Sometimes in life, you feel like you’re a step behind. Nothing big, but yet, it creates a difference between where you should be and where you are, and this small difference has consequences. Well, that’s how it felt looking at the Celtics’ off-ball defense last night.
Denver, CO
Denver’s TV-centric SeriesFest survives amid industry crunch
Randi Kleiner felt like an 8-year-old at her birthday party as she fretted inside the Sie FilmCenter. It was 2015, the opening year of the SeriesFest TV festival and, as with a birthday party, there was no guarantee people were going to show up.
” ‘Is anyone actually coming?’ ” the festival co-creator recalled wondering as she unlocked the doors at the theater on East Colfax Avenue. “I was anxious.”
Not only did people show up that first year, they’ve also continued to blow past her expectations. Now in its 10th year, the nonprofit SeriesFest draws more than 12,000 attendees annually and commands a $2.7 million budget. Kleiner expects attendance to grow by another 2,000 this year, based on current ticket sales for the public event.
SeriesFest, co-created by Kleiner and Kaily Smith, returns for Season 10 May 1-5, with dozens of screenings, panels, awards and even a “Cowboy Carter”-themed Beyoncé dance party at Red Rocks Amphitheatre on May 5, featuring Grammy-winning Young Guru (Jay-Z’s tour DJ). Past SeriesFest events there have featured performances from Stevie Wonder, Lady Antebellum (now Lady A), Chelsea Handler, En Vogue and Common.
This year’s anniversary event takes place mostly at the Sie, with another high-profile slate of guests and programming, including its first-ever gala and honors for actor Minnie Driver, SAG-AFTRA, Shonda Rhimes’ Shondaland company, and a celebration of 20 years of “Grey’s Anatomy” (with cast members James Pickens Jr., Kevin McKidd, Caterina Scorsone and Kim Raver).
The fundraising soirée bolsters SeriesFest’s reputation as a reliable, innovative spot to gather in an industry beset by head-snapping change. As prestige TV continues to move almost entirely to streaming, and the industry grapples with the staggering effects of the pandemic, last year’s Hollywood strikes and artificial intelligence, SeriesFest continues to look smart by marching boldly into a complicated, uncertain future.
“Certainly since the strikes last year, and with the IATSE (film-crew union) strikes looming on the horizon, there’s been a slightly pervasive sense of doom and gloom in my industry,” said British-Nigerian actor Chiké Okonkwo, who returns this year for a live table read of “Grave Affairs” and as a juror in the Drama category of the Independent Pilot Competition. He’s lately been seen in the last three seasons of NBC’s “La Brea,” and is a past award winner at both SeriesFest and the Denver Film Festival.
“I for one don’t subscribe to that doom and gloom,” he said. “We always need stories in a communal setting, but we also love to dig into stories at home and on TV, so this offers different ways of seeing those stories. I’m in awe of the drive and creativity to get these things made against all odds. It makes me optimistic that these people can find audiences.”
Streaming networks and production companies have snapped up independent pilots that premiered at SeriesFest, including “Cooper’s Bar” (AMC+); “Everyone Is Doing Great” (Apple TV+); “Dreaming Whilst Black” (BBC and Showtime); and “Generation Por Qué” (acquired as a short on Max). Creator Emil Pinnock, for example, also signed a blind-script deal with Blumhouse Television and has been tapped to pen an untitled Daymond John project (he’s one of the sharks on “Shark Tank”), Kleiner said.
That’s the result of hard work and a commitment to support new and diverse voices, SeriesFest veterans say. Even with the annual celebs and major title launches — the Paramount+ hit “Yellowstone,” starring Kevin Costner, officially premiered at a SeriesFest screening at Red Rocks Amphitheatre — SeriesFest is a nonprofit that supports young and upcoming women, BIPOC and other directors with mentorships and education.
John Leyba, Denver Post file
Chike Okonkwo pauses for a photo on the red carpet on opening night of the Denver Film Festival, Nov. 2, 2016, in Denver.
Kleiner praised the Shondaland production company for taking on SeriesFest luminaries such as Tamika Miller. She won SeriesFest’s highly competitive Women Directing Mentorship with Shondaland and went on to direct three episodes of the acclaimed “Station 19.”
