Melissa Pennel
Image Courtesy of Melissa Pennel
In the realm of independent cinema, few narratives resonate as deeply as the journey of self-discovery. Peter Zerzan’s film, The Tourist, is one such piece of fiction that encapsulates the reality, discomfort and liberation that exist in soul-searching. Now, the film embarks on its festival journey, presenting at the 20th San Francisco Short Film Festival, marking a significant milestone in its cinematic voyage.
The debut screening is intended to introduce the audience to the film’s rich cultural and creative tapestry while setting the stage for its anticipated presence in future festivals worldwide. “I’m excited for the screening,” Zerzan shares. “I think the film looks best on the big screen. We shot it specifically for that, on location. It’s meant to feel big.”
Set against the lush coastlines of Goa, India, The Tourist follows the journey of Akiko, a Japanese businesswoman who travels to Goa to attend a crypto convention and finds herself at the crossroads between following her heart and following the path she thought was right. Her journey unfolds as she encounters a local man, leading to a transformative experience that challenges her perceptions of success and fulfillment.
Zerzan’s meticulous attention to detail is evident in every frame. The film was intentionally created for the big screen, employing anamorphic lenses and a carefully curated color wheel inspired by Johann Wolfgang von Goethe’s Theory of Colors. “Colors can hold many emotions and narratives within themselves; they’re pivotal to storytelling,” Zerzan shares. “As Akiko’s journey progresses, her wardrobe transitions with the color wheel too, symbolizing her emotional and personal evolution.” That kind of meticulous attention is emblematic of Zerzan’s approach, striking a balance of cinematic craft and human resonance.
With co-writer Melissa Pennel, Zerzan has brought to life a narrative that delves into themes of authenticity and inner peace. With the upcoming film festival screening debut, Pennel takes pride in her words materializing on the screen. “As a longtime writer, I’ve always trusted that my words would find a way to someone; that necessary belief is what keeps me pounding away alone at the keyboard,” she reflects. “But as a writer that’s new to film, this isn’t something I get to witness often. It’s a thrill to hear the words I typed alone at my desk come to life through talented actors.”
Collaborating with Zerzan, Pennel adds, was a lesson in both creativity and generosity. “Peter was a dream collaborator. He welcomed feedback and new ideas with such openness that it made the process feel fluid and creative. His experience helped us make decisions about when a scene’s cost might outweigh its impact, laying a solid foundation for the story.”
Melissa Pennel
Image Courtesy of Melissa Pennel
The San Francisco Short Film Festival has been a platform for independent filmmakers and films like The Tourist to be celebrated. “It’s nice that we’re still having festivals and events where independent films have a place,” he says, noting the post-COVID challenges that have reshaped the theatrical landscape. “Film festivals give new work a moment to be seen and valued, which is essential when the industry is so focused on the same things over and over again.”
Zerzan’s reflections touch on broader industry concerns as well. Amid a climate increasingly dominated by franchise filmmaking and AI-assisted content, he sees film festivals as a crucial equalizer, a space for originality, creativity and human perspective to persist. “AI is inherently backward-looking,” he says. “It works with what’s already been done. Festivals let fresh voices exist, and they remind audiences what the medium can do when creativity comes first.”
As The Tourist embarks on its festival journey, the team looks forward to sharing Akiko’s story with a broader audience, hoping to inspire reflections on personal fulfillment and the pursuit of authenticity. “I hope people leave with the reminder that we don’t have to chase anyone else’s idea of success,” Zerzan shares. “True satisfaction comes from being real, from living in a way that feels true, and from noticing the beauty and awe around us.”
The film’s debut marks the first stop on what Zerzan hopes will be a longer festival journey. “This is the start of sharing it with as many eyes as possible,” he says.
Those viewing the screening will encounter a narrative that is visually deliberate and emotionally expansive. In the cinematic landscape often dominated by franchise-driven narratives, The Tourist stands as a testament to the power of original storytelling and the enduring impact of film festivals in nurturing creative voices, all while paying it forward for the industry.
