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The San Diego Symphony uses Sound and Silence to teach elementary school students about music

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The San Diego Symphony uses Sound and Silence to teach elementary school students about music


There is a special San Diego Symphony concert coming to the Rady Shell next month.

It will include two performances by professional musicians, with some help from hundreds of elementary school students.

The students in grades three through five are currently in the middle of a nine-week curriculum that features animated characters named “Sound” and “Silence.”

“Sound and Silence are these two (animated) characters who meet in their (musical) universe,” said Stephan Salts, the San Diego Symphony’s Director of Learning and Leadership.

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“Sound is really energetic. He can sing high-pitches and low-pitches. He can play music with a really fast or slow tempo. And, Silence’s character is kind of shocked by all this new knowledge,” Salts said.

Sound (left) and Silence (right) are animated characters used in the interactive curriculum to teach third-, fourth-, and fifth-grade students music concepts. They are featured in this graphic produced by the San Diego Symphony and used in a classroom slide show presentation.

Two-hundred fifteen students at Sandburg Elementary in Mira Mesa are learning from Sound and Silence lessons. The curriculum also includes interactive videos with symphony musicians. On a recent visit, the woodwind quintet performed live in the school’s multi-purpose room.

Max Opferkuch played the clarinet, an instrument he admitted he stumbled on.

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The San Diego Symphony's woodwind quintet visits students at Sandburg Elementary before next month's interactive concert at the Rady Shell, San Diego, Calif., March 11, 2024

The San Diego Symphony’s woodwind quintet visits students at Sandburg Elementary before next month’s interactive concert at the Rady Shell, San Diego, Calif., March 11, 2024

“I thought it looked cool, and I was able to get a sound out of it right away. That is not the case for most of the other instruments,” Opferkuch said.

The quintet’s instruments also include the bassoon, horn, flute, and oboe.

The musicians played for students and answered questions that included everything from how many years it takes to master an instrument to what they can expect to make in an annual salary as a professional.

Opferkuch said, “It’s little opportunities like this that might seem like not much, but they do plant a seed in the kids’ heads.”

The in-person concert at Sandburg Elementary supplements the online curriculum that culminates with a concert at the Rady Shell on April 19.

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More than 5,000 students from schools around the county are registered for two performances that day, to join the Symphony using their new knowledge — and their bodies as percussion instruments.

Stephan Salts said it is the ultimate in interactive learning.

“They are learning this whole pattern of claps, snaps, and drum rolls on the lap. (The student participation) occurs on a very rhythmic piece that the symphony will open with.”

Dexter Dang, 9, is a fourth-grade student at Sandburg Elementary learning to play the cello seen in this undated photo.

Dexter Dang, 9, is a fourth-grade student at Sandburg Elementary learning to play the cello seen in this undated photo.

The collaboration of the Sound and Silence lesson plans with professional musicians online and in-person helps teach students about music concepts like pitch, melody, and tempo.

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“I learned that the tempo can be fast, like really fast,” said Dexter Dang, 9, a Sandburg fourth-grade student who’s already played some piano. But it’s the cello he’s working with now. He said Sound and Silence have inspired him to keep on learning.

“I want to try out other instruments and then maybe go back to the cello or stay with whatever I (decide) I like,” he said.

Aziza DeNevares, 10, is a fourth-grade student at Sandburg Elementary with a passion for playing the guitar. She is seen practicing at home in this undated photo.

Aziza DeNevares, 10, is a fourth-grade student at Sandburg Elementary with a passion for playing the guitar. She is seen practicing at home in this undated photo.

His classmate Aziza DeNevares, 10, is more certain about her future in music. She’s tried the flute, but her creative heart is elsewhere.

“My big passion is guitar. I love it. So, I want to be a guitarist when I grow up,” she said.

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Riza Eusebio teaches a class of 29 fourth-graders who will perform at the Rady Shell. Besides the required instruction of core subjects, she makes time on Fridays for independent creativity time. That includes time to practice an instrument.

“It’s important for them to know the creative arts is a profession and it’s definitely something to consider,” Eusebio said.

The Sound and Silence program is for students at any level of familiarity with music.

Salts said, “(the program works) if they already play an instrument at their school or even if their school (doesn’t have) a music program at all or if this is just brand new to them for them. Maybe they’ve never even heard a recording of a symphony orchestra before.”

“It’s important for them to know the creative arts is a profession and it’s definitely something (for students) to consider.”