Alysia Reiner is a SeriesFest veteran who’s returning this year for “The Methods of Multi-Hyphenates” panel, along with actors Christy Carlson Romano (“Kim Possible”) and Michelle Hurd (“Star Trek: Picard”). For other veterans of the industry, the festival is essential for reaching new creatives and executives, given that it draws from a fast-growing, global pool of talent flowing from India, China, South Korea, Mexico and other U.S.-crossover markets, she said.
“You have a spectacular mix of people in front of and behind the camera,” said Reiner, who has appeared in seminal prestige-TV shows and streaming hits such as “Orange Is the New Black,” “Better Things,” and the Disney+ series “Ms. Marvel.” Her instantly recognizable face joins Jane Seymour (“Dr. Quinn, Medicine Woman”); Mark Duplass (“The Morning Show”); Jocko Sims (“New Amsterdam”); closing-night comic Hasan Minhaj (“Patriot Act”); Patrick Macmanus (“Dr. Death”) and many more.

“The truth is, our industry has contracted a little bit post-COVID and post-strike,” Reiner said. “Less is being made on that big-budget level … we’re in a real reshuffle of streamers and networks. So it’s deeply empowering when artists are reminded by SeriesFest that they don’t have to wait to create. They can make their own content. … It wasn’t like that when I was a baby artist.”
Plenty of film festivals now offer TV sidebars, Kleiner said, but SeriesFest was one of the first and only to focus exclusively on television. She’s seen the lines between TV, film and various digital media get thinner in the last decade. But her event isn’t just “the Sundance of TV,” as SeriesFest boosters have called it over the years, but an industry leader whose example is increasingly followed (including at South by Southwest in Austin, Texas, and Sundance Film Fest in Park City, Utah).
And yet SeriesFest remains one of the only places to see new TV pilots — network or independently produced — and mingle with industry types ranging from actors to soundtrack supervisors, costumers and directors, said Britta Erickson, a SeriesFest board member and film producer who formerly directed the Denver Film Festival.
“I’m proud of the fact that it came to Denver,” she said, noting that the co-founders shopped around before deciding on the Mile High City. “It was something that was missing in this market, and it felt like the right place, since we’ve been called the cable capital of the world. Now there’s this TV development pipeline that never existed and it’s launching careers and exposing new talent. The ecosystem really does start here.”
“Many networks have moved away from the traditional pilot season, so this is an incredible platform to discover new talent,” Kleiner said. “We’re showing 45 independently produced pilots, and with an audience in attendance, you can really do that litmus test right away.”
Kleiner said charitable giving is down, presenting a challenge for the festival’s continued growth, since it makes up a good portion of the budget. Resources are constantly being divided between fast-growing concerns, such as emerging crossover TV markets in Asia and Spain, prestigious competitions, and live events. But the emphasis remains on new and untested talent that proves itself worthy of national-level attention.
“We’re a small staff of six full-timers, though it grows to many more during the festival, so any programs we do always have an underlying thought to diversity, participation and social initiatives,” she said. “Most executives in industry leadership are white men, and that’s just the way it’s been. SeriesFest can’t change that, but we can show people some other ways of doing things, because we’re not just a festival. We’re a year-round arts organization now.”
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Denver, CO
University of Denver to close Ricks Center for Gifted Children next year
The University of Denver will close the Ricks Center for Gifted Children next year as enrollment has fallen in recent years, the college announced this week.
The Ricks Center, which serves gifted children as young as 3 years old, will operate for the 2026-27 academic year before closing, according to a letter DU sent parents on Wednesday.
“The University of Denver has made the difficult decision to close the Ricks Center for Gifted Children at the conclusion of the 2026–2027 academic year,” spokesman Jon Stone said in a statement. “This decision reflects long-term operational and financial considerations and is not a reflection of the school’s quality, leadership, or community.”
The center, which is located on DU’s campus, was started in 1984 as the University Center for Gifted Young Children. The program offers classes to students in preschool through eighth grade, according to the website.
The program, along with other public K-12 schools in the state, has experienced declining enrollment in recent years. The center enrolled 142 students for the 2025-26 academic year, which is down from 200 pupils four years ago.