Few things are more valuable in the Bay Area than real estate. In San Francisco, the median house price is now over $2 million. Last month, at least seven houses in the city sold for $1 million over the asking price, and buyers regularly offer to pay in cash or waive contingencies to stay competitive. Yet there is one thing that remains even more valuable than a house, and possibly more valuable than money itself: stock in Anthropic or OpenAI.
Last week, 160 Noe Street, an Edwardian home in San Francisco’s desirable Duboce Triangle neighborhood, was listed for sale at $2.9 million—or the equivalent amount in Anthropic or OpenAI shares, as based on those companies’ current valuations. Rachel Swann, the listing agent, says she was inspired to set these unusual terms after meeting several Anthropic employees at an open house for a different property. “These people have a lot of paper wealth, but they don’t always have the liquidity to do things they want,” Swann says. Some of these employees were expecting to come into as much as $50 million from their Anthropic shares, and wondered if they could use that as leverage to buy a house, according to Swann. “This kept coming up over and over again.”
Swann’s listing is unconventional, but not singular. In April, an investment banker named Storm Duncan offered to exchange his Mill Valley home and an adjacent parcel of land for Anthropic shares. And in May, Vijay Chattha, who owns an agency that does PR for tech companies, listed his Healdsburg home for $2.5 million, or $2 million in Anthropic stock. “I want to sell my house, and I want to invest in Anthropic,” Chattha says. “Why not combine the two?
Chattha’s house—a three bed, three bath with a pool and a bocce court in a part of Sonoma County that abuts some of the region’s most famous wineries—also comes with coveted short-term rental status, allowing the owner to list it on platforms like Airbnb. Only a handful of properties in Healdsburg come with that status, and only about a dozen come up for sale in a given year.
Chattha is offering a $500,000 discount to Anthropic employees because he believes the value of Anthropic shares will grow faster than any other investment, and his vacation home in wine country is the best bargaining chip he has to try to access them. “If you look at Anthropic’s growth last year, it’s insane,” he says, noting the $380 billion valuation the company claimed in February. “Now they’re raising at $965 billion. That’s three X in like three months.” He added that he was open to exchanging the house for shares in Anthropic, but not OpenAI, because he prefers using Anthropic’s products.
The real estate listings come at a time when investors are salivating at the record-high valuations of Anthropic and OpenAI, and even those considered wealthy by Bay Area standards are feeling FOMO about the affluence that could come from these companies’ debuts on the stock market. (On Monday, Anthropic submitted paperwork for its initial public offering; OpenAI is also reportedly preparing to file in the coming months.) Despite the unprecedented valuations of these companies, many people believe their stock prices will only go up, and that anyone who gets a piece now could win the jackpot.
People are clamoring to buy equity in OpenAI and Anthropic on the secondary market, leading to a frenzy of transactions that may or may not be legitimate. As a result, Anthropic updated its policy around “unauthorized Anthropic stock sales” this spring, which notes that “if someone purports to sell Anthropic shares without proper board approval, that transaction is invalid.” A spokesperson for Anthropic pointed back to this policy when asked about the possibility of exchanging company shares for real estate.
Welcome to our running tally of Election Night results. Or, as this is California, well beyond tonight, as results continue to trickle in.
The first batch of results should arrive at 8:45 p.m., with three more to follow tonight. The Department of Elections has the breakdown.
San Francisco is voting in three special elections, for District 2 and District 4 supervisors and for a Board of Education member. Both supervisor races are referendums on housing, especially District 2, while the main backdrop of the D4 race is all the hot feelings around the fate of the Sunset Dunes Park (nee Great Highway).
The winners of all three special races will have to compete again in November for their seats.
Keeping it local, SF is also voting on four ballot measures. Prop A is for a bond to pay for an emergency water-system. B is for term limits. C and D are dueling measures related to the “overpaid CEO” tax. (Links go to our reporting on each race or issue; or click here for our Election 2026 page.)
