For the past two weeks, I’ve been editing in the newest version of Final Cut Pro for the iPad. For many professionals, the original release of this app last year missed the mark. Its tools have just been too limited to use on a daily basis. The new version doesn’t necessarily change that — but despite my many frustrations, I’m finally discovering the joy of using it.
Technology
How Apple is trying to make Final Cut Pro a “touch-first” video editing app
The new version of the app, confusingly named “Final Cut Pro for iPad 2” (it is for all current iPads, not the iPad 2), came out this week. And perhaps the biggest new feature in this year’s release isn’t entirely a Final Cut Pro feature: it’s a brand-new app that integrates with it.
The new Final Cut Camera is a standalone app for your iPhone that offers advanced camera controls. If you’ve seen the Blackmagic app or the recently released Kino app, you’ll know what to expect: peaking, manual focusing, and audio metering. You just won’t be able to add custom LUTs like you can in the other two.
The Final Cut Camera app can be used in unison with Final Cut Pro on the iPad to record Live Multicam sessions with footage streaming in from up to four iPhones or iPads. In Final Cut on the iPad, you assume the role of director. You can monitor footage coming from iPhones, zoom in, and change the white balance, focus mode, and more on the fly. I can see this new feature being particularly popular for video podcasts.
The previews you’re seeing are compressed, but they still look great. Once you stop the recording session, the full-quality files get transferred over to the iPad running Final Cut Pro and rendered. The whole process is a lot faster than I anticipated. My 10-minute session with three iPhones was available for editing minutes later. A new transfer indicator window on the top of the UI shows you the progress.
There’s one upgrade I’d love to see for this feature in the future: live editing. Currently, you’ll still need to end the recording first before syncing up all files and jumping into the edit.
Multicam support is a great new feature, but it contrasts with how little else Apple has done to improve the Final Cut Pro for iPad experience. The standout feature in this year’s update is external hard drive support. That’s important — this feature was oddly absent last year. But its addition instantly reminded me of how poorly Final Cut Pro for iPad (and iPadOS) handles file management.
All of your media files have to live within the FCP Library files, and that same library file has to be stored on either the internal or external drive. That means you can’t split your media across multiple drives or cloud storage. One side effect of this method is that it means you’re just constantly duplicating files from one place to another.
And there are other issues that haven’t changed from last year. For example, you still can’t import complete folders into Final Cut Pro, just individual files. And once they’re imported, you still can’t organize the files into separate folders or bins like “A-roll,” “B-roll,” “Music,” or “Graphics.”
Another new feature that’s unique to the iPad version of Final Cut Pro is Live Drawings. Using an Apple Pencil, you can draw animations directly onto your clips. Apple’s latest Pencil Pro tricks are supported here, but aside from that, there’s not much to do with the Pencil Pro itself. I wish there was a way to program the haptic squeeze to do something more on the editing front — maybe selecting multiple clips while hovering, or just make it a right-click. I feel like that would be useful and would speed up working with a pencil.
There are still a lot of serious video editing features that I’m waiting on Apple to add: compound clips, folders, adjustment layers, post stabilization, coloring tools like curves, project sharing between machines, the ability to add new LUTs, 360 video support, object tracking, linear keyframes — the list goes on and on. If you read my review from last year, you’ll find the exact same list there.
All of those missing things really catch you off guard when you are in the flow. Ultimately, I found myself making creative decisions based on bad software limitations.
Meanwhile, the market for mobile video editing apps is more competitive than ever. CapCut has been extremely popular among TikTokers. “Why I’m switching to DaVinci” videos are all over my YouTube feed. And folks still stan the OG iPad app Lumafusion. In fact, three of the features I desperately need are already on the DaVinci’s iPad app.
But even after trying all of the other apps I just listed and even with all my frustration with the missing features, I keep coming back to Final Cut on the iPad. Because there is one thing Apple is doing right here, and that’s the overall experience.
Apple calls this a “touch-first” app, and I finally understand what that means. Once you’re past the learning curve and once you get a hang of the controls and once you’re aware of its limitations, you start to actually enjoy it and have fun. Apple isn’t trying to replicate the Final Cut desktop experience — it’s building toward a new one. And you can see in the way you interact with the jog wheel and the way that the sidebar comes in so you can edit with your left hand.
