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Denver’s TV-centric SeriesFest survives amid industry crunch

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Denver’s TV-centric SeriesFest survives amid industry crunch


Randi Kleiner felt like an 8-year-old at her birthday party as she fretted inside the Sie FilmCenter. It was 2015, the opening year of the SeriesFest TV festival and, as with a birthday party, there was no guarantee people were going to show up.

” ‘Is anyone actually coming?’ ” the festival co-creator recalled wondering as she unlocked the doors at the theater on East Colfax Avenue. “I was anxious.”

Not only did people show up that first year, they’ve also continued to blow past her expectations. Now in its 10th year, the nonprofit SeriesFest draws more than 12,000 attendees annually and commands a $2.7 million budget. Kleiner expects attendance to grow by another 2,000 this year, based on current ticket sales for the public event.

SeriesFest, co-created by Kleiner and Kaily Smith, returns for Season 10 May 1-5, with dozens of screenings, panels, awards and even a “Cowboy Carter”-themed Beyoncé dance party at Red Rocks Amphitheatre on May 5, featuring Grammy-winning Young Guru (Jay-Z’s tour DJ). Past SeriesFest events there have featured performances from Stevie Wonder, Lady Antebellum (now Lady A), Chelsea Handler, En Vogue and Common.

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SeriesFest co-founders Randi Kleiner (left) and Kaily Smith pose for a photo at the 2018 event. (Provided by FerenComm)

This year’s anniversary event takes place mostly at the Sie, with another high-profile slate of guests and programming, including its first-ever gala and honors for actor Minnie Driver, SAG-AFTRA, Shonda Rhimes’ Shondaland company, and a celebration of 20 years of “Grey’s Anatomy” (with cast members James Pickens Jr., Kevin McKidd, Caterina Scorsone and Kim Raver).

The fundraising soirée bolsters SeriesFest’s reputation as a reliable, innovative spot to gather in an industry beset by head-snapping change. As prestige TV continues to move almost entirely to streaming, and the industry grapples with the staggering effects of the pandemic, last year’s Hollywood strikes and artificial intelligence, SeriesFest continues to look smart by marching boldly into a complicated, uncertain future.

“Certainly since the strikes last year, and with the IATSE (film-crew union) strikes looming on the horizon, there’s been a slightly pervasive sense of doom and gloom in my industry,” said British-Nigerian actor Chiké Okonkwo, who returns this year for a live table read of “Grave Affairs” and as a juror in the Drama category of the Independent Pilot Competition. He’s lately been seen in the last three seasons of NBC’s “La Brea,” and is a past award winner at both SeriesFest and the Denver Film Festival.

“I for one don’t subscribe to that doom and gloom,” he said. “We always need stories in a communal setting, but we also love to dig into stories at home and on TV, so this offers different ways of seeing those stories. I’m in awe of the drive and creativity to get these things made against all odds. It makes me optimistic that these people can find audiences.”

Streaming networks and production companies have snapped up independent pilots that premiered at SeriesFest, including “Cooper’s Bar” (AMC+); “Everyone Is Doing Great” (Apple TV+); “Dreaming Whilst Black” (BBC and Showtime); and “Generation Por Qué” (acquired as a short on Max). Creator Emil Pinnock, for example, also signed a blind-script deal with Blumhouse Television and has been tapped to pen an untitled Daymond John project (he’s one of the sharks on “Shark Tank”), Kleiner said.

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That’s the result of hard work and a commitment to support new and diverse voices, SeriesFest veterans say. Even with the annual celebs and major title launches — the Paramount+ hit “Yellowstone,” starring Kevin Costner, officially premiered at a SeriesFest screening at Red Rocks Amphitheatre — SeriesFest is a nonprofit that supports young and upcoming women, BIPOC and other directors with mentorships and education.

Maysles Brothers Jury, Chike Okonkwo pauses for a photo on the red carpet on opening night of the Denver Film Festival Nov. 2, 2016.

John Leyba, Denver Post file

Chike Okonkwo pauses for a photo on the red carpet on opening night of the Denver Film Festival, Nov. 2, 2016, in Denver.

Kleiner praised the Shondaland production company for taking on SeriesFest luminaries such as Tamika Miller. She won SeriesFest’s highly competitive Women Directing Mentorship with Shondaland and went on to direct three episodes of the acclaimed “Station 19.”

