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U.S. women’s hockey team rolls to Olympic quarterfinals after rout of Canada

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U.S. women’s hockey team rolls to Olympic quarterfinals after rout of Canada

The hockey group-play game between the U.S. and Canada at the Milan-Cortina Winter Games on Tuesday was both meaningless and vitally important.

For the record, the U.S. breezed to a 5-0 win behind two goals from Hannah Bilka, a goal and two assists from Carolina Harvey and three assists from Abbey Murphy. It was another complete, methodical performance, one that saw the U.S. score in every period for a fourth straight game while shutting out an opponent for a third straight time, running its shutout streak to 151 minutes.

But because both teams had already qualified for the next round, the only thing the result determined was positioning for the quarterfinals, with the U.S. (4-0) earning the top seed out of Group A.

Yet the game was also important because it was the U.S. and Canada, a rivalry that once stood alongside Coke-Pepsi, Dodgers-Giants and paper vs. plastic as one of the greatest ever. But is it waning?

The U.S. entered the Milan-Cortina Winter Games ranked first in the world, Canada is second. Canada has won five of the seven previous Olympic tournaments, the U.S. won the other two.

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But the Americans have won seven games in a row over their northern neighbors, dating to last April’s world championships, and many of those games, like Tuesday’s, weren’t really close.

So is it still a rivalry? Or has it become a rout?

Canada, which figures to meet the U.S. again in the knockout round, is sticking with the former.

“I don’t think you read too much into it,” Canadian captain Brianne Jenner said. “Sometimes games like that happen and it’s hard to put a finger on what it was. But I don’t think we’re lacking any inner confidence.”

The Americans, meanwhile, stayed on their best, most humble behavior afterward, trying not to poke the wounded bear.

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“Every time we get to hit the ice against them, it’s an honor and a privilege,” defender Cayla Barnes said. “We have nothing but respect for them. And every time, we know it could go either way.”

Well, not lately. But Barnes said the U.S. dominance has been a process that has spanned years, not just seven games.

“This is four years in the making,” she said. “We’ve been putting together a collection of games, a collection of players, building some chemistry and a lot of trust and a lot of faith in each other. So I think that’s what you’re seeing here.

“[We] understand what we’re capable of and continue to put our foot on the gas and just play our way. There’s always something that we can get better at.”

The U.S. was on the gas from the start Tuesday, taking its earliest lead of the tournament on Harvey’s goal 3:45 into the first period. Murphy set up the next one, sending a behind-the-back pass from the end boards to the front of the net for a wide-open Bilka for the goal with less than three minutes left in the first period.

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The U.S. made it 3-0 on a disputed goal 81 seconds into the second period with the referees, after a long review, ruling that Kirsten Simms had pushed the puck through a mass of bodies in the crease and across the goal line. Canadian coach Troy Ryan challenged the goal but lost, earning a bench minor for delay of game.

Bilka got her second goal a dozen minutes later before Laila Edwards closed out the scoring midway through the final period. By then Ryan had changed goaltenders, replacing Ann-Renee Desbiens with Emerance Maschmeyer, who stopped the bleeding over the final eight minutes.

For the U.S., it was a dominant performance — but one that ended with the final whistle. A different Canada, the Americans know, looms in the next round.

“We’re super hungry after this,” forward Julia Gosling said. “We’re very disappointed so we want to come out learn from it. And yeah, next time we see them, we’re going to be very prepared.”

Canada could certainly be a different team personnel-wise since it played Tuesday without its captain, Marie Phillip-Poulin. She left Monday’s game with Czechia after taking a heavy hit along the boards that left her unable to put weight on her right leg. The three-time Olympic gold medalist and four-time world champion was listed as day-to-day.

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Until that rematch, expect the U.S. to walk softly while carrying big hockey sticks. Because rivalries never truly die and this one’s not about to fade away.

“Our coaches say the same thing: never [get] too high, never [get] too low,” U.S. forward Taylor Heise said. “They’re gonna hate us even more than they already do if we end up meeting them again.”