The center will hold a meeting about the pending closure on March 6 for parents.
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Denver, CO
David Fountaine Black Obituary | The Denver Post
David Fountaine Black
OBITUARY
Dave and Martha and their three boys moved to Denver in 1974 when Dave started work at the Rocky Mountain Arsenal. He and a business partner later purchased Mid-America Plating Company. Dave operated Mid-America for 36 years and finally retired in 2018.
He was a great golfer and natural athlete. Dave was an avid runner, and for many years, he woke up before the sun to get his miles in before work. He and Martha loved playing bridge with friends, gardening – growing fruit and flowers – and spending time outside relaxing and walking on the High Line Canal Trail and in Bible Park. Dave and Martha enjoyed getting back to Arizona during the winter at their Tucson home. They loved spending time with their family.
Dave passed away on February 20, 2026. He is loved by family and friends and will be missed. Dave was a hard-working, kind, optimistic, and thoughtful person who leaves the world a better place. He is survived by his wife, Martha, and his three sons, Dave (Robin), Tom (Debbie), Eric (Kendra), as well as six grandchildren and three great grandchildren, Casey (Nicole), Jake (Ashleigh and great granddaughter Faye), Hailey (Robby and great granddaughter Jensen), Keenan (Nicole and great granddaughter Olivia), Griffin, and Addie (Erik).
Denver, CO
10 takeaways from the Celtics looking a step behind in Denver
This first bucket from the Nuggets is a great example of the Nuggets being a step ahead. The screen from Cam Johnson causes a bit of chaos as Derrick White and Jaylen Brown don’t switch, leaving a lot of space for Jamal Murray to cut to the rim. A few possessions later, it’s Brown again who is half a second late when Johnson starts moving, and that’s enough for the Nuggets to punish the Celtics.
Denver is a very smart, very well coached team. It isn’t a surprise they involved Jordan Walsh’s matchup in the screen because the young wing has a tendency to overpressure off-ball. Therefore, with all the screens and movement the Nuggets are creating, it is hard for him to keep up.
This game was a great example of what makes a team like Denver so good. They can find a breach in a great defense by targeting players’ tendencies. Like the Celtics, they scout, they learn, and they adapt their approach to the opponent, and it worked out pretty well, even in garbage time.
#2 – The offense broke under pressure
On offense, the Celtics lost the ball on more than 15% of their possessions. When this happens, the Celtics have a 50% win rate. Taking care of the ball is one of the foundations of that team, and they couldn’t deliver last night. Led by Bruce Brown and Spencer Jones, the Nuggets put a lot of pressure on the Celtics’ ball-handlers.
They also didn’t hesitate to bring a second defender to force a quicker decision and generated some mistakes from Boston. With that appetite for steals and the domination on the offensive glass, the Denver Nuggets were able to generate 10 more field-goal attempts than the Celtics. And when the Celtics lose the possession battle, it becomes a lot harder to compete against the best teams in the league.
It was a different sight than usual on defense for the Denver Nuggets. We are used to seeing Jokic hedging on the pick-and-roll to force a pass and put pressure on the ball-handler, but this wasn’t the case last night. The guards put a lot of pressure while the Serbian was commanding from the back.
It was an interesting way to take away the paint from the Celtics while showing bodies beyond the three-point line. While Jokic was in the paint behind the pick-and-roll, the Nuggets’ closest defender next to the screen would come to disrupt the action.
Thanks to that, Jokic had less effort to expend on defense and could compensate on offense. In some possessions, Jokic would come up to surprise the ball-handler and create some chaos, like here:
But overall, the 3-time MVP remained in a drop position, and this explains why the Celtics had so much trouble getting to the paint last night.
#4 – Denver daring Ron Harper Junior to shoot
The young wing is discovering the NBA and what it is like to be scouted by the best teams in the world. After a standout performance against the Suns, he was back on the bench to start the game. Yet, like every other player on the roster, the Nuggets scouted him and had a plan in mind for when he would come onto the court.
As the defensive plan was to protect the paint at all costs, they decided to leave him alone beyond the line to make sure the Celtics touched the paint as little as possible.