I found that using the Final Cut Pro with my hands is by far the most immersive way to edit. It’s all right there at your fingertips, literally. There is something about this more tangible approach that I’m starting to find charming, even if it’s not as efficient as a mouse and keyboard.
If Apple can check off those easy wins, then its vision of a capable and touch-first Final Cut Pro could really thrive.
Photography by Vjeran Pavic / The Verge
Technology
Amazon Prime will shut down its clothing try-on program
Given the combination of Try Before You Buy only scaling to a limited number of items and customers increasingly using our new AI-powered features like virtual try-on, personalized size recommendations, review highlights, and improved size charts to make sure they find the right fit, we’re phasing out the Try Before You Buy option, effective January 31, 2025. Of course, customers will continue to enjoy fast, free shipping, with easy, free returns on our full apparel selection.
Technology
Fox News AI Newsletter: Tech leaders' message to Biden
Welcome to Fox News’ Artificial Intelligence newsletter with the latest AI technology advancements.
IN TODAY’S NEWSLETTER:
– Tech industry leaders urge Biden not to cement rule they say could diminish US global leadership on AI
– Sam Altman responds to lawsuit, allegations of abuse from sister
– As a Berkeley professor, I see the impact H-1B visas and AI have on students’ job opportunities
– Top tech stealing the show at CES 2025
PUSH BACK: The new rule, which industry leaders say could come as early as the end of this week, effectively seeks to shore up the U.S. economy and national security efforts by adding new restrictions on how many U.S.-made artifical intelligence products can be deployed across the globe.
‘UTTERLY UNTRUE’: Open AI CEO Sam Altman on Tuesday responded to a lawsuit in which his sister accused him of sexually abusing her for nearly a decade. Altman, along with his mother and two brothers, issued a joint statement denying the claims of his sister, Ann Altman.
LOW COST LABOR: The H-1B visa program was intended to bring in specialized talent from abroad, but instead it has become a tool for employers to hire lower-cost labor for ordinary jobs.
BEST OF CES: Get ready for some pretty cool innovations that are lighting up CES 2025, the world’s biggest annual tech event. From AI-powered smart glasses to revolutionary TVs and mind-blowing gadgets, this year’s show is proving that the future isn’t just knocking. It’s bursting through the door.
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Technology
How Watch Duty’s wildfire tracking app became a crucial lifeline for LA
If you live in Los Angeles, you are probably already intimately familiar with Watch Duty, the free app that shows active fires, mandatory evacuation zones, air quality indexes, wind direction, and a wealth of other information that everyone, from firefighters to regular people, have come to rely on during this week’s historic and devastating wildfires.
Watch Duty is unique in the tech world in that it doesn’t care about user engagement, time spent, or ad sales. The 501(c)(3) nonprofit behind it only cares about the accuracy of the information it provides and the speed with which the service can deliver that information. The app itself has taken off, rocketing to the top of Apple’s and Google’s app stores. Over 1 million people have downloaded it over the last few days alone.
The elegance of the app lies in its simplicity. It doesn’t scrape user data, show ads, require any kind of login, or track your information. Its simple tech stack and UI — most of which is maintained by volunteer engineers and reporters — has likely helped save countless lives. While Watch Duty is free to use, the app accepts tax-deductible donations and offers two tiers of membership that unlock additional features, like a firefighting flight tracker and the ability to set alerts for more than four counties.
With plans to expand the service across the United States, as well as overseas and into other emergency services, Watch Duty may eventually replace some of the slower and less reliable local government alert systems for millions of people.
Photo by Lokman Vural Elibol / Anadolu via Getty Images
An app born from fire
The idea for Watch Duty came to cofounder John Mills while he was trying to protect his off-grid Sonoma County home from the Walbridge fire in 2020. He realized there wasn’t a single source for all the information people needed to protect themselves from the blaze, which ultimately killed 33 people and destroyed 156 homes. John and his friend David Merritt, who is Watch Duty’s cofounder and CTO, decided to build an app to help.
“This came out of an idea that John had, and he talked to me about it four years ago,” Merritt tells The Verge. “We built the app in 60 days, and it was run completely by volunteers, no full-time staff. It was a side project for a lot of engineers, so the aim was to keep it as simple as possible.”
