Denver, CO
Aaron Gordon, Nikola Jokic’s failsafe, is now a Nuggets playoff hero
INGLEWOOD, Calif. — Aaron Gordon was a high school basketball get-out-of-jail-free card. His athleticism was stress medicine for trapped teammates. His dexterity, a mulligan for inaccurate passes.
At Archbishop Mitty in the Bay Area, the varsity team believed in an unofficial doctrine.
“If you were ever in trouble — if I’m on the wing and I’m getting doubled — the failsafe is just: Throw it in the air,” Brandon Abajelo said, “and Aaron will go get it.”
One decade later, Gordon’s teammates still abide by that code. Even the consensus best basketball player in the world.
As Nikola Jokic backed himself into a proverbial corner Saturday by dribbling away from the basket, the Nuggets’ season was sinking into deep trouble. They had coughed up a 22-point lead in the fourth quarter. Their legs were cooked, like the stuffed chicken nuggets being used as props to heckle them at Intuit Dome. Overtime almost certainly would mean defeat in Game 4 of a first-round series they already trailed 2-1 to the Clippers.
Jokic hoisted a desperate shot — his signature “Sombor Shuffle” fade-away — thinking to himself, “this is going to be bad.” He was resigned to an overtime fate.
“I mean, to be honest, I didn’t want to give them enough time to shoot the ball,” he said. “So in my mind, I just wanted to wait (until) the last second and just jack it. So I did a couple dribbles. And that was a mistake.”
But Jokic has a failsafe for his mistakes. Throw it in the air. Gordon will go get it.
With the first walk-off dunk in NBA playoff history, Gordon might’ve saved the Nuggets’ season. For a few days at least, he instilled new hope and fended off the existential dread of a 3-1 series deficit. All he needed to do was correct the crooked parabola of Jokic’s shot. Elevating and snatching the ball above the rim, Denver’s power forward transformed an airball into a glorious rainbow. He plunked it in the pot of gold at the buzzer.
Nuggets 101, Clippers 99.
“AG was in the right spot,” Jokic said. “Like he always is.”
But did he arrive there too late? While Gordon navigated through chest bumps and embraces from teammates on an ecstatic beeline toward the locker room, scrutiny was already underway. By rule, the ball must be fully out of the shooter’s hands before the buzzer, or else the shot doesn’t count. In this unusual case, Gordon’s fingertips were attached when the ball was almost halfway through the net.
The replay-review process at Intuit Dome was its own spectacle. Every angle seemed to reveal a new truth and elicit a different reaction. Nuggets and Clippers players gazed up at the jumbotron together and tried to litigate the nanoseconds.
“We were debating back and forth about it,” Peyton Watson told The Denver Post.
Confidence on the Denver sideline depended on the individual.
“I knew it was good,” Watson said.
“I thought the game was over,” Gordon said, “so I was just trying to get off the court.”
“A lot of doubt,” Michael Porter Jr. said with a laugh. “It was like somewhere between the 0.1 (seconds) and 0.0 range.”
“I was walking off the court like, ‘I don’t think so,’” Christian Braun said, chalking it up to his tendency to assume the worst.
“I didn’t want to have excitement and then go down,” Jokic said. “I thought that it was close, but it was really, really close.”
That’s how the Nuggets do business in the playoffs these days. Twice last year, they needed dramatic shots from Jamal Murray to break the Lakers’ hearts. They suffered a 20-point collapse in a wild Game 7 loss to Minnesota. Their two wins in this series have been decided in overtime or at the buzzer. That 22-point lead was too simple.
Gordon has a heroic playoff moment worthy of his importance to Denver now. And it was the most fitting type of play — dirty work in the dunker position. He once claimed to have the “best hands in the business.” Mostly, they serve Jokic’s fondness for trying adventurous no-look passes at close proximity. But this time, Gordon bailed out an unpredictable heave that had zero intention of being an assist.
“One of the best things about him was the way he gets rebounds,” Gordon’s high school coach, Tim Kennedy, remembered. “His ability just to get a feel for where the ball is coming and get his hands on it. That competitive nature of his.”
Denver’s locker room was buzzing in the afterglow of the dunk. The next playoff game was on the television in the middle of the room. At halftime, ESPN relived the buzzer-beater from every conceivable camera angle. A small handful of Nuggets crowded around, teasing Gordon with fake amazement that he was on TV. Gordon remained seated at his stall across the room. He responded with a bashful smile.
His final stat line in Game 4 was productive but fairly modest, at least compared to the box-score contributions of Jokic and a couple of other starters — 14 points, six rebounds and five assists.
