DJI isn’t the first name you think of when it comes to big-ass batteries — quite the opposite since the batteries that fit inside the company’s drones have to be as small and light as possible. But all that time spent finding the right balance between weight, size, flight time, and charging speeds has prepared the company to enter the power station market with the $599 Power 1000 and smaller $379 Power 500.
Technology
A drone powerhouse.
/cdn.vox-cdn.com/uploads/chorus_asset/file/25534501/IMG_5179.jpeg?ssl=1 "A drone powerhouse.")
DJI’s approach to portable power stations is unique, I’ve learned while testing its flagship Power 1000. It features a powerful 2200W AC inverter that’s unheard of in such a small package that also hosts a modest 1024Wh battery made from safe and long-lasting LFP cells. It’s also one of the first power stations to ship with a pair of USB-C PD 3.1 outputs capable of 140W.
And to keep things as small and portable as possible, it eschews other inputs and outputs you’ll find standard on most power stations. Instead, DJI developed a versatile “Smart DC,” or SDC, port that allows you to add more I/O via proprietary adapters. But those SDC ports can also charge a selection of DJI’s own drones faster than anything else currently on the market.
The big question I have, then, is who is this for? Just owners of compatible DJI drones or anyone looking to buy a general-purpose power station?
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If you want to turn the Power 1000 into a full-featured solar generator, then you’ll need to buy lots of proprietary DJI cables. You’ll need a $59 cable attached to a chunky MPPT solar controller if you want to charge the Power 1000 from the sun or a $49 cable to charge it from your car’s 12V cigarette output when driving. You’ll also need to buy $22 cables if you want to add 12V DC outputs to the power station. These include a car charger port to power things like a portable fridge, an XT60 connector to power an RV’s lights, or a charger for RC aircraft.
You’ll then need to buy a $19 cable to fast-charge the Intelligent Flight Batteries from DJI’s compatible Matrice 30 series, Air 3, Mavic 3 series, or Inspire 3 drones. I tested my Power 1000 review unit with a DJI Air 3 because the batteries used on the other drone DJI sent me to test — a Mini 3 Pro — aren’t compatible with DJI’s SDC ports.
Charging the Air 3’s battery with the Power 1000 has one main advantage over other DJI charging solutions: speed. Unfortunately, charging with the SDC cable is limited to just one battery at a time since DJI doesn’t yet offer a multi-battery charging hub compatible with DJI’s own SDC port. You can, of course, buy a second $19 SDC cable.
In my testing, both SDC ports charge the Air 3’s battery at up to 124W, according to the display on the Power 1000, just shy of the 125W DJI quotes. However, it only hits this max charge rate briefly, which is to be expected. Charging from 0 to 90 percent took 34 minutes, but the next 10 percent took another 19 minutes, or 53 minutes to charge from 0 to full — nine minutes longer than the 44 minutes DJI promotes. That’s still better than the 70 minutes it’ll take using DJI’s 100W USB-C charger.
I do like that the Power 1000 shows the real-time charging percentage of the drone battery with a precision of two decimal points!
DJI says its other compatible drones can take better advantage of Power 1000’s SDC ports. The Mavic 3 can pull up to 150W, for example, while the Inspire 3 can draw up to 200W and the Matrice 30 series up to 230W to easily trounce the DJI’s own USB-C fast chargers. The SDC ports can handle up to 400W of input and 240W of output.
Speaking of USB-C, DJI’s Power 1000 is one of the first power stations to ship with dual USB-C PD 3.1 ports supporting a max output of 140W per port when using compatible PD 3.1 devices and cables that meet the Extended Power Range (EPR) specification. I was able to confirm with a random white-label power bank purchased from Amazon, as you can see in the image above. Unfortunately, those USB-C ports are outputs only, so they can’t be used to charge the power station.
The AC inverter is impressive and specced to power most household appliances, including microwaves, space heaters, and window air conditioners — albeit briefly. It’s rated at 2200W of “stable output” or 2,600W for “thirty seconds.” In my testing, I managed to pull a steady 2400W (using two hair dryers) for about one to two minutes before the unit shut off gracefully with a warning message on the display. I was able to then power the hair dryers at 2000W uninterrupted for a full five minutes before I switched them off.