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Orioles manager Craig Albernaz takes line drive to face in terrifying scene

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Orioles manager Craig Albernaz takes line drive to face in terrifying scene

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Baltimore Orioles manager Craig Albernaz was involved in a terrifying moment during the team’s victory over the Arizona Diamondbacks on Monday night.

Albernaz was struck by a line drive off the bat of Orioles second baseman Jeremiah Jackson in the fifth inning. The ball hit the manager’s left cheek and he left to be looked at by the team’s medical staff.

Baltimore Orioles manager Craig Albernaz talks to media in the dugout before a baseball game against the Chicago White Sox in Chicago on April 8, 2026. (Nam Y. Huh/AP)

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Albernaz briefly returned to the game after Jackson hit a grand slam to help the Orioles to the 9-7 win.

“He’s doing good. Just as a precaution, he’s going to get it scanned,” Orioles bench coach Donnie Ecker said.

Jackson said he had a sunken feeling when he saw Albernaz in pain after the errant liner.

“I hit and then I kind of saw Alby holding his face. My heart kind of dropped,” Jackson said. “I was able to see him afterward and see he was doing OK.”

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Baltimore Orioles manager Craig Albernaz stands on the field before the game against the San Francisco Giants at Oriole Park at Camden Yards in Baltimore, Md., on Apr. 10, 2026. (Mitch Stringer/Imagn Images)

“Knowing he was OK helped. It made me feel a little bit better,” Jackson added. “I’m just happy he’s doing OK and in good spirits.”

Albernaz and Jackson embraced after the infielder hit the big home run in the sixth inning.

“That was awesome,” Jackson said of the impromptu embrace from his manager. “You never want to hurt anybody, and Alby’s awesome. It sucked. But he wore it well and he’s in good spirits so it made me feel better.”

Albernaz is in his first year as Baltimore’s manager. He served as a bench coach and assistant manager for the Cleveland Guardians in 2024 and 2025.

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Baltimore Orioles’ Jeremiah Jackson rounds the bases after hitting a home run during the eighth inning against the Arizona Diamondbacks in Baltimore on April 13, 2026. (Stephanie Scarbrough/AP)

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Baltimore improved to 9-7 with the win and are tied with the New York Yankees for first place in the American League East.

The Associated Press contributed to this report.

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How Jerry West found catharsis by speaking openly before his death in ‘The Logo’

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How Jerry West found catharsis by speaking openly before his death in ‘The Logo’

Jerry West’s legend was so well established when he retired from the Los Angeles Lakers in 1974 that he’d already been the inspiration for the NBA’s logo. Half a century later, West remains seventh all-time in points per game and holds the points-per-game record for a playoff series, numbers even more remarkable because he did it without the three-point shot.

But, of course, West wasn’t done. As a scout and general manager, he was a key architect of the Showtime Lakers teams of the 1980s and later acquired both Kobe Bryant and Shaquille O’Neal to build another dynasty. West also was an executive for the Golden State Warriors in their heyday, providing crucial advice on player personnel.

Through it all, however, West struggled with depression and a sense of self-loathing, and had trouble with intimacy, much of it a by-product of a hardscrabble childhood in West Virginia with a domineering father.

That dichotomy, his outer success and inner turmoil, are the heart of “Jerry West: The Logo,” a new documentary for Prime Video, from “black-ish” creator Kenya Barris, directing his first documentary.

Kenya Barris in “Jerry West: The Logo.”

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(Prime)

“I’m from L.A. and was a fan of the Showtime Lakers growing up,” Barris says, so he put his name in for the project figuring he’d at least get to meet a hero. “But we immediately hit it off and I felt a kinship with him.”

That ability to connect was part of West’s magic, as attested to by the string of NBA legends who pay tribute to him in the documentary, including Lakers such as Magic Johnson, James Worthy, Pat Riley and O’Neal, along with Steph Curry and Michael Jordan.