Riza Eusebio, 4th grade teacher at Sandburg Elementary School

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The San Diego Symphony’s first morning performance on Friday, April 19 at The Rady Shell is at capacity. However, there are still seats for more students and educators to attend the performance at noon.

Students should be in grades three, four and five, and educators can register to attend using the “Register Now” button.

San Diego Symphony school programs are free for all participants. Transportation is not included.

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Southern California’s Jewish community reacts to war in the Middle East

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Southern California’s Jewish community reacts to war in the Middle East


The Jewish community in Southern California is sharing their fears and hopes following the weekend’s strikes on Iran and retaliatory attacks on Israel, U.S. military bases and other targets in the Middle East.

The exchange of missiles in the Middle East is having a devasting effect on Iran’s defense capability, but retaliatory strikes in the region are taking a toll. 

“Weapons of enormous capacity that are targeting civilian areas,” said Elan Carr, CEO of Los Angeles-based Israeli American Council.

Carr says toppling the Iranian regime, taking out its nuclear capabilities and freeing the Iranian people from this oppressive rule should have been done decades ago.

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“This is about seeing the most evil regime, the world chief state sponsored terrorism to no longer have the ability to do what it’s been doing,” Carr said.

Sara Brown, regional director of the American Jewish Committee, said the U.S. and Israel are concentrating strikes on Iran’s missile sites and military industrial complex. Iran’s retaliatory strikes are focused on many civilian targets.

“We are hearing from our partners from around the region, who are terrified,” Brown said. “Across the Middle East right now, I think there is a tremendous amount of fear, but also hope and also resolve.”

AJC is the advocacy arm for Jewish people globally. Many members and partner groups are in harm’s way. Brown says the risk is great, but the potential reward is world changing.

“That Iranian people will get to choose leadership for themselves, that we will finally see a pathway forward for peace across the Middle East,” Brown said.

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If wars of the past hadn’t produced lasting peace, then why now? Carr says Iran’s nuclear capabilities are destroyed and Iran’s military and proxies are weakened after Israel’s response to the Oct. 7 Hamas ambush.

“No more terrorist network throughout the Middle East. Think of what that could mean. Think of the normalization we could see,” Carr said.

President Donald Trump expects fighting to last several weeks. Some critics are concerned about a drawn-out conflict that could spread.

Carr is not convinced.

“Who is going to enter a war against the U.S. and Israel? Russia is plenty busy. China has no interest in jeopardizing itself this way,” Carr said.

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Besides the six Americans killed as of Monday night, government officials say 11 people were killed in retaliatory strikes in Israel.



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San Diego Zoo Safari Park’s Elephant Valley: Get closer to elephants

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San Diego Zoo Safari Park’s Elephant Valley: Get closer to elephants


San Diego — Before we see elephants at Elephant Valley in the San Diego Zoo Safari Park, we come face to face with destruction, only the wreckage is beautiful. A long, winding path takes guests around and under felled trees. Aged gray tree hunks form arches, for instance, over bridges that tower over clay-colored paths with hoof prints.

The design is meant to reorient us, to take us on a trail walked not by humans but traversed and carved by elephants, a creature still misunderstood, vilified and hunted for its cataclysmic-like ability to reshape land, and sometimes communities.

“It starts,” says Kristi Burtis, vice president of wildlife care for the Safari Park, “by telling the story that elephants are ecosystem engineers.”

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Elephant Valley will open March 5 as the newest experience at the Escondido park, its aim to bring guests closer than ever to the zoo’s eight elephants, which range in age from 7 to 36, while more heavily focusing on conservation. The centerpiece of the 13-acre-plus parkland is a curved bridge overlooking a savanna, allowing elephants to walk under guests. But there are also nooks such as a cave that, while not previewed at a recent media event, will allow visitors to view elephants on their level.

In a shift from, say, the Safari Park’s popular tram tour, there are no fences and visible enclosures. Captive elephants remain a sometimes controversial topic, and the zoo’s herd is a mix of rescues and births, but the goal was to create a space where humans are at once removed and don’t impede on the relative free-roaming ability of the animals by keeping guests largely elevated. As an example of just how close people can get to the herd, there was a moment of levity at the event when one of the elephants began flinging what was believed to be a mixture of dirt and feces up onto the bridge.

“Our guests are going to be able to see the hairs on an elephant,” Burtis says. “They can see their eyes. They can see the eyelashes. They can see how muscular their trunks are. It’s really going to be a different experience.”

