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The best indie games we’re playing right now

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The best indie games we’re playing right now

Antonblast is kind of like playing a zany Saturday morning cartoon. It’s brash, maximalist, and often, you’ll feel like you don’t actually understand what’s happening. Somehow, that chaos gels into something that actually makes sense — and, at times, is even calming.

Antonblast just launched in 2024, but it looks like a long-lost side-scrolling platformer from the 16-bit era of the SNES or Sega Genesis. That’s not just due to the fantastic pixel art. There are fun touches like delightfully ’90s-era character designs and Mode 7-like effects, such as your character splatting against the screen when you die, that really make it feel like a missing classic of the era.

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Netflix won the streaming wars, and we’re all about to pay for it

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Netflix won the streaming wars, and we’re all about to pay for it

Whenever Netflix raises its prices — which seems to happen roughly as often as Ben Affleck falls in love with an A-list celebrity — the company always gives the same reason. It needs the extra money, you see, in order to keep investing in the kind of programming and product its 302 million subscribers demand. That’s how the standard monthly price of ad-free Netflix jumped from $7.99 to $17.99 over the course of the last 13 years, including a $2.50 jump just announced during the company’s recent earnings report. There’s still a $7.99 monthly plan, of course, but that one includes ads — and it’s a dollar more expensive than it was a week ago.

But let’s be real with each other. You want to know why Netflix keeps raising its prices? Because it can. Because Netflix won. The rest of the streaming industry is competing ferociously over a finite pool of money, dealing with carriage disputes because of dwindling subscriber numbers, and panicking over the future of TV. Netflix is the future of TV. 

Over the last couple of years in particular, Netflix has gone from a solid streaming service to a practically unavoidable, virtually uncancellable part of mainstream culture. It has developed a slate of hit originals — Stranger Things, Wednesday, Squid Game, The Night Agent if we’re being really generous — that give it at least something approximating HBO-style appointment TV. It has proven, through things like the Paul / Tyson fight and the Tom Brady roast, that it can manufacture cultural events more or less out of nothing. It pulled off a day of NFL games without a hitch and spent billions of dollars to get WWE’s Monday Night Raw, one of cable’s biggest ongoing hits, onto the platform. And underneath it all, it has built a massive library of reality shows, cooking competitions, and the other filler TV that makes up most of our TV viewership.

Netflix has gone from a solid streaming service to a practically unavoidable, virtually uncancellable part of mainstream culture

Now, for the price of your Netflix subscription, you get a bunch of expensive movies, high-end TV shows, sports, and low-budget reality programs all in one place. You don’t want it all, but you pay for it anyway. That, my friends, is called a cable bundle. And it’s still the best business the entertainment industry has ever devised.

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The average price of a basic cable subscription in 2006, the year before Netflix started streaming content over the internet, was between $40 and $50. People watched something like four hours of TV a day, which meant they probably watched about an hour of ads every single day. Today, services like YouTube TV and Comcast’s new sports and news bundle are $70 or more and only provide live programming. Meanwhile, Netflix subscribers watch two hours of the service every day, across all those categories, and are paying as little as a tenth of the price. Many of them see no ads at all. Think of the savings!

Netflix sure sees it that way. Greg Peters, the company’s co-CEO, said on this week’s earnings call that he’s optimistic about Netflix’s “long-term monetization opportunity.” “We earn, right now, only 6 percent of the revenue opportunity in the countries and segments that we currently serve,” he said. “And as long as we continue to deliver on improving the variety, the quality of our TV and film slate, we gradually expand the offering with newer content types, we believe we’ll be able to increase that share progressively every year.”

Translation: Netflix is coming for your entire entertainment diet. And your entire entertainment budget.

As it looks at price increases, Peters also said, Netflix considers signals like engagement, retention, and acquisition. All that amounts to one simple question: do you keep using Netflix when the price goes up? The answer, so far, has almost always been yes. And so the prices keep going up. It’s really just that simple. It’s clear to Netflix that it could charge more — maybe a lot more — and hardly anybody would leave. So of course it’s going to push the limits.

The other way to understand the specifics of the pricing strategy is that Netflix would very much like you to have that ad-supported plan. The company has said repeatedly that it makes more money on the combination of a smaller monthly fee and advertising than it does from the larger subscription price alone. A large percentage of new subscribers are choosing ads — about 55 percent in the latest quarter — and Netflix is beginning to test exactly how much its existing subscribers will pay to keep their Netflix ad-free. It’s no accident that the ad-free price just jumped two and a half times as much as the base price did. And remember: even if we all switch to the ads plans, the prices might still go up. Cable TV is expensive and filled with ads, after all, and Netflix sure likes that business model.

