Both an obvious product of ’90s nostalgia and the definitive cure for it, Bobby Farrelly‘s terminally innocuous “Driver’s Ed” can be described as a youth comedy,...
The biopic is the vulgar but necessary tribute inherently populist cinema pays to more traditional, higher-brow art. Scholars and snobs might sneer at these films, and...
And a pussycat shall lead them! Flow, the animated film that’s Latvia’s submission for the Best International Feature Oscar, kicks off with a beautiful moment of...
When Maeve (Charlotte MacInnes) gets suspended from school after a political demonstration backfires, her mother (Susan Prior), who also happens to be the institution’s principal, sends...
Denzel Washington is proud of his children. Why wouldn’t he be? His youngest son, Malcolm Washington, just premiered his directorial debut with an adaptation of August...
The most compelling moments in Scott Beck and Bryan Woods’ mostly sharp religious horror Heretic involve Mr. Reed, a cerebral theologian played with reptilian persuasiveness by...
A woman (Salma Hayek Pinault) walks into a plaza sparsely occupied by patrons enjoying an afternoon coffee and a magazine and lottery ticket kiosk. She approaches...
The announcement of the U.K.’s new Independent Film Tax Credit (IFTC) back in March had a near instantaneous impact, at least in the case of one...
On Swift Horses begins by showing us two images: sex and a deck of cards. Muriel (Daisy Edgar-Jones) is making love to Lee (Will Poulter), a...
Among today’s young acting talents, few possess the enviable combination of depth and charisma shared by Florence Pugh and Andrew Garfield, who play to those considerable...