Elephant Valley, complete with a multistory lodge with open-air restaurants and bars, boasts a natural design that isn’t influenced by the elephant’s African home so much as it is in conversation with it. The goal isn’t to displace us, but to import communal artistry — Kenyan wood and beadwork can be found in the pathways, resting spaces and more — as a show of admiration rather than imitation.

“We’re not going to pretend that we’re taking people to Africa,” says Fri Forjindam, now a creative executive with Universal’s theme parks but previously a lead designer on Elephant Valley via her role as a chief development officer at Mycotoo, a Pasadena-based experiential design firm.

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“That is a slippery slope of theming that can go wrong really fast,” she adds. “How do we recognize where we are right now, which is near San Diego? How do we populate this plane with plants that are indigenous to the region? The story of coexistence is important. We’re not extracting from Africa, we’re learning. We’re not extracting from elephants, we’re sharing information.”

But designing a space that is elephant-first yet also built for humans presented multiple challenges, especially when the collaborating teams were aiming to construct multiple narratives around the animals. Since meetings about Elephant Valley began around 2019, the staff worked to touch on themes related to migration and conservation. And there was also a desire to personalize the elephants.

“Where can we also highlight each of the elephants by name, so they aren’t just this huge herd of random gray creatures?” Forjindam says. “You see that in the lodge.”

That lodge, the Mkutano House — a phrase that means “gathering” in Swahili — should provide opportunities for guests to linger, although zoo representatives say reservations are recommended for those who wish to dine in the space (there will also be a walk-up, to-go window). Menus have yet to be released, but the ground floor of the structure, boasting hut-like roofing designed to blend into the environment, features close views of the elephant grazing pool as well as an indoor space with a centerpiece tree beneath constellation-like lighting to mimic sunrises and sunsets.

Throughout there are animal wood carvings and beadwork, the latter often hung from sculptures made of tree branches. The ceiling, outfitted with colorful, cloth tapestries designed to move with the wind, aims to create less friction between indoor and outdoor environments.

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There are, of course, research and educational goals of the space as well. The Safari Park works, for instance, with the Northern Rangelands Trust and Loisaba Conservancy in Kenya, with an emphasis on studying human-elephant conflict and finding no-kill resolutions. Nonprofits and conservation groups estimate that there are today around 415,000 elephants in Africa, and the African savanna elephant is listed as endangered by the International Union for Conservation of Nature.

Studies of the zoo’s young elephants is shared with the Reteti Elephant Sanctuary in the hopes of delivering care to elephant youth to prevent orphanage. Additionally, the Safari Park has done extensive examination into the endotheliotropic herpes virus. “The data that we collect from elephants here, you can’t simply get from elephants in the wild,” Burtis says.

One of the two entrances to Elephant Valley is outfitted with bee boxes; bees are known to be a natural elephant deterrent and can help in preventing the animals from disrupting crops or communities. To encourage more natural behavior, the plane is outfitted with timed feeders in an attempt to encourage movement throughout the acreage and establish a level of real-life unpredictability in hunting for resources. Water areas have been redesigned with ramps and steps to make it easier for the elephants to navigate.

With Elephant Valley, Forjindam says the goal was to allow visitors to “observe safely in luxury — whatever that is — but not from a position of power, more as a cohabitor of the Earth, with as much natural elements as possible. It’s not to impose dominance. Ultimately, it needed to feel natural. It couldn’t feel like a man-made structure, which is an antiquated approach to any sort of safari experience where animals are the product, a prize. In this experience, this is the elephant’s home.”

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And the resulting feel of Elephant Valley is that we, the paying customers, are simply their house guests.



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Man fatally struck by hit-and-run vehicle in San Diego

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Man fatally struck by hit-and-run vehicle in San Diego


A man in the Mission Bay Park community of San Diego was fatally struck Sunday morning by a hit-and run vehicle, authorities said.

The victim was also struck by a second vehicle and that motorist stayed at the scene to cooperate with officers, the San Diego Police Department reported.

The initial crash occurred at about 2:20 a.m. Sunday in the area of West Mission Bay and Sea World drives.

The pedestrian was in the southbound lanes of the 2000 block of West Mission Bay Drive when he was struck by a silver vehicle also in the southbound lanes. That vehicle fled the scene, continuing southbound, police said.

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A 28-year-old man driving his vehicle southbound ran over the downed pedestrian.

“That driver remained at the scene and is not DUI,” according to a police statement. “The pedestrian was pronounced deceased at the scene.”

Anyone with information regarding the initial crash was urged to call Crime Stoppers at 888-580-8477.



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