If those numbers don’t exactly jump off the page, maybe that’s the most fitting aspect of an instant classic.
“Aaron doesn’t care if it’s 12, 8 and 4 … as long as we win,” said Nuggets interim coach David Adelman, who also coached Gordon in Orlando. “And some nights, it’s 22, 12 and 6. If we lose, he doesn’t care. He wants to win.
“There are certain people in our league that I would define as championship pieces. I think we say that too much. He is one of those people. He is the definition of that, and he always has been, since he got to us.”
Originally Published:
Denver, CO
Denver police investigate early morning shooting in Capitol Hill neighborhood
Police in Denver investigated an early morning shooting on Tuesday at 13th Avenue and Pearl Street. Investigators said officers rushed to the 1300 block of North Pearl Street in the parking lot of Call Your Mother around 2 a.m.
When officers arrived, one victim was rushed to the hospital.
At the scene, one vehicle was seen with its back windshield shattered.
What happened leading up to the shooting is being investigated.
Denver, CO
Filled with stories, Denver’s Rockmount Ranch Wear owner Steve Weil shares inside scoop on famous customers
Nestled in Denver’s oldest historic district is a piece of Americana dating back decades. A new book shares the star-studded history of Rockmount Ranch Wear and its influence on fashion icons.
Current owner Steve Weil grew up inside Rockmount Ranch Wear. Long days in a warehouse and store aren’t unusual for a member of the Weil family, considering his grandfather kept at it until he was 107.
“I have been here pretty much since I was a little kid,” said Weil.
Customer watching at Rockmount Ranch Wear in LoDo is, at times, like a night at the Grammys. Music stars abound. Film stars, too. And regular customers looking for a piece of Americana.
Weil says Rockmount has weathered booms and busts over its eighty years of business.
“Everything was about responding to a changing market. That’s the cycle of business, right?” said Weil, who serves as the company’s President and chief creative officer.
His latest creative effort is a third book, “Rockmount Legends: Celebrities in Classic American Fashion.” The book is a compilation of memories of rock stars like David Bowie, Eric Clapton, and Bob Dylan, who have branded their own look with Rockmount clothing. There are stories and back-and-forth communications, as well as style notes and sightings of Rockmount on film sets and among stars.
Weil first noticed a shirt on Elvis Presley in the movie “Love Me Tender.”
“I looked, and I looked, and suddenly I remembered I’d seen a shirt exactly like that that my father had in the 50s,” he recalled.
Weil re-introduced the shirt, and it was a sellout.
The company was started soon after World War II by “Papa Jack,” who cut out a niche as unique as the sawtooth pockets he popularized. The company was the first to put snaps on shirts. His grandfather figured it would keep men on horseback from getting snagged. His shirts also featured yokes and wider cuffs, a departure from the norm at the time.
“My grandfather and his advertising, ‘Designed in the West by Westerners.’ Distinctive,” Steve Weil summarized.
Over the years, more and more stars looking for western wear eventually came into the store on Wazee Street in LoDo.
“People who write music or movies, I think they’re visionaries. And I think they appreciate that in their clothing, and I think we’ve, that’s what we do,” said Weil.
“Rockmount Legends” follows two other books, “Ask Papa Jack: Wisdom of the World’s Oldest CEO,” which is filled with stories and sayings from Papa Jack, who worked at the store until his passing, and “Western Shirts: A Classic American Fashion,” which puts in print the history of the development of western wear.
“I’m inspired by my grandfather. He could mesmerize you with his stories,” said Weil.
One passage features letters exchanged between Papa Jack and Ronald Reagan. Reagan was decrying the U.S.’s shift toward a service economy.
“And my grandfather writes him and says, ‘Servicing is when they take the mare to the stud,’” laughs Weil.
Weil’s father was also an innovator, taking the company nationwide. Weil says he could tell a story of his own.
Weil says, one Saturday at the warehouse, before there was a store, “There’s a guy peering in the window like this, and he sees my father pull up. Opened the door and he says, ‘Bloody hell, you’re never open when I’m here.’ And it’s a guy with an English accent. And my father’s a nice guy, he says, ‘come on in.’”
Later that day, there was a family get-together, and Steve’s father told him the story.
Weil recalled, “My father says, ‘An English rock star came in and I took care of him,’ and I’m thinking, ‘Yeah, right. Who was it?’”
It took his father a few moments to remember, then he spat out, “David Bowie,” mispronouncing the name. Steve was still skeptical until Monday.
