San Diego, CA
San Diego wants hotels and restaurants to pay more for valet stands and on-street dining. It’s not going over well.
San Diego hotel and restaurant owners are balking at a city proposal to charge them steeply higher fees for their valet parking spaces and on-street outdoor dining areas.
City officials say the hikes are justified, because San Diego loses revenue when parking spots that could otherwise have meters are devoted to other uses like dining or valet parking drop-off and pickup.
But critics, including the county lodging association and merchant groups, say the hikes could prompt some restaurants to eliminate on-street dining altogether and force hotel guests to clog streets by double parking.
One Mission Beach restaurant owner said Tuesday the city can’t keep raising fees and costs on a struggling industry and not expect a rash of closures. “We are teetering,” said Eric Christiansen, the owner of Guava Beach Bar & Grill.
The proposal, which the City Council is scheduled to consider early next month, is part of a wider city campaign to cope with expected budget deficits by raising parking rates and beginning to charge in new places like Balboa Park.
City officials say it’s costing taxpayers many thousands of dollars per year in potential parking meter revenue — revenue that could fund city services — by allowing on-street dining and valet spots, especially popular downtown because hotels there lack space for self-parking by their guests.
And the amount of potential revenue the city is missing out on rose sharply this year, after hourly meter rates were doubled from $1.25 to $2.50, daily meter operations were extended by two hours and a special event zone with higher rates was created near Petco Park.
In an effort to recover a greater share of that lost revenue, city officials are proposing to raise the fees for street-dining space by more than 30% and to hike valet parking fees even more dramatically. Currently, those fees are nearly $38 per square foot in most areas; they would rise to $50.
Fees for outdoor dining would rise by nearly 32% in most neighborhoods and even more in the special-event zone. Also, a fee exemption would be eliminated for seating that is open to the public, instead of reserved only for restaurant customers.
For valet spaces, hotels would pay $5,600 per year for the standard allotment of two valet street spots of 22 feet each, up from the current $600 per year. City officials say the $600 is an application fee, and the $5,000 is a new fee that aims to recover part of the city’s costs.
The hotel industry has mostly accepted that change, but it’s objecting to proposed fees for hotels that want more than two valet spots. Each additional valet spot beyond two would cost a hotel $10,000 in areas that have parking meters and $15,000 in the special-event zone.
“That is just too high for guests, as well as the operators, to be able to absorb,” said Fred Tayco, executive director of the San Diego County Lodging Association.
Tayco said some hotels could end up paying close to $100,000 per year if they need several additional valet spots, predicting that scaling back valet spots would lead to dangerous double parking and unloading of luggage.
“While valet parking may appear like a luxury, for downtown it’s a necessity,” said Tayco, noting that 63% of tourists who visited San Diego last year came by car.
Michael Trimble, executive director of the Gaslamp Quarter Association, questioned how the city arrived at the new proposed fee amounts.
“We can’t support arbitrary, unpublished surcharges that punish businesses,” Trimble said.
City officials say the proposed fees were carefully calculated based on the typical revenue a parking meter generates in a year.
Ahmad Erikat, a program manager in the city’s Transportation Department, said a typical meter downtown generates $25 per day, which may rise to $30 per day now that operating hours have been extended by two hours.
Erikat said the city multiplied that rate times the 350 days per year that meters operate — there are 15 holidays per year when they don’t — to get a total expected revenue per downtown meter of $10,500. So the city decided to charge $10,000 for additional valet spots.
“The objective is to be as close as possible to cost recovery,” he said.
In the special-event zone, a similar calculation led the city to propose $15,000 per valet spot, Erikat said.
For restaurants or hotels willing to operate valet spots only from 5 p.m. to midnight, the fee would be $2,500, which is based on how much meter revenue could otherwise be generated during those hours, Erikat said.
He stressed that the first two valet spots would still be heavily subsidized by the city. Instead of charging the $20,000 that cost recovery would dictate — $30,000 in the special-event zone — the city would charge $5,600 for those two spots.
Full cost recovery would kick in only when additional spots beyond the standard two are required by a business.
The proposal was approved 4-0 by the City Council’s Active Transportation and Infrastructure Committee last month. It is scheduled for a vote by the full council on either Nov. 2 or Nov. 3, according to a spokesperson for Mayor Todd Gloria.
Councilmember Stephen Whitburn, who chairs the committee and represents downtown, said he sympathizes with businesses facing higher fees.
But he suggested keeping those fees down is less important than making sure hotels have the ability to claim additional valet spots if they need them.
“The policy enables valet services to remain possible while enabling the city to recover the true cost of lost parking revenue,” Whitburn said.
He said the hotels make enough money to cover the higher costs. “The collection of valet parking revenue results in some pretty significant revenue,” he added.
Christiansen, the Mission Beach restaurant owner, considers the fee hike for street dining a huge mistake.
“It’s a ridiculous increase by a tone-deaf city,” said Christiansen, who has operated Guava Beach Bar & Grill for 23 years.
With the city’s minimum wage still rising incrementally and costs for food and energy going up, he said the city shouldn’t charge more for street dining spots when restaurants are barely surviving.
“We can’t absorb anymore costs — we are teetering,” he added. “It’s going to be a rude awakening for the city when restaurants start to close. Boarded-up buildings are a bad look for tourists.”
The Little Italy Association, whose businesses would be some of those most affected, declined requests for an interview.
San Diego, CA
Before streaming and television, movies arrived by reel in San Diego
The magic of movies may still be present, but the way audiences experienced them in early San Diego was very different.
In the opening decades of motion pictures, films didn’t originate locally — they arrived.
Before Hollywood’s studio system fully consolidated, movies were distributed as physical reels and moved through regional film exchange networks.
These exchanges supplied theaters across the West Coast, including San Diego, with a steady rotation of new titles. Prints would arrive from distribution hubs in Los Angeles, play brief local runs, and then continue onward to the next city. San Diego was part of the circuit, rather than a production center.