Vlade Divac was traded by West to secure the rights to Bryant, but he selected West to introduce him at his Hall of Fame induction. In a recent phone interview, Divac praised West as “a father figure when you needed it and a friend when you needed it. He was very honest and he cared about people and helped you achieve your goals. He’s one of the best guys I ever met. Period.”

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Barris, who did extensive interviews with West before the Laker icon died in 2024, spoke by video recently about making the documentary, which also includes NBA Commissioner Adam Silver acknowledging for the first time that West was the sport’s logo. This conversation has been edited for length and clarity.

Jerry had already opened up about his life in his memoir, “West by West,” but do you think this was still cathartic for him?

His book really drew me to doing the documentary because it was so honest. I think the idea of him actually saying these things out loud in front of a camera with his kids and his grandkids around was a catharsis for him.

Did he feel he was nearing the end?

Jerry would say, “I feel like I’m in God’s waiting room.” He didn’t like getting old because he was so much in touch with his body as an athlete — he could jump higher and run farther than his friends. When I first met him, he was on the treadmill and jogging with weights. He was in his 80s but was saying, “I used to be able to jog with more weights.”

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He was feeling old but I don’t think that he thought he was about to pass.

Was he annoyed by his depiction in HBO’s Lakers series “Winning Time,” which generated controversy in 2022?

The show was entertaining, but it really bothered him and he didn’t think it was fair. I think that series might’ve pushed him into wanting to do this, if I’m being completely honest.

An elderly man with white hair smiles and stands outside a red brick home.

“Jerry would say, ‘I feel like I’m in God’s waiting room,’” said director Kenya Barris, who conducted extensive interviews with the Lakers legend before his death in 2024.

(Prime)

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He and his family talk openly on camera about his mental health issues. Was it hard to balance that tonally with his great accomplishments in basketball?

I did not want to make something that was morose or a melodrama. But it would not be complete if he didn’t talk about the struggles. When I first met him, he was just coming out of a depression and anyone who’s ever been through that understands that it is actually a struggle. So forming a whole picture of who this character was was really important. And also it was important for his family because they lived through this with him as well. They were sad to see him suffer, but they had suffered through it too.

We wanted to really talk about who this character was and what formed him. Most of who we are is formed between the ages of 0 and 12 and in those years, Jerry saw a lot and went through a lot of stuff.

When his older brother was killed in Korea and his father put the casket by the Christmas tree …

That was crazy. If we could get the audience to understand who this man was, it would give them empathy for everything after.

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As a GM [general manager], he was a white guy in this predominantly Black sport, but he came in with a chip on his shoulder, too, and he saw these young players who hadn’t had strong father figures and came from socioeconomically deprived places like he did and he was able to build real relationships with them.

He didn’t want to talk about it a lot in the doc, but he did a lot for civil rights and for players’ advocacy of the NBA, for the Black players, who didn’t have the same voice that he had. But he did it quietly.

A man wearing a ballcap and holding up a basketball jersey stands next to a man in a grey suit.

Jerry West signed Shaquille O’Neal to the Lakers in 1996 after four years with the Orlando Magic. (Andrew D. Bernstein/NBAE via Getty Images)

Two men flank a man holding up a yellow basketball jersey.

Jerry West, left, Kobe Bryant and Lakers head coach Del Harris in 1997. Bryant was acquired in a trade for Vlade Divac. (Juan Ocampo/NBAE via Getty Images)

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One thing the documentary avoids is the contentious relationship with Phil Jackson — who isn’t even mentioned — and the cause of West’s departure from the Lakers right after he built that dynasty. Did he not want to discuss it?

We spoke about it. You can’t have that long a career and not rack up some controversial things. But I did not want this to be a salacious look at the negative accounts. I got in there the idea of a strain with the Lakers, but I wanted to make sure to not defile that relationship based upon certain things that I wasn’t going to dig into. It was not a gotcha sort of documentary. It was more of a tribute to him.

People have wondered if he had stayed on, whether he could have stopped the relationship between Kobe Bryant and Shaquille O’Neal from going south, and I would have been interested to know what he thought.

We did talk about that. He believes that he could have got them to stay together and he said that he believes they could have gone on and won four or five more championships.