“And then the phone rings, and it’s David Bowie’s secretary. He wants a duplicate of the same order sent to Madison Square Garden overnight,” he laughed.
Weil says they try to respect the stars’ space, adding that there are the friendly ones and the more remote ones.
“Robert Plant was really fun,” explained Weil.
When he arrived in the store, Steve says he received a call from one of the workers. He could hear Led Zeppelin’s Plant in the background, crowing about what he’d found.
“I walk in and here’s this guy like, just beaming. He’s having fun,” Weil shared.
The staff ended up getting invited to three nights of shows by Plant and his band at the Fillmore, and Steve went out to breakfast with Plant.
Eric Clapton’s look seems well-branded by Rockmount. Weil says Clapton has been a regular customer over the years. He sent a picture of himself in a Rockmount shirt at one point.
“Can I use that you know in some of our material?” he recalled asking Clapton. “He says, ‘Yeah, what’s in it for me? I said how about a ten percent discount?”
One time, Clapton emailed that he needed shirts for a Cream reunion in London in two days.
“I said, ‘Well, it takes a week from Denver. But I know where you can have a shirt on Thursday, and that’s if I hand deliver one,” he explained.
And so he did. Weil and a friend, capable of making last-minute travel decisions, flew over, but then doubt set in.
“What if this is bogus?” Weil thought.
He had Clapton’s phone number but was too worried about the cost of calling from his cell phone, so he sought out a British phone booth and rang him. Turned out, it was legitimate, and they made the delivery at the Royal Albert Hall. They went to dinner with Clapton as well.
The book is another way to share the memories that go with the images and the stories about people who have found an image along with the clothing.
Weil says sales have changed over the years, with the web now a big component. But personal engagement is still a big part of the Rockmount experience.
“It’s kind of a rare art. And I don’t know, I hope with the internet we don’t lose that kind of stuff,” said Weil.
Denver, CO
Tour Five of Denver’s Most Stylish Homes – 303 Magazine
Ever wonder what’s behind your neighbor’s front door? Consider this your all-access pass. Furniture Row’s Real Spaces series is throwing open the doors to some of Denver’s most stylish residents – the kind of people who turn a basement apartment into a maximalist playground, layer a Craftsman with heirlooms and velvet, and refuse to live with beige or millennial gray. Here are five Denver-area homes you’ll want to tour twice.
Haley’s Modern-Vintage Craftsman | Platte Park
Haley calls her 1912 Craftsman “a sanctuary that feels both fresh and rooted in history,” and it shows. Original woodwork and thick exposed beams meet warm velvet seating, rich wood tones, and a clever coffee bar where a pantry should be. The best seat in the house is a reading nook by the front window, perfect for cuddling the pup or, as Haley jokes, “creeping on the neighbors.”
Mackinley’s Maximalist Apartment | Denver
Proof that small spaces can carry big personality, Mackinley’s 1920s basement apartment is a love letter to color, texture, and clever layouts. Instead of committing to one big sectional, she layered lightweight, rearrangeable pieces so the living room can shift from movie night to game night to “everybody bring a chair.” Add in moody color, mixed textures, and a few clever storage saves in awkward nooks, and the whole place feels like a maximalist’s dream tucked underground.
See more of Denver’s Real Spaces.
Dakota’s Eclectic-Western Walkthrough | Denver
Dakota’s home is a vibrant mix of western soul and eclectic energy, anchored by a gallery wall of family photos and a leather sofa built to survive real life (and a pet or two). With no formal dining room, his kitchen table pulls triple duty as coffee station, workspace, and gathering spot. “I want there to be things that are true to me and speak to me,” he says, and every layered texture proves it.
Kate’s Cozy, Colorful Family Home | Denver Foothills
Kate took a compartmentalized 1970s house in the foothills and opened it up into a warm, color-drenched family hub. A mossy green island, a matte black fireplace, and pops of striking blue replaced the all-gray palette her home came with. “Gray had its moment,” Kate says, “but it was just so devoid of personality.” Her upstairs deck, complete with a canopied daybed, is the sunset spot of dreams.
Whitney’s Organic Modern Boho | Denver Suburbs
Whitney calls her style “modern natural, a little bit of cottage, a little bit of boho.” Inside her 1,400-square-foot suburban home, soaring ceilings frame an airy, light-filled living room layered in natural wood and soft texture, while a whimsical canopy bed turns her son’s room into a pure imagination space.
Five homes, five very Denver points of view. Tour them all at Real Spaces.
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