Alysia Reiner is a SeriesFest veteran who’s returning this year for “The Methods of Multi-Hyphenates” panel, along with actors Christy Carlson Romano (“Kim Possible”) and Michelle Hurd (“Star Trek: Picard”). For other veterans of the industry, the festival is essential for reaching new creatives and executives, given that it draws from a fast-growing, global pool of talent flowing from India, China, South Korea, Mexico and other U.S.-crossover markets, she said.

“You have a spectacular mix of people in front of and behind the camera,” said Reiner, who has appeared in seminal prestige-TV shows and streaming hits such as “Orange Is the New Black,” “Better Things,” and the Disney+ series “Ms. Marvel.” Her instantly recognizable face joins Jane Seymour (“Dr. Quinn, Medicine Woman”); Mark Duplass (“The Morning Show”); Jocko Sims (“New Amsterdam”); closing-night comic Hasan Minhaj (“Patriot Act”); Patrick Macmanus (“Dr. Death”) and many more.

Alysia Reiner, who has co-starred in shows such as
Alysia Reiner, who has co-starred in shows such as “Orange is the New Black” and “Ms. Marvel,” will take part in SeriesFest Season 10, May 1-5 in Denver. (Provided by SeriesFest)

“The truth is, our industry has contracted a little bit post-COVID and post-strike,” Reiner said. “Less is being made on that big-budget level … we’re in a real reshuffle of streamers and networks. So it’s deeply empowering when artists are reminded by SeriesFest that they don’t have to wait to create. They can make their own content. … It wasn’t like that when I was a baby artist.”

Plenty of film festivals now offer TV sidebars, Kleiner said, but SeriesFest was one of the first and only to focus exclusively on television. She’s seen the lines between TV, film and various digital media get thinner in the last decade. But her event isn’t just “the Sundance of TV,” as SeriesFest boosters have called it over the years, but an industry leader whose example is increasingly followed (including at South by Southwest in Austin, Texas, and Sundance Film Fest in Park City, Utah).

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And yet SeriesFest remains one of the only places to see new TV pilots — network or independently produced — and mingle with industry types ranging from actors to soundtrack supervisors, costumers and directors, said Britta Erickson, a SeriesFest board member and film producer who formerly directed the Denver Film Festival.

“I’m proud of the fact that it came to Denver,” she said, noting that the co-founders shopped around before deciding on the Mile High City. “It was something that was missing in this market, and it felt like the right place, since we’ve been called the cable capital of the world. Now there’s this TV development pipeline that never existed and it’s launching careers and exposing new talent. The ecosystem really does start here.”

“Many networks have moved away from the traditional pilot season, so this is an incredible platform to discover new talent,” Kleiner said. “We’re showing 45 independently produced pilots, and with an audience in attendance, you can really do that litmus test right away.”

Kleiner said charitable giving is down, presenting a challenge for the festival’s continued growth, since it makes up a good portion of the budget. Resources are constantly being divided between fast-growing concerns, such as emerging crossover TV markets in Asia and Spain, prestigious competitions, and live events. But the emphasis remains on new and untested talent that proves itself worthy of national-level attention.

“We’re a small staff of six full-timers, though it grows to many more during the festival, so any programs we do always have an underlying thought to diversity, participation and social initiatives,” she said. “Most executives in industry leadership are white men, and that’s just the way it’s been. SeriesFest can’t change that, but we can show people some other ways of doing things, because we’re not just a festival. We’re a year-round arts organization now.”

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Broncos fan finds massive YouTube show success with a mix of the profane, the inane and unabashed homerism

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Broncos fan finds massive YouTube show success with a mix of the profane, the inane and unabashed homerism


Brandon Perna might be the only Broncos fan grateful for the Russell Wilson era of Denver football. 

Not for the quality of play — the Broncos notched 11 wins to 19 losses with Wilson as starting quarterback — or even because Wilson’s departure set the stage for a 2024 playoff berth and a 9-2 record this season, so far, for Perna’s hometown team.

No, Wilson in the orange and blue made Perna miserable. And man, was that good for clicks.

That misery helped Perna, 41, turn his own fandom into a flourishing YouTube channel. It’s one that’s lowbrow but thoughtful, and that takes fans seriously but treats sports fandom as what it’s supposed to be — fun.