Fire reporting is piecemeal at best in fire-prone areas and frequently scattered across platforms like Facebook and X, where fire departments and counties have verified pages sharing relevant updates. But increasingly, social media platforms are putting automated access for alert services behind paywalls. Governments also use a wide variety of alert systems, causing delays that can cost lives, especially in fast-moving fires like the Palisades and Eaton fires that have forced evacuations for more than 180,000 people. And sometimes, these government-run alerts are sent out mistakenly, causing mass confusion.
Watch Duty simplifies all that for millions of people.
“We view what we are doing as a public service,” says Merritt. “It is a utility that everyone should have, which is timely, relevant information for their safety during emergencies. Right now, it’s very scattered. Even the agencies themselves, which have the best intentions, their hands are tied by bureaucracy or contracts. We partner with government sources with a focus on firefighting.”
“We view what we are doing as a public service.”
One of the biggest issues around fires, in particular, is that they can move quickly and consume large swaths of land and structures in minutes. For example, the winds that drove the Palisades fire to spread to more than 10,000 acres reached 90 miles per hour on Tuesday. When minutes matter, the piecemeal alert system that Watch Duty replaces can cause delays that cost lives.
“Some of the delivery systems for push notifications and text messages that government agencies use had a 15-minute delay, which is not good for fire,” says Merritt. “We shoot to have push notifications out in under a minute. Right now, 1.5 million people in LA are getting push notifications through the app. That’s a lot of messages to send out in 60 seconds. In general, people are getting it pretty much all at the same time.”
A simple tech stack
For Watch Duty, this kind of mass communication requires reliable technology as well as a group of dedicated staff and skilled volunteers. Merritt says that Watch Duty relies on a number of corporate partners with whom it has relationships and contracts to provide its service.
“We shoot to have push notifications out in under a minute.”
The app is built on a mix of technology, including Google’s cloud platform, Amazon Web Services, Firebase, Fastly, and Heroku. Merritt says the app uses some AI, but only for internal routing of alerts and emails. Reporters at Watch Duty — those who listen to scanners and update the app with push notifications about everything from air drops to evacuation updates — are mostly volunteers who coordinate coverage via Slack.
“All information is vetted for quality over quantity,” he says. “We have a code of conduct for reporters. For example, we never report on injuries or give specific addresses. It’s all tailored with a specific set of criteria. We don’t editorialize. We report on what we have heard on the scanners.”
According to Merritt, the app has 100 percent uptime. Even though it started with volunteer engineers, the nonprofit has slowly added more full-time people. “We still have volunteers helping us, but it’s becoming more on the internal paid staff as we grow, as things get more complex, and as we have more rigorous processes,” he says.
“All information is vetted for quality over quantity.”
He says there are no plans to ever charge for the app or scrape user data. The approach is kind of the Field of Dreams method to building a free app that saves people’s lives: if you build it well, the funding will come.
“It’s the antithesis of what a lot of tech does,” Merritt says. “We don’t want you to spend time in the app. You get information and get out. We have the option of adding more photos, but we limit those to the ones that provide different views of a fire we have been tracking. We don’t want people doom scrolling.”
Photo by FREDERIC J. BROWN / AFP via Getty Images
Collecting information in the era of Trump
Watch Duty relies heavily on publicly available information from places like the National Weather Service and the Environmental Protection Agency. Should the incoming Trump administration decide to execute on threats to dismantle and disband the EPA (which monitors air quality) and the National Oceanic and Atmospheric Administration, the parent agency to the National Weather Service, such moves would impact Watch Duty’s ability to operate.
Even still, Merritt is optimistic. “We will be pretty well insulated from any change to policy,” he says. “We are either buying that information ourselves already or we are happy to buy it, and we will take that cost on. The fact that we’re soon going to be covering the entire US will defray the cost of anything that shifts from a policy perspective. Our operation costs are mostly salaries. We are trying to hire really good engineers and have a really solid platform. If we need to raise a grant to buy data from the National Weather Service, then we will.”
Regardless of what the next administration does, it’s clear that Watch Duty has become a critical and necessary app for those in Southern California right now. The app currently covers 22 states and plans to roll out nationwide soon.
“We got 1.4 million app downloads in the last few days,” according to Merritt. “I think we have only received 60 support tickets, so that shows that something is working there. We are really just focused on the delivery of this information.”
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