Montana
Will Montana cover the spread vs. Sacramento State? Betting Trends, Record ATS
The Sacramento State Hornets (6-21, 2-12 Big Sky) visit the Montana Grizzlies (17-9, 8-5 Big Sky) after losing nine road games in a row. The Grizzlies are double-digit favorites by 13.5 points in the matchup, which starts at 9:00 PM ET on Thursday, February 22, 2024. The point total for the matchup is set at 130.5.
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Montana vs. Sacramento State Odds & Info
- Date: Thursday, February 22, 2024
- Time: 9:00 PM ET
- TV: ESPN+
- Live Stream: Watch this game on ESPN+
- Where: Missoula, Montana
- Venue: Dahlberg Arena
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| Favorite | Spread | Over/Under |
|---|---|---|
| Montana | -13.5 | 130.5 |
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Montana vs Sacramento State Betting Records & Stats
- The Grizzlies have a 14-9-0 record against the spread this season.
- Sacramento State is 9-16-0 against the spread this year.
- Montana’s .609 ATS win percentage (14-9-0 ATS Record) is higher than Sacramento State’s .360 mark (9-16-0 ATS Record) in 2023-24.
Montana vs. Sacramento State Over/Under Stats
| Games Over 130.5 | % of Games Over 130.5 | Average PPG | Combined Average PPG | Average Opponent PPG | Combined Average Opponent PPG | Average Total | |
|---|---|---|---|---|---|---|---|
| Montana | 21 | 91.3% | 77.2 | 143 | 71.7 | 142.2 | 142.9 |
| Sacramento State | 17 | 68% | 65.8 | 143 | 70.5 | 142.2 | 137.7 |
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Additional Montana vs Sacramento State Insights & Trends
- Montana has a 5-5 record against the spread while finishing 7-3 overall in its past 10 contests.
- The Grizzlies have hit the over in five of their past 10 outings.
- Sacramento State is 4-6 against the spread and 0-10 overall in its past 10 games.
- Three of the Hornets’ last 10 games have gone over the total.
- The Grizzlies score 77.2 points per game, 6.7 more points than the 70.5 the Hornets allow.
- When Montana scores more than 70.5 points, it is 12-3 against the spread and 16-2 overall.
- The Hornets put up an average of 65.8 points per game, 5.9 fewer points than the 71.7 the Grizzlies give up.
- Sacramento State is 3-1 against the spread and 2-4 overall when it scores more than 71.7 points.
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Montana vs. Sacramento State Betting Splits
| ATS Record | ATS Record Against 13.5+ Point Spread | Over/Under Record (O-U-P) | |
|---|---|---|---|
| Montana | 14-9-0 | 0-1 | 12-11-0 |
| Sacramento State | 9-16-0 | 1-2 | 10-15-0 |
Montana vs. Sacramento State Home/Away Splits
| Montana | Sacramento State | |
|---|---|---|
| 10-3 | Home Record | 5-7 |
| 7-6 | Away Record | 1-12 |
| 6-4-0 | Home ATS Record | 5-5-0 |
| 8-5-0 | Away ATS Record | 4-9-0 |
| 82.7 | Points Scored Per Game (Home) | 70.9 |
| 71.8 | Points Scored Per Game (Away) | 60.3 |
| 4-6-0 | Over-Under-Push Record (Home) | 3-7-0 |
| 8-5-0 | Over-Under-Push Record (Away) | 5-8-0 |
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Ye (the artist formerly known as Kanye West) is facing yet another lawsuit over allegations of unlicensed sampling — only this time, it’s centered on a video clip of the rapper’s infamous 2013 fight with paparazzi.
In a case filed Wednesday (July 15) in Los Angeles federal court, the celebrity news agency Bauer-Griffin claims that Ye, French Montana (Karim Kharbouch) and others used audio from the headline-grabbing incident in “Where They At,” released in 2024 off French’s Mac & Cheese 5.
The May 2013 video, which also features a pregnant Kim Kardashian, shows West charging at a photographer outside a Los Angeles restaurant and shouting “don’t take no photos” and a string of profanities: “All of you m*therf*ckers stop it, man!”
The clip appears prominently in the intro to Montana’s song — a use that the lawsuit calls “blatant and willful” copyright infringement.
“Given Mr. Ye’s history of numerous confrontations with paparazzi, the video was highly newsworthy,” the agency’s lawyers write in legal documents obtained and first reported by Billboard. “Listeners immediately recognized the audio sample that begins the infringing record as being copied from the video.”
Ye has been sued over a dozen times for allegedly using unlicensed samples and interpolations in his music, including a high-profile battle with Donna Summer. In May, he lost a jury trial over using an uncleared sample in an early version of the Grammy-winning “Hurricane” from Donda. He had testified at trial that he’s “very generous” about giving credit and compensation when it’s due, but that “a lot of people try to take advantage of me.”
In Wednesday’s complaint, Bauer-Griffin says the creators of “Where They At” showed no such respect to its rights in the video of the paparazzi incident, using it despite being well aware that sound recordings must be licensed when any amount is directly sampled into a song.
“In the music industry, copyrights are prevalent and well understood,” lawyers for the agency write. “Every defendant knew that they needed to have but did not have permission to use the audio sample.”
Reps for both stars did not immediately return requests for comment. The lawsuit also names as defendants producers Dem Jointz (Dwayne Abernathy Jr.) and BoogzDaBeast (Jahmal Gwin), as well Gamma, the label that released the song, and its distribution unit Vydia.
The confrontation at issue in Wednesday’s lawsuit was one of two high-profile scuffles with paparazzi that year for the rapper, who was then still known as Kanye West. Two months later, he clashed with photographer Daniel Ramos outside of LAX, resulting in a civil assault lawsuit that the star eventually settled two years later on the eve of trial.
As many celebrities have learned over the years, simply appearing in a photo or video does not give someone any legal rights to it. Ownership of such material is always retained by the creator — an inconvenient fact that has sparked lawsuits against Jennifer Lopez, Miley Cyrus and Dua Lipa.
It’s unclear who filmed the May 2013 incident, which happened outside a Beverly Hills restaurant minutes after the star had also been filmed accidentally banging his head into a signpost while trying to avoid other photographers. But the rights to the footage have been owned by Bauer-Griffin from the beginning: When TMZ first posted it at the time, it came with a watermark crediting the agency.
“The infringing record has been widely distributed on various streaming platforms, in flagrant violation of plaintiff’s exclusive rights under copyright laws,” Bauer-Griffin’s attorneys write. “Plaintiff brings these claims to vindicate those rights.”
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