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Netflix would very much like you to have that ad-supported plan

Netflix continues to signal that its ambitions are only growing, too. Ted Sarandos, the company’s other co-CEO, indicated on this week’s earnings call that the company is more open to live sports than ever, after the success of the Christmas NFL games and the Paul / Tyson fight. The company is increasingly getting into video games, too, which accounts for another huge chunk of many people’s entertainment budget. Netflix is even starting to borrow tactics from YouTube and TikTok, bringing creators like Ms. Rachel onto the platform.

Reed Hastings, Netflix’s co-founder and former CEO, famously said that Netflix’s main competitor is sleep. Sleep’s still a pretty powerful market force, to be fair. And YouTube continues to be an even more dominant force in people’s video-viewing experience. But Netflix has ascended above practically everybody else — even its ostensible competitors are now licensing their shows to Netflix because that’s where the viewers are, and where the culture is.

The streaming wars have been messy, and they’re certainly not over, but Netflix already won. The only question left is exactly how rich the spoils of victory will be. And you better believe Netflix is going to find out.

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Crooks can't steal this motorcycle that hides in plain sight

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Crooks can't steal this motorcycle that hides in plain sight

Imagine walking down a busy city street surrounded by the usual urban clutter — graffiti-covered walls, chained bicycles and various pieces of street furniture. 

Among these familiar sights, you might pass by what appears to be a nondescript telecom signal box. 

But with the push of a button, this unassuming object transforms into a fully functional motorcycle. Welcome to the world of the Nomoto, a revolutionary concept by designer Joey Ruiter that challenges our perception of urban transportation.

I’M GIVING AWAY THE LATEST & GREATEST AIRPODS PRO 2

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The invisible motorcycle

The Nomoto, short for “No moto here, buddy,” is a remarkable electric motorcycle concept that blurs the line between vehicle and urban infrastructure. When parked, it looks like nothing more than a graffiti-covered metal box, seamlessly blending into its surroundings. 

This camouflage serves a dual purpose. It’s an artistic statement about urban design and a practical solution to bike theft.

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WHO CAME UP WITH THIS CRAZY BUT COOL ELECTRIC MONOWHEEL?

How the Nomoto works

The genius of the Nomoto lies in its transformation. At the touch of a button, the seemingly immobile box rises up on wheels, ready to ride. The design eliminates the need for a kickstand because the bodywork lowers itself to sit flush with the ground when parked. 

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A drop-down cover reveals the handlebars, while flip-up covers on the front and rear boxes provide small storage areas. While the Nomoto’s primary appeal is its unique aesthetic, it’s not just for show. The bike is a fully functional electric scooter, albeit a basic one. It features stealthy headlight and brake light arrangements, though it appears to lack mirrors and indicators.

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The Nomoto   (J. Ruiter)

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Joey Ruiter: The mind behind the concept

Joey Ruiter is no stranger to pushing the boundaries of design. Known for his minimalistic approach, Ruiter strips products down to their essence, reimagining ordinary objects in extraordinary ways.

His portfolio includes a 215-horsepower watercraft and the Snoped, an upright single-track snow bike with stark, boxy bodywork. Ruiter’s work often polarizes opinion, and he wouldn’t have it any other way. 

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“I don’t mind if somebody doesn’t like my work,” he says. “I think the polarization makes it fun.” 

The Nomoto embodies this philosophy, challenging our expectations of what a motorcycle should look like and how it should function in an urban environment.

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A PEDAL-ELECTRIC HYBRID THAT’S HALF BIKE, HALF CAR

Kurt’s key takeaways

The Nomoto represents a bold reimagining of urban transportation. It’s a testament to the power of creative design to solve practical problems while challenging our perceptions. While it may never see mass production, the Nomoto serves as an inspiring example of how thinking outside the box — or, in this case, inside a very unusual box — can lead to innovative solutions for city living.

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Would you feel comfortable riding a motorcycle that looks completely invisible when parked, trading traditional motorcycle aesthetics for ultimate urban stealth? Let us know what you think by writing us at Cyberguy.com/Contact

For more of my tech tips and security alerts, subscribe to my free CyberGuy Report Newsletter by heading to Cyberguy.com/Newsletter

Ask Kurt a question or let us know what stories you’d like us to cover

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Fubo’s cheapest streaming plan is now $85 per month

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Fubo’s cheapest streaming plan is now  per month

Fubo has raised its English-language streaming plan prices by $5 each, with a Fubo spokesperson citing “rising costs from our programming partners,” reported The Streamable yesterday. Fubo’s Essential and Pro plans now start at $85 a month, while its Elite plan has gone up to $95 monthly.

“We only make adjustments when necessary,” a Fubo spokesperson said to The Streamable, “and we’re committed to keeping Fubo competitive while ensuring our subscribers have access to the channels, features and live events they enjoy.”

Fubo debuted its Essential plan at $80 per month in December, as The Streamable notes. While priced the same as the Pro plan and offering largely the same features, it doesn’t include regional sports networks — or the extra up-to-$16 monthly fee that comes with them.

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