the San Francisco Chronicle when asked about the inspiration for JouJou: “It always feels like you’re just in a place where it’s happening.”
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