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Denver OKs $30M contract with nonprofit despite questions about agency

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Denver OKs M contract with nonprofit despite questions about agency


A nonprofit that has raised red flags for other cities will begin operating one of Denver’s homeless shelters after the City Council approved a $30 million contract with the group Monday.

Urban Alchemy, a San Francisco-based nonprofit, has been accused of fiscal and data mismanagement, leading one city to drop the organization as a partner this year.

Nine of the 13 City Council members ultimately voted to approve the contract after over an hour of discussion on those concerns in which council members also expressed their exasperation with Mayor Mike Johnston’s office.

“The other option appears to be putting people back out on the street in the middle of winter,” said Councilwoman Amanda Sawyer in explaining her “yes” vote.

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Jeff Kositsky, the deputy director of shelter and stability in the city’s Department of Housing Stability, said during the meeting that if the council rejected the contract, there would be no way to find a new provider by the time the contract with the Aspen shelter’s current operator — The Salvation Army — expired.

“I think ultimately we would have to shut the shelter down,” he said.

Only three groups submitted bids to run the city’s homeless shelters when officials put out a request earlier this year, Kositsky said. The other two are Bayaud Works and St. Francis Center, both of which were already selected for other contracts.

Urban Alchemy will begin operating the 289-unit Aspen shelter in Central Park in 2026 and the contract will last through 2028.

Denver officials announced in August that The Salvation Army would no longer operate three facilities in former hotels after the City Council raised concerns that the group was unable to keep its occupants safe. There was a string of violent incidents at the shelters and in March, a Salvation Army employee was charged with sexually assaulting a woman staying at the Aspen shelter.

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The Salvation Army will continue to run the Crossroads Center, the Labuth Family Center, the Connection Center and the Harbour Light Center.

In San Francisco, the city controller’s office accused Urban Alchemy of not properly tracking the time its employees worked for the city causing an “increased risk to public funds and client services,” according to the San Francisco Chronicle. The controller’s office later ruled that the group was back in compliance with the city’s standards.

The nonprofit, which gives jobs to formerly incarcerated people, also ran into a conflict with Austin earlier this year. Austin officials wrote in a memo to their City Council that they wouldn’t renew their contract with the group after the nonprofit self-identified staff members who had misrepresented data about people using the shelters, according to the Austin-American Statesman.

Cole Chandler, who leads Johnston’s All In Mile High homeless initiative, said the contract with Urban Alchemy was an unusual, performance-based deal to ensure the work is completed.

“These are new accountability measures that have never existed before and those are specifically in place because council advocated for those,” he said.

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The meeting reflected another instance of council members’ frustration with Johnston’s administration. Councilwoman Shontel Lewis, who represents the district where the Aspen shelter is located, said she didn’t feel his team answered her concerns about the group.



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Denver, CO

When falling housing prices are good news — and when they’re not

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When falling housing prices are good news — and when they’re not


Home prices are falling in Denver and other areas around the nation.

Scott Olson/Getty Images


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Scott Olson/Getty Images

A few weeks ago, we asked our readers for ideas and questions for future Planet Money newsletters and podcasts. We got a bunch of great submissions, including an intriguing one from Karl Baumgartner.

Baumgartner is a 29-year-old internal medicine resident in Denver, where home prices and rents have been falling. Depending on which data you look at, the Denver metro area is experiencing one of the steepest — if not the steepest — housing price declines in the nation. Home prices have fallen more than 2% year over year, according to the S&P Cotality Case-Shiller Home Price Index, and even more if you adjust for inflation. Rents have fallen even more dramatically.

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“As a renter myself, I am ecstatic about the falling prices,” Baumgartner writes. In fact, he just moved “to a bigger apartment with nicer amenities that I previously couldn’t afford, but now can because rent has fallen.” One of his friends, meanwhile, recently renegotiated her lease for about $500 less per month by showing her landlord that comparable apartments in her area were now going for much less.

“With almost all of my friends being in a similar position at the beginning of our careers with plenty of debt, we are all very excited about the decrease,” Baumgartner says.

So, yeah, falling rents are obviously a win for Denver renters. But Baumgartner is wondering about the broader economic picture.

“We know that negative inflation is bad for the economy in general, and we try to shoot for 2% annual inflation in general. What about negative inflation in the housing market specifically? Are there any downsides to falling prices, or is this just a sign of the market working as it should, with supply finally catching up to demand?”

It’s a great question because economics doesn’t seem to provide a simple answer on whether falling housing prices are good or bad for the economy.

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Denver, CO

Denver transfers $3 million from its contingency fund to pay out settlements

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Denver transfers  million from its contingency fund to pay out settlements


Denver will use $3 million of its contingency fund money to help pay out settlements this year under an ordinance the City Council approved Monday.