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“I don’t care if they’re … taking a 20-minute bathroom break at work to watch power rankings — like, (heck) yeah,” Perna said, reflecting on his audience in a recent interview in his home studio in Aurora. “Or they’re putting it on before they go to bed. Whatever it is, it makes me excited to do the next one. And hopefully I didn’t betray anybody by saying ‘Your team sucks’ the week before.”

Profane, inane and unapologetically pro-Broncos — “Go (expletive) yourselves, Kansas City” might be his “quoth the Raven” refrain — Perna has been running the “That’s Good Sports” show on YouTube for more than a decade. In that time, he’s grown regular viewership to reach the hundreds of thousands, and recently he crested 820,000 subscribers for the four or more videos he posts every week.

His self-described “bad football news presented in the form of even worse comedy” has grown into T-shirts, coffee custom-crafted for fans frustrated with awful penalties and an online community that spans the globe. His weekly “curse wheel,” which randomly targets teams for misfortune, had posted a playoff-level 9-2 record of successful curses through mid-November.

He’s navigated shifting YouTube algorithms, capricious sports gods and a saturated online market to turn his channel into a thriving operation.

It has grown from a one-man show to include co-writer Will Keys and editors Johnny Barker and Connor Sherrill, folks Perna credits with keeping the commentary sharp and production regular. He shouts out to other sports YouTubers like Tom Grossi and traditional sportscasters like Vic Lombardi for helping him find his footing.

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Having the team in place ahead of the Wilson season had the channel ready to capitalize on the sudden influx of viewers. But getting to that point took years of toiling, as well as treating the burgeoning channel as a job — even when it didn’t have the paycheck associated with it.

Brandon Perna’s Denver Broncos memorabilia inside the “That’s Good Sports” studio on Friday, Nov. 14, 2025 at his home in Aurora. (Photo by Daniel Brenner/Special to The Denver Post)

‘Bigger and bigger goals’

Perna started working in the YouTube world as a video editor in the late 2000s, and he started running his channel casually in the early 2010s. He had left the increasingly corporate world of big-time YouTube production to focus on freelancing.

A quick, janky video, as he put it, changed things.

Peyton Manning, then the Broncos’ quarterback, threw seven touchdowns against the Baltimore Ravens in 2013 — a feat that hadn’t been accomplished in more than 40 years at that point. And that video’s success showed him there was an audience for his brand of irreverent analysis.

Over the following years, Perna was able to dedicate more time to the channel and lean on his wife, Jess Filipas, as the primary breadwinner. Some months and years tested his conviction — whether it was a bad Broncos season, the channel not hitting the way he knew it could, or personal travails, she said.

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But his convictions — his authenticity about the views he brought — never wavered, Filipas said.

The relentless publishing schedule started to pay literal dividends in the late 2010s, to the point that Filipas was able to step back from her full-time job. Then they welcomed a newborn girl to the world in 2020.

The channel weathered the pandemic, as more folks chose to spend time indoors, leading to more sponsorships and contractual obligations. More production led to deeper connections with the audience — and between the cross-country team behind each episode.

“Things have gotten more complicated, but he’s had bigger and bigger goals,” Filipas said of her husband. “But he’s always known there’s more out there than him in the basement doing these videos alone.”

Keys, a lifelong Broncos fan who’s based in Sacramento, looped in with Perna in 2018. He started as a fan of the channel and clicked with Perna as a co-writer. The two cover each other’s blind spots and have similar enough senses of humor that they can fine-tune the antics that draw in viewers, Keys said.

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Perna can read a phone book into his camera and get laughs, Keys said, and the visual humor of editors Barker and Sherrill completes the package.

They strive to show respect for the audience and to have breadth of coverage, Keys and Perna said. They don’t ignore games and don’t hate on teams or players. Even the epithets for the Kansas City Chiefs are built on divisional rivalry and that team’s long track record of success, not sneering dismissiveness.

In addition to news and game-driven publishing, Perna’s team also produces deep-dive pieces to help explain how the NFL arrived where it is today, whether that’s meant looking at past dynasties or broadcasting deep analysis of draft classes.

“People come back because I think they learn something,” Keys said “… We try to put a lot of thought into getting a good script, coming back to it multiple times, adding nuggets of information that no one else has.”

Perna will spend 75 hours a week working in the basement, writing and producing videos, Filipas said.

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But he also pops up to play with their daughter — moments the whole family treasures, even if Filipas jokes about scheduling weekend outings so they’re not “listening to this madman scream about football” through the vents of their home during his Broncos livestreams.