Charging the Power 1000 from an AC wall jack has its own quirks. A switch on the front lets you set the charging speed at either 1200W or 600W. The fan is whisper quiet even at that max charge rate — I was measuring just 26dB from a meter away, slightly more than the 23dB quoted on marketing materials. DJI says it’ll charge to 80 percent in about 50 minutes, or 70 minutes to reach 100 percent — and that’s almost exactly what I saw, plus or minus two minutes.
I should note, however, that the Power 1000 seems to have a narrow temperature band for that 1200W max charge rate. I saw it regularly throttle charging to 900W after a heavy test session, which makes sense, but also after it had been just sitting idle for several hours in a room measuring just 63 degrees Fahrenheit (17 degrees Celsius).
- DJI’s SDC-to-MPPT solar adapter has a theoretical input of 400W. However, the controller’s input range is just 12–30V, too low to attach a single portable 400W panel that typically produces at least 40V and could damage the power station. DJI’s own Power 1000 solar bundles ship with 100W panels to reduce the “overvolting” risk.
- Leaving the AC inverter turned on will drain the fully charged battery in about two days, based on my testing. By default, it turns off in 30 minutes when no load is detected.
- You can combine SDC charging inputs for faster charging. For example, it can be charged over solar and your car’s cigarette lighter socket simultaneously.
- You cannot, however, charge from both AC inputs and SDC inputs simultaneously.
- The Power 1000 can function as a UPS for places susceptible to blackouts.
- There’s no iOS or Android app to remotely control or monitor the ports on the Power 1000, but there is a Mac or Windows app to manage firmware updates — a procedure I found to be laborious when performed the first time on my MacBook.
- While being generally very quiet, its fans will produce a loud 46dB when under heavy load, but they quickly spin down once the load is removed.
- The display is informative and generally readable both indoors and out.
1/18
If you’re a professional content creator who already owns one of the DJI drones that can take advantage of the Power 1000’s (or Power 500) fast charging, then there’s little reason to look elsewhere for a new power station, especially if you’re only looking to keep a simple mobile studio charged.
But if you’re looking for an all-purpose power station with gobs of solar input that’s ready for anything, then you should probably look elsewhere. While the Power 1000 can certainly expand its selection of inputs and outputs thanks to those versatile SDC ports, nobody wants to manage all those dongles and risk getting caught out in the outback after losing a cable that’s only sold by a single company.
The Power 1000 costs $599 before adding any SDC adapters. That’s more expensive than the $499 EcoFlow Delta 2 and a little cheaper than the $650 Bluetti AC180, both of which include all the inputs and outputs you’ll need from similarly sized batteries but fall short of DJI’s freakish ability to provide 2200W of sustained AC output.
All photography by Thomas Ricker / The Verge
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Trump administration bars former EU official and anti-disinformation and hate researchers from US
On Tuesday, the Trump Administration followed through on a threat of retaliation targeting foreigners who are involved in content moderation. The State Department announced sanctions barring US access for former EU commissioner Thierry Breton, as well as four researchers, while issuing an intentionally chilling threat to others, with Secretary of State Marco Rubio claiming, “The State Department stands ready and willing to expand today’s list if other foreign actors do not reverse course.”
One of the researchers the State Department says is banned and now deportable, is Imran Ahmed, who runs the Center for Countering Digital Hate (CCDH), an organization aimed at identifying and pushing back against hate speech online that Elon Musk tried and failed to censor with a lawsuit that was dismissed in early 2024. In his decision, Judge Charles Breyer wrote that X’s motivation for suing was to “punish CCDH for CCDH publications that criticized X Corp. — and perhaps in order to dissuade others.”
The other researchers include Anna-Lena von Hodenberg and Josephine Ballon, leaders of HateAid, a nonprofit that tried to sue X in 2023 for “failing to remove criminal antisemitic content,” as well as Clare Melford, leader of the Global Disinformation Index, which works on “fixing the systems that enable disinformation.”