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Mike Breen says fans ‘deserve to be thrown a bone’ as NBA cuts all local broadcasts from the playoffs

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Mike Breen says fans ‘deserve to be thrown a bone’ as NBA cuts all local broadcasts from the playoffs

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Mike Breen, the New York Knicks’ play-by-play announcer and star NBA voice with ESPN, is not happy with a key league move heading into the NBA Playoffs.

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And he didn’t hold back his frustrations during the Knicks’ regular-season finale on Sunday night.

For the first time in NBA history, all local network broadcasts are being pushed out of the playoffs for nationally televised games. Those networks paid a premium to air the playoffs, but the league had always allowed the local home broadcast to be aired as well as the national TV spots in previous seasons.

ESPN play-by-play sports commentator Mike Breen looks on prior to the game between the Boston Celtics and Philadelphia 76ers at the Wells Fargo Center on Feb. 25, 2023 in Philadelphia, Pennsylvania. The Celtics defeated the 76ers 110-107. (Mitchell Leff/Getty Images)

Breen, alongside his longtime partner, Knicks great Walt “Clyde” Frazier, ripped the league’s decision on the final day of his broadcasting duties for the Eastern Conference squad.

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“First time ever that no longer can the home team announcers and broadcasters televise the first round,” Breen mentioned during the 110-96 loss to the Charlotte Hornets while broadcasting on MSG.

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“The entire playoffs are exclusive to national TV broadcasters. I mentioned this earlier this season. I think, personally, Clyde, it’s a poor decision. Fans want to hear their home team announcers, at least in the first round. For so many of us, they become part of the family.”

Breen added that he understands “the networks pay a fortune for exclusivity,” granted he works for one of those networks on ESPN.

“But fans deserve to be thrown a bone once in a while in terms of letting the home team have a little bit of the first round,” he continued.

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The NBA reached a whopping $76 billion broadcast rights deal that kicked in at the start of this season, and it will last for the next 11 seasons. Like other pro sports leagues, the deal is carved out across various platforms, both long-standing networks and streaming.

ESPN play-by-play announcer Mike Breen calls the game between the Los Angeles Lakers and the Dallas Mavericks at Crypto.com Arena in Los Angeles, California, on Jan. 17, 2024. (Kirby Lee/USA TODAY Sports)

While the NBA got together the deal it liked with Disney, Amazon and NBCUniversal, Breen hopes it would consider working something out to get local broadcasters back into the fold for the playoffs.

However, he knows how the business is at the end of the day.

“Somehow, if there’s any way they can work out some kind of compromise, I’m not hopeful for that, but it would be wonderful to have it because this is our final telecast of the season,” Breen said.

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Breen, now, will focus on his ESPN duties as the lead commentator for the “Worldwide Leader” on the court. His famous “Bang!” call on clutch three-pointers has been synonymous with the biggest moments in the NBA Playoffs for years now, and that will get started very soon as teams in both the East and West gun for their shot at the Larry O’Brien Trophy and to call themselves NBA Finals champions.

The Oklahoma City Thunder, the reigning Finals champs, are the No. 1 seed in the Western Conference once again, while teams like the San Antonio Spurs, Denver Nuggets and Los Angeles Lakers will battle them to be crowned conference champions.

Mike Breen looks on before the game between the Golden State Warriors and the Los Angeles Lakers during Round 2 Game 3 of the Western Conference Semi-Finals 2023 NBA Playoffs on May 6, 2023 at Crypto.Com Arena in Los Angeles, California. (Andrew D. Bernstein/NBAE/Getty Images)

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In the East, Breen’s Knicks own the No. 3 seed, while the Detroit Pistons (No. 1) and Boston Celtics (No. 2) had successful regular-season campaigns to earn a top spot heading into the playoffs.

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The Play-In Tournament will be the first games for the NBA Playoffs, which will stream exclusively on Amazon Prime Video. Then, the first round will split its tipoffs on NBC/Peacock, Prime Video and ESPN.

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