Curse wheels and the joys of sports

Perna said he “did things the wrong way, probably stubbornly, for too long,” before finding success. He had expanded his coverage to the entire NFL, which helped draw in more eyeballs, and established a rhythm and a voice that kept them coming back.

But it was the Broncos’ two seasons with Wilson, the savior-turned-millstone of a floundering franchise, that truly helped the channel find its stride in 2022 and 2023, Perna said. Viewership exploded as people flocked to Perna’s weekly heartbreak.

One particularly ghastly outing, in which the Broncos lost to the Indianapolis Colts 12-9 on a Thursday night in 2022, also stands out to Perna. His publishing schedule keeps him from going to many games in person; that slog of a game was a rare exception.

Perna took his frustrations to his channel with an episode titled “The Worst Game Ever,” which went on to become another recurring theme.

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The YouTube audience, it turned out, “enjoyed watching me be miserable,” Perna jokes now. But the show tapped into the highs and lows that most every sports fan experiences.

“If (Denver is) winning, you’re just going to have Broncos fans (watching) — and they’re excited with you,” Perna said. “When they’re losing, literally any fan of any team could come in and be like, ‘Look at this idiot suffering because his team let him down.’ ”

Those other fans make up some of the bread and butter of the channel’s audience. Perna looks to respect their time with real analysis tucked between the same lowbrow gags that won their attention in the first place. (“I’ve really got to find a way to spread out these poop awards,” Perna said on a recent episode, flashing an impish grin. “It makes me look immature.”)

Other gimmicks have taken on a life of their own.

Most NFL coverage features some kind of power rankings, where analysts try to list the best teams. Perna sees it as a tropey exercise in a sport where anything can happen any week.

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So he’s added his own twist: a plastic, “Wheel of Fortune”-style spinning wheel — only with curses instead of prizes tied to the wedges. A spin of the wheel will doom the highlighted team. How that doom arrives, however, is part of the mystery.

Teams losing, poor outings from key players or even injuries get blamed on the wheel. For instance, Broncos star player Pat Surtain II, one of Perna’s favorite players, got hurt the week the wheel landed on Denver, even as the team won.

“Don’t let Pat find out!” Perna said. “That’s one we want back.”

Fans rewatch the episode to tally the wheel’s latest victims, Perna said, giving extra life to the channel and the community that’s grown around it.

“Russell Wilson and the curse wheel,” Perna laughs, crediting them for his success. “Those are the two things.” 

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Brandon Perna poses inside the "That's Good Sports" studio on Friday, Nov. 14, 2025 at his home in Aurora. Perna has crested 800,000 followers with his NFL show, and its centerpiece curse wheel. (Photo by Daniel Brenner/Special to The Denver Post)
Brandon Perna poses inside the “That’s Good Sports” studio on Friday, Nov. 14, 2025 at his home in Aurora. (Photo by Daniel Brenner/Special to The Denver Post)

Now that Perna has trialed-and-errored his way into what makes the channel work — and settled into 15-hour days to keep up with the football and posting schedules — he doesn’t want to lose focus on that community of supporters.

“The support is overwhelming and humbling, and I try to never take that for granted,” Perna said. “Because they keep you relevant in the space.”

He also gets to see how his formula as an overly dire, overly enthusiastic and consistently irreverent voice plays in an era long-missed by Broncos fans: a season of must-watch Denver football.

The wins this year have been ugly, improbable and exhilarating. Or, in a word, captivating — even for an audience outside of Broncos Country. The wins have also been piling up at a much faster clip than at any time since Perna made his show his primary professional focus. 

I’m ready for the Broncos to have some actual post-season success. Because I feel like once I’ve learned how to do this correctly, the Broncos haven’t been in the post-season,” Perna said.

“Last year, they got there. They didn’t win, of course, but we were just happy they were there. I hadn’t had the Broncos in the playoffs when I feel like I’ve done this (show) the right way. So much of (the Broncos’ success) predated that. So I’m enthusiastic that they’re winning.”