By the early 1900s and into the 1910s, downtown theaters and vaudeville houses quickly adapted to motion pictures as they grew in popularity.
Programs were mixed: silent shorts, live music, vaudeville acts, and newsreels sharing the same stage. Film was not yet a standalone cultural industry — it was part of a broader night of entertainment.
San Diego’s growing downtown and busy port helped sustain this system. Sailors, travelers, and military personnel created a steady audience base, and films rotated frequently enough to keep programs changing week to week.
Films also did not arrive everywhere at once. A title might open in Los Angeles first, then reach San Diego days or weeks later as part of the same distribution circuit. Early cinema was a staggered experience—shared nationally, but consumed locally at different moments in time.
Film historians, including those from the Library of Congress and the American Film Institute, note that these exchange systems were essential to standardizing early American film culture, allowing motion pictures to reach cities far beyond production centers.

(Photo and caption info courtesy of the San Diego History Center)
Within this broader California film landscape, early directors often worked quickly and flexibly. William Bertram, for example, operated in a fast-moving production environment shaped by outdoor locations and rapid shooting schedules rather than permanent studio infrastructure.
Directors with direction


Allan Dwann, whose career stretched from the silent era into the sound age, represents a later stage of that evolution. A prolific filmmaker, he eventually settled in La Jolla, where he lived for many years until he died in 1981. His presence in coastal San Diego reflects the period when the film industry had become firmly rooted in Southern California life.
San Diego’s role in early cinema was not as a production hub, but as a receiving point — its downtown theaters and vaudeville houses acting as stops along a larger national distribution route.
In that sense, early film culture here was defined less by creation than by circulation: reels arriving, audiences gathering, and the city sitting along the path movies traveled as they moved across the country.
Read more history stories here, and do you have a story to tell? Send an email to DebbieSklar@cox.net.
Sources:
Library of Congress — motion picture history and early film distribution/exchange systems.
American Film Institute (AFI) Catalog — silent-era exhibition and industry context.
San Diego History Center — early 20th-century urban development and cultural life.
Eileen Bowser, The Transformation of Cinema, 1907–1915 (MoMA film scholarship)
Other historical references.
San Diego, CA
Francella Perez’s Memorial Day Forecast
San Diego, CA
Where to watch Athletics vs San Diego Padres: TV channel, start time, streaming for May 24
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MLB launches ABS challenge system as players test robot umpire calls in a groundbreaking season.
The 2026 MLB season has surpassed the quarter mark, and after each team’s first 40 games, there’s plenty of reasons to tune in all summer long.
Chicago White Sox slugger Munetaka Murakami has already proven doubters wrong by launching 17 home runs, Pittsburgh’s Paul Skenes consistently looks like the best version of himself on the mound and Milwaukee ace Jacob Misiorowski is throwing harder than any starter in the majors.
The MLB action continues on Sunday as the Athletics visit the San Diego Padres.
Here’s everything you need to know to tune in for the first pitch.
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What time is Athletics vs San Diego Padres?
First pitch between the San Diego Padres and Athletics is scheduled for 4:10 p.m. (ET) on Sunday, May 24.
How to watch Athletics vs San Diego Padres on Sunday
All times Eastern and accurate as of Sunday, May 24, 2026, at 6:32 a.m.
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MLB regional blackout restrictions apply
MLB scores, results
MLB scores for May 24 games are available on usatoday.com . Here’s how to access today’s results:
See scores, results for all of today’s games.
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