The council makes a similar transfer every year, but the amount varies depending on the settlements reached, said Laura Swartz, the spokesperson for the city’s finance department.

“It is difficult to budget for settlements in advance because the amounts and timing can be unpredictable based on each case’s own scheduling, negotiations and court decisions,” Swartz said.

Every year, the city sets aside $2 million for settlements in the budget. Officials request a transfer from the contingency fund for anything needed above that amount. The 2026 transfer brings the amount that will be used to pay out settlements this year to $5 million so far.

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This year’s allotment will leave the city with $30.5 million remaining in its contingency fund. The contingency fund is separate in the annual budget from the city’s reserves, which officials have been working to replenish from a recent low point.

The city has been ordered to pay millions of dollars in settlements in recent years related to the Denver Police Department’s actions during the George Floyd protests.

Earlier this month, the council approved about $2.87 million in payments for 13 people who alleged that local police violated their constitutional rights during the 2020 protests.

In April, a federal appeals court ruled that the city must also pay $14 million to another group of protesters, upholding a jury verdict. The city hasn’t yet said how it will pay out that amount.



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Dance Gavin Dance weighs ins on banana-suit controversy before Denver show

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Dance Gavin Dance weighs ins on banana-suit controversy before Denver show


Dance Gavin Dance believes in dressing however you want for a concert.

Courtesy Jonathan Weiner

There’s a semi-controversy brewing in the underground about whether or not banana suits are appropriated concert attire. After the Baltimore hardcore band End It recently directed its audience to rip one such costume off of a fun-loving fan, the dividing lines have been defined — hardcore isn’t so fruit friendly, while metalcore openly encourages dressing however you want for the occasion.

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Dance Gavin Dance guitarist-vocalist Andrew Wells confirmed the metalcore ethos, as the long-running band is used to seeing people in all types of garb, particularly bananas, whenever and wherever they play.

“There’s a ton of banana people in our audience,” he says, referencing the group’s recent Warped Tour DC stop that was especially yellow. “I was like, ‘Yo, banana people, you’re welcome here. You’re weird. You’re an outcast. You’re what society deems as weird because you want to dress up in a banana costume. That’s what rock is for.’

“Rock’s historically been since the dawn of time an oasis for the outcasts. You’re welcome here. Come fly your freak flag with us, and we’ll have a good time,” Wells continues. “Honestly, if I played a whole show and everyone was in a banana suit, I would be stoked. That would be sick.”

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In reiterating the stance, he calls for everyone in Denver to show up in their banana best when Dance Gavin Dance takes the Fillmore on Monday, June 22. Horse the Band, Wolf & Bear and Novelists are also on the bill.

The metalcore machine — which also includes vocalist-guitarist Will Swan, drummer Matt Mingus and harsh vocalist Jon Mess — is riding high with a twofer of fresh material in 11th studio album “Pantheon,” released in September, and last month’s “Tree City Sessions 3,” another collection of revamped takes on classics and deep cuts.

Wells, who’s been with the band in some capacity since 2015, saw the “Tree City” process as an opportunity to put his spin on some of the older tracks that vocalist Tilian Pearson first laid down, such as “Bloodsucker” from 2018.

Audience participation is encouraged.

Courtesy Dance Gavin Dance

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“That was a suggestion from me. I wanted to polish up my higher register and showcase what I could do on the Tilian stuff,” he explains. “That was a song Martin [Bianchini, touring guitarist] and I had written on the ‘Artificial Selection’ album, so we were able to play and record the song that we wrote.”

Looking back also allowed Dance Gavin Dance to forge forward with “Pantheon,” a more reflective album than recent releases, Wells admits.

“It was an opportunity for us as a band to revisit the roots of the band, when the band was playing to 100-cap clubs and it was just this alternative style of music that was very unique and different. Some people hated it, some people loved it, but it was this authentically post-hardcore sound, that come from these roots,” he shares.  

“When we were revisiting these older songs and doing ‘Tree City’ and also writing ‘Pantheon,’ it was that full-circle moment of doing what we’re passionate about again, exploring new themes and musical territory and getting back to the roots, so to speak, especially as a collaboration,” Wells continues. “It was all of us in the same mindset together working towards the same goals.”

And in Year 21, the band is the “happiest and healthiest” it’s ever been, as he sees it.

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“We’re a group of musicians who’s committed to making the best art that we possibly can,” Wells says. “There’s a perseverance to this band.”

But, he adds, they wouldn’t be anywhere if it wasn’t for the people in front of the stage, dressing up as bananas and whatever else.

“The external factor is our fans,” Wells concludes. “I think the fan’s abilities to rally and support the band and come out to shows can’t be overstated.”

Dance Gavin Dance, with Horse the Band, Wolf & Bear and Novelists, 5 p.m. Monday, June 22, Fillmore Auditorium, 1510 Clarkson St. Tickets are $60.

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