The press release announcing the sanctions is titled “Announcement of Actions to Combat the Global Censorship-Industrial Complex,” the claimed target of Republicans like House Judiciary Committee leader Jim Jordan, as they’ve worked against attempts to apply fact-checking and misinformation research to social networks. Earlier this month, Reuters reported the State Department ordered US consulates to consider rejecting H-1B visa applicants involved in content moderation, and a few days ago, the Office of the US Trade Representative threatened retaliation against European tech giants like Spotify and SAP over supposedly “discriminatory” activity in regulating US tech platforms.
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Staying aware of your surroundings matters. That includes hearing smoke alarms, appliance beeps or a knock at the door. Still, real life gets busy. You wear headphones. You get focused. Sounds slip by. That is where Android Sound Notifications help. This built-in accessibility feature listens for key sounds and sends an alert to your screen. Think of it as a gentle tap on the shoulder when something important happens.
Although it was designed to help people who are hard of hearing, it is useful for anyone. If you work with noise-canceling headphones or often miss alerts at home, this feature can make a real difference.
Now, if you use an iPhone, here’s how Apple’s Sound Recognition can alert you to alarms and other key sounds on your device.
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Android Sound Notifications alert you when important sounds happen around you. (Kurt “CyberGuy” Knutsson)
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What Sound Notifications do on Android
Sound Notifications use your phone’s microphone to listen for specific sounds nearby. When it detects one, it sends a visual alert. You will see a pop-up, feel a vibration and may even see the camera flash.
By default, Android can detect sounds like:
- Smoke alarms
- Fire alarms
- Sirens
- Door knocks
- Doorbells
- Appliance beeps
- A landline phone ringing
- Running water
- A baby crying
- A dog barking
That range makes the feature practical at home or at work. Even better, you control which sounds matter to you.
Why this feature is worth using
Here is the simple truth. You cannot hear everything all the time. Distractions happen. Headphones block sound. Focus takes over. Sound Notifications fill that gap. While you stay locked into a task, your phone keeps listening. When something important happens, you still get the message. As a result, you worry less about missing alarms or visitors. You gain awareness without extra effort.
How to turn on Sound Notifications
Getting started only takes a minute. Note: We tested these steps on a Samsung Galaxy S24 Ultra running the latest version of Android. Menu names and locations may differ slightly on other Android phones, depending on the manufacturer and software version.
- Open the Settings app
- Go to Accessibility
- Tap Hearing enhancements
- Select Sound Notifications
- Turn the feature on
Turning on Sound Notifications only takes a few taps in Android’s Accessibility settings. (Kurt “CyberGuy” Knutsson)
When you enable Sound Notifications for the first time, Android will ask how you want to start the feature. Choose the option that works best for you:
- Tap the button in the quick settings panel
- Tap the Accessibility button
- Press the Side and Volume Up buttons
- Press and hold the Volume Up and Volume Down buttons for three seconds
After you select a shortcut, Click Ok. Then, Sound Notifications will start listening in the background.
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If you do not see the option, install the Live Transcribe & Notifications app from the Play Store. You can enable Sound Notifications from there. Once active, your phone listens for selected sounds and alerts you when it detects one.
Choose which sounds trigger alerts
Not every sound deserves your attention. Thankfully, Android lets you fine-tune alerts.
Settings may vary depending on your Android phone’s manufacturer
- Go back to Settings
- Tap Accessibility
- Click Hearing enhancements
- Tap Sound Notifications
- Click Open Sound Notifications. This opens the actual Sound Notifications control screen.
- On the Sound Notifications screen, tap Settings or the gear icon in the top corner
- Tap Sound types
You will now see the full list of detectable sounds.
- Toggle on the sounds you want alerts for, such as smoke alarms or doorbells
- Toggle off sounds you do not want, like dog barking or appliance beeps, if they are not important to you
You can choose exactly which sounds trigger alerts, helping you avoid unnecessary interruptions. (Kurt “CyberGuy” Knutsson)
Check the sound history log
Sound Notifications keep a log of detected sounds. This helps if you were away from your phone and want to see what happened.