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Denver area events for Nov. 30

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Denver area events for Nov. 30


If you have an event taking place in the Denver area, email information to carlotta.olson@gazette.com at least two weeks in advance. All events are listed in the calendar on space availability. Sunday Denver Bazaar – RiNo Holiday Market — 11 a.m.-5 p.m, 2620 Walnut St., Denver. Tickets: shorturl.at/KxC9m. “Drunk Christmas” — An abbreviated, drunken version of Charles Dickens’ […]



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Renck: Von Miller will always be a Bronco, even if playing for Denver again unlikely

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Renck: Von Miller will always be a Bronco, even if playing for Denver again unlikely


ASHBURN, VA. – Von Miller knew the answer. But he could not resist asking the question.

A free agent last summer, training camp approaching, Miller had not decided on a new team. Garett Bolles, in attendance at a Von’s Vision event in Colorado, urged his good friend to call the Broncos.

Von had not played in Denver since 2021. Russell Wilson had him on a group text with Chandler Jones in 2022, asking for him to return. Von wisely sidestepped that “disaster of a season,” signing with the Buffalo Bills as Denver added Randy Gregory.
Three years later, there was a new coach and new quarterback. Maybe the remodeling needed an old antique to complete the project.

Von picked up his iPhone and dialed general manager George Paton.

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“When Garett brought it up, I was like, ‘Come on, man.’ You have Nik Bonitto and Jonathon Cooper. But I started thinking, ‘You have all these people on the team and there’s not a spot for me? I know there probably won’t be, but let me check and see.’ I talked with George and I already had an idea how it was going to go. And that is exactly what he said.”

There was no room for the 36-year-old Miller, not with backups Jonah Elliss and Dondrea Tillman capable of playing special teams. The conversation with Paton, the man who traded him to the Rams in 2021, was productive, but not for the reason he expected.

“It was more about me taking the steps to get into a front office. He knows I want to be a GM someday (a goal inspired and encouraged by Bills GM Brandon Beane),” Miller told The Post on Friday. “I am still happy I did it. That was this season. What about next year?”

Sitting below the No. 24 name plate — an ode to Champ Bailey and Kobe Bryant — in the Washington Commanders locker room, Von flashed that devilish grin, the one that appeared so often after his franchise-record 110.5 sacks with the Broncos.

Truth be told, he would “love to return” to the Commanders. Would like a “rain check” after a lost season because of a battery of injuries to stars, including quarterback Jayden Daniels. Daniels is why Von chose Washington over the Seahawks.

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“Nothing against Sam Darnold, but it was Jayden Daniels. In my opinion, it was the best situation,” Miller said. “They were coming off the NFC Championship Game. And (coach) Dan Quinn had a plan for me as a veteran player. He gets it.”

Of course, nothing has worked out, save for Von delivering as an effective situational rusher. He has five sacks in 11 games. He wants a third Super Bowl ring. But he is also motivated to collect eight more sacks, and have his sons, Valor and Victory, gain a better understanding of what their dad does for a living.

That is why he fully intends to play next season. Get that number, and he will reach 142.5 for his career, ranking sixth all-time.

“Myles Garrett is like 14 sacks behind me, and he came into the league six years after me. I don’t want to make the top 10 and get knocked out,” Miller said. “I want to stay there for 10 or 20 years. So, yeah, I definitely want to play another year, and who knows after that?”

With Washington hosting the Broncos on Sunday night, Miller cannot avoid becoming nostalgic. He never wanted to leave, but knew his time was up after he called a captains meeting with coach Vic Fangio and Paton to discuss turning the season around and aiming for a division title.

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“It fell on deaf ears. What I realized later is that we were were so far removed from that. That’s all I knew from playing with Peyton Manning. But we had guys who couldn’t relate. It’s hard to get somebody to miss something they never had,” Miller said. “I was talking about winning a Super Bowl, and they were like, ‘What? We are try to win a single game.’ ”

A few weeks later, Von was shipped out. He was surprised, the news bringing him to tears. He still wonders if he would have played his entire career in Denver if the Broncos had drafted someone like Bo Nix.

“We never had a quarterback for a lot of years. No one special or elite,” Miller said. “And Bo fell in their lap. And you’ve got him with one of the greatest minds in NFL history, Sean Payton. And they have Courtland Sutton, Troy Franklin, and Marvin Mims, and that offensive line is way better than what we had in 2015. This year’s team is special. And if Bo Nix continues to take those leaps.”

Miller catches himself. There he goes again. He cannot help it. When it comes to the Broncos, Von is a fan.

He spent a decade in Denver, morphing into a future Hall of Famer. He made mistakes, grew up before our eyes, became a father — his third child, a daughter named Virtue, is due in January — a leader and a champion.

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