The Celtics tried to get him involved in the screening action, hoping he would draw some attention from the defense, but the Nuggets couldn’t care less about his shooting threat.
In the end, that approach worked out pretty well for Denver as Harper shot one for seven from deep in 10 minutes. This also took away part of his offensive impact, and the Celtics had to adapt their rotation.
Because the Nuggets were willing to leave non-shooters open, the Celtics tried their double-big lineup again. If the opponent isn’t going to respect your shooters, you might as well play big. And the idea makes sense.
Because the Celtics played with two bigs and the non-shooter of the two is Neemias Queta, Vucevic was matched up with a smaller player. Therefore, it was easier for him to get a mismatch in the post. However, it was also easier for Jokic to come help from behind because of Queta’s presence in the paint.
To make this work on offense, I think the Celtics need to work on high-low offense with more movement from the off-ball players around the two centers. Defensively, it brought more rebounding stability and rim protection. The Celtics could target non-shooting threats like Christian Braun so the paint remained stacked.
If the Celtics can build some offensive synergy between Queta and Vucevic, things could be really fun and bring a great balance against big teams like Denver.
Because Denver was so aggressive when it came to protecting the paint, the Celtics decided to start their actions from the half-court line to stretch the Denver defense.
Here, a zoom action for Derrick White starts from half court, with Sam Hauser screening at the logo and Queta handing off at the three-point line. Because of that space and the distance of the screen, Jones has more difficulty containing White. This created a little bit of chaos in the defense and worked pretty well.
Yet, starting from deep isn’t enough, and using screens correctly remains one of the most important parts of off-ball actions. Here, look how easy it is for the Denver Nuggets defenders to stay connected to their matchup despite the various screens.
The idea was great, the execution not so much. Yet, it gives some perspective on how the Celtics offense can adapt when the spacing is missing.
#7 – More volume for White?
Looking at the stats from cleaningtheglass.com, I’m left with a couple of questions.

First, why didn’t White have more opportunities with the shot? He was really efficient with 1.25 points per shot attempt, created chaos with his speed and passing, and yet his usage was pretty average.
In the meantime, Jaylen Brown’s usage was once again close to 40% despite really low efficiency. When the defense shrinks the space like last night, I would like to see more possessions for White to unlock Jaylen Brown off-ball.
Against such a smart defense, isolation and drives in a crowded paint won’t work as much as usual, and the Celtics need to readjust how JB plays against elite teams to make sure to maximize him next to a great connector like Derrick White. The former Colorado guard scored 18 points in the second quarter but couldn’t get anything going after that.
#8 – More minutes for Hauser?
A second question I would have asked is why Sam Hauser didn’t get more minutes. As we saw earlier, the Nuggets were willing to leave a shooter open to protect the paint – even if that shooter was Sam Hauser.
So, when Sam was the guy next to the ball on the pick-and-roll, it created great things for the Celtics because the help defender couldn’t fully commit. And if he did, the Celtics could swing the ball to the wing.
Even if he didn’t make all the shots, the added value in spacing was so crucial that it was vital for the Celtics to keep him on the court to have the best chance on offense.
#9 – Be patient with Vucevic
It took seven games for someone to raise the question – let’s be patient. And also let’s take a step back and remember that Vucevic isn’t the Celtics’ savior. He never has been an efficient scorer, never been a great interior defender. But he is a smart player with great passing for a 7-footer.
If you are expecting Nikola Vucevic to reach Kristaps Porzingis’ numbers in rim protection and scoring efficiency, well, be prepared to wait for a while because it never was the case. However, Vucevic can bring a push in the possession battle while providing spacing and great secondary passing once he gets more comfortable in the Celtics offense.
Let’s be nice, let’s be patient, this roster isn’t changing anytime soon.
#10 – Out of gas, out of air
Three games in four days, the last one 5280 feet above sea level, and the Celtics were out of gas and out of air.
This month, they played six games on the road, a lot of time away from home. March should be far more comfortable with nine games at TD Garden.
Might be the perfect timing for Jayson Tatum to come back (and for me to book a ticket from France to cover some games from the ground).”
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