Mark Eydelshteyn, left, and Mikey Madison in “Anora.” Credit: Neon via TNS Each year, the Palme d’Or is awarded to the director of the year’s best...
Chinese director Guan Hu’s visually stunning new feature, Black Dog, starts off with a familiar premise: After spending a decade behind bars, an ex-con named Lang...
Mo Harawe’s debut feature The Village Next to Paradise is a haunting offering. The film, which premiered at Cannes in the Un Certain Regard section and...
Two young men fight playfully on a beach surrounded by rocky hills in the opening moments of Karim Aïnouz’s Motel Destino, their tanned bodies glistening under...
Norwegian writer-director Halfdan Ullmann Tondel takes some big swings with his first feature Armand, not all of which connect, but the ambition and risk-taking are largely...
Not long into Coralie Fargeat’s campy body horror The Substance, Elisabeth Sparkle (Demi Moore) is unceremoniously fired from her gig as the celebrity host of a...
World leaders at a G7 conference politely bicker, copulate in the bushes and work on wafty, content-free speeches while a worldwide apocalypse commences — politicians, they’re...
It’s become something of a movie fashion to forestall the title credits until well after an establishing sequence, if not deeper into the film. But when...
After Jean-Luc Godard, Leos Carax is probably the French filmmaker most associated with the term enfant terrible. In some ways, he’s been even more terrible than...
A celebrity from the age of 11, Elizabeth Taylor was practiced at public relations for almost all her life, so there aren’t many personal revelations in...