You can also save sounds and name them. That makes it easier to tell the difference between your washer finishing and your microwave timer.
The log adds context, which makes alerts more helpful.
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Teach your phone custom sounds
Android does not stop at presets. You can train it to recognize sounds unique to your space.
Maybe your garage door has a distinct tone. Maybe an appliance uses a nonstandard beep. You can record it once, and your phone will listen for it going forward. To add a custom sound:
Settings may vary depending on your Android phone’s manufacturer
- Open Sound Notifications
- Tap the gear icon
- Select Custom sounds
- Tap Add sound
- Hit Record
Record a clear 20-second clip. The better the audio, the better detection works later.
Customize how alerts appear
By default, Sound Notifications use vibration and the camera flash. That visual cue is helpful for urgent alerts. However, not every sound needs that level of attention. You can adjust how alerts appear based on importance.
Settings may vary depending on your Android phone’s manufacturer
- Open Sound Notifications
- Open the gear icon
- Tap Ways to be notified
- From there, choose which alerts vibrate, flash or stay subtle
This flexibility keeps the feature working for your routine.
Your privacy stays on your phone
It is reasonable to question constant listening. Here is the key detail. Sound Notifications process audio locally on your device. Sounds never leave your phone. Nothing gets sent to Google. The only exception is if you choose to include audio with feedback. That design keeps the feature private and secure.
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Kurt’s key takeaways
Android Sound Notifications quietly solve a real problem. They help you stay aware when your ears cannot. Setup is fast. Controls are flexible. Privacy stays intact. Once you turn it on, you may wonder how you lived without it.
What important sound have you missed lately that your phone could have caught for you? Let us know by writing to us at Cyberguy.com.
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Last Samurai Standing begins with a familiar premise. Desperate samurai dispossessed by the restoration of the emperor enter into a deadly game for a life-changing cash prize — all for the entertainment of anonymous elites. Unlike its inspirations Battle Royale and Squid Game, however, Last Samurai Standing’s violence is chaotic, fast-paced, and kinetic, though it hides a careful choreography that makes the series a more electric proposition than its predecessors.
Viewers have Junichi Okada to thank for that. As well as starring in and producing Last Samurai Standing, he serves as the series’ action planner. Many will be familiar with the results of an action planner’s work — sometimes called an action director, elsewhere a “coordinator,” and even “choreographer” — though perhaps not what the role entails. In the case of Last Samurai Standing, it’s a role that touches on nearly every aspect of the production, from the story to the action itself.
“I was involved from the script stage, thinking about what kind of action we wanted and how we would present it in the context of this story,” Okada tells The Verge. “If the director [Michihito Fujii] said, ‘I want to shoot this kind of battle scene,’ I would then think through the content and concept, design the scene, and ultimately translate that into script pages.”
The close relationship between the writer and director extends to other departments, too. Though an action planner’s role starts with managing fight scenes and stunt performers, they also liaise with camera, wardrobe, makeup, and even editorial departments to ensure fight scenes cohere with the rest of the production.
Image: Netflix
It’s a role which might appear a natural progression for Okada, who is certified to teach Kali and Jeet Kune Do — a martial art conceived by Bruce Lee — and holds multiple black belts in jiujitsu. Though the roots of his progression into action planning can be traced back further, to 1995 when he became the youngest member of J-pop group V6.
“Dance experience connects directly to creating action,” he says. “[In both] rhythm and control of the body are extremely important.” Joining V6 at the age of 15, that experience has made Okada conscious of how he moves in relation to a camera during choreography, how he is seen within the structure of a shot, and, critical to action planning, how to navigate all of that safely from a young age.
That J-pop stardom also offered avenues into acting, initially in roles you might expect for a young pop star: comic heartthrobs and sitcom sons. But he was steadily able to broaden his output. A starring turn in Hirokazu Kore-eda’s Hana followed, as did voice acting in Studio Ghibli’s Tales From Earthsea and From Up on Poppy Hill. A more telling departure was a starring role in 2007’s SP, in which he played a rookie in a police bodyguard unit, for which he trained for several years under shootfighting instructor Yorinaga Nakamura.