Vote local, think national: Which two candidates will advance to the November election to replace Nancy Pelosi?
Statewide races include the primaries for governor, education superintendent, lieutenant governor, and much more.
Polls close soon. If you haven’t voted yet, find your polling station here.
Two and a half hours until our polls close. Before we go down the local rabbit hole, a reminder that other states have primary action today: New Jersey, Iowa, New Mexico, South Dakota, and Montana.
Why does it take so long to get results in California? CalMatters has you covered on that story. We shouldn’t expect a call tonight on the governor’s race.
The last big election was November 5, 2024. (Remember?) Ten days later, there were still races to call in San Francisco.
So if you’re waiting for the pundits (and maybe even us) to tell you What It All Means, you might have to wait a while.
San Francisco voters weighed in Tuesday on two competing measures that seek to change the Top Executive Pay Tax, with one of the measures also including a change to the Gross Receipts Tax.
Should both measures pass, the one with the most votes will take effect, according to the propositions’ legal text.
Currently, the measures state that most businesses with San Francisco gross receipts up to $5 million are exempt from the Gross Receipts Tax. And businesses that use more than half of their city payroll for in-house administrative and management services pay an Administrative Office Tax instead of a Gross Receipts Tax.
The Top Executive Pay Tax is a tax some large businesses pay if their highest-paid managerial employee earns more than 100 times the median pay of their San Francisco employees. Businesses that have city gross receipts up to $5 million and are not subject to the Administrative Office Tax are exempt.
Proposition C states it would increase the number of businesses that could be exempt from the Gross Receipts Tax and would stop any further increases to the “Top Executive Pay Tax” after a final rate bump.
The proposed measure says it would raise the Gross Receipts Tax exemption ceiling to $7.5 million. The $7.5 million ceiling would also apply to the Top Executive Pay Tax exemption.
As for changes to the Top Executive Pay Tax, Proposition C states it would implement the 2028 tax rate increase in 2027, but then stop any future increases.
Supporting Proposition C are Rodney Fong, CEO of the San Francisco Chamber of Commerce, and Chris Wright, senior vice president of Advance SF, an organization of companies, which includes Bank of America, OpenAI, Waymo, the SF Giants CEO and others.
Fong and Wright, in their argument for the measure, say giving businesses more tax breaks would help keep more employees on payroll and would give companies the ability to “contribute to city services in a predictable and balanced way.”
Critics of Proposition C, such as the San Francisco Tenants Union, slam the measure as “billionaire-backed” and argue it would kill the Top Executive Pay Tax and would hand out more tax breaks to businesses at a time when the city is in a budget deficit and faces cuts to essential services.
Proposition D also seeks to change the Top Executive Pay Tax, which is collected from some large businesses where the highest-paid managerial employee earns more than 100 times the median compensation paid to other employees.
If approved, the measure would change the calculation of the tax using the compensation of all employees, not just employees based in San Francisco. Top Executive Pay Tax rates would also be increased for San Francisco gross receipts and payroll.
Supporters have billed the measure as a way to counteract federal cuts to Medicaid. A report by the City Controller’s Office said the measure could result in $250 million to $300 million in additional revenue.
“Proposition D is the solution to our budget deficit. It asks large corporations — not small businesses, not working families — to contribute a little more,” supporters said in the city’s official voter guide.
The measure has the backing of most of the Board of Supervisors, along with labor unions and Rep. Nancy Pelosi.
Opponents, including Mayor Daniel Lurie and state Sen. Scott Wiener, have argued Proposition D would negatively impact the city’s recovery following the COVID-19 pandemic.
“San Francisco is already one of the most expensive cities in the country to live and do business. Adding extreme and unpredictable tax increases risks driving employers away just as we are trying to bring jobs, workers, and foot traffic back downtown,” said Supervisor Matt Dorsey in the city’s voter guide.
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