Montana
Thousands of pounds of pork bound for Montana food banks following feral swine investigation
After the state intervened to trap about 100 swine demonstrating feral behaviors, Montana food banks are slated to receive an influx of pork this week.
Late last month, Wildlife Services, a federal agency under the U.S. Department of Agriculture’s umbrella, tipped off the Montana Department of Livestock that it might have a feral swine population on its hands.
Wildlife Services, which intervenes when landowners report conflicts with wildlife, had been called to Phillips County in north-central Montana to investigate a potential bear conflict. The agency didn’t find evidence of bear activity, but it did find hoof prints, pig scat and other signs consistent with swine presence. The day after Wildlife Services visited the site near Malta along the Hi-Line, the state started looking into the matter and learned that approximately 100 pigs were running uncontained and “beginning to demonstrate behaviors and characteristics consistent with feral swine populations,” according to a press release.
The Montana Legislature passed a law in 2015 prohibiting the importation, transportation or possession of feral swine. Intentionally, knowingly or negligently allowing swine to live in a “feral state” is also illegal. By passing the law, policymakers sought to ward off issues states and provinces have reported with feral swine, which can damage crops and wetlands, prey on wildlife and spread a form of brucellosis that can be transmitted to humans.
Neighboring areas, most notably Alberta and Saskatchewan in Canada, have grappled with feral swine populations for years, and wildlife managers there and in the U.S. consider them to be an invasive species.
Montana State Veterinarian Tahnee Szymanski told Montana Free Press that feral swine can become established in three ways: they can migrate into Montana from an area with an established population, they can be introduced — illegally — by hunters eager to pursue them for sport, or they can develop when domestic animals are freed from the “normal checks and balances” associated with livestock production.
“Domestic swine, left to their own devices for a couple of generations, actually revert back to feral behavior very quickly,” Szymanski said. “This is a really good reminder that a potential feral swine population could crop up anywhere in the state.”
The state livestock department receives about six reports per year of potential feral swine sightings. All of them have turned out to be “owned domestic swine running at large,” according to an agency press release.
In this particular case, there were some unique circumstances related to a death in the family that owned the swine, Szymanski said.
“This situation just kind of got out of control,” she said. “It has been allowed to maybe fester a little bit longer than a traditional circumstance we would encounter.”
Syzmanski said trapping operations began earlier this month, and all parties involved are pleased the meat will be distributed at food banks around the state.
On Oct. 18, the first swine shipment arrived at Producer Partnership, a nonprofit animal processing facility that works with agricultural producers to turn donated livestock into food for schools and other nonprofits. Trapping operations are ongoing with another 30-45 animals yet to be collected, Szymanski told MTFP on Oct. 22.
Producer Partnership is the country’s only nonprofit meat processing facility inspected by the U.S. Department of Agriculture. A product of the COVID-19 pandemic, Producer Partnership is located between Big Timber and Livingston and employs about 10 people.
Producer Partnership president and founder Matt Pierson estimates that the Montana Food Bank Network will receive between 8,000 and 14,000 pounds of pork from the swine. He said he’s unaware of any other organizations set up to take on these kinds of “oddball projects.”
“Our hope through this partnership is that people realize there’s a more amicable, better way to solve these issues without just going in and shooting everything,” he said. “It helps solve a problem for the state, and it helps put all that meat into the food bank.”
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Thousands of pounds of pork bound for Montana food banks following feral swine investigation
In late September, Wildlife Services alerted the Montana Department of Livestock to a potential feral swine issue involving about 100 animals in Phillips County, and the state began trapping the animals and delivered them to a nonprofit meat-processing facility shortly thereafter. The animals are now expected to provide a bounty of pork for food banks around the state. Matt Pierson, president and founder of Producer Partnership, said the arrangement will allow for a “better resolution” for all involved.
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Ye (the artist formerly known as Kanye West) is facing yet another lawsuit over allegations of unlicensed sampling — only this time, it’s centered on a video clip of the rapper’s infamous 2013 fight with paparazzi.
In a case filed Wednesday (July 15) in Los Angeles federal court, the celebrity news agency Bauer-Griffin claims that Ye, French Montana (Karim Kharbouch) and others used audio from the headline-grabbing incident in “Where They At,” released in 2024 off French’s Mac & Cheese 5.
The May 2013 video, which also features a pregnant Kim Kardashian, shows West charging at a photographer outside a Los Angeles restaurant and shouting “don’t take no photos” and a string of profanities: “All of you m*therf*ckers stop it, man!”
The clip appears prominently in the intro to Montana’s song — a use that the lawsuit calls “blatant and willful” copyright infringement.
“Given Mr. Ye’s history of numerous confrontations with paparazzi, the video was highly newsworthy,” the agency’s lawyers write in legal documents obtained and first reported by Billboard. “Listeners immediately recognized the audio sample that begins the infringing record as being copied from the video.”
Ye has been sued over a dozen times for allegedly using unlicensed samples and interpolations in his music, including a high-profile battle with Donna Summer. In May, he lost a jury trial over using an uncleared sample in an early version of the Grammy-winning “Hurricane” from Donda. He had testified at trial that he’s “very generous” about giving credit and compensation when it’s due, but that “a lot of people try to take advantage of me.”
In Wednesday’s complaint, Bauer-Griffin says the creators of “Where They At” showed no such respect to its rights in the video of the paparazzi incident, using it despite being well aware that sound recordings must be licensed when any amount is directly sampled into a song.
“In the music industry, copyrights are prevalent and well understood,” lawyers for the agency write. “Every defendant knew that they needed to have but did not have permission to use the audio sample.”
Reps for both stars did not immediately return requests for comment. The lawsuit also names as defendants producers Dem Jointz (Dwayne Abernathy Jr.) and BoogzDaBeast (Jahmal Gwin), as well Gamma, the label that released the song, and its distribution unit Vydia.
The confrontation at issue in Wednesday’s lawsuit was one of two high-profile scuffles with paparazzi that year for the rapper, who was then still known as Kanye West. Two months later, he clashed with photographer Daniel Ramos outside of LAX, resulting in a civil assault lawsuit that the star eventually settled two years later on the eve of trial.
As many celebrities have learned over the years, simply appearing in a photo or video does not give someone any legal rights to it. Ownership of such material is always retained by the creator — an inconvenient fact that has sparked lawsuits against Jennifer Lopez, Miley Cyrus and Dua Lipa.
It’s unclear who filmed the May 2013 incident, which happened outside a Beverly Hills restaurant minutes after the star had also been filmed accidentally banging his head into a signpost while trying to avoid other photographers. But the rights to the footage have been owned by Bauer-Griffin from the beginning: When TMZ first posted it at the time, it came with a watermark crediting the agency.
“The infringing record has been widely distributed on various streaming platforms, in flagrant violation of plaintiff’s exclusive rights under copyright laws,” Bauer-Griffin’s attorneys write. “Plaintiff brings these claims to vindicate those rights.”
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