“What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”
In the years since, Okada has cemented himself as one of Japan’s most recognizable actors, hopping between action starring roles in The Fable to sweeping period epics like Sekigahara. Those two genres converge in his Last Samurai Standing role of Shujiro, a former Shogunate samurai now reduced to poverty, working through his PTSD and reckoning with his bloodthirsty past in the game. These days, it’s less of a concern that the character butts up against his past idol image, he suggests. “What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”
For Okada’s work on Last Samurai Standing, as both producer and action planner, that involved lacing high-octane but believable action with the respect for history and character studies of the period dramas he loves. “Rather than being 100 percent faithful to historical accuracy,” he adds, “my goal was to focus on entertainment and story, while letting the ‘DNA’ and beauty of Japanese period drama gently float up in the background.”
A focus on what he defines as “‘dō’ — movement,” pure entertainment that “never lets the audience get bored” punctuated — with “‘ma,’” the active emptiness that connects those frenetic moments. Both can be conversations, even if one uses words and another communicates dialogue through sword blows. This is most apparent when Shujiro faces his former comrade Sakura (Yasushi Fuchikami) inside a claustrophobic bank vault that serves as a charnel house for the game’s less fortunate contestants.
“The whole battle is divided into three sequences,” Okada says. The first starts with a moment of almost perfect stillness, a deep breath, before the two launch into battle. “A fight where pride and mutual respect collide,” he says, “and where the speed of the techniques reaches a level that really surprises the audience.” It’s all captured in one, zooming take with fast, tightly choreographed action reminiscent of Donnie Yen and Wu Jing in Kill Zone.
So intense is their duel that both shatter multiple swords. The next phase sees them lash out in a more desperate and brutal manner with whatever weapons they find. Finally, having fought to a weary stalemate, the fight becomes, Okada concludes, “a kind of duel where their stubbornness and will are fully exposed” as they hack at each other with shattered blades and spear fragments.
Image: Netflix
It’s a rhythm that many fights in Last Samurai Standing follow, driven by a string of physical and emotional considerations that form the basis of an action planner’s tool kit: how and why someone fights based on who they are and their environment. Here it is two former samurai in an elegant and terrifyingly fast-paced duel. Elsewhere we see skill matched against brutality, or inexperience against expertise.
“I define a clear concept for each sequence,” Okada says, before he opens those concepts up to the broader team. From there, he might add notes, but in Last Samurai Standing, action is a collaborative affair. “We keep refining,” he says. “It’s a back-and-forth process of shaping the sequence using both the ideas the team brings and the choreography I create myself.”
There is a third factor which Okada believes is the series’ most defining. “If we get to continue the story,” he says, “I’d love to explore how much more we can lean into ‘sei’ — stillness, and bring in even more of a classical period drama feel.”
As much of a triumph of action as Last Samurai Standing is, its quietest moments are the ones that stay with you. The charged looks between Shujiro and Iroha (Kaya Kiyohara) or their shuddering fright when confronted with specters of their past. Most of all, Shujiro watching his young ward, Futaba Katsuki (Yumia Fujisaki), dance before a waterlogged torii as mist hovers. These pauses are what elevate and invigorate the breathless action above spectacle.
The pauses are also emblematic of the balance that Last Samurai Standing strikes between its period setting and pushing the boundaries of action, all to inject new excitement into the genre. “Japan is a country that values tradition and everything it has built up over time. That’s why moments where you try to update things are always difficult,” Okada says. “But right now, we’re in the middle of that transformation.”
That is an evolution that Okada hopes to support through his work, both in front of and behind the camera. If he can create avenues for new generations of talent to carry Japanese media to a broader audience and his team to achieve greater success on a global stage, “that would make me very happy,” he says. “I want to keep doing whatever I can to help make that possible.”
The first season of Last Samurai Standing is streaming on Netflix now, and a second season was just confirmed.
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